100 Hits: The Best Jazz Album

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

5 x Matrix

CD1 IFPI L558 DMGN100234CD1 28 A00
CD2 IFPI L558 DMGN100234CD2 28 A00
CD3 IFPI L558 DMGN100234CD3 25 A00
CD4 IFPI L558 DMGN100234CD4 14 A00
CD5 IFPI L558 DMGN100234CD5 23 A00

Tracklist

1▼CD
#TitleArtistLength
152nd Street Theme
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
52nd Street Theme (on 1949-08-08)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
Bud Powell2:50
2Just One of Those Things
instrumental recording of:
Just One of Those Things (on 1954-03-31)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Charlie Parker Quintet2:42
3Remember
recording engineer:
Rudy van Gelder (on 1957-09-06)
producer:
Bob Weinstock
alto saxophone:
Zeke Tolin (on 1957-09-06)
bass:
Paul Chambers (on 1957-09-06)
bassoon:
Dave Kurtzer (on 1957-09-06)
drums (drum set):
Jo Jones (on 1957-09-06)
French horn:
Willie Ruff (on 1957-09-06)
piano:
Gil Evans (on 1957-09-06)
saxophone:
Lee Konitz (on 1957-09-06) and Steve Lacy (on 1957-09-06)
trombone:
Jimmy Cleveland (on 1957-09-06) and Bart Varsalona (on 1957-09-06)
trumpet:
John Carisi (on 1957-09-06) and Jake Koven (on 1957-09-06)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-09-06)
Gil Evans4:31
4Cheek to Cheek
recorded in:
Los Angeles, California, United States (from 1952-11 until 1952-12)
double bass [bass]:
Ray Brown (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (in 1952)
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (in 1952)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Oscar Peterson Trio3:06
5Anthropology
recording engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
alto saxophone:
Bud Shank (on 1959-03-28)
alto saxophone, clarinet and tenor saxophone:
Art Pepper (on 1959-03-28)
baritone saxophone:
Med Flory (on 1959-03-28)
double bass:
Joe Mondragon (on 1959-03-28)
drums (drum set):
Mel Lewis (on 1959-03-28)
French horn:
Vincent DeRosa (on 1959-03-28)
piano:
Russ Freeman (on 1959-03-28)
tenor saxophone:
Bill Perkins (on 1959-03-28)
tenor saxophone and valve trombone:
Bob Enevoldsen (on 1959-03-28)
trombone:
Dick Nash (on 1959-03-28)
trumpet:
Al Porcino (on 1959-03-28) and Jack Sheldon (on 1959-03-28)
conductor:
Marty Paich (on 1959-03-28)
arranger:
Marty Paich
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1959-03-28)
recording of:
Anthropology (on 1959-03-28)
composer:
Dizzy Gillespie and Charlie Parker
Art Pepper3:19
6This Nearly Was Mine
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
cover recording of:
This Nearly Was Mine (South Pacific) (in 1960-12)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
Cecil Taylor10:51
7Peri’s Scope
recording engineer:
Jack Higgins (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (on 1959-12-28)
piano:
Bill Evans (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
recording of:
Peri's Scope (on 1959-12-28)
composer:
Bill Evans
publisher:
Acorn Music Corp. and TRO-Folkways Music Publishers, Inc.
part of:
The Real Book (compilation of jazz standards, Volume I)
The Bill Evans Trio3:15
8My Funny Valentine
producer:
Richard Bock
double bass:
Carson Smith (on 1954-02-15)
drums (drum set):
Bob Neel (on 1954-02-15)
piano:
Russ Freeman (on 1954-02-15)
trumpet:
Chet Baker (on 1954-02-15)
vocals:
Chet Baker (on 1954-02-15)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1954) and Blue Note (in 1989)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:19
9Weirdo
producer:
Alfred Lion
bass and double bass:
Percy Heath (on 1954-03-06)
drums (drum set):
Art Blakey (on 1954-03-06)
piano:
Horace Silver (on 1954-03-06)
trumpet:
Miles Davis (on 1954-03-06)
phonographic copyright (℗) by:
Blue Note
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-03-06)
recording of:
Weirdo (on 1954-03-06)
composer:
Miles Davis
Miles Davis4:43
10The Lady Is a Tramp
baritone saxophone:
Gerry Mulligan (on 1953-01-03)
double bass:
Carson Smith (on 1953-01-03)
drums (drum set):
Chico Hamilton (on 1953-01-03)
trumpet:
Chet Baker (on 1953-01-03)
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Gerry Mulligan Quartet3:13
11Giant Steps
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Atlantic Recording Studios in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, Volume I)
John Coltrane4:45
12Mangolina
flute:
Eric Dolphy
Eric Dolphy2:08
13Horacescope
Horace Silver Trio4:43
14Willow Weep for Me
double bass:
Al McKibbon (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
instrumental recording of:
Willow Weep for Me (on 1951-07-23)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co.
sub-publisher:
日音 Synch事業部
Thelonious Monk3:00
15Django
double bass [bass]:
Percy Heath (on 1959-08-22)
drums (drum set):
Connie Kay (on 1959-08-22)
piano:
John Lewis (on 1959-08-22)
vibraphone:
Milt Jackson (on 1959-08-22)
recording of:
Django (on 1959-08-22)
composer:
John Lewis (in 1954)
publisher:
MJQ Music, Inc.
Modern Jazz Quartet4:37
16Ecorah
engineer:
Jack Higgins
producer:
Orrin Keepnews
drums (drum set):
Paul Parker (in 1959-10, on 1959-10-05)
guitar:
Wes Montgomery (in 1959-10, on 1959-10-05)
organ:
Melvin Rhyne (in 1959-10, on 1959-10-05)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-10-05)
recording of:
Ecaroh (on 1959-10-05)
writer:
Horace Silver
recording of:
Ecaroh (in 1959-10)
writer:
Horace Silver
Wes Montgomery2:58
17The Ripper
Ramsey Lewis Trio1:54
18The Cylinder
recorded in:
New York, New York, United States (on 1959-09-10)
alto flute:
Don Hammond (on 1959-09-10)
bass:
Bill Crow (on 1959-09-10)
cello:
Charles McCracken (on 1959-09-10), George Ricci (on 1959-09-10) and Harvey Shapiro (on 1959-09-10)
drums (drum set):
Connie Kay (on 1959-09-10)
guitar:
Barry Galbraith (on 1959-09-10)
harp:
Gloria Agostini (on 1959-09-10)
piano:
Jimmy Jones (on 1959-09-10)
vibraphone:
Milt Jackson (on 1959-09-10)
viola:
Al Brown (on 1959-09-10), Burt Fisch (on 1959-09-10) and David Mankowitz (on 1959-09-10)
violin:
Alexander Cores (on 1959-09-10), Max Cahn (on 1959-09-10), Harold Coletta (on 1959-09-10), Paul Gershman (on 1959-09-10), Julius Held (on 1959-09-10), Leo Kahn (on 1959-09-10), Harry Katzman (on 1959-09-10), Harry Lookofsky (on 1959-09-10), David Nadien (on 1959-09-10), George Ockner (on 1959-09-10) and Leonard Posner (on 1959-09-10)
conductor:
Quincy Jones (on 1959-09-10)
arranger:
Quincy Jones
recording of:
The Cylinder (on 1959-09-10)
composer:
Milt Jackson
Milt Jackson2:48
19Splinter
Sonny Stitt2:41
20Epistrophy
recording engineer:
Jack Higgins
producer:
Orrin Keepnews
alto saxophone:
Gigi Gryce (on 1957-06-26)
double bass:
Wilbur Ware (on 1957-06-26)
drums (drum set):
Art Blakey (on 1957-06-26)
piano:
Thelonious Monk (on 1957-06-26)
tenor saxophone:
John Coltrane (on 1957-06-26) and Coleman Hawkins (on 1957-06-26)
trumpet:
Ray Copeland (on 1957-06-26)
phonographic copyright (℗) by:
Concord Music Group, Inc. (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-06-26)
recording of:
Epistrophy (on 1957-06-26)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation
Thelonious Monk and John Coltrane3:05
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Credits

Release group

part of:100 Hits (number: 126) (order: 111)