The History of Classical Music, Part 4: Late Romantic to Modern: From Tchaikovsky to Rachmaninov

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶Digital Media: Tchaikovsky: Piano Concerto no. 1 / Violin Concerto
2▶Digital Media: Wagner: Overtures & Preludes
3▶Digital Media: Wagner: Der Ring des Nibelungen (highlights)
4▶Digital Media: Wagner: Tristan und Isolde (highlights)
5▶Digital Media: Verdi: Aida (highlights)
6▶Digital Media: Verdi: Rigoletto (highlights)
7▶Digital Media: Verdi: La traviata (highlights)
8▶Digital Media: Saint‐Saëns: “Organ” Symphony / Franck: Symphony in D minor
9▶Digital Media: Glinka: “Ruslan and Lyudmila” Overture / Balakirev: Islamey / Borodin: Polovtsian Dances / Mussorgsky: Pictures at an Exhibition
10▶Digital Media: Rimsky‐Korsakov: Scheherazade / Capriccio espagnol
11▶Digital Media: Mahler: Symphony no. 1 / Lieder eines fahrenden Gesellen
12▶Digital Media: Mahler: Symphony no. 5
13▶Digital Media: Debussy: La Mer / Nocturnes / Prélude à l’après‑midi d’un faune
14▶Digital Media: Debussy: Suite bergamansque / Préludes
15▶Digital Media: Strauss, R.: Also sprach Zarathustra / Don Juan / Till Eulenspiegel
16▶Digital Media: Strauss, R.: Death and Transfiguration / Four Last Songs / Capriccio
17▶Digital Media: Puccini: La bohème (highlights)
18▼Digital Media: Puccini: Tosca (highlights) / Nessun dorma
#TitleArtistLength
1Tosca: Atto I. “Ah! Finalmente!”
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:26
2Tosca: Atto I. “Recondita armonia”
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:55
3Tosca: Atto I. “Mario! Mario! Mario!”
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
partial recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini7:44
4Tosca: Atto I. “Ah, quegli occhi.” — “Qual occhio al mondo può star di paro”
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:55
5Tosca: Atto I. “Tre sbirri. Una carozza. Presto” — Te Deum
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:46
6Tosca: Atto II. “Ed or fra noi parliam da buoni amici”
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:13
7Tosca: Atto II. “Orsù, Tosca, parlate”
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
balance engineer:
Günter Hermanns (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:18
8Tosca: Atto II. “Nel pozzo, nel giardino!”
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
partial recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini0:37
9Tosca: Atto II. “Vissi d’arte, vissi d’amore”
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
soprano vocals:
Katia Ricciarelli
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
balance engineer:
Günter Hermanns (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:55
10Tosca: Atto II. “E qual via scegliete?”
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini6:39
11Tosca: Atto III. “Mario Cavaradossi?” – “A voi”
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini6:49
12Tosca: Atto III. “E lucevan le stelle”
producer:
Michel Glotz
tenor vocals [Cavaradossi]:
José Carreras (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
balance engineer:
Günter Hermanns (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:23
13Tosca: Atto III. “O dolci mani”
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
balance engineer:
Günter Hermanns (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini6:06
14Tosca: Atto III. “E non giungono”
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (, from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (, from 1979-09-10 until 1979-11-25)
balance engineer:
Günter Hermanns (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
partial recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:53
15Tosca: Atto III. “Come è lunga l’attesta!”
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
balance engineer:
Günter Hermanns (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:41
16Tosca: Atto III. “Presto, su! Mario!”
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (from 1979-09-10 until 1979-11-25) and Schöneberger Sängerknaben (from 1979-09-10 until 1979-11-25)
orchestra:
Berliner Philharmoniker (from 1979-09-10 until 1979-11-25)
conductor:
Herbert von Karajan (from 1979-09-10 until 1979-11-25)
balance engineer:
Günter Hermanns (from 1979-09-10 until 1979-11-25)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-09-10 until 1979-11-25)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (from 1979-09-10 until 1979-11-25)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:27
17Turandot: Atto III. “Nessun dorma”
producer:
Michel Glotz
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1981-05-11 until 1981-05-18)
tenor vocals [Calaf]:
Plácido Domingo (from 1981-05-11 until 1981-05-18)
orchestra:
Wiener Philharmoniker (from 1981-05-11 until 1981-05-18)
conductor:
Herbert von Karajan (from 1981-05-11 until 1981-05-18)
balance engineer:
Günter Hermanns (from 1981-05-11 until 1981-05-18)
phonographic copyright (℗) by:
Polydor International GmbH (in 1982)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1981-05-11 until 1981-05-18)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1981-05-11 until 1981-05-18)
composer:
Giacomo Puccini (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:25
19▶Digital Media: Elgar: “Enigma” Variations / Holst: The Planets
20▶Digital Media: Rachmaninov: Piano Concerto no. 3 / Scriabin: Le poeme de l’extase

Credits

Release group

includes:Also sprach Zarathustra / Don Juan / Till Eulenspiegel by Richard Strauss; Berliner Philharmoniker, Karl Böhm
Der Ring des Nibelungen (highlights) by Richard Wagner; Berliner Philharmoniker, Herbert von Karajan
Holst: The Planets / Elgar: Enigma Variations by Holst, Elgar; Boston Symphony Orchestra, London Symphony Orchestra, William Steinberg, Eugen Jochum
La bohème by Puccini; Réaux, Hadley, Hampson, Daniels, Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein
La Mer / Nocturnes / Prélude à l’après‐midi d’un faune by Claude Debussy; Orchestre de Paris, Daniel Barenboim
La traviata by Giuseppe Verdi; Ileana Cotrubas, Placido Domingo, Sherrill Milnes, Plácido Domingo, Bayerisches Staatsorchester, Carlos Kleiber
Piano Concerto no. 1 / Violin Concerto by Tchaikovsky; Martha Argerich, Nathan Milstein
Rigoletto by Giuseppe Verdi; Wiener Philharmoniker, Carlo Maria Giulini, Piero Cappuccilli, Ileana Cotrubaş, Plácido Domingo, Elena Obraztsova, Nicolaï Ghiaurov, Kurt Moll, Hanna Schwarz, Konzertvereinigung Wiener Staatsopernchor
Scheherazade / Capriccio espagnol by Rimski-Korsakov; Joseph Silverstein, Seiji Ozawa, Boston Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Orchestra
Suite bergamasque / 12 Préludes by Claude Debussy; Tamás Vásáry, Dino Ciani
Symphonie Nr. 1 / Lieder eines fahrenden Gesellen by Gustav Mahler; Dietrich Fischer‐Dieskau, Rafael Kubelík
Symphonie Nr. 5 by Gustav Mahler; Berliner Philharmoniker, Herbert von Karajan
Tristan und Isolde by Richard Wagner; Birgit Nilsson, Wolfgang Windgassen, Christa Ludwig, Martti Talvela, Eberhard Wächter, Orchester der Bayreuther Festspiele, Karl Böhm
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 4)