The History of Classical Music, Part 4: Late Romantic to Modern: From Tchaikovsky to Rachmaninov

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶Digital Media: Tchaikovsky: Piano Concerto no. 1 / Violin Concerto

2▶Digital Media: Wagner: Overtures & Preludes

3▶Digital Media: Wagner: Der Ring des Nibelungen (highlights)

4▶Digital Media: Wagner: Tristan und Isolde (highlights)

5▶Digital Media: Verdi: Aida (highlights)

6▶Digital Media: Verdi: Rigoletto (highlights)

7▶Digital Media: Verdi: La traviata (highlights)

8▶Digital Media: Saint‐Saëns: “Organ” Symphony / Franck: Symphony in D minor

9▶Digital Media: Glinka: “Ruslan and Lyudmila” Overture / Balakirev: Islamey / Borodin: Polovtsian Dances / Mussorgsky: Pictures at an Exhibition

10▶Digital Media: Rimsky‐Korsakov: Scheherazade / Capriccio espagnol

11▶Digital Media: Mahler: Symphony no. 1 / Lieder eines fahrenden Gesellen

12▶Digital Media: Mahler: Symphony no. 5

13▶Digital Media: Debussy: La Mer / Nocturnes / Prélude à l’après‑midi d’un faune

14▼Digital Media: Debussy: Suite bergamansque / Préludes
#	Title	Artist	Length
1	Préludes, Book 1, L 117: III. Le vent dans la plaine audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: III. Le Vent dans la plaine. Animé (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	2:21
2	Préludes, Book 1, L 117: IV. Les sons et les parfums tournent dans l’air du soir audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: IV. «Les sons et les parfums tournent dans l'air du soir». Modéré (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	4:36
3	Préludes, Book 1, L 117: V. Les collines d’Anacapri audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: V. Les collines d'Anacapri. Très modéré (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	3:00
4	Préludes, Book 1, L 117: VII. Ce qu’a vu le vent d’ouest audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	3:31
5	Préludes, Book 1, L 117: VIII. La fille aux cheveux de lin audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04: piano) and Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) engineered at: Plenarsaal in Berlin, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	3:07
6	Préludes, Book 1, L 117: X. La cathédrale engloutie audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	7:00
7	Préludes, Book 1, L 117: XII. Minstrels audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: XII. Minstrels. Modéré (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	2:13
8	Préludes, Book 2, L 123: II. Feuilles mortes audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: II. Feuilles mortes. Lent et mélancolique (Préludes, Book II: 2. Feuilles mortes) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	4:59
9	Préludes, Book 2, L 123: III. La puerta del vino audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: III. La puerta del Vino. Mouvement de Habanera (Préludes, Book II: 3. La Puerta del Vino) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	3:42
10	Préludes, Book 2, L 123: VI. “General Lavine” – eccentric audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: VI. Général Lavine – eccentric. Dans le style et le mouvement d’un Cakewalk (Préludes, Book II: 6. General Lavine – eccentric) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	2:24
11	Préludes, Book 2, L 123: VII. La terrasse des audiences du clair de lune audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: VII. La terrasse des audiences du clair de lune. Lent (Préludes, Book II: 7. La Terrasse des audiences du clair de lune) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	5:49
12	Préludes, Book 2, L 123: XII. Feux d’artifice audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	4:18
13	Suite bergamasque, L 75: I. Prélude audio engineer: Jobst Eberhardt executive producer: Karl Faust producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe (in 1969-04) phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Suite bergamasque, L. 75, CD 82 : I. Prélude (for piano) (in 1969-04) composer: Claude Debussy (from 1890 until 1905) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy	3:55
14	Suite bergamasque, L 75: II. Menuet audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe (in 1969-04) phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Suite bergamasque, L. 75, CD 82 : II. Menuet (for piano) (in 1969-04) composer: Claude Debussy (from 1890 until 1905) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy	3:30
15	Suite bergamasque, L 75: III. Clair de lune audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1969-04) composer: Claude Debussy (from 1890 until 1905) part of: Classic 100: Piano (number: 3) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy	5:16
16	Suite bergamasque, L 75: IV. Passepied audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe and Klaus Scheibe (in 1969-04: piano) phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Suite bergamasque, L. 75, CD 82 : IV. Passepied (for piano) (in 1969-04) composer: Claude Debussy (from 1890 until 1905) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy	3:32

15▶Digital Media: Strauss, R.: Also sprach Zarathustra / Don Juan / Till Eulenspiegel

16▶Digital Media: Strauss, R.: Death and Transfiguration / Four Last Songs / Capriccio

17▶Digital Media: Puccini: La bohème (highlights)

18▶Digital Media: Puccini: Tosca (highlights) / Nessun dorma

19▶Digital Media: Elgar: “Enigma” Variations / Holst: The Planets

20▶Digital Media: Rachmaninov: Piano Concerto no. 3 / Scriabin: Le poeme de l’extase

Credits

Release

purchase for download:	https://itunes.apple.com/de/album/id716458199 [info]
discography entry:	http://www.deutschegrammophon.com/en/cat/4792303 [info]

Release group

includes:

Also sprach Zarathustra / Don Juan / Till Eulenspiegel by Richard Strauss; Berliner Philharmoniker, Karl Böhm
Der Ring des Nibelungen (highlights) by Richard Wagner; Berliner Philharmoniker, Herbert von Karajan
Holst: The Planets / Elgar: Enigma Variations by Holst, Elgar; Boston Symphony Orchestra, London Symphony Orchestra, William Steinberg, Eugen Jochum
La bohème by Puccini; Réaux, Hadley, Hampson, Daniels, Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein
La Mer / Nocturnes / Prélude à l’après‐midi d’un faune by Claude Debussy; Orchestre de Paris, Daniel Barenboim
La traviata by Giuseppe Verdi; Ileana Cotrubas, Placido Domingo, Sherrill Milnes, Plácido Domingo, Bayerisches Staatsorchester, Carlos Kleiber
Piano Concerto no. 1 / Violin Concerto by Tchaikovsky; Martha Argerich, Nathan Milstein
Rigoletto by Giuseppe Verdi; Wiener Philharmoniker, Carlo Maria Giulini, Piero Cappuccilli, Ileana Cotrubaş, Plácido Domingo, Elena Obraztsova, Nicolaï Ghiaurov, Kurt Moll, Hanna Schwarz, Konzertvereinigung Wiener Staatsopernchor
Scheherazade / Capriccio espagnol by Rimski-Korsakov; Joseph Silverstein, Seiji Ozawa, Boston Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Orchestra
Suite bergamasque / 12 Préludes by Claude Debussy; Tamás Vásáry, Dino Ciani
Symphonie Nr. 1 / Lieder eines fahrenden Gesellen by Gustav Mahler; Dietrich Fischer‐Dieskau, Rafael Kubelík
Symphonie Nr. 5 by Gustav Mahler; Berliner Philharmoniker, Herbert von Karajan
Tristan und Isolde by Richard Wagner; Birgit Nilsson, Wolfgang Windgassen, Christa Ludwig, Martti Talvela, Eberhard Wächter, Orchester der Bayreuther Festspiele, Karl Böhm

part of:	The History of Classical Music: From Gregorian Chant to Górecki (order: 4)

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