Tracklist

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1Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Poco adagio
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:48
2Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Più mosso. Allegro moderato
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:34
3Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Waldung, sie schwankt heran
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:07
4Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Ewiger Wonnebrand
producer:
Wolfgang Stengel
solo baritone vocals [Pater Ecstaticus]:
Sir Thomas Allen (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:28
5Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Wie Felsenabgrund mir zu Füßen
producer:
Wolfgang Stengel
solo bass vocals [Pater Profundus]:
Hans Sotin (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:50
6Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Gerettet ist das edle Glied - Hände verschlinget euch
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:53
7Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Jene Rosen, aus den Händen
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:43
8Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Uns bleibt ein Erdenrest
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo alto vocals:
Waltraud Meier (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:24
9Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:10
10Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Höchste Herrscherin der Welt
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:07
11Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:29
12Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Bei der Liebe - Bei dem Bronn - Bei dem hochgeweihten Orte
producer:
Wolfgang Stengel
solo alto vocals [Maria Aegyptiaca]:
Kazuko Nagai (from 1990-11 until 1990-12)
solo alto vocals [Mulier Samaritana]:
Waltraud Meier (from 1990-11 until 1990-12)
solo soprano vocals [Magna Peccatrix]:
Cheryl Studer (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:21
13Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Neige, neige du Ohnegleichen
producer:
Wolfgang Stengel
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:58
14Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Er überwächst uns schon
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:46
15Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Vom edlen Geisterchor umgeben - Komm! Hebe dich zu höhern Sphären - Blicket auf zum Retterblick
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler8:03
16Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Alles Vergängliche ist nur ein Gleichnis
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:31
17Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
mezzo-soprano vocals:
Brigitte Fassbaender (in 1985-09)
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (in 1985-09)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:48
18Lieder eines fahrenden Gesellen: Ging heut' morgen übers Feld
mezzo-soprano vocals:
Brigitte Fassbaender (in 1985-09)
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (in 1985-09)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:22
19Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer
mezzo-soprano vocals:
Brigitte Fassbaender (in 1985-09)
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (in 1985-09)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:23
20Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz
mezzo-soprano vocals:
Brigitte Fassbaender (in 1985-09)
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (in 1985-09)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:46
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