111 Years of Deutsche Grammophon: The Collectors’ Edition 2

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

numbers of CD:
477 9142 CD Box Set
477 9143 CD 1
477 9144 CD 2
477 9145 CD 3
477 9146 CD 4
477 9147 CD 5
477 9148 CD 6
477 9149 CD 7
477 9150 CD 8
477 9151 CD 9
477 9152 CD 10
477 9153 CD 11
477 9154 CD 12
477 9155 CD 13
477 9156 CD 14
477 9157 CD 15
477 9158 CD 16
477 9159 CD 17
477 9160 CD 18
477 9161 CD 19
477 9162 CD 20
477 9163 CD 21
477 9164 CD 22
477 9165 CD 23
477 9166 CD 24
477 9167 CD 25
477 9168 CD 26
477 9169 CD 27
477 9170 CD 28
477 9171 CD 29
477 9172 CD 30
477 9173 CD 31
477 9174 CD 32
477 9175 CD 33
477 9176 CD 34
477 9177 CD 35
477 9178 CD 36
477 9179 CD 37
477 9180 CD 38
477 9181 CD 39
477 9182 CD 40
477 9183 CD 41
477 9184 CD 42
477 9185 CD 43
477 9186 CD 44
477 9187 CD 45
477 9188 CD 46
477 9189 CD 47
477 9190 CD 48
477 9191 CD 49
477 9192 CD 50
477 9193 CD 51
477 9194 CD 52
477 9195 CD 53
477 9196 CD 54
477 9197 CD 55
477 9198 CD 56

Tracklist

1▶CD: Bizet: Carmen: Acts 1 & 2 (beginning)
2▼CD: Bizet: Carmen: Acts 2 (continued) & 3
#TitleArtistLength
1Carmen: Acte II. no. 16 Duo “Je vais danser en votre honneur” (Carmen, Don José)
producer:
Rainer Brock
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet
part of:
Carmen : Acte II
Georges Bizet5:42
2Carmen: Acte II. Air de la fleur “La fleur que tu m’avais jetée” (Don José)
producer:
Christopher Alder and Rainer Brock
editor:
Joachim Niss
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler and Ulrich Vette
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1977-08 until 1977-09)
composer:
Georges Bizet (in 1875)
librettist:
Ludovic Halévy (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:16
3Carmen: Acte II. “Non! Tu ne m’aimes pas!” (Carmen, Don José)
producer:
Rainer Brock
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:01
4Carmen: Acte II. no. 17 Finale “Holà! Carmen! holà!” (Zuniga, Don José, Carmen, Dancaïre, Remendado, les Bohémiens)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet3:32
5Carmen: Acte II. “Suis‐nous à travers la campagne” (Frasquita, Mercédès, Dancaïre, Remendado, les Bohémiens, les Bohémiennes)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte II (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:00
6Carmen: Entr’acte
producer:
Rainer Brock
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet3:01
7Carmen: Acte III, Tableau I. no. 18 Introduction “Écoute, compagnon, écoute” (les Contrabandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:41
8Carmen: Acte III, Tableau I. “Halte! nous allons nous arrêter ici…” (Dancaïre, Remendado, Don José, Carmen)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Introduction : « Halte ! Nous allons nous arrêter ici ! » (Dancaïre, Remendado, Don José, Carmen) (from 1977-08 until 1977-09)
composer:
Georges Bizet
part of:
Carmen : Acte III
Georges Bizet1:29
9Carmen: Acte III, Tableau I. no. 19 Trio “Mêlons!” / “Mêlons!” / “Coupons!” (Frasquita, Mercédès)
producer:
Rainer Brock
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:21
10Carmen: Acte III, Tableau I. Air des cartes “Carreau, pique… la mort!” (Carmen)
producer:
Rainer Brock
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet
part of:
Carmen : Acte III
Georges Bizet3:20
11Carmen: Acte III, Tableau I. “Parlez encore, parlez, mes belles” (Frasquita, Mercédès, Carmen)
producer:
Rainer Brock
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet
part of:
Carmen : Acte III
Georges Bizet0:50
12Carmen: Acte III, Tableau I. “Eh bien, j’avais raison” (Dancaïre, Carmen, Remandado, Frasquita, Mercédès, Don José)
producer:
Rainer Brock
editor:
Joachim Niss
spoken vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
spoken vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
spoken vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
spoken vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
spoken vocals [Le Remendado]:
Geoffrey Pogson (from 1977-08 until 1977-09)
spoken vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet
part of:
Carmen : Acte III
Georges Bizet0:30
13Carmen: Acte III, Tableau I. no. 20 Morceau d’Ensemble “Quant au douanier, c’est notre affaire” (Carmen, Mercédès, Frasquita, les Bohémiennes, les Bohémiens, Dancaïre, Remandado)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:08
14Carmen: Acte III, Tableau I. “Nous y sommes” (le Guide, Micaëla)
producer:
Rainer Brock
editor:
Joachim Niss
spoken vocals [le guide]:
Jean Lainé (from 1977-08 until 1977-09)
spoken vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:44
15Carmen: Acte III, Tableau I. no. 21 Air “Je dis que rien ne m’épouvante” (Micaëla)
producer:
Rainer Brock
editor:
Joachim Niss
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (from 1977-08 until 1977-09)
soprano vocals [Micaëla]:
Ileana Cotrubaș (from 1977-08 until 1977-09, in 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09, in 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09, in 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (in 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:50
16Carmen: Acte III, Tableau I. “Mais… je ne me trompe pas…” (Micaëla, Escamillo, Don José) – no. 22 Duo “Je suis Escamillo, toréro de Grenade” (Escamillo, Don José)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (from 1977-08 until 1977-09)
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:42
17Carmen: Acte III, Tableau I. no. 23 Finale “Holà, José!” (Carmen, Escamillo, Dancaïre, Don José, les Contrebandiers, les Contrebandières)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:00
18Carmen: Acte III, Tableau I. “Halte!... Quelqu’un est là qui cherche à se cacher” (Remendado, Carmen, Dancaïre, Don José, Micaëla, chœur, Escamillo)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:16
19Carmen: Entr’acte
producer:
Rainer Brock
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:10
20Carmen: Acte III, Tableau II. no. 24 Chœur “A deux cuartos” (Marchandes, Marchands, un Soldat, Andrès, un Bohémien)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Moralès]:
Stuart Harling
baritone vocals [Un bohémien]:
Leslie Fyson (from 1977-08 until 1977-09)
baritone vocals [Un soldat]:
Richard Amner (from 1977-08 until 1977-09)
bass vocals [Zuniga]:
Robert Lloyd
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
contralto vocals [Une marchande]:
Shirley Minty (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé
soprano vocals [Frasquita]:
Yvonne Kenny
tenor vocals [Andrès, un lieutenant]:
Jean Lainé (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet2:23
21Carmen: Acte III, Tableau II. no. 25 Chœur et Scène “Les voici! Voici le quadrille” (chœur)
producer:
Rainer Brock
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Patrick Criswell, John McCarthy and Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:52
22Carmen: Acte III, Tableau II. “Si tu m’aimes, Carmen” (Escamillo, Carmen, Frasquita, Mercédès)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:20
23Carmen: Acte III, Tableau II. no. 26 Duo final “C’est toi?” / “C’est moi!” (Carmen, Don José, chœur)
producer:
Rainer Brock
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet9:24
3▶CD: Prokofiev: Piano Concerto No.3 / Ravel: Concerto in G; Gaspard de la nuit
4▶CD: Beethoven: Piano Sonatas No. 14 "Moonlight", No. 13 "Pathétique" & No. 23 "Appassionata"
5▶CD: Bach, J.S.: Arias
6▶CD: Mahler: Symphony No. 1
7▶CD: Chopin: Piano Concertos Nos. 1 & 2
8▶CD: Mozart, W.A.: Clarinet Concerto, K. 622; Flute Concerto, K. 313; Bassoon Concerto, K. 191
9▶CD: Debussy: La Mer; 3 Nocturnes; Jeux; Rhapsodie pour clarinette
10▶CD: Brahms: Symphony No. 4 / Strauss, R.: Tod und Verklärung, Op. 24
11▶CD: Pasión española
12▶CD: Fiesta
13▶CD: Bach, J.S.: Cantatas "Ich will den Kreuzstab gerne tragen", BWV 56; "Ich habe genug", BWV 82
14▶CD: Strauss, J.: Overture "Die Fledermaus"; Annen-Polka, Op. 117; Kaiser-Walzer, Op. 437; Tritsch-Tratsch-Polka, Op. 214; Radetzky-March, Op. 228; An der schönen, blauen Donau, Op. 314; Eljen a Magyar!, Op. 332; G'schichten aus dem Wienerwald, Op. 325
15▶CD: Schubert: Symphony No. 9; Rosamunde (Overture to "Die Zauberharfe", D.644
16▶CD: Aria Cantilena
17▶CD: Brahms: Piano Concerto No. 1
18▶CD: Fauré: Requiem, Op.48 / Ravel: Pavane
19▶CD: Golijov: Ayre for voice and chamber ensemble / Berio: Folksongs
20▶CD: Reflection
21▶CD: Schubert: String Quartet, D. 810 "Death and the Maiden" / Beethoven: String Quartet, Op. 135
22▶CD: Schoenberg: Violin Concerto, Op. 36 / Sibelius: Violin Concerto, Op. 47
23▶CD: Air. A Baroque Journey
24▶CD: Horowitz at Home
25▶CD: Bruckner: Symphony No. 4 "Romantic"
26▶CD: Brahms: Ein deutsches Requiem, Op. 45
27▶CD: Schumann: Fantasie, Op. 17 / Brahms: Variations and Fugue on a Theme by Handel, Op. 24
28▶CD: Verdi: La Traviata: Act 1 & 2, Scene 1
29▶CD: Verdi: La Traviata: Act 2, Scene 2 & Act 3
30▶CD: Mozart: Arias
31▶CD: Glass: Violin Concerto / Schnittke: Concerto Grosso No. 5
32▶CD: Memory
33▶CD: Gershwin: Rhapsody in Blue; An American in Paris; "Porgy and Bess" Suite; Cuban Overture
34▶CD: Mozart, W.A.: Great Mass, K. 427 / Haydn: Scena di Berenice, Hob XXIVa:10 / Beethoven: "Ah! perido", Op. 65
35▶CD: Tchaikovsky: Symphony No. 6 "Pathétique"
36▶CD: Music of the Gothic Era
37▶CD: Carmen Fantasy, Op.25
38▶CD: Duets
39▶CD: Liszt: 12 Études d'exécution transcendante
40▶CD: Weill: Speak Low & The Seven Deadly Sins, Songs
41▶CD: Bach, J.S.: Brandenburg Concertos Nos. 1 - 3
42▶CD: Mozart, W.A.: Piano Concertos Nos. 14, K. 449 & 26, K. 537 "Coronation"
43▶CD: Stravinsky: 3 Dances from Petrouchka / Prokofiev: Sonata for piano No. 7 / Boulez: Sonata for piano No. 2 / Webern: Piano Variations, Op. 27
44▶CD: Schubert: Die schöne Müllerin
45▶CD: Reich: Drumming, Parts 1 - 3
46▶CD: Reich: Drumming, Part 4; Six Pianos; Music for Mallet Instruments
47▶CD: Bach, C.P.E.: Symphonies Nos. 1 - 4
48▶CD: Schumann: Marsch No. 2, Op. 76; Waldszenen, Op. 82; Fantasiestücke, Op. 12
49▶CD: Tchaikovsky: Ballet Suites - Swan Lake, Op.20, The Sleeping Beauty, Op.66a & The Nutcracker, Op.71a
50▶CD: Paganini for Two
51▶CD: Opera Choruses
52▶CD: Rita Streich singt Opern-Arien
53▶CD: Bryn Terfel: Opera Arias
54▶CD: Sonatas & Etudes
55▶CD: Rodrigo: Concierto de Aranjuez
56▶CD: Chopin: Ballades; Barcarolle; Fantasie

Credits

Release

Discogs:https://www.discogs.com/release/2574659 [info]
https://www.discogs.com/release/2574745 [info]
https://www.discogs.com/release/2575366 [info]
https://www.discogs.com/release/2576032 [info]
https://www.discogs.com/release/2576059 [info]
https://www.discogs.com/release/2576324 [info]
https://www.discogs.com/release/2576746 [info]
https://www.discogs.com/release/2577684 [info]
https://www.discogs.com/release/2577701 [info]
https://www.discogs.com/release/2577715 [info]
https://www.discogs.com/release/2577934 [info]
https://www.discogs.com/release/2577991 [info]
https://www.discogs.com/release/2579388 [info]
https://www.discogs.com/release/2579557 [info]
https://www.discogs.com/release/2580167 [info]
https://www.discogs.com/release/2581273 [info]
https://www.discogs.com/release/2581348 [info]
https://www.discogs.com/release/2581417 [info]
https://www.discogs.com/release/2581442 [info]
https://www.discogs.com/release/2581992 [info]
https://www.discogs.com/release/2582133 [info]
https://www.discogs.com/release/2583229 [info]
https://www.discogs.com/release/2583260 [info]
https://www.discogs.com/release/2583504 [info]
https://www.discogs.com/release/2583744 [info]
https://www.discogs.com/release/2585243 [info]
https://www.discogs.com/release/2585266 [info]
https://www.discogs.com/release/2585297 [info]
https://www.discogs.com/release/2586069 [info]
https://www.discogs.com/release/2586257 [info]
https://www.discogs.com/release/2586800 [info]
https://www.discogs.com/release/2588156 [info]
https://www.discogs.com/release/2589541 [info]
https://www.discogs.com/release/2589614 [info]
https://www.discogs.com/release/2589847 [info]
https://www.discogs.com/release/2590013 [info]
https://www.discogs.com/release/2590900 [info]
https://www.discogs.com/release/2592557 [info]
https://www.discogs.com/release/2592847 [info]
https://www.discogs.com/release/2592886 [info]
https://www.discogs.com/release/2592920 [info]
https://www.discogs.com/release/2592948 [info]
https://www.discogs.com/release/2593037 [info]
https://www.discogs.com/release/2593359 [info]
https://www.discogs.com/release/2593643 [info]
https://www.discogs.com/release/2594531 [info]
https://www.discogs.com/release/2594574 [info]
https://www.discogs.com/release/2594598 [info]
https://www.discogs.com/release/2594634 [info]
https://www.discogs.com/release/2594751 [info]
https://www.discogs.com/release/2595063 [info]
https://www.discogs.com/release/2595103 [info]
https://www.discogs.com/release/2595132 [info]
https://www.discogs.com/release/2595171 [info]
ASIN:UK: B003TJY0W8 [info]
other databases:https://www.musik-sammler.de/media/789406/ [info]
discography entry:http://www.deutschegrammophon.com/cat/4779386 [info]

Release group

includes:4 Balladen / Barcarolle / Fantasie by Chopin; Krystian Zimerman
12 Etudes d'exécution transcendante by Franz Liszt; Alice Sara Ott
Air. A Baroque Journey by Daniel Hope
Aria cantilena by Elīna Garanča
Arias by Johann Sebastian Bach; Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
Arias by Mozart; Magdalena Kožená, Orchestra of the Age of Enlightenment, Simon Rattle
Ayre by Osvaldo Golijov; The Andalucian Dogs, Dawn Upshaw
Ballett‐Suiten: Dornröschen / Schwanensee / Nußknacker by Tschaicowsky; Berliner Philharmoniker, Mstislav Rostropovich
Brahms: Symphony no. 4 / Strauss: Tod Und Verklärungn by Johannes Brahms, Richard Strauss; Berliner Philharmoniker, Victor de Sabata
Brandenburg Concertos nos. 1 - 3 by Johann Sebastian Bach; The English Concert, Trevor Pinnock
Carmen by Georges Bizet; Teresa Berganza, Plácido Domingo, Ileana Cotrubas, Sherrill Milnes, The Ambrosian Singers, London Symphony Orchestra, Claudio Abbado
Carmen‐Fantasie by Anne‐Sophie Mutter, Wiener Philharmoniker, James Levine
Clarinet Concerto / Flute Concerto no. 1 / Bassoon Concerto by Wolfgang Amadeus Mozart; Alfred Prinz, Werner Tripp, Dietmar Zeman, Wiener Philharmoniker, Karl Böhm
Concierto de Aranjuez / Fantasía para un gentilhombre by Joaquín Rodrigo; Narciso Yepes, Philharmonia Orchestra, English Chamber Orchestra, García Navarro
Die schöne Müllerin by Schubert; Thomas Quasthoff, Justus Zeyen
Drumming / Six Pianos / Music for Mallet Instruments, Voices and Organ by Steve Reich
Duets by Anna Netrebko & Rolando Villazón
Ein deutsches Requiem by Johannes Brahms; Gundula Janowitz, Eberhard Waechter, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
Fantasy in C major by Schumann; Wilhelm Kempff
Faure: Requiem / Ravel: Pavane pour une infante défunte by Fauré, Ravel; Philharmonia Orchestra, Philharmonia Chorus, Carlo Maria Giulini, Kathleen Battle, Andreas Schmidt
Fiesta by Simón Bolívar Youth Orchesta of Venezuela, Gustavo Dudamel
Glass: Violin Concerto / Schnittke: Concerto grosso no. 5 by Philip Glass, Alfred Schnittke; Wiener Philharmoniker, Christoph von Dohnányi, Gidon Kremer
Great Mass in C minor, K. 427 by Wolfgang Amadeus Mozart, Paul McCreesh, Camilla Tilling, Sarah Conolly, Gabrieli Consort & Players
Horowitz at Home by Владимир Самойлович Горовиц
Ich Will Den Kreuzstab Gerne Tragen / Ich Habe Genug by Johann Sebastian Bach; Dietrich Fischer‐Dieskau, Hermann Töttcher, Kammerorchester Karl Ristenpart, Karl Ristenpart
Kaiserwalzer by Johann Strauss; Ferenc Fricsay
Klavierkonzerte no. 14 & 26 »Krönungskonzert« by Wolfgang Amadeus Mozart; Wiener Philharmoniker, Claudio Abbado, Maria João Pires
Klaviersonaten no. 14 “Mondschein” / No. 8 “Pathétique” / No. 23 “Appassionata” by Beethoven; Daniel Barenboim
La Mer / Nocturnes / Jeux / Rhapsodie pour clarinette et orchestre by Claude Debussy; The Cleveland Orchestra, Pierre Boulez
La traviata by Giuseppe Verdi; Ileana Cotrubas, Placido Domingo, Sherrill Milnes, Plácido Domingo, Bayerisches Staatsorchester, Carlos Kleiber
Marsch nr.2 G‐moll / Waldszenen / Sechs Stücke aus Fantasiestücke, op. 12 by Robert Schumann; Svjatoslav Richter
Memory by Lang Lang
Music of the Gothic Era by Early Music Consort of London, David Munrow
Opera Arias by Bryn Terfel, Metropolitan Opera Orchestra, James Levine
Opern‐Chöre by Chor und Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
Paganini for Two by Niccolò Paganini; Gil Shaham, Göran Söllscher
Pasión española by Plácido Domingo
Piano Concerto no. 1 by Johannes Brahms; Emil Gilels, Berlin Philharmonic Orchestra, Eugen Jochum
Prokofiev: Klavierkonzert Nr. 3 C-Dur / Ravel: Klavierkonzert G-Dur by Prokofiev, Ravel; Martha Argerich, Berliner Philharmoniker, Claudio Abbado
Réflexions by Hélène Grimaud, Esa‐Pekka Salonen, Staatskapelle Dresden, Truls Mørk, Anne Sofie von Otter
Rhapsody in Blue / An American in Paris / “Porgy and Bess” Suite (Catfish Row) / Cuban Overture by George Gershwin; Chicago Symphony Orchestra, James Levine
Rita Streich singt Opern‐Arien by Rita Streich
Schubert: Death & the Maiden / Beethoven: String Quartet Op. 135 by Schubert, Beethoven; Hagen Quartett
Sonatas & Études by Chopin, Scriabin, Liszt, Ligeti; Yuja Wang
Speak Low: Songs by Kurt Weill & The Seven Deadly Sins by Kurt Weill; Anne Sofie von Otter, John Eliot Gardiner
Stravinsky: Pétrouchka / Prokofiev: Sonate No. 7 / Webern: Variationen, op. 27 / Boulez: Sonate No. 2 by Stravinsky, Prokofiev, Webern, Boulez; Maurizio Pollini
Symphonie no. 1 by Mahler; Concertgebouworkest Amsterdam, Leonard Bernstein
Symphonie Nr. 4 »Romantische« by Anton Bruckner; Berliner Philharmoniker, Eugen Jochum
Symphonie nr. 9 / Rosamunde‐Ouvertüre by Franz Schubert; Berliner Philharmoniker, Wilhelm Furtwängler
Symphony no. 6 by Tchaikovsky; Leningrad Philharmonic, Yevgeny Mravinsky
The Piano Concertos by Chopin; Rafał Blechacz, Jerzy Semkow, Royal Concertgebouw Orchestra
Vier Orchester‐Sinfonien, Wq 183 by Carl Philipp Emanuel Bach; Münchener Bach‐Orchester, Karl Richter
Violin Concertos by Schoenberg, Sibelius; Hilary Hahn, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra
part of:111 Years of Deutsche Grammophon celebratory compilations (order: 3)