Violin Concerto

~ Release by Kurt Weill; London Sinfonietta, David Atherton (see all versions of this release, 2 available)

Tracklist

1▶CD

2▼CD
#	Title	Artist	Length
1	Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - I. Introduktion: Der kleine Leutnant des lieben Gottes orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 1. No. 2: Der Leutnant des Lieben Gottes. "Obacht, gebt obacht!" (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 1: Lieder vom Höllenfeuer und Reue	Kurt Weill	0:43
2	Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - II. Heisarmeelied III: Fürchte dich nicht baritone vocals: Benjamin Luxon (in 1975-09) soprano vocals: Mary Thomas (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 2. No. 6: Heilsarmeelied III. "Fürchte dich nicht" (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 2: Lieder von der Unschuld	Kurt Weill	0:49
3	Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - III. Die Ballade von der Höllenlili solo mezzo-soprano vocals: Meriel Dickinson (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 3. No. 12: Die Ballade von der Höllen-Lili. "Wenn ich in der Hölle brenne" (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 3: Lieder der rivalisierenden Armeen	Kurt Weill	2:26
4	Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - IV. Das Lied der Branntweinhändler baritone vocals: Benjamin Luxon (in 1975-09) solo soprano vocals: Mary Thomas (in 1975-09) solo tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 2. No. 8: Das Lied vom Branntweinhändler. "Hinter Gläsern, an dem Schanktisch" (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 2: Lieder von der Unschuld	Kurt Weill	4:12
5	Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - V. Der Matrosen-Song solo mezzo-soprano vocals: Meriel Dickinson (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 1. No. 4: Der Matrosen-Tango "Hallo, jetzt fahren wir nach Birma hinüber" ("Was die Herren Matrosen sagen") (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 1: Lieder vom Höllenfeuer und Reue	Kurt Weill	7:09
6	Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - VI. Heilsarmeelied II: Bruder, gib dir eine Stoss baritone vocals: Benjamin Luxon (in 1975-09) soprano vocals: Mary Thomas (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 2. No. 5: Heilsarmeelied II. "Bruder, gib dir einen Stoß" (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 1: Lieder vom Höllenfeuer und Reue	Kurt Weill	0:28
7	Happy End: Teil 2: Lieder von der Unschuld - VII. Der Song von Mandelay solo baritone vocals: Benjamin Luxon (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 3. No. 9: Der Song von Mandelay. "Mutters Goddams Puff in Mandelay" (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 3: Lieder der rivalisierenden Armeen	Kurt Weill	2:26
8	Happy End: Teil 2: Lieder von der Unschuld - VIII. Heilsarmeelied IV: In der Jugend gold'nem Schimmer baritone vocals: Benjamin Luxon (in 1975-09) soprano vocals: Mary Thomas (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 2. No. 7: Heilsarmeelied IV. "In der Jugend gold'nem Schimmer" (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 2: Lieder von der Unschuld	Kurt Weill	0:44
9	Happy End: Teil 2: Lieder von der Unschuld - IX. Surabaya-Johnny solo mezzo-soprano vocals: Meriel Dickinson (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version) (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 3: Lieder der rivalisierenden Armeen	Kurt Weill	5:57
10	Happy End: Teil 3: Lieder der rivalisierenden Armeen - X. Heilsarmeelied I: Geht hinein in die Schlacht baritone vocals: Benjamin Luxon (in 1975-09) soprano vocals: Mary Thomas (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 1. No. 3: Heilsarmeelied I. "Geht hinein in die Schlacht" (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 1: Lieder vom Höllenfeuer und Reue	Kurt Weill	0:21
11	Happy End: Teil 3: Lieder der rivalisierenden Armeen - XI. Der kleine Leutnant des lieben Gottes I solo mezzo-soprano vocals: Meriel Dickinson (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 3. No. 14: Der kleine Leutnant des lieben Gottes II (Finale) (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 3: Lieder der rivalisierenden Armeen	Kurt Weill	2:27
12	Happy End: Teil 3: Lieder der rivalisierenden Armeen - XII. Das Lied von der harten Nuss solo baritone vocals: Benjamin Luxon (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 3. No. 11: Das Lied von der harten Nuss. "Wer will einen großen Mann hab'n" (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 3: Lieder der rivalisierenden Armeen	Kurt Weill	1:00
13	Happy End: Teil 3: Lieder der rivalisierenden Armeen - XIII. Hosiannah Rockefeller baritone vocals: Benjamin Luxon (in 1975-09) mezzo-soprano vocals: Meriel Dickinson (in 1975-09) solo soprano vocals: Mary Thomas (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 3. No. 13: Hosiannah Rockefeller (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill part of: Happy End: Teil 3: Lieder der rivalisierenden Armeen	Kurt Weill	3:00
14	Happy End: Teil 3: Lieder der rivalisierenden Armeen - XIV. Der kleine Leutnant des lieben Gottes II baritone vocals: Benjamin Luxon (in 1975-09) solo mezzo-soprano vocals: Meriel Dickinson (in 1975-09) soprano vocals: Mary Thomas (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Happy End: Teil 3. No. 14: Der kleine Leutnant des lieben Gottes II (Finale) (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill librettist: Elisabeth Hauptmann part of: Happy End: Teil 3: Lieder der rivalisierenden Armeen	Kurt Weill	2:40
15	Das Berliner Requiem: I. Grosser Dankchoral baritone vocals: Benjamin Luxon (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Das Berliner Requiem: 1. Großer Dankchoral "Lobet die Nacht ..." (Chor) (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill (in 1928) part of: Das Berliner Requiem	Kurt Weill	3:07
16	Das Berliner Requiem: II. Ballade vom ertrunkenen Mädchen baritone vocals: Benjamin Luxon (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Das Berliner Requiem: 2. Ballade vom ertrunkenen Mädchen (Chor) (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill part of: Das Berliner Requiem	Kurt Weill	2:36
17	Das Berliner Requiem: III. Grabschrift baritone vocals: Benjamin Luxon (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Das Berliner Requiem: 3. Marterl "Hier ruht die Jungfrau Johanna Beck" (Chor, Tenor) (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill part of: Das Berliner Requiem revision of: Grabschrift 1919: Die rote Rosa (Alternative piece to Berliner Requiem)	Kurt Weill	1:43
18	Das Berliner Requiem: IV. Erster Bericht über den Unbekannten Soldaten unter dem Triumphbogen baritone vocals: Benjamin Luxon (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Das Berliner Requiem: 4. Erster Bericht über den unbekannten Soldaten "Wir kamen von den Gebirgen" (Chor, Tenor) (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill part of: Das Berliner Requiem	Kurt Weill	3:19
19	Das Berliner Requiem: V. Zweiter Bericht über den Unbekannten Soldaten unter dem Triumphbogen baritone vocals: Benjamin Luxon (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Das Berliner Requiem: 5. Zweiter Bericht über den unbekannten Soldaten "Alles, was ich euch sagte" (Chor, Bariton) (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill part of: Das Berliner Requiem	Kurt Weill	6:34
20	Das Berliner Requiem: VI. Grosser Dankchoral baritone vocals: Benjamin Luxon (in 1975-09) tenor vocals: Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Das Berliner Requiem: 6. Großer Dankchoral (da capo) (Chor a capella) (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill part of: Das Berliner Requiem	Kurt Weill	1:47
21	Der Protagonist: Pantomime I baritone vocals: Benjamin Luxon (in 1975-09) bass vocals: Michael Rippon (in 1975-09) soprano vocals: Mary Thomas (in 1975-09) tenor vocals: Ian Partridge (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Der Protagonist, op. 15: Die erste Pantomime (in 1975-09) lyricist: Georg Kaiser composer: Kurt Weill part of: Der Protagonist, op. 15	Kurt Weill	10:12
22	Vom Tod im Wald op. 23 bass vocals: Michael Rippon (in 1975-09) orchestra: London Sinfonietta (in 1975-09) conductor: David Atherton (in 1975-09) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09) recording of: Vom Tod im Wald, op. 23 (Kantate für Baß und zehn Blasinstrumente) (in 1975-09) lyricist: Bertolt Brecht composer: Kurt Weill (in 1927)	Kurt Weill	7:46

Credits

Release

producer:	Dr. Rudolph Werner
recording engineer:	Joachim Niss
balance engineer:	Wolfgang Mitlehner

Discogs:	https://www.discogs.com/release/8473214 [info]
ASIN:	US: B00001IVNV [info]

Kleine Dreigroschenmusik / Mahagonny Songspiel / Happy End / Berliner Requiem / Violin Concerto

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Tracklist

Credits

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