Complete Signature & London Recordings

~ Release by Anita O’Day (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleLength
1Jamaica Moon
recorded in:
Los Angeles, California, United States (on 1949-09-11)
drums (drum set):
Abbey Brown (on 1949-09-11)
piano:
Hymie Fiddleman (on 1949-09-11)
reeds:
Benny Lagasse (on 1949-09-11)
tenor saxophone:
Bob Dukoff (on 1949-09-11)
vocals:
Anita O’Day (on 1949-09-11)
performer:
Abbey Brown’s Cool Cats (on 1949-09-11)
2:27
2Nothin' to Do
recorded in:
Los Angeles, California, United States (on 1949-09-11)
drums (drum set):
Abbey Brown (on 1949-09-11)
piano:
Hymie Fiddleman (on 1949-09-11)
reeds:
Benny Lagasse (on 1949-09-11)
tenor saxophone:
Bob Dukoff (on 1949-09-11)
vocals:
Anita O’Day (on 1949-09-11)
performer:
Abbey Brown’s Cool Cats (on 1949-09-11)
3:13
3Don't Kick It Around
recorded in:
Los Angeles, California, United States (on 1949-09-11)
drums (drum set):
Abbey Brown (on 1949-09-11)
piano:
Hymie Fiddleman (on 1949-09-11)
reeds:
Benny Lagasse (on 1949-09-11)
tenor saxophone:
Bob Dukoff (on 1949-09-11)
vocals:
Anita O’Day (on 1949-09-11)
performer:
Abbey Brown’s Cool Cats (on 1949-09-11)
3:26
4Poor Simple Simon
recorded in:
Los Angeles, California, United States (on 1949-09-11)
drums (drum set):
Abbey Brown (on 1949-09-11)
piano:
Hymie Fiddleman (on 1949-09-11)
reeds:
Benny Lagasse (on 1949-09-11)
tenor saxophone:
Bob Dukoff (on 1949-09-11)
vocals:
Anita O’Day (on 1949-09-11)
performer:
Abbey Brown’s Cool Cats (on 1949-09-11)
2:35
5Blues for Bojangles
recorded in:
Chicago, Illinois, United States (on 1950-01-05)
bass:
Mel Schmidt (on 1950-01-05)
drums (drum set):
Frank Rullo (on 1950-01-05)
guitar:
George Barnes (on 1950-01-05)
piano:
Paul Jordan (on 1950-01-05)
tenor saxophone:
Boyd Roland (on 1950-01-05)
trumpet:
John Carroll (on 1950-01-05)
vocals:
Anita O’Day (on 1950-01-05)
orchestra:
Paul Jordan and His Orchestra (on 1950-01-05)
3:13
6Your Eyes Are Bigger Than Your Heart
recorded in:
Chicago, Illinois, United States (on 1950-01-05)
bass:
Mel Schmidt (on 1950-01-05)
drums (drum set):
Frank Rullo (on 1950-01-05)
guitar:
George Barnes (on 1950-01-05)
piano:
Paul Jordan (on 1950-01-05)
tenor saxophone:
Boyd Roland (on 1950-01-05)
trumpet:
John Carroll (on 1950-01-05)
vocals:
Anita O’Day (on 1950-01-05)
orchestra:
Paul Jordan and His Orchestra (on 1950-01-05)
2:44
7Tennessee Waltz
recorded in:
New York, New York, United States (on 1950-10-26)
alto saxophone:
Hymie Schertzer (on 1950-10-26) and Al Klink (on 1950-10-26)
baritone saxophone:
Sol Schlinger (on 1950-10-26)
bass:
Bob Carter (on 1950-10-26)
drums (drum set):
Buzzy Drootin (on 1950-10-26)
guitar:
Billy Mure (on 1950-10-26)
piano:
Teddy Wilson (on 1950-10-26)
tenor saxophone:
Boomie Richman (on 1950-10-26) and Babe Fresk (on 1950-10-26)
trombone:
George Arus (on 1950-10-26), Will Bradley (on 1950-10-26) and Phil Giardina (on 1950-10-26)
trumpet:
Art Depew (on 1950-10-26), Doc Severinsen (on 1950-10-26) and Charlie Shavers (on 1950-10-26)
vocals:
Anita O’Day (on 1950-10-26)
orchestra:
Jack Pleis and His Orchestra (on 1950-10-26)
cover recording of:
Tennessee Waltz
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc., Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music
3:01
8Something I Dream Last Night
recorded in:
New York, New York, United States (on 1950-10-26)
alto saxophone:
Hymie Schertzer (on 1950-10-26) and Al Klink (on 1950-10-26)
baritone saxophone:
Sol Schlinger (on 1950-10-26)
bass:
Bob Carter (on 1950-10-26)
drums (drum set):
Buzzy Drootin (on 1950-10-26)
guitar:
Billy Mure (on 1950-10-26)
piano:
Teddy Wilson (on 1950-10-26)
tenor saxophone:
Boomie Richman (on 1950-10-26) and Babe Fresk (on 1950-10-26)
trombone:
George Arus (on 1950-10-26), Will Bradley (on 1950-10-26) and Phil Giardina (on 1950-10-26)
trumpet:
Art Depew (on 1950-10-26), Doc Severinsen (on 1950-10-26) and Charlie Shavers (on 1950-10-26)
vocals:
Anita O’Day (on 1950-10-26)
orchestra:
Jack Pleis and His Orchestra (on 1950-10-26)
3:12
9Yeah Boo
recorded in:
New York, New York, United States (on 1950-10-26)
alto saxophone:
Hymie Schertzer (on 1950-10-26) and Al Klink (on 1950-10-26)
baritone saxophone:
Sol Schlinger (on 1950-10-26)
bass:
Bob Carter (on 1950-10-26)
drums (drum set):
Buzzy Drootin (on 1950-10-26)
guitar:
Billy Mure (on 1950-10-26)
piano:
Teddy Wilson (on 1950-10-26)
tenor saxophone:
Boomie Richman (on 1950-10-26) and Babe Fresk (on 1950-10-26)
trombone:
George Arus (on 1950-10-26), Will Bradley (on 1950-10-26) and Phil Giardina (on 1950-10-26)
trumpet:
Art Depew (on 1950-10-26), Doc Severinsen (on 1950-10-26) and Charlie Shavers (on 1950-10-26)
vocals:
Anita O’Day (on 1950-10-26)
orchestra:
Jack Pleis and His Orchestra (on 1950-10-26)
2:19
10If I Could Steal You From Somebody Else
recorded in:
New York, New York, United States (on 1950-10-26)
alto saxophone:
Hymie Schertzer (on 1950-10-26) and Al Klink (on 1950-10-26)
baritone saxophone:
Sol Schlinger (on 1950-10-26)
bass:
Bob Carter (on 1950-10-26)
drums (drum set):
Buzzy Drootin (on 1950-10-26)
guitar:
Billy Mure (on 1950-10-26)
piano:
Teddy Wilson (on 1950-10-26)
tenor saxophone:
Boomie Richman (on 1950-10-26) and Babe Fresk (on 1950-10-26)
trombone:
George Arus (on 1950-10-26), Will Bradley (on 1950-10-26) and Phil Giardina (on 1950-10-26)
trumpet:
Art Depew (on 1950-10-26), Doc Severinsen (on 1950-10-26) and Charlie Shavers (on 1950-10-26)
vocals:
Anita O’Day (on 1950-10-26)
orchestra:
Jack Pleis and His Orchestra (on 1950-10-26)
2:30
11Once There Lived a Fool
recorded in:
New York, New York, United States (on 1950-12-27)
alto saxophone:
Hymie Schertzer (on 1950-12-27) and Al Klink (on 1950-12-27)
baritone saxophone:
Artie Baker (on 1950-12-27)
bass:
Bob Carter (on 1950-12-27)
drums (drum set):
Johnny Blowers (on 1950-12-27)
guitar:
Al Valiente (on 1950-12-27)
piano:
Jack Pleis (on 1950-12-27)
tenor saxophone:
Art Drellinger (on 1950-12-27)
trombone:
Will Bradley (on 1950-12-27) and Cutty Cutshall (on 1950-12-27)
trumpet:
Jack Hanson (on 1950-12-27), Carl Poole (on 1950-12-27) and Al Stewart (on 1950-12-27)
vocals:
Anita O’Day (on 1950-12-27)
orchestra:
Ben Homer and His Orchestra (on 1950-12-27)
2:59
12I Apologize
recorded in:
New York, New York, United States (on 1950-12-27)
alto saxophone:
Hymie Schertzer (on 1950-12-27) and Al Klink (on 1950-12-27)
baritone saxophone:
Artie Baker (on 1950-12-27)
bass:
Bob Carter (on 1950-12-27)
drums (drum set):
Johnny Blowers (on 1950-12-27)
guitar:
Al Valiente (on 1950-12-27)
piano:
Jack Pleis (on 1950-12-27)
tenor saxophone:
Art Drellinger (on 1950-12-27)
trombone:
Will Bradley (on 1950-12-27) and Cutty Cutshall (on 1950-12-27)
trumpet:
Jack Hanson (on 1950-12-27), Carl Poole (on 1950-12-27) and Al Stewart (on 1950-12-27)
vocals:
Anita O’Day (on 1950-12-27)
orchestra:
Ben Homer and His Orchestra (on 1950-12-27)
3:04
13You Took Advantage of Me
recorded in:
New York, New York, United States (on 1950-12-27)
alto saxophone:
Hymie Schertzer (on 1950-12-27) and Al Klink (on 1950-12-27)
baritone saxophone:
Artie Baker (on 1950-12-27)
bass:
Bob Carter (on 1950-12-27)
drums (drum set):
Johnny Blowers (on 1950-12-27)
guitar:
Al Valiente (on 1950-12-27)
piano:
Jack Pleis (on 1950-12-27)
tenor saxophone:
Art Drellinger (on 1950-12-27)
trombone:
Will Bradley (on 1950-12-27) and Cutty Cutshall (on 1950-12-27)
trumpet:
Jack Hanson (on 1950-12-27), Carl Poole (on 1950-12-27) and Al Stewart (on 1950-12-27)
vocals:
Anita O’Day (on 1950-12-27)
orchestra:
Ben Homer and His Orchestra (on 1950-12-27)
recording of:
You Took Advantage of Me
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (in 1928)
publisher:
Chappell’s • Sydney
2:20
14Lovesick Blues
recorded in:
New York, New York, United States (on 1950-12-27)
alto saxophone:
Hymie Schertzer (on 1950-12-27) and Al Klink (on 1950-12-27)
baritone saxophone:
Artie Baker (on 1950-12-27)
bass:
Bob Carter (on 1950-12-27)
drums (drum set):
Johnny Blowers (on 1950-12-27)
guitar:
Al Valiente (on 1950-12-27)
piano:
Jack Pleis (on 1950-12-27)
tenor saxophone:
Art Drellinger (on 1950-12-27)
trombone:
Will Bradley (on 1950-12-27) and Cutty Cutshall (on 1950-12-27)
trumpet:
Jack Hanson (on 1950-12-27), Carl Poole (on 1950-12-27) and Al Stewart (on 1950-12-27)
vocals:
Anita O’Day (on 1950-12-27)
orchestra:
Ben Homer and His Orchestra (on 1950-12-27)
2:38
15Black Moonlight
recorded in:
New York, New York, United States (on 1950-12-27)
alto saxophone:
Hymie Schertzer (on 1950-12-27) and Al Klink (on 1950-12-27)
baritone saxophone:
Artie Baker (on 1950-12-27)
bass:
Bob Carter (on 1950-12-27)
drums (drum set):
Johnny Blowers (on 1950-12-27)
guitar:
Al Valiente (on 1950-12-27)
piano:
Jack Pleis (on 1950-12-27)
tenor saxophone:
Art Drellinger (on 1950-12-27)
trombone:
Will Bradley (on 1950-12-27) and Cutty Cutshall (on 1950-12-27)
trumpet:
Jack Hanson (on 1950-12-27), Carl Poole (on 1950-12-27) and Al Stewart (on 1950-12-27)
vocals:
Anita O’Day (on 1950-12-27)
orchestra:
Ben Homer and His Orchestra (on 1950-12-27)
2:46
16Side by Side
recorded in:
New York, United States (on 1942-01-23)
alto saxophone:
Benny Feeman (on 1942-01-23), Rex Kittig (on 1942-01-23) and Jimmy Migliore (on 1942-01-23)
bass and double bass:
Ed Mihelich (on 1942-01-23)
drums (drum set):
Gene Krupa (on 1942-01-23)
guitar:
Ray Biondi (on 1942-01-23)
piano:
Milt Raskin (on 1942-01-23)
reeds:
Sam Musiker (on 1942-01-23)
tenor saxophone:
Don Brassfield (on 1942-01-23)
trombone:
John Grassi (on 1942-01-23), Jay Kelliher (on 1942-01-23) and Babe Wagner (on 1942-01-23)
trumpet:
Al Beck (on 1942-01-23), Roy Eldridge (on 1942-01-23), Mickey Mangano (on 1942-01-23) and Norman Murphy (on 1942-01-23)
vocals:
Anita O’Day (on 1942-01-23)
orchestra:
Gene Krupa and His Orchestra (on 1942-01-23)
recording of:
Side by Side (on 1942-01-23)
lyricist and composer:
Harry M. Woods (in 1927)
publisher:
Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
2:52
17Harlem on Parade
recorded in:
New York, United States (on 1942-01-23)
alto saxophone:
Benny Feeman (on 1942-01-23), Rex Kittig (on 1942-01-23) and Jimmy Migliore (on 1942-01-23)
bass and double bass:
Ed Mihelich (on 1942-01-23)
drums (drum set):
Gene Krupa (on 1942-01-23)
guitar:
Ray Biondi (on 1942-01-23)
piano:
Milt Raskin (on 1942-01-23)
reeds:
Sam Musiker (on 1942-01-23)
tenor saxophone:
Don Brassfield (on 1942-01-23)
trombone:
John Grassi (on 1942-01-23), Jay Kelliher (on 1942-01-23) and Babe Wagner (on 1942-01-23)
trumpet:
Al Beck (on 1942-01-23), Roy Eldridge (on 1942-01-23), Mickey Mangano (on 1942-01-23) and Norman Murphy (on 1942-01-23)
vocals:
Anita O’Day (on 1942-01-23)
orchestra:
Gene Krupa and His Orchestra (on 1942-01-23)
2:48
18Fightin' Doug Mac Arthur
recorded in:
New York, United States (on 1942-02-26)
alto saxophone:
Benny Feeman (on 1942-02-26), Rex Kittig (on 1942-02-26) and Jimmy Migliore (on 1942-02-26)
double bass:
Ed Mihelich (on 1942-02-26)
drums (drum set):
Gene Krupa (on 1942-02-26)
guitar:
Ray Biondi (on 1942-02-26)
piano:
Joe Springer (on 1942-02-26)
reeds:
Sam Musiker (on 1942-02-26)
tenor saxophone:
Don Brassfield (on 1942-02-26)
trombone:
John Grassi (on 1942-02-26), Jay Kelliher (on 1942-02-26) and Babe Wagner (on 1942-02-26)
trumpet:
Al Beck (on 1942-02-26), Roy Eldridge (on 1942-02-26), Mickey Mangano (on 1942-02-26) and Norman Murphy (on 1942-02-26)
vocals:
Anita O’Day (on 1942-02-26)
orchestra:
Gene Krupa and His Orchestra (on 1942-02-26)
2:59
19That's What You Think
recorded in:
New York, United States (on 1942-02-26)
alto saxophone:
Benny Feeman (on 1942-02-26) and Rex Kittig (on 1942-02-26)
double bass:
Ed Mihelich (on 1942-02-26)
drums (drum set):
Gene Krupa (on 1942-02-26)
guitar:
Ray Biondi (on 1942-02-26)
piano:
Joe Springer (on 1942-02-26)
reeds:
Sam Musiker (on 1942-02-26)
tenor saxophone:
Don Brassfield (on 1942-02-26) and Jimmy Migliore (on 1942-02-26)
trombone:
John Grassi (on 1942-02-26), Jay Kelliher (on 1942-02-26) and Babe Wagner (on 1942-02-26)
trumpet:
Al Beck (on 1942-02-26), Roy Eldridge (on 1942-02-26), Mickey Mangano (on 1942-02-26) and Norman Murphy (on 1942-02-26)
vocals:
Anita O’Day (on 1942-02-26)
phonographic copyright (℗) by:
Proper Records Ltd.
3:14
20Barrelhouse Bessie From Basin Street
recorded in:
New York, New York, United States (on 1942-04-02)
alto saxophone:
Benny Feeman (on 1942-04-02), Rex Kittig (on 1942-04-02) and Jimmy Migliore (on 1942-04-02)
bass and double bass:
Ed Mihelich (on 1942-04-02)
drums (drum set):
Gene Krupa (on 1942-04-02)
guitar:
Ray Biondi (on 1942-04-02)
piano:
Joe Springer (on 1942-04-02)
reeds:
Sam Musiker (on 1942-04-02)
tenor saxophone:
Don Brassfield (on 1942-04-02)
trombone:
Joe Conigliaro (on 1942-04-02), John Grassi (on 1942-04-02) and Babe Wagner (on 1942-04-02)
trumpet:
Al Beck (on 1942-04-02), Roy Eldridge (on 1942-04-02), Mickey Mangano (on 1942-04-02) and Norman Murphy (on 1942-04-02)
vocals:
Roy Eldridge (on 1942-04-02) and Anita O’Day (on 1942-04-02)
orchestra:
Gene Krupa and His Orchestra (on 1942-04-02)
recording of:
Barrelhouse Bessie From Basin Street (on 1942-04-02)
lyricist:
Herb Magidson
composer:
Jule Styne
3:08
21Deliver Me to Tennessee
recorded in:
New York, New York, United States (on 1942-04-02)
alto saxophone:
Benny Feeman (on 1942-04-02), Rex Kittig (on 1942-04-02) and Jimmy Migliore (on 1942-04-02)
bass and double bass:
Ed Mihelich (on 1942-04-02)
drums (drum set):
Gene Krupa (on 1942-04-02)
guitar:
Ray Biondi (on 1942-04-02)
piano:
Joe Springer (on 1942-04-02)
reeds:
Sam Musiker (on 1942-04-02)
tenor saxophone:
Don Brassfield (on 1942-04-02)
trombone:
Joe Conigliaro (on 1942-04-02), John Grassi (on 1942-04-02) and Babe Wagner (on 1942-04-02)
trumpet:
Al Beck (on 1942-04-02), Roy Eldridge (on 1942-04-02), Mickey Mangano (on 1942-04-02) and Norman Murphy (on 1942-04-02)
vocals:
Anita O’Day (on 1942-04-02)
orchestra:
Gene Krupa and His Orchestra (on 1942-04-02)
recording of:
Deliver Me to Tennessee (on 1942-04-02)
writer:
Owen Bradley, Marvin Hughes and Beasley Smith
3:18
22Massachusetts
recorded in:
New York, New York, United States (on 1942-07-13)
alto saxophone:
Benny Feeman (on 1942-07-13), Rex Kittig (on 1942-07-13) and Jimmy Migliore (on 1942-07-13)
double bass:
Ed Mihelich (on 1942-07-13)
drums (drum set):
Gene Krupa (on 1941-07-13, on 1942-07-13)
guitar:
Ray Biondi (on 1942-07-13) and Teddy Walters (on 1942-07-13)
piano:
Milt Raskin (on 1942-07-13) and Joe Springer (on 1942-07-13)
reeds:
Sam Musiker (on 1942-07-13)
tenor saxophone:
Don Brassfield (on 1942-07-13)
trombone:
John Grassi (on 1942-07-13), Jay Kelliher (on 1942-07-13), Greg Phillips (on 1942-07-13), Tommy Pederson (on 1942-07-13) and Babe Wagner (on 1942-07-13)
trumpet:
Al Beck (on 1942-07-13), Roy Eldridge (on 1942-07-13), Mickey Mangano (on 1942-07-13) and Norman Murphy (on 1942-07-13)
vocals:
Anita O’Day (on 1942-07-13)
orchestra:
Gene Krupa and His Orchestra (on 1942-07-13)
phonographic copyright (℗) by:
Proper Records Ltd.
recording of:
Massachusetts (on 1942-07-13)
lyricist:
Andy Razaf
composer:
Luckey Roberts
3:17
23"Murder" He Says
recorded in:
New York, New York, United States (on 1942-07-13)
alto saxophone:
Benny Feeman (on 1942-07-13), Rex Kittig (on 1942-07-13) and Jimmy Migliore (on 1942-07-13)
double bass:
Ed Mihelich (on 1942-07-13)
drums (drum set):
Gene Krupa (on 1941-07-13, on 1942-07-13)
guitar:
Ray Biondi (on 1942-07-13) and Teddy Walters (on 1942-07-13)
piano:
Milt Raskin (on 1942-07-13) and Joe Springer (on 1942-07-13)
reeds:
Sam Musiker (on 1942-07-13)
tenor saxophone:
Don Brassfield (on 1942-07-13) and Jimmy Migliore (on 1942-07-13)
trombone:
John Grassi (on 1942-07-13), Jay Kelliher (on 1942-07-13), Greg Phillips (on 1942-07-13), Tommy Pederson (on 1942-07-13) and Babe Wagner (on 1942-07-13)
trumpet:
Al Beck (on 1942-07-13), Roy Eldridge (on 1942-07-13), Mickey Mangano (on 1942-07-13) and Norman Murphy (on 1942-07-13)
vocals:
Anita O’Day (on 1942-07-13)
orchestra:
Gene Krupa and His Orchestra (on 1942-07-13)
phonographic copyright (℗) by:
Proper Records Ltd.
recording of:
Murder, He Says (on 1942-07-13)
writer:
Frank Loesser and Jimmy McHugh
3:19