100 Hits: The Best Jazz Album

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

5 x Matrix

CD1 IFPI L558 DMGN100234CD1 28 A00
CD2 IFPI L558 DMGN100234CD2 28 A00
CD3 IFPI L558 DMGN100234CD3 25 A00
CD4 IFPI L558 DMGN100234CD4 14 A00
CD5 IFPI L558 DMGN100234CD5 23 A00

Tracklist

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#TitleArtistLength
1The Opener
engineer:
GP
bass:
Major Holley (from 1960-06-01 until 1960-06-03)
drums (drum set):
Osie Johnson (from 1960-06-01 until 1960-06-03)
piano:
George Handy (from 1960-06-01 until 1960-06-03)
tenor saxophone:
Al Cohn (from 1960-06-01 until 1960-06-03) and Zoot Sims (from 1960-06-01 until 1960-06-03)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1960-06-01 until 1960-06-03)
Al Cohn & Zoot Sims Quintet3:43
2The Wailing Boat
recorded in:
New York, New York, United States (from 1956-09-07 until 1956-09-25)
engineer:
Ray Hall
producer:
Jack Lewis
alto saxophone:
Herb Geller (from 1956-09-07 until 1956-09-25)
baritone saxophone:
Ernie Wilkins (from 1956-09-07 until 1956-09-25)
bass:
Milt Hinton (from 1956-09-07 until 1956-09-25)
drums (drum set):
Jimmy Campbell (from 1956-09-07 until 1956-09-25)
piano:
Hank Jones (from 1956-09-07 until 1956-09-25)
tenor saxophone:
Al Cohn (from 1956-09-07 until 1956-09-25) and Budd Johnson (from 1956-09-07 until 1956-09-25)
trombone:
Eddie Bert (from 1956-09-07 until 1956-09-25), Jimmy Cleveland (from 1956-09-07 until 1956-09-25) and Sonny Russo (from 1956-09-07 until 1956-09-25)
trumpet:
Maynard Ferguson (from 1956-09-07 until 1956-09-25), Joe Ferrante (from 1956-09-07 until 1956-09-25), Al De Risi (from 1956-09-07 until 1956-09-25) and Nick Travis (from 1956-09-07 until 1956-09-25)
conductor:
Maynard Ferguson (from 1956-09-07 until 1956-09-25)
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-09-11)
Maynard Ferguson3:09
3Port of Call
engineer:
Bob d’Orleans
double bass:
Buell Neidlinger (from 1960-10-12 until 1960-10-13)
drums (drum set):
Denis Charles (from 1960-10-12 until 1960-10-13)
piano:
Cecil Taylor (from 1960-10-12 until 1960-10-13)
recorded at:
Nola’s Penthouse in New York, New York, United States (from 1960-10-12 until 1960-10-13)
recording of:
Port of Call (in 1960-12)
composer:
Cecil Taylor
publisher:
Jay Bee Music Corp.
Cecil Taylor4:20
4Palo Alto
Bill Evans, Jimmy Giuffre & Lee Konitz3:10
5Tem d’amore
recorded in:
Roma, Roma, Lazio, Italy (in 1961)
alto saxophone:
Marcello Boschi (in 1961)
baritone saxophone:
Gino Marinacci (in 1961)
bass:
Berto Pisano (in 1961)
membranophone:
Jimmy Pratt (in 1961)
piano:
Piero Umiliani (in 1961)
tenor saxophone:
Livio Cervellieri (in 1961)
trombone:
Bill Gilmore (in 1961)
trumpet:
Chet Baker (in 1961) and Nini Rosso (in 1961)
Chet Baker2:24
6Afrodisia
baritone saxophone:
Cecil Payne (on 1955-03-29)
congas:
Carlos “Patato” Valdés (on 1955-03-29)
cowbell:
Richie Goldberg (on 1955-03-29)
double bass:
Oscar Pettiford (on 1955-03-29)
drums (drum set):
Art Blakey (on 1955-03-29)
piano:
Horace Silver (on 1955-03-29)
tenor saxophone:
Hank Mobley (on 1955-03-29)
trombone:
Jay Jay Johnson (on 1955-03-29)
trumpet:
Kenny Dorham (on 1955-03-29)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-03-29)
recording of:
Afrodisia (on 1955-03-29)
composer:
Kenny Dorham
publisher:
EMI Unart Catalog Inc. and Second Floor Music
Kenny Dorham5:04
7Just for You
Ornette Coleman3:52
8If There’s Soemone Lovelier Than You
Tal Farlow2:44
9The Last Time I Saw Paris
Sonny Rollins2:56
10Tuesday at Two
Chico Hamilton2:59
11Why Are We Afraid?
engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
double bass [bass]:
Paul Chambers (on 1960-02-29)
drums (drum set):
Jimmy Cobb (on 1960-02-29)
piano:
Wynton Kelly (on 1960-02-29)
saxophone:
Art Pepper (on 1960-02-29)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1960-02-29)
recording of:
Why Are We Afraid? (on 1960-02-29)
writer:
André Previn and Dory Previn
Art Pepper3:38
12The Twitch
alto saxophone:
Phil Woods (on 1961-11-29)
bass:
Buddy Catlett (on 1961-11-29)
drums (drum set):
Stu Martin (on 1961-11-29)
French horn:
Julius Watkins (on 1961-11-29)
piano:
Bobby Scott (on 1961-11-29)
tenor saxophone:
Eric Dixon (on 1961-11-29)
trombone:
Billy Byers (on 1961-11-29), Paul Faulise (on 1961-11-29) and Melba Liston (on 1961-11-29)
trumpet:
Jerome Kail (on 1961-11-29), Joe Newman (on 1961-11-29), Clyde Reasinger (on 1961-11-29) and Clark Terry (on 1961-11-29)
woodwind:
Jerome Richardson (on 1961-11-29)
conductor:
Quincy Jones (on 1961-11-29)
arranger:
Quincy Jones
recorded at:
Capitol Studios in New York, New York, United States (on 1961-11-29)
Quincy Jones3:50
13Chazzanova
Charles Mingus4:57
14Strike Up the Band
Steve Lacy2:01
15G’Wan Train
Quincy Jones6:22
16Nobody Knows the Trouble I’ve Seen
Johnny Griffin2:44
17Gonna Set Your Soul on Fire
Ramsey Lewis Trio2:03
18The Disguise
recorded in:
Los Angeles, California, United States (on 1958-02-22)
alto saxophone:
Ornette Coleman (on 1958-02-22)
cornet:
Don Cherry (on 1958-02-22)
double bass:
Don Payne (on 1958-02-22)
drums (drum set):
Billy Higgins (on 1958-02-22)
piano accordion:
Walter Norris (on 1958-02-22)
recording of:
The Disguise (on 1958-02-22)
composer:
Ornette Coleman
Ornette Coleman2:50
19Mingus Fingus No. 2
alto saxophone:
Eric Dolphy (on 1960-05-24)
cello:
Charles McCracken (on 1960-05-24)
double bass:
Charles Mingus (on 1960-05-24)
drums (drum set):
Dannie Richmond (on 1960-05-24)
flute:
Robert DiDomenica (on 1960-05-24)
oboe:
Harry Schulman (on 1960-05-24)
percussion:
Sticks Evans (on 1960-05-24) and George Scott (on 1960-05-24)
piano:
“Sir” Roland Hanna (on 1960-05-24)
saxophone:
Danny Bank (on 1960-05-24), Bill Barron (on 1960-05-24) and John LaPorta (on 1960-05-24)
tenor saxophone:
Joe Farrell (on 1960-05-24) and Yusef Lateef (on 1960-05-24)
trombone:
Eddie Bert (on 1960-05-24), Charles Greenlee (on 1960-05-24), Slide Hampton (on 1960-05-24) and Jimmy Knepper (on 1960-05-24)
trumpet:
Marcus Belgrave (on 1960-05-24), Ted Curson (on 1960-05-24), Hobart Dotson (on 1960-05-24), Clark Terry (on 1960-05-24) and Richard Williams (on 1960-05-24)
tuba:
Don Butterfield (on 1960-05-24)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-05-24)
recording of:
Mingus Fingus No. 2 (on 1960-05-24)
composer:
Charles Mingus
Charles Mingus3:35
20A Morning in Paris
Modern Jazz Quartet2:53

Credits

Release group

part of:100 Hits (number: 126) (order: 111)