Music for Ballet Classes, Volume Five

~ Release by Charles Mathews (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Warmup (3/4, 64 counts): Keegan’s Waltz piano: Charles Mathews	Traditional Irish	2:03
2	Plié (3/4, 64 counts): Fanny Elssler pas de deux from La Fille mal gardée piano: Charles Mathews partial recording of: La Fille mal gardée: Act I: No. 16. The Fanny Elssler Pas de deux composer: Ferdinand Hérold and John Lanchbery part of: La Fille mal gardée: Act I	John Lanchbery	2:30
3	Battement tendu (2/4, 64 counts): Grand Pas de deux from Don Quixote piano: Charles Mathews partial recording of: Don Quixote (Ballet) composer: Ludwig Minkus	Ludwig Minkus	1:16
4	Battement tendu (3/4, 64 counts): Minuet in G major piano: Charles Mathews	Johann Sebastian Bach	1:46
5	Battement glissé (2/4, 128 counts): Persischer Marsch piano: Charles Mathews partial recording of: Persischer Marsch, op. 289 composer: Johann Strauss part of: Works of Johann Strauss Jr. by opus number (number: op. 289)	Johann Strauss II	1:21
6	Battement glissé (3/4, 64 counts): Frühlingsstimmen piano: Charles Mathews partial recording of: Frühlingsstimmen, op. 410 (catch-all for arrangements) composer: Johann Strauss arrangement of: Frühlingsstimmen, op. 410 (Voices of Spring)	Johann Strauss II	1:06
7	Battement jeté (2/4, 64 counts): Russischer Marsch piano: Charles Mathews partial recording of: Russischer Marsch, op. 426 composer: Johann Strauss part of: Works of Johann Strauss Jr. by opus number (number: op. 426)	Johann Strauss II	0:54
8	Rond de jambe (3/4, 64 counts): Waltz in A minor piano: Charles Mathews	Frédéric Chopin	2:04
9	Battement fondu (Habanera, 64 counts): "Vesti la giubba" from Pagliacci piano: Charles Mathews partial recording of: Pagliacci: Atto I. “Vesti la giubba” (catch-all for arrangements) composer: Ruggero Leoncavallo arrangement of: Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)	Ruggero Leoncavallo	1:56
10	Battement frappé (2/4, 64 counts): Tambourin piano: Charles Mathews partial recording of: Tambourin composer: François-Joseph Gossec part of: Le triomphe de la République, RH 618	François-Joseph Gossec	1:03
11	Adage (3/4, 64 counts): Ma Vlast: No. 2. Vltava piano: Charles Mathews partial recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (catch-all for arrangements) composer: Bedřich Smetana arrangement of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)	Bedřich Smetana	2:08
12	Adage (4/4, 64 counts): Pas de deux from Le Corsaire piano: Charles Mathews recording of: Le Corsaire: Pas de deux composer: Riccardo Drigo	Adolphe Adam	2:47
13	Grand Battement (2/4, 64 counts): La gazza ladra piano: Charles Mathews partial recording of: La gazza ladra composer: Gioachino Rossini librettist: Giovanni Gherardini	Gioachino Rossini	1:32
14	Grand Battement en cloche (3/4, 64 counts): Male Variation from Diana and Actaeon (Pas de deux) piano: Charles Mathews recording of: Diana and Actaeon: Pas de deux composer: Riccardo Drigo	Riccardo Drigo	1:15
15	Stretching (3/4, 64 counts): Pas de deux from Paquita piano: Charles Mathews partial recording of: Paquita composer: Édouard Deldevez and Ludwig Minkus	Ludwig Minkus	2:01
16	Port de bras (4/4, 64 counts): Nocturne in C-sharp minor piano: Charles Mathews	Frédéric Chopin	2:36
17	Port de bras (3/4, 32 counts): The Flower Duet from Lakmé piano: Charles Mathews recording of: Lakmé: Flower Duet (catch-all for arrangements) composer: Léo Delibes arrangement of: Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)	Léo Delibes	1:25
18	Battement tendu (2/4, 64 counts): Toreador Song from Carmen piano: Charles Mathews partial recording of: Carmen Suite no. 2: IV. Chanson du toréador composer: Georges Bizet is based on: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) part of: Carmen Suite no. 2	Georges Bizet	1:33
19	Battement tendu (faster) (2/4, 64 counts): Clog Dance from La Fille mal gardée piano: Charles Mathews partial recording of: La Fille mal gardée: Act I: No. 17a. Clog Dance composer: Ferdinand Hérold and John Lanchbery part of: La Fille mal gardée: Act I	John Lanchbery	1:21
20	Adage (slow) (3/4, 32 counts): Dance With Paris from Romeo and Juliet piano: Charles Mathews partial recording of: Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights composer: Сергей Сергеевич Прокофьев part of: Romeo and Juliet, op. 64: Act I	Sergei Prokofiev	1:57
21	Adage (faster) (6/8, 128 counts): Kingdom of the Shades from La Bayadere piano: Charles Mathews partial recording of: La Bayadère composer: Ludwig Minkus	Ludwig Minkus	2:38
22	Pirouettes en diagonal (3/4, 80 counts): Tavern Scene from Don Quixote piano: Charles Mathews partial recording of: Don Quixote (Ballet) composer: Ludwig Minkus	Ludwig Minkus	2:00
23	Pirouettes en diagonal (3/4, 128 counts): The Blue Danube piano: Charles Mathews partial recording of: An der schönen blauen Donau, op. 314 (catch-all for arrangements) composer: Johann Strauss (in 1866) arrangement of: An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)	Johann Strauss II	2:41
24	Warmup jumps (2/4, 64 counts): The Baltimore Salute piano: Charles Mathews recording of: The Baltimore Salute composer: Josie McDermott	Josie McDermott	0:45
25	Assemblés (2/4, 128 counts): I Wish I Was in Dixie piano: Charles Mathews partial instrumental recording of: Dixie lyricist and composer: Daniel Decatur Emmett writer: [traditional] publisher: Klezmer Corp	Daniel Decatur Emmett	1:21
26	Jetés (6/8, 96 counts): Ballet Music from Jerusalem piano: Charles Mathews partial recording of: Jérusalem : Acte III. part of: Jérusalem	Giuseppe Verdi	1:25
27	Brisé volé (6/8, 128 counts): Maypole Dance from La Fille mal gardée piano: Charles Mathews recording of: La Fille mal gardée: Act I: No. 18. Maypole Dance composer: Ferdinand Hérold and John Lanchbery part of: La Fille mal gardée: Act I	Ferdinand Hérold	1:51
28	Balloné (6/8, 128 counts): Ballet Music from Gustave III piano: Charles Mathews recording of: Gustave III, ou Le bal masqué composer: Daniel François Esprit Auber librettist: Eugène Scribe	Daniel Auber	1:50
29	Sissones (3/4, 64 counts): Solor’s Variation from La Bayadere piano: Charles Mathews partial recording of: La Bayadère composer: Ludwig Minkus	Ludwig Minkus	1:19
30	Sissones (faster) (3/4, 64 counts): Male Variation from Tchaikovsky Pas de Deux piano: Charles Mathews partial recording of: Tschaikovsky Pas de Deux composer: Пётр Ильич Чайковский	Pyotr Ilyich Tchaikovsky	1:11
31	Grand Allegro (3/4, 64 counts): Slave’s Variation from Le Corsaire piano: Charles Mathews partial recording of: Le Corsaire composer: Adolphe Adam (in 1856) librettist: Jules-Henri Vernoy de Saint-Georges is based on: The Corsair	Adolphe Adam	1:30
32	Grand Allegro (faster) (3/4, 64 counts): Etude in D minor piano: Charles Mathews	Carl Czerny	1:14
33	Tour en l'air (4/4, 32 counts): Jean de Brienne’s Variation from Raymonda piano: Charles Mathews partial recording of: Raymonda, op. 57 composer: Александр Константинович Глазунов (in 1898) publisher: Musikverlag M. P. Belaieff (in 1898) premiered at: Мариинский театр in Sankt-Peterburg, Russia (on 1898-01-19) part of: Works of Alexander Glazunov by opus number (number: op. 57)	Alexander Glazunov	0:46
34	Fouettés (Coda, 96 counts): Dizzy Fingers piano: Charles Mathews recording of: Dizzy Fingers composer: Zez Confrey (in 1923)	Zez Confrey	1:46
35	Pointe warmup (2/4, 128 counts): Desecration Humoresque piano: Charles Mathews partial recording of: Desecration composer: Felix Arndt is based on: 6 Stücke, op. 32: Nr. 3. Frühlingsrauschen (6 Pieces, op. 32: No. 3. Rustle of Spring, for piano) is based on: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version) is based on: Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano) is based on: Polonaise in A‐flat major, op. 53 “Heroique” is based on: Scherzo no. 2 in B‐flat minor, op. 31 is based on: Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”	Felix Arndt	1:20
36	Pointe passé (2/4, 128 counts): Cupid’s Variation from Don Quixote piano: Charles Mathews partial recording of: Don Quixote (Ballet) composer: Ludwig Minkus	Ludwig Minkus	1:34
37	Pointe balloné (6/8, 64 counts): Coda from Swan Lake, Act II piano: Charles Mathews partial recording of: Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VII. Coda: Allegro vivo composer: Пётр Ильич Чайковский part of: Swan Lake, op. 20: Act II (ed. Drigo) part of: Swan Lake, op. 20: Act II, no. 13: Danses des cygnes	Pyotr Ilyich Tchaikovsky	0:55
38	Pointe pirouettes (3/4, 64 counts): Skater’s Waltz piano: Charles Mathews partial recording of: Les Patineurs, op. 183 (The Skaters, op. 183) composer: Émile Waldteufel (in 1882)	Émile Waldteufel	1:36
39	Pointe posé turns (2/4, 64 counts): Kitri’s Variation from Don Quixote, Act 1 piano: Charles Mathews partial recording of: Don Quixote: Act I composer: Ludwig Minkus part of: Don Quixote (Ballet)	Ludwig Minkus	1:10
40	Reverence (3/4, 8 counts) piano: Charles Mathews	Charles Mathews	0:26

Music for Ballet Classes, Volume Five

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Tracklist