Sacred Cantatas, BWV 1 - 14 & 16 - 19

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt, Gustav Leonhardt (see all versions of this release, 2 available)

Annotation

Copyright: A Warner Classics/Teldec release, © 1994 Warner Music UK Limited
A Warner Classics/Teldec release, ℗ 1971 Warner Music UK Limited

Tracklist

1▼Digital Media
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1Wie schön leuchtet der Morgenstern, BWV 1: No. 1, Choral. "Wie schön leuchtet der Morgenstern"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": I. Coro "Wie schön leuchtet der Morgenstern" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach9:36
2Wie schön leuchtet der Morgenstern, BWV 1: No. 2, Rezitativ. "Du wahrer Gottes und Marien Sohn"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": II. Recitativo (Tenore) "Du wahrer Gottes und Marien Sohn" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach0:55
3Wie schön leuchtet der Morgenstern, BWV 1: No. 3, Aria. "Erfüllet, ihr himmlischen göttlichen Flammen"
choir vocals:
Soloists of the Wiener Sängerknaben
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach5:09
4Wie schön leuchtet der Morgenstern, BWV 1: No. 4, Rezitativ. "Ein ird'scher Glanz, ein leiblich Licht"
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": IV. Recitativo (Basso) "Ein irdscher Glanz, ein leiblich Licht" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach0:58
5Wie schön leuchtet der Morgenstern, BWV 1: No. 5, Aria. "Unser Mund und Ton der Saiten"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": V. Aria (Tenore) "Unser Mund und Ton der Saiten" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach7:21
6Wie schön leuchtet der Morgenstern, BWV 1: No. 6, Choral. "Wie bin ich doch so herzlich froh"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": VI. Choral "Wie bin ich doch so herzlich froh" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach1:33
7Ach Gott, vom Himmel sieh darein, BWV 2: No. 1, Chor. "Ach Gott, von Himmel sieh darein"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach4:00
8Ach Gott, vom Himmel sieh darein, BWV 2: No. 2, Rezitativ. "Sie lehren eitel falsche List"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:02
9Ach Gott, vom Himmel sieh darein, BWV 2: No. 3, Aria. "Tilg, o Gott, die Lehren"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach4:01
10Ach Gott, vom Himmel sieh darein, BWV 2: No. 4, Rezitativ. "Die Armen sind verstört"
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:41
11Ach Gott, vom Himmel sieh darein, BWV 2: No. 5, Aria. "Durchs Feuer wird das Silber rein"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach7:13
12Ach Gott, vom Himmel sieh darein, BWV 2: No. 6, Choral. "Das wollst du, Gott, bewahren rein"
choir vocals:
Chorus Viennensis (on 1970-12-01, from 1970-12 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (on 1970-12-01, from 1970-12 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1970-12-01, from 1970-12 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (on 1970-12-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Martin Luther (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 7)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:06
13Ach Gott, wie manches Herzeleid, BWV 58: No. 1, Aria und Choral. "Ach Gott, wie manches Herzeleid"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": I. Coro "Ach Gott, wie manches Herzeleid" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Martin Moller (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach3:48
14Ach Gott, wie manches Herzeleid, BWV 3: No. 2, Rezitativ. "Wie schwerlich läßt sich Fleisch und Blut"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": II. Recitativo e choral (Tenore, Alto, Soprano, Basso) "Wie schwerlich lässt sich Fleisch und Blut" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Martin Moller (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach2:28
15Ach Gott, wie manches Herzeleid, BWV 3: No. 3, Aria. "Empfind ich Höllenangst und Pein"
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": III. Aria (Basso) "Empfind ich Höllenangst und Pein" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach5:50
16Ach Gott, wie manches Herzeleid, BWV 3: No. 4, Rezitativ. "Es mag mir Leib und Geist verschmachten"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Tenore) "Es mag mir Leib und Geist verschmachten" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach1:14
17Ach Gott, wie manches Herzeleid, BWV 3: No. 5, Duett. "Wenn Sorgen auf mich dringen"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": V. Aria (Duetto: Soprano, Alto) "Wenn Sorgen auf mich dringen" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous] (ended)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach8:34
18Ach Gott, wie manches Herzeleid, BWV 3: No. 6, Choral. "Erhalt mein Herz im Glauben rein"
recording engineer:
Teije van Geest
producer:
Richard Hauck (task: recording supervisor)
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": VI. Choral "Erhalt mein Herz im Glauben" (from 1970-12-01 until 1971-04)
lyricist:
Martin Moller (in 1587)
composer:
Johann Sebastian Bach (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 8)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach0:43
19Christ lag in Todes Banden, BWV 4: No. 1, Sinfonia
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (on 1970-12-01, from 1970-12 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1970-12-01, from 1970-12 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (on 1970-12-01)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden"
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:06
20Christ lag in Todes Banden, BWV 4: No. 2, Chor. "Christ lag in Todes Banden"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:18
21Christ lag in Todes Banden, BWV 4: No. 3, Duett. "Den Tod niemand zwingen kunnt"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach3:41
22Christ lag in Todes Banden, BWV 4: No. 4, Aria. "Jesus Christus, Gottes Sohn"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:18
23Christ lag in Todes Banden, BWV 4: No. 5, Chor. "Es war ein wunderlicher Krieg"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:28
24Christ lag in Todes Banden, BWV 4: No. 6, Aria. "Hier ist das rechte Osterlamm"
bass vocals:
Max van Egmond (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (from 1970-12-01 until 1971-04-01)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach3:00
25Christ lag in Todes Banden, BWV 4: No. 7, Duett. "So feiern wir das hohe Fest"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:08
26Christ lag in Todes Banden, BWV 4: No. 8, Chorale. "Wir essen und leben wohl"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:10
27Wo soll ich fliehen hin, BWV 5: No. 1, Chor. "Wo soll ich fliehen hin"
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": I. Coro "Wo soll ich fliehen hin" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach4:03
28Wo soll ich fliehen hin, BWV 5: No. 2, Rezitativ. "Der Sünden Wust hat mich nicht nur befleckt"
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": II. Recitativo (Basso) "Der Sünden Wust hat mich nicht nur befleckt" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:03
29Wo soll ich fliehen hin, BWV 5: No. 3, Aria. "Ergieße dich reichlich"
tenor vocals:
Kurt Equiluz (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": III. Aria (Tenore) "Ergieße dich reichlich, du göttliche Quelle" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach6:37
30Wo soll ich fliehen hin, BWV 5: No. 4, Rezitativ. "Mein treuer Heiland tröstet mich"
alto vocals:
Paul Esswood (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo (Alto) "Mein treuer Heiland tröstet mich" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:47
31Wo soll ich fliehen hin, BWV 5: No. 5, Aria. "Verstumme, Höllenheer"
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": V. Aria (Basso) "Verstumme, Höllenheer, Du machst mich nicht verzagt!" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach7:49
32Wo soll ich fliehen hin, BWV 5: No. 6, Rezitativ. "Ich bin ja nur das kleinste Teil der Welt"
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VI. Recitativo (Soprano) "Ich bin ja nur das kleinste Teil der Welt" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach0:48
33Wo soll ich fliehen hin, BWV 5: No. 7, Choral. "Führ auch mein Herz und Sinn"
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VII. Choral "Führ auch mein Herz und Sinn" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 28)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach0:49
34Bleib bei uns, denn es will Abend werden, BWV 6: No. 1, Chor. "Bleib bei uns, denn es will Abend werden"
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach5:42
35Bleib bei uns, denn es will Abend werden, BWV 6: No. 2, Aria. "Hochgelobter Gottessohn"
alto vocals:
Paul Esswood (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:45
36Bleib bei uns, denn es will Abend werden, BWV 6: No. 3, Choral. "Ach bleib bei uns, Herr Jesu Christ"
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:04
37Bleib bei uns, denn es will Abend werden, BWV 6: No. 4, Rezitativ. "Es hat die Dunkelheit an vielen Orten"
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:40
38Bleib bei uns, denn es will Abend werden, BWV 6: No. 5, Aria. "Jesu, laß uns auf dich sehen"
tenor vocals:
Kurt Equiluz (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:07
39Bleib bei uns, denn es will Abend werden, BWV 6: No. 6, Choral. "Beweis dein Macht, Herr Jesu Christ"
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Martin Luther (in 1542)
part of:
Breitkopf 389 Choralgesänge (number: 79)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:43
40Christ unser Herr zum Jordan kam, BWV 7: No. 1, Chor. "Christ unser Herr zum Jardan kam"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
chorus master:
David Willcocks (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": I. Coro "Christ unser Herr zum Jordan kam" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Martin Luther (in 1541)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach7:50
41Christ unser Herr zum Jordan kam, BWV 7: No. 2, Aria. "Merkt und hört, ihr Menschenkinder"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": II. Aria (Basso) "Merkt und hört, ihr Menschenkinder" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach5:40
42Christ unser Herr zum Jordan kam, BWV 7: No. 3, Rezitativ. "Dies hat Gott klar mit Worten"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
tenor vocals:
Kurt Equiluz (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": III. Recitativo (Tenore) "Dies hat Gott klar mit Worten und mit Bildern dargetan" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach1:16
43Christ unser Herr zum Jordan kam, BWV 7: No. 4, Aria. "Des Vaters Stimme ließ sich hören"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
tenor vocals:
Kurt Equiluz (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": IV. Aria (Tenore) "Des Vaters Stimme ließ sich hören" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach4:58
44Christ unser Herr zum Jordan kam, BWV 7: No. 5, Rezitative. "Als Jesus dort nach seinen Leiden"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": V. Recitativo (Basso) "Als Jesus dort nach seinen Leiden" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach1:01
45Christ unser Herr zum Jordan kam, BWV 7: No. 6, Chorale. "Menschen, glaubt doch dieser Gnade"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
alto vocals:
Paul Esswood (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VI. Aria (Alto) "Menschen, glaubt doch dieser Gnade" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach4:00
46Christ unser Herr zum Jordan kam, BWV 7: No. 7, Chorale. "Das Aug allein das Wasser sieht"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
chorus master:
David Willcocks (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VII. Choral "Das Aug allein das Wasser sieht" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Martin Luther (in 1541)
part of:
Breitkopf 389 Choralgesänge (number: 44)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach1:13
47Liebster Gott, wann werd ich sterben, BWV 8: No. 1, Chor. "Liebster Gott, wenn werd ich sterben?"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
chorus master:
David Willcocks (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:58
48Liebster Gott, wann werd ich sterben, BWV 8: No. 2, Aria. "Was willst du dich, mein Geist, entsetzen"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
tenor vocals:
Kurt Equiluz (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach4:10
49Liebster Gott, wann werd ich sterben, BWV 8: No. 3, Rezitativ. "Zwar fühlt mein schwaches Herz"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
alto vocals:
Paul Esswood (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:11
50Liebster Gott, wann werd ich sterben, BWV 8: No. 4, Aria. "Doch weichet, ihr tollen, vergeblichen Sorgen!"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
version of:
Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (Alternative version)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:17
51Liebster Gott, wann werd ich sterben, BWV 8: No. 5, Rezitativ. "Behalte nur, o Welt, das Meine!"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:13
52Liebster Gott, wann werd ich sterben, BWV 8: No. 6, Choral. "Herrscher über Tod und Leben"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
chorus master:
David Willcocks (in 1971-01, on 1971-12-08)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Caspar Neumann
part of:
Breitkopf 389 Choralgesänge (number: 227)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:23
53Es ist das Heil uns kommen her, BWV 9: No. 1, Chor. "Es ist das Heil uns kommen her"
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
chorus master:
David Willcocks (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": I. Coro "Es ist das Heil uns kommen her" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach5:06
54Es ist das Heil uns kommen her, BWV 9: No. 2, Rezitativ. "Gott gab uns ein Gesetz"
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": II. Recitativo (Basso) "Gott gab uns ein Gesetz, doch waren wir zu schwach" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:15
55Es ist das Heil uns kommen her, BWV 9: No. 3, Aria. "Wir waren schon zu tief gesunken"
tenor vocals:
Kurt Equiluz (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": III. Aria (Tenore) "Wir waren schon zu tief gesunken" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach7:22
56Es ist das Heil uns kommen her, BWV 9: No. 4, Rezitativ. "Doch mußte das Gesetz erfüllet werden"
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": IV. Recitativo (Basso) "Doch musste das Gesetz erfüllet werden" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:17
57Es ist das Heil uns kommen her, BWV 9: No. 5, Duett. "Herr, du siehst statt guter Werke"
alto vocals:
Paul Esswood (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": V. Aria (Duetto: Soprano, Alto) "Herr, du siehst statt guter Werke" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach7:25
58Es ist das Heil uns kommen her, BWV 9: No. 6, Rezitativ. "Wenn wir die Sünd aus dem Gesetz erkennen"
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VI. Recitativo (Basso) "Wenn wir die Sünd aus dem Gesetz erkennen" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:24
59Es ist das Heil uns kommen her, BWV 9: No. 7, Choral. "Ob sichs anließ, als wollt er nicht"
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
chorus master:
David Willcocks (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VII. Choral "Ob sichs anließ, als wollt er nicht" (on 1971-12-08)
lyricist:
Paul Speratus
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 87)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:05
60Meine Seel erhebt den Herren, BWV 10: No. 1, Choral Fantasie. "Meine Seel erhebt den Herren"
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
chorus master:
David Willcocks (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:03
61Meine Seel erhebt den Herren, BWV 10: No. 2, Aria. "Herr, der du stark und mächtig bist"
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach7:28
62Meine Seel erhebt den Herren, BWV 10: No. 3, Rezitativ. "Des Höchsten Güt und Treu"
tenor vocals:
Kurt Equiluz (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:24
63Meine Seel erhebt den Herren, BWV 10: No. 4, Aria. "Gewaltige stößt Gott vom Stuhl"
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:28
64Meine Seel erhebt den Herren, BWV 10: No. 5, Duett und Choral. "Er denket der Barmherzigkeit"
alto vocals:
Paul Esswood (on 1971-12-08)
tenor vocals:
Kurt Equiluz (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:20
65Meine Seel erhebt den Herren, BWV 10: No. 6, Rezitativ. "Was Gott den Vatern alter Zeiten"
tenor vocals:
Kurt Equiluz (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:10
66Meine Seel erhebt den Herren, BWV 10: No. 7, Choral. "Lob und Preis sei Gott dem Vater"
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
chorus master:
David Willcocks (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:00
67Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 1, Chor. "Lobet Gott in seinen Reichen"
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach5:17
68Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 2, Rezitativ. "Der Herr Jesus hub seine Hände auf"
tenor vocals:
Kurt Equiluz (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen"
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:29
69Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 3, Rezitativ. "Ach, Jesu, ist dein Abschied“
bass vocals:
Max van Egmond (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:00
70Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 4, Aria. "Ach, bleibe doch, mein liebstes Leben“
alto vocals:
Paul Esswood (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:43
71Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 5, Rezitativ. "Und ward aufgehoben zusehends“
tenor vocals:
Kurt Equiluz (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:25
72Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 6, Choral. "Nun lieget alles unter dir“
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (from 1971-12-08 until 1971-12-15)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:17
73Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 7, Rezitativ. "Und da sie ihm nachsahen gen Himmel fahren“
bass vocals:
Max van Egmond (from 1971-12-08 until 1971-12-15)
tenor vocals:
Kurt Equiluz (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:04
74Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 8, Rezitativ. "Ach ja! So komme bald zurück“
alto vocals:
Paul Esswood (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:38
75Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 9, Rezitativ. "Sie aber beteten ihn an“
tenor vocals:
Kurt Equiluz (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:41
76Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 10, Aria. "Jesu, deine Gnadenblicke“
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:51
77Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 11, Choral. "Wenn soll es doch geschehen“
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:36
78Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 1, Sinfonia
orchestra:
Leonhardt‐Consort (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:29
79Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 2, Chor. "Weinen, Klagen, Sorgen, Zagen"
alto vocals:
Paul Esswood (from 1971-12-08 until 1971-12-15)
bass vocals:
Max van Egmond (from 1971-12-08 until 1971-12-15)
choir vocals:
King's College Choir Cambridge (from 1971-12-08 until 1971-12-15) and Tölzer Knabenchor (from 1971-12-08 until 1971-12-15)
tenor vocals:
Kurt Equiluz (from 1971-12-08 until 1971-12-15)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor
orchestra:
Leonhardt‐Consort (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (from 1971-12-08 until 1971-12-15) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:02
80Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 3, Rezitativ. "Wir müssen durch viel Trübsal"
alto vocals:
Paul Esswood (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:57
81Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 4, Aria. "Kreuz und Krone sind verbunden"
alto vocals:
Paul Esswood (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:24
82Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 5, Aria. "Ich folge Christo nach"
bass vocals:
Max van Egmond (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:48
83Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 6, Aria. "Sei getreu, alle Pein"
tenor vocals:
Kurt Equiluz (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach4:21
84Weinen, Klagen, Sorgen, Zagen, BWV 12: No. 7, Choral. "Was Gott tut, das ist wohlgetan"
choir vocals:
King's College Choir Cambridge (from 1971-12-08 until 1971-12-15) and Tölzer Knabenchor (from 1971-12-08 until 1971-12-15)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor
orchestra:
Leonhardt‐Consort (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (from 1971-12-08 until 1971-12-15) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (from 1971-12-08 until 1971-12-15)
lyricist:
Samuel Rodigast
composer:
Johann Sebastian Bach (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:53
85Meine Seufzer, meine Tränen, BWV 13: No. 1, Aria. "Meine Seufzer, meine Tränen"
tenor vocals:
Kurt Equiluz (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": I. Aria (Tenore) "Meine Seufzer, meine Tränen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach7:31
86Meine Seufzer, meine Tränen, BWV 13: No. 2, Rezitativ. "Mein liebster Gott läßt mich annoch"
alto vocals:
Paul Esswood (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": II. Recitativo (Alto) "Mein liebster Gott lässt mich annoch" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:14
87Meine Seufzer, meine Tränen, BWV 13: No. 3, Choral. "Der Gott, der mir hat versprochen"
alto vocals:
Paul Esswood (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": III. Choral (Alto) "Der Gott, der mir hat versprochen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Johann Heermann (in 1636)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach3:10
88Meine Seufzer, meine Tränen, BWV 13: No. 4, Rezitativ. "Mein Kummer nimmet zu"
soprano vocals:
Walter Gampert (solisten des Tölzer Knabenchores)
treble vocals:
Walter Gampert (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": IV. Recitativo (Soprano) "Mein Kummer nimmet zu" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:22
89Meine Seufzer, meine Tränen, BWV 13: No. 5, Aria. "Ächzen und erbärmlich Weinen"
bass vocals:
Max van Egmond (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": V. Aria (Basso) "Ächzen und erbärmlich Weinen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach9:06
90Meine Seufzer, meine Tränen, BWV 13: No. 6, Choral. "So sei nun, Seele, deine"
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
chorus master:
David Willcocks (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": VI. Choral "So sei nun, Seele" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Paul Fleming (in 1642)
part of:
Breitkopf 389 Choralgesänge (number: 295)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach0:49
91Wär Gott nicht mit uns diese Zeit, BWV 14: No. 1, Chor. "War Gott nicht mit uns diese Zeit"
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
chorus master:
David Willcocks (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": I. Coro "Wär Gott nicht mit uns diese Zeit" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach6:31
92Wär Gott nicht mit uns diese Zeit, BWV 14: No. 2, Aria. "Unsre Stärke heißt zu schwach"
soprano vocals:
Peter Hinterreiter (solisten des Tölzer Knabenchores)
treble vocals:
Peter Hinterreiter (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": II. Aria (Soprano) "Unsre Stärke heißt zu schwach" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach4:46
93Wär Gott nicht mit uns diese Zeit, BWV 14: No. 3, Rezitativ. "Ja, hätt' es Gott nur zugegeben"
tenor vocals:
Marius van Altena (from 1972-01 until 1972-04) and Kurt Equiluz (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": III. Recitativo (Tenore) "Ja, hätt es Gott nur zugegeben" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach0:45
94Wär Gott nicht mit uns diese Zeit, BWV 14: No. 4, Aria. "Gott, bei deinem starken Schützen"
bass vocals:
Max van Egmond (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": IV. Aria (Basso) "Gott, bei deinem starken Schützen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1735)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach4:44
95Wär Gott nicht mit uns diese Zeit, BWV 14: No. 5, Choral. "Gott Lob und Dank, der nicht zugab"
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
chorus master:
David Willcocks (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": V. Choral "Gott Lob und Dank, der nicht zugab" (from 1972-01 until 1972-04)
lyricist:
Martin Luther
composer:
Johann Sebastian Bach (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 330)
part of:
Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit"
Johann Sebastian Bach1:04
96Herr Gott, dich loben wir, BWV 16: No. 1, Chor. "Herr Gott, dich loben wir"
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
chorus master:
David Willcocks (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": I. Coro "Herr Gott, dich loben wir" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:47
97Herr Gott, dich loben wir, BWV 16: No. 2, Rezitativ. "So stimmen wir bei dieser frohen Zeit"
bass vocals:
Max van Egmond (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": II. Recitativo (Basso) "So stimmen wir bei dieser frohen Zeit" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:14
98Herr Gott, dich loben wir, BWV 16: No. 3, Aria und Chor. "Laßt uns jauchzen, laßt uns freuen"
bass vocals:
Max van Egmond (from 1972-01 until 1972-04)
choir vocals:
King's College Choir Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (from 1972-01 until 1972-04)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
chorus master:
David Willcocks (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": III. Aria (Basso) e Coro "Laßt uns jauchzen, lasst uns freuen" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach3:52
99Herr Gott, dich loben wir, BWV 16: No. 4, Rezitativ. "Ach, treuer Hort"
alto vocals:
Paul Esswood (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": IV. Recitativo (Alto) "Ach treuer Hort" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:29
100Herr Gott, dich loben wir, BWV 16: No. 5, Aria. "Geliebter Jesu, du allein"
tenor vocals:
Marius van Altena (from 1972-01 until 1972-04) and Kurt Equiluz (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": V. Aria (Tenore) "Geliebter Jesu, du allein sollst meiner Seelen Reichtum sein" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach8:49
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