| # | Title | Length |
|---|
| 1 | Only When I Sleep- recording engineer:
- Oliver Leiber and Barry Rudolph
- programming and producer:
- Oliver Leiber
- assistant mixer:
- Ryan Freeland
- mixer:
- Bob Clearmountain
- bass and keyboard:
- Paul Peterson
- drums (drum set):
- Matt Laug
- guitar:
- Oliver Leiber and John Shanks
- tin whistle and lead vocals:
- Andrea Corr
- violin:
- Sharon Corr
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- produced for:
- Noise Club, Inc.
- recorded at:
- Ollywood Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
- recording of:
- Only When I Sleep
- writer:
- Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr, Oliver Leiber, Paul Peterson and John Shanks
- publisher:
- Beacon Communications Music Co. (in 1997), EMI‐Virgin Music, Inc (in 1997), Flying One Publishing (in 1997), Songs of PolyGram International, Inc. (in 1997), St. Paul Music, Inc. (in 1997) and Tattoons Music, Inc. (in 1997)
| 4:25 |
| 2 | When He's Not Around | 4:26 |
| 3 | Dreams- programming:
- Oliver Leiber and Peter Rafelson
- assistant engineer:
- Matt Silva
- engineer:
- Stuart Grusin, Oliver Leiber, Phillip Begley (lead vocals [vocals]) and Barry Rudolph
- co-producer:
- Peter Rafelson
- producer:
- Oliver Leiber
- mixer:
- Rob Chiarelli
- guitar:
- Oliver Leiber
- lead vocals:
- Andrea Corr
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- produced for:
- Noise Club, Inc.
- recorded at:
- Ollywood Studios in Hollywood, Los Angeles, California, United States, Rafelson Recording in Los Angeles, California, United States and Westland Studios in Dublin, County Dublin, Leinster, Ireland
- mixed at:
- Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- Dreams
- lyricist and composer:
- Stevie Nicks
- publisher:
- Gentoo Music, Inc., Kobalt Music Publishing Ltd. and Welsh Witch Music (in 1977)
| 4:02 |
| 4 | What Can I Do | 4:18 |
| 5 | I Never Loved You Anyway- additional recording engineer:
- David Reitzas
- recording engineer:
- Felipe Elgueta
- synthesizer [synth] programming:
- Felipe Elgueta and Leo Pearson
- producer:
- David Foster
- assistant mixer:
- Ryan Freeland
- mixer:
- Bob Clearmountain
- bodhrán:
- Caroline Corr
- drums (drum set):
- John Robinson
- guitar:
- Jim Corr and Tim Pierce
- keyboard:
- Jim Corr
- tin whistle and lead vocals:
- Andrea Corr
- violin:
- Sharon Corr
- arranger:
- The Corrs and David Foster
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- produced for:
- Chartmaker, Inc.
- additionally recorded at:
- The Record Plant in Hollywood, Los Angeles, California, United States
- recorded at:
- Chartmaker Studios in Malibu, California, United States
- mixed at:
- Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
- recording of:
- I Never Loved You Anyway
- writer:
- Carole Bayer Sager, Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
- publisher:
- All About Me Music (in 1997), Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
| 4:27 |
| 6 | So Young- recording engineer:
- Oliver Leiber and Barry Rudolph
- programming:
- Leo Pearson
- producer:
- Jim Corr and Oliver Lieber
- assistant mixer:
- Ryan Freeland
- mixer:
- Bob Clearmountain
- drums (drum set):
- Gota Yashiki, Groove Activator
- guitar:
- Anto Drennan
- lead vocals:
- Andrea Corr
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- produced for:
- Noise Club, Inc.
- recorded at:
- Ollywood Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
- recording of:
- So Young
- writer:
- Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
- publisher:
- Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
| 3:53 |
| 7 | Don't Say You Love Me- additional recording engineer:
- David Reitzas
- recording engineer:
- Felipe Elgueta
- synthesizer [synth] programming:
- Felipe Elgueta
- producer:
- David Foster
- assistant mixer:
- Tom Bender
- mixer:
- Mick Guzauski Productions
- bodhrán:
- Caroline Corr
- drums (drum set):
- John Robinson
- guitar:
- Jim Corr and Michael Thompson
- keyboard:
- Jim Corr and David Foster
- violin:
- Sharon Corr
- lead vocals:
- Andrea Corr
- arranger:
- The Corrs and David Foster
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- produced for:
- Chartmaker, Inc.
- additionally recorded at:
- The Record Plant in Hollywood, Los Angeles, California, United States
- recorded at:
- Chartmaker Studios in Malibu, California, United States
- mixed at:
- Barking Doctor Studios in Mount Kisco, New York, United States
- recording of:
- Don’t Say You Love Me
- writer:
- Carole Bayer Sager, Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
- publisher:
- All About Me Music (in 1997), Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
| 4:39 |
| 8 | Love Gives, Love Takes- recording engineer:
- Oliver Leiber and Barry Rudolph
- programming and producer:
- Oliver Leiber
- assistant mixer:
- Ryan Freeland
- mixer:
- Bob Clearmountain
- accordion:
- Jim Corr
- bass:
- Lance Morrison
- drums (drum set):
- Matt Laug
- guitar:
- Oliver Leiber, Dean Parks and John Shanks
- keyboard:
- John Gilutin
- violin:
- Sharon Corr
- lead vocals:
- Andrea Corr
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- produced for:
- Noise Club, Inc.
- recorded at:
- Ollywood Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
- recording of:
- Love Gives Love Takes
- writer:
- Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr, Dane DeViller, Sean Syed Hosein, Oliver Leiber, Stacey Piersa and Elliot Wolff
- publisher:
- Beacon Communications Music Co. (in 1997), Bubalas Music (in 1997), Careers–BMG Music Publishing, Inc. (in 1997), Klup and Mo Music (in 1997), On Board Music (in 1997), peermusic, Ltd. (in 1997), Songs of PolyGram International, Inc. (in 1997) and Tattoons Music, Inc. (in 1997)
| 3:42 |
| 9 | Hopelessly Addicted- recording engineer:
- Oliver Leiber and Barry Rudolph
- producer:
- Oliver Leiber
- assistant mixer:
- Ryan Freeland
- mixer:
- Bob Clearmountain
- bass and keyboard:
- Paul Peterson
- drums (drum set):
- Matt Laug
- guitar:
- Oliver Leiber and John Shanks
- mandolin [electric mandolin]:
- John Shanks
- violin:
- Sharon Corr
- lead vocals:
- Andrea Corr
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- produced for:
- Noise Club, Inc.
- recorded at:
- Ollywood Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
- recording of:
- Hopelessly Addicted
- writer:
- Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr, Oliver Leiber and John Shanks
- publisher:
- Beacon Communications Music Co. (in 1997), Songs of PolyGram International, Inc. (in 1997) and Tattoons Music, Inc. (in 1997)
| 4:03 |
| 10 | Paddy McCarthy | 4:59 |
| 11 | Intimacy- assistant recording engineer:
- Yuzuru “Joe” Koyanazi and Al Lay
- recording engineer:
- Randall Wine
- miscellaneous support:
- Colleen Reynolds (task: production coordination)
- programming:
- George Black
- producer:
- Rick Nowels and Billy Steinberg
- assistant mixer:
- Ryan Freeland
- mixer:
- Bob Clearmountain
- bass synthesizer [synth bass]:
- David Foster
- cello:
- Suzy Katayama and Lisa Wagner
- guitar:
- Rick Nowels
- keyboard:
- Jeff Hull
- percussion:
- Luis Conte
- lead vocals:
- Andrea Corr
- strings arranger:
- Jeff Hull
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States and Mulhullond Studios
- mixed at:
- Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
- cover recording of:
- Intimacy
- writer:
- Neil Giraldo, Rick Nowels and Billy Steinberg
- publisher:
- EMI April Music, Inc. (in 1995), Future Furniture Music (in 1995), Jerk Awake (in 1995) and Spider Maze Music (in 1995)
| 3:57 |
| 12 | Queen of Hollywood- recording engineer:
- Bryan Carrigan, Dane DeViller, Chris Fogel and Sean Hosein
- programming:
- Dane DeViller and Sean Hosein
- co-producer:
- Dane DeViller and Sean Hosein
- producer:
- Glen Ballard
- assistant mixer:
- Ryan Freeland
- mixer:
- Bob Clearmountain
- bass:
- Lance Morrison
- drums (drum set):
- Matt Chamberlain
- guitar:
- Dane DeViller and Dean Parks
- organ:
- Mike Thompson
- tin whistle and lead vocals:
- Andrea Corr
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- recorded at:
- Aerowave Studios in Encino, California, United States
- mixed at:
- Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
- recording of:
- Queen of Hollywood
- writer:
- Glen Ballard, Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr, Dane DeViller and Sean Syed Hosein
- publisher:
- Aerostation Corporation (in 1997), Beacon Communications Music Co. (in 1997), Bubalas Music (in 1997), Careers–BMG Music Publishing, Inc. (in 1997), MCA Music Publishing (in 1997), On Board Music (in 1997) and Songs of PolyGram International, Inc. (in 1997)
| 5:02 |
| 13 | No Good for Me- additional recording engineer:
- David Reitzas
- recording engineer:
- Felipe Elgueta
- synthesizer [synth] programming:
- Felipe Elgueta
- producer:
- David Foster
- assistant mixer:
- Ryan Freeland
- mixer:
- Bob Clearmountain
- drums (drum set):
- John Robinson
- guitar:
- Jim Corr and Tim Pierce
- keyboard:
- Jim Corr and David Foster
- mandolin:
- Tim Pierce
- tin whistle and lead vocals:
- Andrea Corr
- violin:
- Sharon Corr
- arranger:
- The Corrs and David Foster
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- produced for:
- Chartmaker, Inc.
- additionally recorded at:
- The Record Plant in Hollywood, Los Angeles, California, United States
- recorded at:
- Chartmaker Studios in Malibu, California, United States
- mixed at:
- Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
- recording of:
- No Good for Me
- writer:
- Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
- publisher:
- Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
| 4:00 |
| 14 | Little Wing- recording engineer:
- Tim Martin and Brian Masterson
- producer:
- John Hughes
- assistant mixer:
- Ryan Freeland
- mixer:
- Bob Clearmountain
- bass:
- Keith Duffy
- bodhrán:
- Kevin Conneff and Caroline Corr
- fiddle:
- Martin Fay and Seán Keane
- flute:
- Matt Molloy
- guitar:
- Anto Drennan and Jim Corr
- harp:
- Derek Bell
- keyboard:
- Jim Corr
- tin whistle:
- Andrea Corr and Paddy Moloney
- uilleann pipes:
- Paddy Moloney
- violin:
- Sharon Corr
- lead vocals:
- Andrea Corr
- arranger:
- Paddy Moloney
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1997) and WEA International Inc. (in 1998)
- recorded at:
- Westland Studios in Dublin, County Dublin, Leinster, Ireland and Windmill Studios in Dublin, County Dublin, Leinster, Ireland
- mixed at:
- Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
- cover recording of:
- Little Wing
- lyricist and composer:
- Jimi Hendrix
- publisher:
- Experience Hendrix, L.L.C., Interworld Music Ltd., Warner/Chappell Music Ltd. and Bella Godiva Music (in 1967)
| 5:08 |
