Porgy and Bess

~ Release by Miles Davis (see all versions of this release, 22 available)

Tracklist

1CD
#TitleLength
1The Buzzard Song
alto saxophone:
Cannonball Adderley (on 1958-08-04)
bass:
Paul Chambers (on 1958-08-04)
bass clarinet:
Danny Bank (on 1958-08-04)
bass trombone:
Dick Hixson (on 1958-08-04) and Dick Nixon (on 1958-08-04)
drums (drum set):
Jimmy Cobb (on 1958-08-04) and Philly Joe Jones (on 1958-08-04)
flugelhorn:
Miles Davis (on 1958-08-04)
flute:
Romeo Penque (on 1958-08-04) and Jerome Richardson (on 1958-08-04)
French horn:
Willie Ruff (on 1958-08-04), Gunther Schuller (on 1958-08-04) and Julius Watkins (on 1958-08-04)
trombone:
Joe Bennett (on 1958-08-04), Jimmy Cleveland (on 1958-08-04) and Frank Rehak (on 1958-08-04)
trumpet:
Johnny Coles (on 1958-08-04), Miles Davis (on 1958-08-04), Bernie Glow (on 1958-08-04), Louis Mucci (on 1958-08-04) and Ernie Royal (on 1958-08-04)
tuba:
Bill Barber (on 1958-08-04)
conductor:
Gil Evans (on 1958-08-04)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-04)
remasters:
Buzzard Song by Miles Davis
instrumental cover recording of:
Porgy and Bess: Act II, Scene I. “Buzzard keep on flyin’” (on 1958-08-04)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
4:07
2Bess, You Is My Woman Now
alto saxophone:
Cannonball Adderley (on 1958-07-29)
bass:
Paul Chambers (on 1958-07-29)
bass clarinet:
Danny Bank (on 1958-07-29)
bass trombone:
Dick Hixson (on 1958-07-29) and Dick Nixon (on 1958-07-29)
drums (drum set):
Jimmy Cobb (on 1958-07-29)
flugelhorn and trumpet:
Miles Davis (on 1958-07-29)
flute:
Phil Bodner (on 1958-07-29) and Romeo Penque (on 1958-07-29)
French horn:
Willie Ruff (on 1958-07-29), Gunther Schuller (on 1958-07-29) and Julius Watkins (on 1958-07-29)
trombone:
Joe Bennett (on 1958-07-29), Jimmy Cleveland (on 1958-07-29) and Frank Rehak (on 1958-07-29)
trumpet:
Johnny Coles (on 1958-07-29), Bernie Glow (on 1958-07-29), Louis Mucci (on 1958-07-29) and Ernie Royal (on 1958-07-29)
tuba:
Bill Barber (on 1958-07-29)
conductor:
Gil Evans (on 1958-07-29)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-29)
instrumental cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1958-07-29)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
5:11
3Gone
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Philly Joe Jones (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (from 1958-07-22 until 1958-08-18) and Frank Rehak (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (from 1958-07-22 until 1958-08-18), Miles Davis (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
recording of:
Gone (Gil Evans composition) (from 1958-07-22 until 1958-08-18)
composer:
Gil Evans
3:38
4Gone, Gone, Gone
alto saxophone:
Cannonball Adderley (on 1958-07-22)
bass:
Paul Chambers (on 1958-07-22)
bass clarinet:
Danny Bank (on 1958-07-22)
bass trombone:
Dick Hixson (on 1958-07-22) and Dick Nixon (on 1958-07-22)
drums (drum set):
Philly Joe Jones (on 1958-07-22)
flugelhorn:
Miles Davis (on 1958-07-22)
flute:
Phil Bodner (on 1958-07-22) and Romeo Penque (on 1958-07-22)
French horn:
Willie Ruff (on 1958-07-22), Gunther Schuller (on 1958-07-22) and Julius Watkins (on 1958-07-22)
trombone:
Joe Bennett (on 1958-07-22), Jimmy Cleveland (on 1958-07-22) and Frank Rehak (on 1958-07-22)
trumpet:
Johnny Coles (on 1958-07-22), Miles Davis (on 1958-07-22), Bernie Glow (on 1958-07-22), Louis Mucci (on 1958-07-22) and Ernie Royal (on 1958-07-22)
tuba:
Bill Barber (on 1958-07-22)
conductor:
Gil Evans (on 1958-07-22)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-22)
instrumental cover recording of:
Porgy and Bess: Act I, Scene II. “Gone, gone, gone (Where is brudder Robbins?)” (on 1958-07-22)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene II
2:03
5Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (on 1958-08-18)
bass clarinet:
Danny Bank (on 1958-08-18)
bass trombone:
Dick Hixson (on 1958-08-18)
drums (drum set):
Philly Joe Jones (on 1958-08-18)
flugelhorn:
Miles Davis (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (on 1958-08-18), Jimmy Cleveland (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (on 1958-08-18), Miles Davis (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:18
6Bess, Oh Where’s My Bess
alto saxophone:
Cannonball Adderley (on 1958-08-04)
bass:
Paul Chambers (on 1958-08-04)
bass clarinet:
Danny Bank (on 1958-08-04)
bass trombone:
Dick Hixson (on 1958-08-04) and Dick Nixon (on 1958-08-04)
drums (drum set):
Jimmy Cobb (on 1958-08-04) and Philly Joe Jones (on 1958-08-04)
flugelhorn and trumpet:
Miles Davis (on 1958-08-04)
flute:
Romeo Penque (on 1958-08-04) and Jerome Richardson (on 1958-08-04)
French horn:
Willie Ruff (on 1958-08-04), Gunther Schuller (on 1958-08-04) and Julius Watkins (on 1958-08-04)
trombone:
Joe Bennett (on 1958-08-04), Jimmy Cleveland (on 1958-08-04) and Frank Rehak (on 1958-08-04)
trumpet:
Johnny Coles (on 1958-08-04), Bernie Glow (on 1958-08-04), Louis Mucci (on 1958-08-04) and Ernie Royal (on 1958-08-04)
tuba:
Bill Barber (on 1958-08-04)
conductor:
Gil Evans (on 1958-08-04)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-04)
remasters:
Oh Bess, Oh Where’s My Bess by Miles Davis
instrumental recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess” (on 1958-08-04)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
4:27
7Prayer (Oh, Doctor Jesus)
alto saxophone:
Cannonball Adderley (on 1958-08-04)
bass:
Paul Chambers (on 1958-08-04)
bass clarinet:
Danny Bank (on 1958-08-04)
bass trombone:
Dick Hixson (on 1958-08-04) and Dick Nixon (on 1958-08-04)
drums (drum set):
Jimmy Cobb (on 1958-08-04) and Philly Joe Jones (on 1958-08-04)
flugelhorn:
Miles Davis (on 1958-08-04)
flute:
Romeo Penque (on 1958-08-04) and Jerome Richardson (on 1958-08-04)
French horn:
Willie Ruff (on 1958-08-04), Gunther Schuller (on 1958-08-04) and Julius Watkins (on 1958-08-04)
trombone:
Joe Bennett (on 1958-08-04), Jimmy Cleveland (on 1958-08-04) and Frank Rehak (on 1958-08-04)
trumpet:
Johnny Coles (on 1958-08-04), Miles Davis (on 1958-08-04), Bernie Glow (on 1958-08-04), Louis Mucci (on 1958-08-04) and Ernie Royal (on 1958-08-04)
tuba:
Bill Barber (on 1958-08-04)
conductor:
Gil Evans (on 1958-08-04)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-04)
instrumental cover recording of:
Porgy and Bess: Act II. “Oh, Doctor Jesus” (this title appears several times in Act II) (on 1958-08-04)
composer:
George Gershwin
part of:
Porgy and Bess: Act II
4:40
8Fisherman, Strawberry and Devil Crab
alto saxophone:
Cannonball Adderley (on 1958-07-29)
bass:
Paul Chambers (on 1958-07-29)
bass clarinet:
Danny Bank (on 1958-07-29)
bass trombone:
Dick Hixson (on 1958-07-29) and Dick Nixon (on 1958-07-29)
drums (drum set):
Jimmy Cobb (on 1958-07-29)
flugelhorn:
Miles Davis (on 1958-07-29)
flute:
Phil Bodner (on 1958-07-29) and Romeo Penque (on 1958-07-29)
French horn:
Willie Ruff (on 1958-07-29), Gunther Schuller (on 1958-07-29) and Julius Watkins (on 1958-07-29)
trombone:
Joe Bennett (on 1958-07-29), Jimmy Cleveland (on 1958-07-29) and Frank Rehak (on 1958-07-29)
trumpet:
Johnny Coles (on 1958-07-29), Miles Davis (on 1958-07-29), Bernie Glow (on 1958-07-29), Louis Mucci (on 1958-07-29) and Ernie Royal (on 1958-07-29)
tuba:
Bill Barber (on 1958-07-29)
conductor:
Gil Evans (on 1958-07-29)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-29)
remasters:
Fishermen, Strawberry and Devil Crab by Miles Davis
4:06
9My Man’s Gone Now
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Philly Joe Jones (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (from 1958-07-22 until 1958-08-18) and Frank Rehak (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (from 1958-07-22 until 1958-08-18), Miles Davis (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
remasters:
My Man’s Gone Now by Miles Davis
instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
6:12
10It Ain’t Necessarily So
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Jimmy Cobb (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (from 1958-07-22 until 1958-08-18) and Frank Rehak (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (from 1958-07-22 until 1958-08-18), Miles Davis (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
performer:
Miles Davis
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music, Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
4:23
11Here Come de Honey Man
alto saxophone:
Cannonball Adderley (on 1958-07-29)
bass:
Paul Chambers (on 1958-07-29)
bass clarinet:
Danny Bank (on 1958-07-29)
bass trombone:
Dick Hixson (on 1958-07-29) and Dick Nixon (on 1958-07-29)
drums (drum set):
Jimmy Cobb (on 1958-07-29)
flugelhorn:
Miles Davis (on 1958-07-29)
flute:
Phil Bodner (on 1958-07-29) and Romeo Penque (on 1958-07-29)
French horn:
Willie Ruff (on 1958-07-29), Gunther Schuller (on 1958-07-29) and Julius Watkins (on 1958-07-29)
trombone:
Joe Bennett (on 1958-07-29), Jimmy Cleveland (on 1958-07-29) and Frank Rehak (on 1958-07-29)
trumpet:
Johnny Coles (on 1958-07-29), Miles Davis (on 1958-07-29), Bernie Glow (on 1958-07-29), Louis Mucci (on 1958-07-29) and Ernie Royal (on 1958-07-29)
tuba:
Bill Barber (on 1958-07-29)
conductor:
Gil Evans (on 1958-07-29)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-29)
remasters:
Here Come de Honey Man by Miles Davis
instrumental recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man” (on 1958-07-29)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act I, Scene I
1:12
12I Loves You, Porgy
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Jimmy Cobb (from 1958-07-22 until 1958-08-18) and Philly Joe Jones (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (from 1958-07-22 until 1958-08-18)
flute:
Romeo Penque (from 1958-07-22 until 1958-08-18) and Jerome Richardson (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (from 1958-07-22 until 1958-08-18) and Frank Rehak (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (from 1958-07-22 until 1958-08-18), Miles Davis (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans
orchestrator:
Alexander Courage
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:06
13There’s a Boat That’s Leaving Soon for New York
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (on 1958-08-18)
bass clarinet:
Danny Bank (on 1958-08-18)
bass trombone:
Dick Hixson (on 1958-08-18) and Dick Nixon (on 1958-08-18)
drums (drum set):
Jimmy Cobb (on 1958-08-18) and Philly Joe Jones (on 1958-08-18)
flugelhorn:
Miles Davis (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (on 1958-08-18), Jimmy Cleveland (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (on 1958-08-18), Miles Davis (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (on 1958-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act III, Scene II
3:24
14But Not for Me (take 1)
recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
WB Music Corp. (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
5:45
15But Not for Me (take 2)
recording engineer:
Rudy van Gelder (on 1954-06-29)
double bass:
Percy Heath (on 1954-06-29)
drums (drum set):
Kenny Clarke (on 1954-06-29)
piano:
Horace Silver (on 1954-06-29)
tenor saxophone:
Sonny Rollins (on 1954-06-29)
trumpet:
Miles Davis (on 1954-06-29)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-06-29)
recording of:
But Not for Me (on 1954-06-29)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
WB Music Corp. (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:35
16The Man I Love (take 1)
bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
instrumental cover recording of:
The Man I Love (on 1954-12-24)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
8:07
17The Man I Love (take 2)
bass and double bass:
Percy Heath (on 1954-12-24)
drums (drum set):
Kenny Clarke (on 1954-12-24)
piano:
Thelonious Monk (on 1954-12-24)
trumpet:
Miles Davis (on 1954-12-24)
vibraphone:
Milt Jackson (on 1954-12-24)
instrumental recording of:
The Man I Love (on 1954-12-24)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
7:56