Kleine Dreigroschenmusik / Mahagonny Songspiel / Happy End / Berliner Requiem / Violin Concerto

~ Release by Kurt Weill; London Sinfonietta, David Atherton (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistLength
1Kleine Dreigroschenmusik: Overture: Maestoso
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: I. Ouvertüre: Maestoso (in 1975-09)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:52
2Kleine Dreigroschenmusik: The Ballad of Mack the Knife: Moderato assai
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer: Moderato assai (in 1975-09)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:16
3Kleine Dreigroschenmusik: Instead-of song: Moderato
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: III. Anstatt-dass-Song: Moderato (in 1975-09)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:48
4Kleine Dreigroschenmusik: The Ballad of Pleasant Living: Foxtrott
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben: Foxtrott (in 1975-09)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:56
5Kleine Dreigroschenmusik: Polly's Song: Andante con moto
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: V. Pollys Lied: Andante con moto (in 1975-09)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:21
6Kleine Dreigroschenmusik: Tango-Ballad
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: VI. Tango-Ballade (in 1975-09)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:42
7Kleine Dreigroschenmusik: Cannon song: Charleston-Tempo
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: VII. Kanonen-Song: Charleston-Tempo (in 1975-09)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:21
8Kleine Dreigroschenmusik: Dreigroschen-Finale
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale (in 1975-09)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill5:19
9Mahagonny Songspiel: Off to Mahagonny - Allegro non troppo
baritone vocals:
Benjamin Luxon (in 1975-09)
bass vocals:
Michael Rippon (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Mahagonny Songspiel: Erster Teil: Prolog - Nr. 1. Allegro non troppo, "Auf nach Mahagonny!" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Mahagonny Songspiel
Kurt Weill3:05
10Mahagonny Songspiel: Alabama Song: Moderato
mezzo-soprano vocals:
Meriel Dickinson (in 1975-09) and Mary Thomas (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Mahagonny Songspiel: Erster Teil: Prolog - Nr. 2. Moderato, "Oh show us the way to the next whisky bar" (Alabama-Song) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Mahagonny Songspiel
Kurt Weill2:43
11Mahagonny Songspiel: Vivace
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Mahagonny Songspiel: Zweiter Teil: Das Leben in Mahagonny - Nr. 3a. Vivace (in 1975-09)
composer:
Kurt Weill
part of:
Mahagonny Songspiel
Kurt Weill0:39
12Mahagonny Songspiel: "If you had five bucks a day": Allegro un poco moderato
baritone vocals:
Benjamin Luxon (in 1975-09)
bass vocals:
Michael Rippon (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Mahagonny Songspiel: Zweiter Teil: Das Leben in Mahagonny - Nr. 3: Allegro un poco moderato, "Wer in Mahagonny blieb" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Mahagonny Songspiel
Kurt Weill2:49
13Mahagonny Songspiel: Vivace assai
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Mahagonny Songspiel: Zweiter Teil: Das Leben in Mahagonny - Nr. 4a. Vivace assai (in 1975-09)
composer:
Kurt Weill
part of:
Mahagonny Songspiel
Kurt Weill1:12
14Mahagonny Songspiel: Benares Song: Moderato assai
baritone vocals:
Benjamin Luxon (in 1975-09)
bass vocals:
Michael Rippon (in 1975-09)
mezzo-soprano vocals:
Meriel Dickinson (in 1975-09) and Mary Thomas (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Mahagonny Songspiel: Zweiter Teil: Das Leben in Mahagonny - Nr. 4. Moderato assai, "There is no whisky in this town" (Benares-Song) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Mahagonny Songspiel
Kurt Weill4:18
15Mahagonny Songspiel: Sostenuto
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Mahagonny Songspiel: Zweiter Teil: Das Leben in Mahagonny - Nr. 5a. Sostenuto (Choral) (in 1975-09)
composer:
Kurt Weill
part of:
Mahagonny Songspiel
Kurt Weill1:33
16Mahagonny Songspiel: God in Mahagonny: Lento
baritone vocals:
Benjamin Luxon (in 1975-09)
bass vocals:
Michael Rippon (in 1975-09)
mezzo-soprano vocals:
Meriel Dickinson (in 1975-09) and Mary Thomas (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Mahagonny Songspiel: Zweiter Teil: Das Leben in Mahagonny - Nr. 5. Lento, "An einem grauen Vormittag" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Mahagonny Songspiel
Kurt Weill4:27
17Mahagonny Songspiel: Finale: People only dream of Mahagonny
baritone vocals:
Benjamin Luxon (in 1975-09)
bass vocals:
Michael Rippon (in 1975-09)
mezzo-soprano vocals:
Meriel Dickinson (in 1975-09) and Mary Thomas (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Mahagonny Songspiel: Dritter Teil: Finale - Nr. 6. Largo "Aber dieses ganze Mahagonny" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Mahagonny Songspiel
Kurt Weill1:54
18Concerto for Violin and Wind Orchestra, Op. 12: I. Andante con moto
violin:
Nona Liddell (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Concerto for Violin and Wind Orchestra, op. 12: I. Andante con moto (in 1975-09)
composer:
Kurt Weill (from 1924-04 until 1924-05)
part of:
Concerto for Violin and Wind Orchestra, op. 12
Kurt Weill9:43
19Concerto for Violin and Wind Orchestra, Op. 12: II. (a) Notturno: Allegro con poco tenuto - (b) Cadenza: Moderato - Vivace - (c) Serenata: Allegretto
violin:
Nona Liddell (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Concerto for Violin and Wind Orchestra, op. 12: II. Notturno (Allegro un poco tenuto) - Cadenza (Moderato) - Serenata (in 1975-09)
composer:
Kurt Weill (from 1924-04 until 1924-05)
part of:
Concerto for Violin and Wind Orchestra, op. 12
Kurt Weill10:32
20Concerto for Violin and Wind Orchestra, Op.12: III. Allegro molto, un poco agitato
violin:
Nona Liddell (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Concerto for Violin and Wind Orchestra, op. 12: III. Allegro molto, un poco agitato (in 1975-09)
composer:
Kurt Weill (from 1924-04 until 1924-05)
part of:
Concerto for Violin and Wind Orchestra, op. 12
Kurt Weill6:53
2▼CD
#TitleArtistLength
1Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - I. Introduktion: Der kleine Leutnant des lieben Gottes
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 1. No. 2: Der Leutnant des Lieben Gottes. "Obacht, gebt obacht!" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Kurt Weill0:43
2Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - II. Heisarmeelied III: Fürchte dich nicht
baritone vocals:
Benjamin Luxon (in 1975-09)
soprano vocals:
Mary Thomas (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 2. No. 6: Heilsarmeelied III. "Fürchte dich nicht" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 2: Lieder von der Unschuld
Kurt Weill0:49
3Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - III. Die Ballade von der Höllenlili
solo mezzo-soprano vocals:
Meriel Dickinson (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 3. No. 12: Die Ballade von der Höllen-Lili. "Wenn ich in der Hölle brenne" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill2:26
4Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - IV. Das Lied der Branntweinhändler
baritone vocals:
Benjamin Luxon (in 1975-09)
solo soprano vocals:
Mary Thomas (in 1975-09)
solo tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 2. No. 8: Das Lied vom Branntweinhändler. "Hinter Gläsern, an dem Schanktisch" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 2: Lieder von der Unschuld
Kurt Weill4:12
5Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - V. Der Matrosen-Song
solo mezzo-soprano vocals:
Meriel Dickinson (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 1. No. 4: Der Matrosen-Tango "Hallo, jetzt fahren wir nach Birma hinüber" ("Was die Herren Matrosen sagen") (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Kurt Weill7:09
6Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - VI. Heilsarmeelied II: Bruder, gib dir eine Stoss
baritone vocals:
Benjamin Luxon (in 1975-09)
soprano vocals:
Mary Thomas (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 2. No. 5: Heilsarmeelied II. "Bruder, gib dir einen Stoß" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Kurt Weill0:28
7Happy End: Teil 2: Lieder von der Unschuld - VII. Der Song von Mandelay
solo baritone vocals:
Benjamin Luxon (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 3. No. 9: Der Song von Mandelay. "Mutters Goddams Puff in Mandelay" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill2:26
8Happy End: Teil 2: Lieder von der Unschuld - VIII. Heilsarmeelied IV: In der Jugend gold'nem Schimmer
baritone vocals:
Benjamin Luxon (in 1975-09)
soprano vocals:
Mary Thomas (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 2. No. 7: Heilsarmeelied IV. "In der Jugend gold'nem Schimmer" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 2: Lieder von der Unschuld
Kurt Weill0:44
9Happy End: Teil 2: Lieder von der Unschuld - IX. Surabaya-Johnny
solo mezzo-soprano vocals:
Meriel Dickinson (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 3. No. 10: Das Lied vom Surabaya‐Johnny. “Ich war jung, Gott, erst sechzehn Jahre” (original German version) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill5:57
10Happy End: Teil 3: Lieder der rivalisierenden Armeen - X. Heilsarmeelied I: Geht hinein in die Schlacht
baritone vocals:
Benjamin Luxon (in 1975-09)
soprano vocals:
Mary Thomas (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 1. No. 3: Heilsarmeelied I. "Geht hinein in die Schlacht" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue
Kurt Weill0:21
11Happy End: Teil 3: Lieder der rivalisierenden Armeen - XI. Der kleine Leutnant des lieben Gottes I
solo mezzo-soprano vocals:
Meriel Dickinson (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 3. No. 14: Der kleine Leutnant des lieben Gottes II (Finale) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill2:27
12Happy End: Teil 3: Lieder der rivalisierenden Armeen - XII. Das Lied von der harten Nuss
solo baritone vocals:
Benjamin Luxon (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 3. No. 11: Das Lied von der harten Nuss. "Wer will einen großen Mann hab'n" (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill1:00
13Happy End: Teil 3: Lieder der rivalisierenden Armeen - XIII. Hosiannah Rockefeller
baritone vocals:
Benjamin Luxon (in 1975-09)
mezzo-soprano vocals:
Meriel Dickinson (in 1975-09)
solo soprano vocals:
Mary Thomas (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 3. No. 13: Hosiannah Rockefeller (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill3:00
14Happy End: Teil 3: Lieder der rivalisierenden Armeen - XIV. Der kleine Leutnant des lieben Gottes II
baritone vocals:
Benjamin Luxon (in 1975-09)
solo mezzo-soprano vocals:
Meriel Dickinson (in 1975-09)
soprano vocals:
Mary Thomas (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Happy End: Teil 3. No. 14: Der kleine Leutnant des lieben Gottes II (Finale) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
librettist:
Elisabeth Hauptmann
part of:
Happy End: Teil 3: Lieder der rivalisierenden Armeen
Kurt Weill2:40
15Das Berliner Requiem: I. Grosser Dankchoral
baritone vocals:
Benjamin Luxon (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Das Berliner Requiem: 1. Großer Dankchoral "Lobet die Nacht ..." (Chor) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (in 1928)
part of:
Das Berliner Requiem
Kurt Weill3:07
16Das Berliner Requiem: II. Ballade vom ertrunkenen Mädchen
baritone vocals:
Benjamin Luxon (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Das Berliner Requiem: 2. Ballade vom ertrunkenen Mädchen (Chor) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Das Berliner Requiem
Kurt Weill2:36
17Das Berliner Requiem: III. Grabschrift
baritone vocals:
Benjamin Luxon (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Das Berliner Requiem: 3. Marterl "Hier ruht die Jungfrau Johanna Beck" (Chor, Tenor) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Das Berliner Requiem
revision of:
Grabschrift 1919: Die rote Rosa (Alternative piece to Berliner Requiem)
Kurt Weill1:43
18Das Berliner Requiem: IV. Erster Bericht über den Unbekannten Soldaten unter dem Triumphbogen
baritone vocals:
Benjamin Luxon (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Das Berliner Requiem: 4. Erster Bericht über den unbekannten Soldaten "Wir kamen von den Gebirgen" (Chor, Tenor) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Das Berliner Requiem
Kurt Weill3:19
19Das Berliner Requiem: V. Zweiter Bericht über den Unbekannten Soldaten unter dem Triumphbogen
baritone vocals:
Benjamin Luxon (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Das Berliner Requiem: 5. Zweiter Bericht über den unbekannten Soldaten "Alles, was ich euch sagte" (Chor, Bariton) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Das Berliner Requiem
Kurt Weill6:34
20Das Berliner Requiem: VI. Grosser Dankchoral
baritone vocals:
Benjamin Luxon (in 1975-09)
tenor vocals:
Philip Langridge (in 1975-09) and Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Das Berliner Requiem: 6. Großer Dankchoral (da capo) (Chor a capella) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Das Berliner Requiem
Kurt Weill1:47
21Der Protagonist: Pantomime I
baritone vocals:
Benjamin Luxon (in 1975-09)
bass vocals:
Michael Rippon (in 1975-09)
soprano vocals:
Mary Thomas (in 1975-09)
tenor vocals:
Ian Partridge (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Der Protagonist, op. 15: Die erste Pantomime (in 1975-09)
lyricist:
Georg Kaiser
composer:
Kurt Weill
part of:
Der Protagonist, op. 15
Kurt Weill10:12
22Vom Tod im Wald op. 23
bass vocals:
Michael Rippon (in 1975-09)
orchestra:
London Sinfonietta (in 1975-09)
conductor:
David Atherton (in 1975-09)
recorded at:
Forty Lane in Wembley, Brent, London, England, United Kingdom (in 1975-09)
recording of:
Vom Tod im Wald, op. 23 (Kantate für Baß und zehn Blasinstrumente) (in 1975-09)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (in 1927)
Kurt Weill7:46

Credits