Die 10 Symphonien / Orchesterlieder

~ Release by Gustav Mahler; Philharmonia Orchestra, Staatskapelle Dresden, Giuseppe Sinopoli, Edita Gruberová, Waltraud Meier, Bryn Terfel u.a. (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistLength
1Symphonie Nr. 1 in D-Dur "Der Titan": I. Langsam. Schleppend
recording engineer:
Hans‐Rudolf Müller
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (in 1989-02)
conductor:
Giuseppe Sinopoli (in 1989-02)
balance engineer:
Klaus Hiemann (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1990)
recorded at:
All Saints Church in London, England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1989-02)
composer:
Gustav Mahler (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler16:30
2Symphonie Nr. 1 in D-Dur "Der Titan": II. Kräftig bewegt
recording engineer:
Hans‐Rudolf Müller
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (in 1989-02)
conductor:
Giuseppe Sinopoli (in 1989-02)
balance engineer:
Klaus Hiemann (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1990)
recorded at:
All Saints Church in London, England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1989-02)
composer:
Gustav Mahler (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler8:10
3Symphonie Nr. 1 in D-Dur "Der Titan": III. Feierlich und gemessen
recording engineer:
Hans‐Rudolf Müller
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (in 1989-02)
conductor:
Giuseppe Sinopoli (in 1989-02)
balance engineer:
Klaus Hiemann (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1990)
recorded at:
All Saints Church in London, England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1989-02)
composer:
Gustav Mahler (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler11:57
4Symphonie Nr. 1 in D-Dur "Der Titan": IV. Stürmisch bewegt
recording engineer:
Hans‐Rudolf Müller
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (in 1989-02)
conductor:
Giuseppe Sinopoli (in 1989-02)
balance engineer:
Klaus Hiemann (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1990)
recorded at:
All Saints Church in London, England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1989-02)
composer:
Gustav Mahler (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler20:41
5Symphonie Nr. 2 in c-Moll "Auferstehung": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1985-09)
composer:
Gustav Mahler (from 1888 until 1894)
premiered at:
[concert]
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler21:45
2▼CD
#TitleArtistLength
1Symphonie Nr. 2 in c-Moll "Auferstehung": II. Andante moderato. Sehr gemächlich
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1985-09)
composer:
Gustav Mahler (from 1888 until 1894)
premiered at:
[concert]
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler9:20
2Symphonie Nr. 2 in c-Moll "Auferstehung": III. Scherzo. In ruhig fliessender Bewegung
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1985-09)
composer:
Gustav Mahler (from 1888 until 1894)
premiered at:
[concert]
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler12:09
3Symphonie Nr. 2 in c-Moll "Auferstehung": IV. Urlicht. Sehr feierlich, aber schlicht "O Röschen rot!"
producer:
Wolfgang Stengel
mezzo-soprano vocals:
Brigitte Fassbaender (in 1985-09)
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1985-09)
composer:
Gustav Mahler (from 1888 until 1894)
librettist:
[anonymous]
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:12
4Symphonie Nr. 2 in c-Moll "Auferstehung": Va. Im Tempo des Scherzos. Wild herausfahrend
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1985-09)
composer:
Gustav Mahler (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler14:32
5Symphonie Nr. 2 in c-Moll "Auferstehung": V. Wieder zurückhaltend. Langsam. Misterioso
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (in 1985-09)
mezzo-soprano vocals:
Brigitte Fassbaender (in 1985-09)
soprano vocals:
Rosalind Plowright (in 1985-09)
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
chorus master:
Andrew Greenwood (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1985-09)
composer:
Gustav Mahler (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler23:03
3▼CD
#TitleArtistLength
1Symphonie Nr. 3 in d-Moll: I. Kräftig. Entscheiden
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1994-02)
conductor:
Giuseppe Sinopoli (in 1994-02)
balance engineer:
Klaus Hiemann (in 1994-02)
recorded at:
All Saints Church in London, England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1994-02)
composer:
Gustav Mahler (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler32:22
2Symphonie Nr. 3 in d-Moll: II. Tempo die minuetto. Sehr mäßig
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1994-02)
conductor:
Giuseppe Sinopoli (in 1994-02)
balance engineer:
Klaus Hiemann (in 1994-02)
recorded at:
All Saints Church in London, England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1994-02)
composer:
Gustav Mahler (from 1893 until 1896)
premiered at:
[concert]
part of:
Symphony no. 3 in D minor
Gustav Mahler10:41
3Symphonie Nr. 3 in d-Moll: III. Comodo. Scherzando. Ohne Hast
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1994-02)
conductor:
Giuseppe Sinopoli (in 1994-02)
balance engineer:
Klaus Hiemann (in 1994-02)
recorded at:
All Saints Church in London, England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1994-02)
composer:
Gustav Mahler (from 1893 until 1896)
premiered at:
[concert]
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler18:24
4Symphonie Nr. 3 in d-Moll: IV. Sehr langsam. Misterioso: "O Mensch! Gib acht!"
producer:
Wolfgang Stengel
alto vocals:
Hanna Schwarz (in 1994-02)
orchestra:
Philharmonia Orchestra (in 1994-02)
conductor:
Giuseppe Sinopoli (in 1994-02)
balance engineer:
Klaus Hiemann (in 1994-02)
recorded at:
All Saints Church in London, England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1994-02)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler11:04
5Symphonie Nr. 3 in d-Moll: V. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel"
producer:
Wolfgang Stengel
alto vocals:
Hanna Schwarz (in 1994-02)
choir vocals:
New London Children’s Choir (in 1994-02)
orchestra:
Philharmonia Orchestra (in 1994-02)
conductor:
Giuseppe Sinopoli (in 1994-02)
balance engineer:
Klaus Hiemann (in 1994-02)
recorded at:
All Saints Church in London, England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 1994-02)
composer:
Gustav Mahler (from 1893 until 1896)
arrangement of:
Des Knaben Wunderhorn: Es sungen drei Engel
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:08
4▼CD
#TitleArtistLength
1Symphonie Nr. 3 in d-Moll: VI. Langsam. Ruhevoll. Empfunden
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1994-02)
conductor:
Giuseppe Sinopoli (in 1994-02)
balance engineer:
Klaus Hiemann (in 1994-02)
recorded at:
All Saints Church in London, England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1994-02)
composer:
Gustav Mahler (from 1893 until 1896)
premiered at:
[concert]
part of:
Symphony no. 3 in D minor
Gustav Mahler23:08
2Symphonie Nr. 7 in e-Moll: I. Langsam. Allegro risoluto
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1992-05)
conductor:
Giuseppe Sinopoli (in 1992-05)
balance engineer:
Klaus Hiemann (in 1992-05)
recorded at:
All Saints Church in London, England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (in 1992-05)
composer:
Gustav Mahler (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler24:36
3Symphonie Nr. 7 in e-Moll: II. Nachtmusik. Allegro moderato
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1992-05)
conductor:
Giuseppe Sinopoli (in 1992-05)
balance engineer:
Klaus Hiemann (in 1992-05)
recorded at:
All Saints Church in London, England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (in 1992-05)
composer:
Gustav Mahler (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler17:04
4Symphonie Nr. 7 in e-Moll: III. Scherzo. Schattenhaft
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1992-05)
conductor:
Giuseppe Sinopoli (in 1992-05)
balance engineer:
Klaus Hiemann (in 1992-05)
recorded at:
All Saints Church in London, England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (in 1992-05)
composer:
Gustav Mahler (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler9:53
5▼CD
#TitleArtistLength
1Symphonie Nr. 7 in e-Moll: IV. Nachtmusik. Andante amoroso
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1992-05)
conductor:
Giuseppe Sinopoli (in 1992-05)
balance engineer:
Klaus Hiemann (in 1992-05)
recorded at:
All Saints Church in London, England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (in 1992-05)
composer:
Gustav Mahler (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler17:35
2Symphonie Nr. 7 in e-Moll: V. Rondo. Finale. Allegro ordinario - Allegro moderato ma energico
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1992-05)
conductor:
Giuseppe Sinopoli (in 1992-05)
balance engineer:
Klaus Hiemann (in 1992-05)
recorded at:
All Saints Church in London, England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (in 1992-05)
composer:
Gustav Mahler (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler18:22
3Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Veni creator spiritus
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:22
4Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Imple superna gratia
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:58
5Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Infirma nostri corporis
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:44
6Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Tempo I. Allegro, etwas hastig
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:27
7Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Infirma nostri corporis
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:17
8Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Accende lumen sensibus
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:57
9Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Veni creator spiritus
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:52
10Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Gloria sit Patri Domino
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:30
6▼CD
#TitleArtistLength
1Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Poco adagio
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:48
2Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Più mosso. Allegro moderato
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:34
3Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Waldung, sie schwankt heran
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:07
4Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Ewiger Wonnebrand
producer:
Wolfgang Stengel
solo baritone vocals [Pater Ecstaticus]:
Sir Thomas Allen (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:28
5Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Wie Felsenabgrund mir zu Füßen
producer:
Wolfgang Stengel
solo bass vocals [Pater Profundus]:
Hans Sotin (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:50
6Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Gerettet ist das edle Glied - Hände verschlinget euch
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:53
7Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Jene Rosen, aus den Händen
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:43
8Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Uns bleibt ein Erdenrest
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo alto vocals:
Waltraud Meier (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:24
9Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:10
10Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Höchste Herrscherin der Welt
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:07
11Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:29
12Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Bei der Liebe - Bei dem Bronn - Bei dem hochgeweihten Orte
producer:
Wolfgang Stengel
solo alto vocals [Maria Aegyptiaca]:
Kazuko Nagai (from 1990-11 until 1990-12)
solo alto vocals [Mulier Samaritana]:
Waltraud Meier (from 1990-11 until 1990-12)
solo soprano vocals [Magna Peccatrix]:
Cheryl Studer (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:21
13Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Neige, neige du Ohnegleichen
producer:
Wolfgang Stengel
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:58
14Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Er überwächst uns schon
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:46
15Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Vom edlen Geisterchor umgeben - Komm! Hebe dich zu höhern Sphären - Blicket auf zum Retterblick
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler8:03
16Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Alles Vergängliche ist nur ein Gleichnis
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (from 1990-11 until 1990-12)
recorded at:
All Saints Church in London, England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:31
17Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
mezzo-soprano vocals:
Brigitte Fassbaender (in 1985-09)
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (in 1985-09)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:48
18Lieder eines fahrenden Gesellen: Ging heut' morgen übers Feld
mezzo-soprano vocals:
Brigitte Fassbaender (in 1985-09)
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (in 1985-09)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:22
19Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer
mezzo-soprano vocals:
Brigitte Fassbaender (in 1985-09)
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (in 1985-09)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:23
20Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz
mezzo-soprano vocals:
Brigitte Fassbaender (in 1985-09)
orchestra:
Philharmonia Orchestra (in 1985-09)
conductor:
Giuseppe Sinopoli (in 1985-09)
balance engineer:
Klaus Hiemann (in 1985-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (in 1985-09)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:46
7▼CD
#TitleArtistLength
1Das Lied von der Erde: Das Trinklied vom Jammer der Erde
producer:
Werner Mayer
tenor vocals:
Keith Lewis (in 1996-01)
orchestra:
Staatskapelle Dresden (in 1996-01)
conductor:
Giuseppe Sinopoli (in 1996-01)
balance engineer:
Klaus Hiemann (in 1996-01)
recorded at:
Lukaskirche in Dresden, Sachsen, Germany (in 1996-01)
recording of:
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (The Song of the Earth: I. Drinking Song of Earth’s Sorrows) (in 1996-01)
composed in:
Toblach, Bolzano, Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白
composer:
Gustav Mahler (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen
is based on:
悲歌行 (Chinese poem)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler8:43
2Das Lied von der Erde: Der Einsame im Herbst
producer:
Werner Mayer
contralto vocals:
Iris Vermillion (in 1996-01)
orchestra:
Staatskapelle Dresden (in 1996-01)
conductor:
Giuseppe Sinopoli (in 1996-01)
balance engineer:
Klaus Hiemann (in 1996-01)
recorded at:
Lukaskirche in Dresden, Sachsen, Germany (in 1996-01)
recording of:
Das Lied von der Erde: II. Der Einsame im Herbst (The Song of the Earth: II. The Lonely Man in Autumn) (in 1996-01)
composed in:
Toblach, Bolzano, Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
錢起
composer:
Gustav Mahler (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen
is based on:
效古秋夜長
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler9:48
3Das Lied von der Erde: Von der Jugend
producer:
Werner Mayer
tenor vocals:
Keith Lewis (in 1996-01)
orchestra:
Staatskapelle Dresden (in 1996-01)
conductor:
Giuseppe Sinopoli (in 1996-01)
balance engineer:
Klaus Hiemann (in 1996-01)
recorded at:
Lukaskirche in Dresden, Sachsen, Germany (in 1996-01)
recording of:
Das Lied von der Erde: III. Von der Jugend (The Song of the Earth: III. Of Youth) (in 1996-01)
composed in:
Toblach, Bolzano, Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白
composer:
Gustav Mahler (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler3:17
4Das Lied von der Erde: Von der Schönheit
producer:
Werner Mayer
contralto vocals:
Iris Vermillion (in 1996-01)
orchestra:
Staatskapelle Dresden (in 1996-01)
conductor:
Giuseppe Sinopoli (in 1996-01)
balance engineer:
Klaus Hiemann (in 1996-01)
recorded at:
Lukaskirche in Dresden, Sachsen, Germany (in 1996-01)
recording of:
Das Lied von der Erde: IV. Von der Schönheit (The Song of the Earth: IV. Of Beauty) (in 1996-01)
composed in:
Toblach, Bolzano, Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白
composer:
Gustav Mahler (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen
is based on:
采蓮曲
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler6:53
5Das Lied von der Erde: Der Trunkene im Frühling
producer:
Werner Mayer
tenor vocals:
Keith Lewis (in 1996-01)
orchestra:
Staatskapelle Dresden (in 1996-01)
conductor:
Giuseppe Sinopoli (in 1996-01)
balance engineer:
Klaus Hiemann (in 1996-01)
recorded at:
Lukaskirche in Dresden, Sachsen, Germany (in 1996-01)
recording of:
Das Lied von der Erde: V. Der Trunkene im Frühling (The Song of the Earth: V. The Drunkard in Spring) (in 1996-01)
composed in:
Toblach, Bolzano, Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白
composer:
Gustav Mahler (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen
is based on:
春日醉起言志
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler4:45
6Das Lied von der Erde: Der Abschied
producer:
Werner Mayer
contralto vocals:
Iris Vermillion (in 1996-01)
orchestra:
Staatskapelle Dresden (in 1996-01)
conductor:
Giuseppe Sinopoli (in 1996-01)
balance engineer:
Klaus Hiemann (in 1996-01)
recorded at:
Lukaskirche in Dresden, Sachsen, Germany (in 1996-01)
recording of:
Das Lied von der Erde: VI. Der Abschied (The Song of the Earth: VI. The Farewell) (in 1996-01)
composed in:
Toblach, Bolzano, Trentino-Alto Adige, Italy (from 1908 until 1909)
additional lyricist:
Gustav Mahler
lyricist:
孟浩然 and 王維
composer:
Gustav Mahler (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen
is based on:
宿業師山房待丁大不至
is based on:
送別 (Chinese poem by Wang Wei)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler30:35
7Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht teilen - Recht gemächlich
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1991-02)
conductor:
Giuseppe Sinopoli (in 1991-02)
balance engineer:
Klaus Hiemann (in 1991-02)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 1991-02)
composer:
Gustav Mahler (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler16:18
8▼CD
#TitleArtistLength
1Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1991-02)
conductor:
Giuseppe Sinopoli (in 1991-02)
balance engineer:
Klaus Hiemann (in 1991-02)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 1991-02)
composer:
Gustav Mahler (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler10:08
2Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (in 1991-02)
conductor:
Giuseppe Sinopoli (in 1991-02)
balance engineer:
Klaus Hiemann (in 1991-02)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1991-02)
composer:
Gustav Mahler (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler21:52
3Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. Wir genießen die himmlischen Freuden
producer:
Wolfgang Stengel
soprano vocals:
Edita Gruberová (in 1991-02)
orchestra:
Philharmonia Orchestra (in 1991-02)
conductor:
Giuseppe Sinopoli (in 1991-02)
balance engineer:
Klaus Hiemann (in 1991-02)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1991-02)
composer:
Gustav Mahler (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler9:54
4Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
producer:
Wolfgang Stengel
bass-baritone vocals:
Bryn Terfel (in 1992-11)
orchestra:
Philharmonia Orchestra (in 1992-11)
conductor:
Giuseppe Sinopoli (in 1992-11)
balance engineer:
Klaus Hiemann (in 1992-11)
recorded at:
All Saints Church in London, England, United Kingdom (in 1992-11)
recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (in 1992-11)
composer:
Gustav Mahler (in 1901)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:22
5Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
producer:
Wolfgang Stengel
bass-baritone vocals:
Bryn Terfel (in 1992-11)
orchestra:
Philharmonia Orchestra (in 1992-11)
conductor:
Giuseppe Sinopoli (in 1992-11)
balance engineer:
Klaus Hiemann (in 1992-11)
recorded at:
All Saints Church in London, England, United Kingdom (in 1992-11)
recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (in 1992-11)
composer:
Gustav Mahler (in 1904)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:10
6Kindertotenlieder: Wenn dein Mütterlein
producer:
Wolfgang Stengel
bass-baritone vocals:
Bryn Terfel (in 1992-11)
orchestra:
Philharmonia Orchestra (in 1992-11)
conductor:
Giuseppe Sinopoli (in 1992-11)
balance engineer:
Klaus Hiemann (in 1992-11)
recorded at:
All Saints Church in London, England, United Kingdom (in 1992-11)
recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (in 1992-11)
composer:
Gustav Mahler (in 1901)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:00
7Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen
producer:
Wolfgang Stengel
bass-baritone vocals:
Bryn Terfel (in 1992-11)
orchestra:
Philharmonia Orchestra (in 1992-11)
conductor:
Giuseppe Sinopoli (in 1992-11)
balance engineer:
Klaus Hiemann (in 1992-11)
recorded at:
All Saints Church in London, England, United Kingdom (in 1992-11)
recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (in 1992-11)
composer:
Gustav Mahler (in 1901)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler3:17
8Kindertotenlieder: In diesem Wetter, in diesem Braus
producer:
Wolfgang Stengel
bass-baritone vocals:
Bryn Terfel (in 1992-11)
orchestra:
Philharmonia Orchestra (in 1992-11)
conductor:
Giuseppe Sinopoli (in 1992-11)
balance engineer:
Klaus Hiemann (in 1992-11)
recorded at:
All Saints Church in London, England, United Kingdom (in 1992-11)
recording of:
Kindertotenlieder: V. “In diesem Wetter” (in 1992-11)
composer:
Gustav Mahler (in 1904)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:32
9▼CD
#TitleArtistLength
1Symphonie Nr. 5 in cis-Moll: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I
recording engineer:
Jobst Eberhardt
executive producer:
Günther Breest
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (in 1985-01)
conductor:
Giuseppe Sinopoli (in 1985-01)
balance engineer:
Klaus Hiemann (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (in 1985)
recorded at:
All Saints Church in London, England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (in 1985-01)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:09
2Symphonie Nr. 5 in cis-Moll: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I. Subito
recording engineer:
Jobst Eberhardt
executive producer:
Günther Breest
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (in 1985-01)
conductor:
Giuseppe Sinopoli (in 1985-01)
balance engineer:
Klaus Hiemann (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (in 1985)
recorded at:
All Saints Church in London, England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (in 1985-01)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:45
3Symphonie Nr. 5 in cis-Moll: III. Scherzo. Kräftig, nicht zu schnell
recording engineer:
Jobst Eberhardt
executive producer:
Günther Breest
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (in 1985-01)
conductor:
Giuseppe Sinopoli (in 1985-01)
balance engineer:
Klaus Hiemann (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (in 1985)
recorded at:
All Saints Church in London, England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (in 1985-01)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler17:24
4Symphonie Nr. 5 in cis-Moll: IV. Adagietto. Sehr langsam
recording engineer:
Jobst Eberhardt
executive producer:
Günther Breest
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (in 1985-01)
conductor:
Giuseppe Sinopoli (in 1985-01)
balance engineer:
Klaus Hiemann (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (in 1985)
recorded at:
All Saints Church in London, England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1985-01)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:26
5Symphonie Nr. 5 in cis-Moll: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
recording engineer:
Jobst Eberhardt
executive producer:
Günther Breest
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (in 1985-01)
conductor:
Giuseppe Sinopoli (in 1985-01)
balance engineer:
Klaus Hiemann (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (in 1985)
recorded at:
All Saints Church in London, England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (in 1985-01)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:10
10▼CD
#TitleArtistLength
1Des Knaben Wunderhorn: Selbstgefühl
baritone vocals:
Bernd Weikl
orchestra:
Philharmonia Orchestra
conductor:
Giuseppe Sinopoli
recording of:
Des Knaben Wunderhorn: Selbstgefühl (orch. Byrns)
orchestrator:
Harold Byrns
composer:
Gustav Mahler
orchestration of:
Lieder und Gesänge: XIV. Selbstgefühl (for voice and piano)
Gustav Mahler1:58
2Des Knaben Wunderhorn: Frühlingsmorgen
baritone vocals:
Bernd Weikl
orchestra:
Philharmonia Orchestra
conductor:
Giuseppe Sinopoli
recording of:
Des Knaben Wunderhorn: Frühlingsmorgen (orch. Byrns)
orchestrator:
Harold Byrns
composer:
Gustav Mahler
orchestration of:
Lieder und Gesänge: I. Frühlingsmorgen (for voice and piano)
Gustav Mahler2:35
3Des Knaben Wunderhorn: Nicht wiedersehen
baritone vocals:
Bernd Weikl
orchestra:
Philharmonia Orchestra
conductor:
Giuseppe Sinopoli
recording of:
Des Knaben Wunderhorn: Nicht wiedersehen (orch. Byrns)
orchestrator:
Harold Byrns
composer:
Gustav Mahler
orchestration of:
Lieder und Gesänge: XIII. Nicht wiedersehen (for voice and piano)
Gustav Mahler5:46
4Des Knaben Wunderhorn: Zu Straßburg auf der Schanz
baritone vocals:
Bernd Weikl
orchestra:
Philharmonia Orchestra
conductor:
Giuseppe Sinopoli
recording of:
Des Knaben Wunderhorn: Zu Straßburg auf der Schanz (orch. Byrns)
orchestrator:
Harold Byrns
composer:
Gustav Mahler
orchestration of:
Lieder und Gesänge: X. Zu Straßburg auf der Schanz (for voice and piano)
Gustav Mahler3:59
5Des Knaben Wunderhorn: Ablösung im Sommer
baritone vocals:
Bernd Weikl
orchestra:
Philharmonia Orchestra
conductor:
Giuseppe Sinopoli
recording of:
Des Knaben Wunderhorn: Ablösung im Sommer (orch. Byrns)
orchestrator:
Harold Byrns
composer:
Gustav Mahler
orchestration of:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
Gustav Mahler1:33
6Des Knaben Wunderhorn: Um schlimme Kinder artig zu machen
baritone vocals:
Bernd Weikl
orchestra:
Philharmonia Orchestra
conductor:
Giuseppe Sinopoli
recording of:
Des Knaben Wunderhorn: Um schlimme Kinder artig zu machen (orch. Byrns)
orchestrator:
Harold Byrns
composer:
Gustav Mahler
orchestration of:
Lieder und Gesänge: VI. Um schlimme Kinder artig zu machen (for voice and piano)
Gustav Mahler1:45
7Symphonie Nr. 6 in a-Moll: I. Allegro energico, man non troppo. Heftig, aber markig
producer:
Wolfgang Singer
orchestra:
Philharmonia Orchestra (in 1986-09)
conductor:
Giuseppe Sinopoli (in 1986-09)
balance engineer:
Klaus Hiemann (in 1986-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1986-09)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (in 1986-09)
composer:
Gustav Mahler (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler25:08
8Symphonie Nr. 6 in a-Moll: II. Scherzo. Wuchtig
producer:
Wolfgang Singer
orchestra:
Philharmonia Orchestra (in 1986-09)
conductor:
Giuseppe Sinopoli (in 1986-09)
balance engineer:
Klaus Hiemann (in 1986-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1986-09)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (in 1986-09)
composer:
Gustav Mahler (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler13:40
9Symphonie Nr. 6 in a-Moll: III. Andante moderato
producer:
Wolfgang Singer
orchestra:
Philharmonia Orchestra (in 1986-09)
conductor:
Giuseppe Sinopoli (in 1986-09)
balance engineer:
Klaus Hiemann (in 1986-09)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1986-09)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (in 1986-09)
composer:
Gustav Mahler (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler19:53
11▶CD
12▶CD

Credits