Complete Signature & London Recordings

~ Release by Anita O’Day (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleLength
1I'm Going Mad for a Pad
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-05-20)
alto saxophone:
Chet Ball (on 1944-05-20) and Eddie Meyers (on 1944-05-20)
baritone saxophone:
Maurice Beeson (on 1944-05-20)
bass:
Gene Englund (on 1944-05-20)
bass trombone:
Bart Varsalona (on 1944-05-20)
drums (drum set):
Jesse Price (on 1944-05-20)
guitar:
Bob Ahern (on 1944-05-20)
piano:
Stan Kenton (on 1944-05-20)
tenor saxophone:
Stan Getz (on 1944-05-20) and Dave Matthews (on 1944-05-20)
trombone:
Bill Atkinson (on 1944-05-20), George Faye (on 1944-05-20) and Harry Forbes (on 1944-05-20)
trumpet:
John Carroll (on 1944-05-20), Buddy Childers (on 1944-05-20), Karl George (on 1944-05-20) and Dick Morse (on 1944-05-20)
vocals:
Anita O’Day (on 1944-05-20)
orchestra:
Stan Kenton and His Orchestra (on 1944-05-20)
3:08
2And Her Tears Flowed Like Wine
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-05-20)
alto saxophone:
Chet Ball (on 1944-05-20) and Eddie Meyers (on 1944-05-20)
baritone saxophone:
Maurice Beeson (on 1944-05-20)
bass:
Gene Englund (on 1944-05-20)
bass trombone:
Bart Varsalona (on 1944-05-20)
drums (drum set):
Jesse Price (on 1944-05-20)
guitar:
Bob Ahern (on 1944-05-20)
piano:
Stan Kenton (on 1944-05-20)
tenor saxophone:
Stan Getz (on 1944-05-20) and Dave Matthews (on 1944-05-20)
trombone:
Bill Atkinson (on 1944-05-20), George Faye (on 1944-05-20) and Harry Forbes (on 1944-05-20)
trumpet:
John Carroll (on 1944-05-20), Buddy Childers (on 1944-05-20), Karl George (on 1944-05-20) and Dick Morse (on 1944-05-20)
vocals:
Anita O’Day (on 1944-05-20)
orchestra:
Stan Kenton and His Orchestra (on 1944-05-20)
recording of:
And Her Tears Flowed Like Wine (on 1944-05-20)
lyricist:
Joe Greene
composer:
Stan Kenton and Charles Lawrence
3:09
3And Her Tears Flowed Like Wine
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-05-20)
alto saxophone:
Chet Ball (on 1944-05-20) and Eddie Meyers (on 1944-05-20)
baritone saxophone:
Maurice Beeson (on 1944-05-20)
bass:
Gene Englund (on 1944-05-20)
bass trombone:
Bart Varsalona (on 1944-05-20)
drums (drum set):
Jesse Price (on 1944-05-20)
guitar:
Bob Ahern (on 1944-05-20)
piano:
Stan Kenton (on 1944-05-20)
tenor saxophone:
Stan Getz (on 1944-05-20) and Dave Matthews (on 1944-05-20)
trombone:
Bill Atkinson (on 1944-05-20), George Faye (on 1944-05-20) and Harry Forbes (on 1944-05-20)
trumpet:
John Carroll (on 1944-05-20), Buddy Childers (on 1944-05-20), Karl George (on 1944-05-20) and Dick Morse (on 1944-05-20)
vocals:
Anita O’Day (on 1944-05-20)
orchestra:
Stan Kenton and His Orchestra (on 1944-05-20)
recording of:
And Her Tears Flowed Like Wine (on 1944-05-20)
lyricist:
Joe Greene
composer:
Stan Kenton and Charles Lawrence
3:10
4Gotta' Be Gettin'
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-05-20) and New York, New York, United States (on 1944-09-26)
alto saxophone:
Bob Lively and Boots Mussulli
baritone saxophone:
Bob Gioga
bass:
Bob Kesterson
bass trombone:
Bart Varsalona
drums (drum set):
Johnny Bock
guitar:
Bob Ahern
piano:
Stan Kenton
tenor saxophone:
Emmett Carls and Stan Getz
trombone:
Harry Forbes, Freddie Zito and Milt Kabak
trumpet:
John Carroll, Buddy Childers, Karl George, Mel Green and Gene Roland
vocals:
Anita O’Day (on 1944-09-26)
orchestra:
Stan Kenton and His Orchestra
2:48
5Are You Livin' Old Man?
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-05-20, on 1944-12-15)
alto saxophone:
Bob Lively and Boots Mussulli
baritone saxophone:
Bob Gioga
bass:
Bob Kesterson
bass trombone:
Bart Varsalona
drums (drum set):
Jim Falzone
guitar:
Bob Ahern
piano:
Stan Kenton
tenor saxophone:
Emmett Carls and Stan Getz
trombone:
Harry Forbes, Freddie Zito and Milt Kabak
trumpet:
John Carroll, Buddy Childers, Karl George, Mel Green and Gene Roland
vocals:
Anita O’Day (on 1944-12-15)
orchestra:
Stan Kenton and His Orchestra
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-12-15)
recording of:
Are You Livin’, Old Man? (on 1944-12-15)
writer:
Redd Evans, Irene Higginbotham and Abner Silver
2:40
6I Want a Grown-Up Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-01-16)
alto saxophone:
Bob Lively (on 1945-01-16) and Boots Mussulli (on 1945-01-16)
baritone saxophone:
Bob Gioga (on 1945-01-16)
bass:
Bob Kesterson (on 1945-01-16)
bass trombone:
Bart Varsalona (on 1945-01-16)
drums (drum set):
Jim Falzone (on 1945-01-16)
guitar:
Bob Ahern (on 1945-01-16)
piano:
Stan Kenton (on 1945-01-16)
tenor saxophone:
Stan Getz (on 1945-01-16) and Dave Madden (on 1945-01-16)
trombone:
Harry Forbes (on 1945-01-16), Freddie Zito (on 1945-01-16) and Milt Kabak (on 1945-01-16)
trumpet:
John Carroll (on 1945-01-16), Buddy Childers (on 1945-01-16), Karl George (on 1945-01-16), Mel Green (on 1945-01-16) and Gene Roland (on 1945-01-16)
vocals:
Anita O’Day (on 1945-01-16)
2:49
7Travelin' Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-01-16)
alto saxophone:
Bob Lively (on 1945-01-16) and Boots Mussulli (on 1945-01-16)
baritone saxophone:
Bob Gioga (on 1945-01-16)
bass:
Bob Kesterson (on 1945-01-16)
bass trombone:
Bart Varsalona (on 1945-01-16)
drums (drum set):
Jim Falzone (on 1945-01-16)
guitar:
Bob Ahern (on 1945-01-16)
piano:
Stan Kenton (on 1945-01-16)
tenor saxophone:
Stan Getz (on 1945-01-16) and Dave Madden (on 1945-01-16)
trombone:
Harry Forbes (on 1945-01-16), Freddie Zito (on 1945-01-16) and Milt Kabak (on 1945-01-16)
trumpet:
John Carroll (on 1945-01-16), Buddy Childers (on 1945-01-16), Karl George (on 1945-01-16), Mel Green (on 1945-01-16) and Gene Roland (on 1945-01-16)
vocals:
Anita O’Day (on 1945-01-16)
recording of:
Travelin' Man
writer:
DE VOL and Joe Greene
2:56
8Them There Eyes
recorded in:
Los Angeles, California, United States (on 1945-01-18)
alto saxophone:
Heinie Beau (on 1945-01-18) and Manny Gershman (on 1945-01-18)
baritone saxophone:
Harry Suchman (on 1945-01-18)
bass:
Phil Stevens (on 1945-01-18)
double bass:
Phil Stephens (on 1945-01-18)
drums (drum set):
Zutty Singleton (on 1945-01-18)
guitar:
Dave Barbour (on 1945-01-18)
piano:
Milt Raskin (on 1945-01-18)
tenor saxophone:
Herbie Haymer (on 1945-01-18)
trombone:
Jimmy Skyles (on 1945-01-18) and Jimmy Skyles (on 1945-01-18)
trumpet:
Charlie Griffith (on 1945-01-18)
vocals:
Anita O’Day (on 1945-01-18)
conductor:
Lowell Martin (on 1945-01-18)
arranger:
Lowell Martin
part of:
Capitol Records (number: 550-3)
cover recording of:
Them There Eyes (on 1945-01-18)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
recording of:
Them There Eyes (on 1945-01-18)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
2:42
9Memories of You
recorded in:
Los Angeles, California, United States (on 1945-01-18)
alto saxophone:
Heinie Beau (on 1945-01-18) and Manny Gershman (on 1945-01-18)
baritone saxophone:
Harry Suchman (on 1945-01-18)
bass:
Phil Stevens (on 1945-01-18)
drums (drum set):
Zutty Singleton (on 1945-01-18)
guitar:
Dave Barbour (on 1945-01-18)
piano:
Milt Raskin (on 1945-01-18)
tenor saxophone:
Herbie Haymer (on 1945-01-18)
trombone:
Jimmy Skyles (on 1945-01-18)
trumpet:
Charlie Griffith (on 1945-01-18)
vocals:
Anita O’Day (on 1945-01-18)
conductor:
Lowell Martin (on 1945-01-18)
arranger:
Lowell Martin
part of:
Capitol Records (number: 551-4)
3:01
10How Come?
recorded in:
Los Angeles, California, United States (on 1945-01-18)
alto saxophone:
Heinie Beau (on 1945-01-18) and Manny Gershman (on 1945-01-18)
baritone saxophone:
Harry Suchman (on 1945-01-18)
bass:
Phil Stevens (on 1945-01-18)
drums (drum set):
Zutty Singleton (on 1945-01-18)
guitar:
Dave Barbour (on 1945-01-18)
piano:
Milt Raskin (on 1945-01-18)
tenor saxophone:
Herbie Haymer (on 1945-01-18)
trombone:
Jimmy Skyles (on 1945-01-18)
trumpet:
Charlie Griffith (on 1945-01-18)
vocals:
Anita O’Day (on 1945-01-18)
conductor:
Lowell Martin (on 1945-01-18)
arranger:
Lowell Martin
part of:
Capitol Records (number: 552-1)
2:44
11I Can't Believe That You're in Love With Me
recorded in:
Los Angeles, California, United States (on 1945-01-18)
alto saxophone:
Heinie Beau (on 1945-01-18) and Manny Gershman (on 1945-01-18)
baritone saxophone:
Harry Suchman (on 1945-01-18)
bass:
Phil Stevens (on 1945-01-18)
drums (drum set):
Zutty Singleton (on 1945-01-18)
guitar:
Dave Barbour (on 1945-01-18)
piano:
Milt Raskin (on 1945-01-18)
tenor saxophone:
Herbie Haymer (on 1945-01-18)
trombone:
Jimmy Skyles (on 1945-01-18)
trumpet:
Charlie Griffith (on 1945-01-18)
vocals:
Anita O’Day (on 1945-01-18)
conductor:
Lowell Martin (on 1945-01-18)
arranger:
Lowell Martin
part of:
Capitol Records (number: 553-3)
2:52
12Ace in the Hole
recorded in:
Los Angeles, California, United States (in 1947-02)
accordion:
Bob Gudina (in 1947-02)
alto saxophone:
Alvy West (in 1947-02)
bass:
Art Shapiro (in 1947-02)
drums (drum set):
Milt Holland (in 1947-02)
guitar:
Tony Rizzi (in 1947-02)
trumpet:
Larry Neal (in 1947-02)
vocals:
Anita O’Day (in 1947-02)
performer:
Alvy West and The Little Band (in 1947-02)
part of:
Signature (number: SRC 377)
recording of:
Ace in the Hole (Let’s Face It! musical) (in 1947-02)
lyricist and composer:
Cole Porter (in 1941)
3:02
13Sometimes I'm Happy
recorded in:
Los Angeles, California, United States (in 1947-02)
accordion:
Bob Gudina (in 1947-02)
alto saxophone:
Alvy West (in 1947-02)
bass:
Art Shapiro (in 1947-02)
drums (drum set):
Milt Holland (in 1947-02)
guitar:
Tony Rizzi (in 1947-02)
trumpet:
Larry Neal (in 1947-02)
vocals:
Anita O’Day (in 1947-02)
performer:
Alvy West and The Little Band (in 1947-02)
part of:
Signature (number: SRC 376)
recording of:
Sometimes I’m Happy (in 1947-02)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
2:43
14What Is This Thing Called Love?
recorded in:
New York, New York, United States (in 1947-09)
alto saxophone:
Toots Mondello (in 1947-09) and Paul Ricci (in 1947-09)
baritone saxophone:
Hank Freeman (in 1947-09)
bass:
Bob Haggart (in 1947-09)
drums (drum set):
Morey Feld (in 1947-09)
guitar:
Danny Ferri (in 1947-09)
piano:
Stan Freeman (in 1947-09)
tenor saxophone:
Art Drellinger (in 1947-09) and Hank Ross (in 1947-09)
trombone:
Billy Pritchard (in 1947-09), Will Bradley (in 1947-09), Phil Giardina (in 1947-09) and Al Philburn (in 1947-09)
trumpet:
Chris Griffin (in 1947-09), Jimmy Maxwell (in 1947-09), Carl Poole (in 1947-09) and Red Solomon (in 1947-09)
vocals:
Anita O’Day (in 1947-09)
orchestra:
Will Bradley and His Orchestra (in 1947-09)
arranger:
Sy Oliver
part of:
Signature (number: SRC 564)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1947-09)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
2:42
15Hi Ho Trailus Boot Whip
recorded in:
New York, New York, United States (in 1947-09)
alto saxophone:
Toots Mondello (in 1947-09) and Paul Ricci (in 1947-09)
baritone saxophone:
Hank Freeman (in 1947-09)
bass:
Bob Haggart (in 1947-09)
drums (drum set):
Morey Feld (in 1947-09)
guitar:
Danny Ferri (in 1947-09)
piano:
Stan Freeman (in 1947-09)
tenor saxophone:
Art Drellinger (in 1947-09) and Hank Ross (in 1947-09)
trombone:
Billy Pritchard (in 1947-09), Will Bradley (in 1947-09), Phil Giardina (in 1947-09) and Al Philburn (in 1947-09)
trumpet:
Chris Griffin (in 1947-09), Jimmy Maxwell (in 1947-09), Carl Poole (in 1947-09) and Red Solomon (in 1947-09)
vocals:
Anita O’Day (in 1947-09)
orchestra:
Will Bradley and His Orchestra (in 1947-09)
arranger:
Sy Oliver
part of:
Signature (number: SRC 565)
2:30
16I Yold Ya I Love You, Now Get Out
recorded in:
New York, New York, United States (in 1947-09)
alto saxophone:
Toots Mondello (in 1947-09) and Paul Ricci (in 1947-09)
baritone saxophone:
Hank Freeman (in 1947-09)
bass:
Bob Haggart (in 1947-09)
drums (drum set):
Morey Feld (in 1947-09)
guitar:
Danny Ferri (in 1947-09)
piano:
Stan Freeman (in 1947-09)
tenor saxophone:
Art Drellinger (in 1947-09) and Hank Ross (in 1947-09)
trombone:
Billy Pritchard (in 1947-09), Will Bradley (in 1947-09), Phil Giardina (in 1947-09) and Al Philburn (in 1947-09)
trumpet:
Chris Griffin (in 1947-09), Jimmy Maxwell (in 1947-09), Carl Poole (in 1947-09) and Red Solomon (in 1947-09)
vocals:
Anita O’Day (in 1947-09)
orchestra:
Will Bradley and His Orchestra (in 1947-09)
arranger:
Sy Oliver
2:59
17It's Different When It Happens to You
recorded in:
New York, New York, United States (in 1947-09)
alto saxophone:
Toots Mondello (in 1947-09) and Paul Ricci (in 1947-09)
baritone saxophone:
Hank Freeman (in 1947-09)
bass:
Bob Haggart (in 1947-09)
drums (drum set):
Morey Feld (in 1947-09)
guitar:
Danny Ferri (in 1947-09)
piano:
Stan Freeman (in 1947-09)
tenor saxophone:
Art Drellinger (in 1947-09) and Hank Ross (in 1947-09)
trombone:
Billy Pritchard (in 1947-09), Will Bradley (in 1947-09), Phil Giardina (in 1947-09) and Al Philburn (in 1947-09)
trumpet:
Chris Griffin (in 1947-09), Jimmy Maxwell (in 1947-09), Carl Poole (in 1947-09) and Red Solomon (in 1947-09)
vocals:
Anita O’Day (in 1947-09)
orchestra:
Will Bradley and His Orchestra (in 1947-09)
arranger:
Sy Oliver
part of:
Signature (number: SRC 567)
3:00
18How High the Moon
recorded in:
Los Angeles, California, United States (from 1947 until 1948)
alto saxophone:
Benny Carter (from 1947 until 1948)
piano:
Ralph Burns (from 1947 until 1948)
trombone:
Ray Sims (from 1947 until 1948)
trumpet:
Ray Linn (from 1947 until 1948)
vocals:
Anita O’Day (from 1947 until 1948)
part of:
Signature (number: SRC 657)
2:55
19I Ain't Gettin' Any Younger
recorded in:
Los Angeles, California, United States (from 1947 until 1948)
alto saxophone:
Benny Carter (from 1947 until 1948)
piano:
Ralph Burns (from 1947 until 1948)
trombone:
Ray Sims (from 1947 until 1948)
trumpet:
Ray Linn (from 1947 until 1948)
vocals:
Anita O’Day (from 1947 until 1948)
part of:
Signature (number: SRC 658)
3:03
20Malagueña
recorded in:
Los Angeles, California, United States (from 1947 until 1948)
alto saxophone:
Benny Carter (from 1947 until 1948)
piano:
Ralph Burns (from 1947 until 1948)
trombone:
Ray Sims (from 1947 until 1948)
trumpet:
Ray Linn (from 1947 until 1948)
vocals:
Anita O’Day (from 1947 until 1948)
part of:
Signature (number: SRC 655)
2:57
21Key Largo
recorded in:
Los Angeles, California, United States (in 1947)
alto saxophone:
Benny Carter (in 1947)
piano:
Ralph Burns (in 1947)
trombone:
Ray Sims (in 1947)
trumpet:
Ray Linn (in 1947)
vocals:
Anita O’Day (in 1947)
part of:
Signature (number: SRC 660)
recording of:
Key Largo (in 1947)
lyricist:
Leah Worth
composer:
Benny Carter and Karl Suessdorf
2:51
2▼CD
#TitleLength
1Jamaica Moon
recorded in:
Los Angeles, California, United States (on 1949-09-11)
drums (drum set):
Abbey Brown (on 1949-09-11)
piano:
Hymie Fiddleman (on 1949-09-11)
reeds:
Benny Lagasse (on 1949-09-11)
tenor saxophone:
Bob Dukoff (on 1949-09-11)
vocals:
Anita O’Day (on 1949-09-11)
performer:
Abbey Brown’s Cool Cats (on 1949-09-11)
2:27
2Nothin' to Do
recorded in:
Los Angeles, California, United States (on 1949-09-11)
drums (drum set):
Abbey Brown (on 1949-09-11)
piano:
Hymie Fiddleman (on 1949-09-11)
reeds:
Benny Lagasse (on 1949-09-11)
tenor saxophone:
Bob Dukoff (on 1949-09-11)
vocals:
Anita O’Day (on 1949-09-11)
performer:
Abbey Brown’s Cool Cats (on 1949-09-11)
3:13
3Don't Kick It Around
recorded in:
Los Angeles, California, United States (on 1949-09-11)
drums (drum set):
Abbey Brown (on 1949-09-11)
piano:
Hymie Fiddleman (on 1949-09-11)
reeds:
Benny Lagasse (on 1949-09-11)
tenor saxophone:
Bob Dukoff (on 1949-09-11)
vocals:
Anita O’Day (on 1949-09-11)
performer:
Abbey Brown’s Cool Cats (on 1949-09-11)
3:26
4Poor Simple Simon
recorded in:
Los Angeles, California, United States (on 1949-09-11)
drums (drum set):
Abbey Brown (on 1949-09-11)
piano:
Hymie Fiddleman (on 1949-09-11)
reeds:
Benny Lagasse (on 1949-09-11)
tenor saxophone:
Bob Dukoff (on 1949-09-11)
vocals:
Anita O’Day (on 1949-09-11)
performer:
Abbey Brown’s Cool Cats (on 1949-09-11)
2:35
5Blues for Bojangles
recorded in:
Chicago, Illinois, United States (on 1950-01-05)
bass:
Mel Schmidt (on 1950-01-05)
drums (drum set):
Frank Rullo (on 1950-01-05)
guitar:
George Barnes (on 1950-01-05)
piano:
Paul Jordan (on 1950-01-05)
tenor saxophone:
Boyd Roland (on 1950-01-05)
trumpet:
John Carroll (on 1950-01-05)
vocals:
Anita O’Day (on 1950-01-05)
orchestra:
Paul Jordan and His Orchestra (on 1950-01-05)
3:13
6Your Eyes Are Bigger Than Your Heart
recorded in:
Chicago, Illinois, United States (on 1950-01-05)
bass:
Mel Schmidt (on 1950-01-05)
drums (drum set):
Frank Rullo (on 1950-01-05)
guitar:
George Barnes (on 1950-01-05)
piano:
Paul Jordan (on 1950-01-05)
tenor saxophone:
Boyd Roland (on 1950-01-05)
trumpet:
John Carroll (on 1950-01-05)
vocals:
Anita O’Day (on 1950-01-05)
orchestra:
Paul Jordan and His Orchestra (on 1950-01-05)
2:44
7Tennessee Waltz
recorded in:
New York, New York, United States (on 1950-10-26)
alto saxophone:
Hymie Schertzer (on 1950-10-26) and Al Klink (on 1950-10-26)
baritone saxophone:
Sol Schlinger (on 1950-10-26)
bass:
Bob Carter (on 1950-10-26)
drums (drum set):
Buzzy Drootin (on 1950-10-26)
guitar:
Billy Mure (on 1950-10-26)
piano:
Teddy Wilson (on 1950-10-26)
tenor saxophone:
Boomie Richman (on 1950-10-26) and Babe Fresk (on 1950-10-26)
trombone:
George Arus (on 1950-10-26), Will Bradley (on 1950-10-26) and Phil Giardina (on 1950-10-26)
trumpet:
Art Depew (on 1950-10-26), Doc Severinsen (on 1950-10-26) and Charlie Shavers (on 1950-10-26)
vocals:
Anita O’Day (on 1950-10-26)
orchestra:
Jack Pleis and His Orchestra (on 1950-10-26)
cover recording of:
Tennessee Waltz
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc., Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music
3:01
8Something I Dream Last Night
recorded in:
New York, New York, United States (on 1950-10-26)
alto saxophone:
Hymie Schertzer (on 1950-10-26) and Al Klink (on 1950-10-26)
baritone saxophone:
Sol Schlinger (on 1950-10-26)
bass:
Bob Carter (on 1950-10-26)
drums (drum set):
Buzzy Drootin (on 1950-10-26)
guitar:
Billy Mure (on 1950-10-26)
piano:
Teddy Wilson (on 1950-10-26)
tenor saxophone:
Boomie Richman (on 1950-10-26) and Babe Fresk (on 1950-10-26)
trombone:
George Arus (on 1950-10-26), Will Bradley (on 1950-10-26) and Phil Giardina (on 1950-10-26)
trumpet:
Art Depew (on 1950-10-26), Doc Severinsen (on 1950-10-26) and Charlie Shavers (on 1950-10-26)
vocals:
Anita O’Day (on 1950-10-26)
orchestra:
Jack Pleis and His Orchestra (on 1950-10-26)
3:12
9Yeah Boo
recorded in:
New York, New York, United States (on 1950-10-26)
alto saxophone:
Hymie Schertzer (on 1950-10-26) and Al Klink (on 1950-10-26)
baritone saxophone:
Sol Schlinger (on 1950-10-26)
bass:
Bob Carter (on 1950-10-26)
drums (drum set):
Buzzy Drootin (on 1950-10-26)
guitar:
Billy Mure (on 1950-10-26)
piano:
Teddy Wilson (on 1950-10-26)
tenor saxophone:
Boomie Richman (on 1950-10-26) and Babe Fresk (on 1950-10-26)
trombone:
George Arus (on 1950-10-26), Will Bradley (on 1950-10-26) and Phil Giardina (on 1950-10-26)
trumpet:
Art Depew (on 1950-10-26), Doc Severinsen (on 1950-10-26) and Charlie Shavers (on 1950-10-26)
vocals:
Anita O’Day (on 1950-10-26)
orchestra:
Jack Pleis and His Orchestra (on 1950-10-26)
2:19
10If I Could Steal You From Somebody Else
recorded in:
New York, New York, United States (on 1950-10-26)
alto saxophone:
Hymie Schertzer (on 1950-10-26) and Al Klink (on 1950-10-26)
baritone saxophone:
Sol Schlinger (on 1950-10-26)
bass:
Bob Carter (on 1950-10-26)
drums (drum set):
Buzzy Drootin (on 1950-10-26)
guitar:
Billy Mure (on 1950-10-26)
piano:
Teddy Wilson (on 1950-10-26)
tenor saxophone:
Boomie Richman (on 1950-10-26) and Babe Fresk (on 1950-10-26)
trombone:
George Arus (on 1950-10-26), Will Bradley (on 1950-10-26) and Phil Giardina (on 1950-10-26)
trumpet:
Art Depew (on 1950-10-26), Doc Severinsen (on 1950-10-26) and Charlie Shavers (on 1950-10-26)
vocals:
Anita O’Day (on 1950-10-26)
orchestra:
Jack Pleis and His Orchestra (on 1950-10-26)
2:30
11Once There Lived a Fool
recorded in:
New York, New York, United States (on 1950-12-27)
alto saxophone:
Hymie Schertzer (on 1950-12-27) and Al Klink (on 1950-12-27)
baritone saxophone:
Artie Baker (on 1950-12-27)
bass:
Bob Carter (on 1950-12-27)
drums (drum set):
Johnny Blowers (on 1950-12-27)
guitar:
Al Valiente (on 1950-12-27)
piano:
Jack Pleis (on 1950-12-27)
tenor saxophone:
Art Drellinger (on 1950-12-27)
trombone:
Will Bradley (on 1950-12-27) and Cutty Cutshall (on 1950-12-27)
trumpet:
Jack Hanson (on 1950-12-27), Carl Poole (on 1950-12-27) and Al Stewart (on 1950-12-27)
vocals:
Anita O’Day (on 1950-12-27)
orchestra:
Ben Homer and His Orchestra (on 1950-12-27)
2:59
12I Apologize
recorded in:
New York, New York, United States (on 1950-12-27)
alto saxophone:
Hymie Schertzer (on 1950-12-27) and Al Klink (on 1950-12-27)
baritone saxophone:
Artie Baker (on 1950-12-27)
bass:
Bob Carter (on 1950-12-27)
drums (drum set):
Johnny Blowers (on 1950-12-27)
guitar:
Al Valiente (on 1950-12-27)
piano:
Jack Pleis (on 1950-12-27)
tenor saxophone:
Art Drellinger (on 1950-12-27)
trombone:
Will Bradley (on 1950-12-27) and Cutty Cutshall (on 1950-12-27)
trumpet:
Jack Hanson (on 1950-12-27), Carl Poole (on 1950-12-27) and Al Stewart (on 1950-12-27)
vocals:
Anita O’Day (on 1950-12-27)
orchestra:
Ben Homer and His Orchestra (on 1950-12-27)
3:04
13You Took Advantage of Me
recorded in:
New York, New York, United States (on 1950-12-27)
alto saxophone:
Hymie Schertzer (on 1950-12-27) and Al Klink (on 1950-12-27)
baritone saxophone:
Artie Baker (on 1950-12-27)
bass:
Bob Carter (on 1950-12-27)
drums (drum set):
Johnny Blowers (on 1950-12-27)
guitar:
Al Valiente (on 1950-12-27)
piano:
Jack Pleis (on 1950-12-27)
tenor saxophone:
Art Drellinger (on 1950-12-27)
trombone:
Will Bradley (on 1950-12-27) and Cutty Cutshall (on 1950-12-27)
trumpet:
Jack Hanson (on 1950-12-27), Carl Poole (on 1950-12-27) and Al Stewart (on 1950-12-27)
vocals:
Anita O’Day (on 1950-12-27)
orchestra:
Ben Homer and His Orchestra (on 1950-12-27)
recording of:
You Took Advantage of Me
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (in 1928)
publisher:
Chappell’s • Sydney
2:20
14Lovesick Blues
recorded in:
New York, New York, United States (on 1950-12-27)
alto saxophone:
Hymie Schertzer (on 1950-12-27) and Al Klink (on 1950-12-27)
baritone saxophone:
Artie Baker (on 1950-12-27)
bass:
Bob Carter (on 1950-12-27)
drums (drum set):
Johnny Blowers (on 1950-12-27)
guitar:
Al Valiente (on 1950-12-27)
piano:
Jack Pleis (on 1950-12-27)
tenor saxophone:
Art Drellinger (on 1950-12-27)
trombone:
Will Bradley (on 1950-12-27) and Cutty Cutshall (on 1950-12-27)
trumpet:
Jack Hanson (on 1950-12-27), Carl Poole (on 1950-12-27) and Al Stewart (on 1950-12-27)
vocals:
Anita O’Day (on 1950-12-27)
orchestra:
Ben Homer and His Orchestra (on 1950-12-27)
2:38
15Black Moonlight
recorded in:
New York, New York, United States (on 1950-12-27)
alto saxophone:
Hymie Schertzer (on 1950-12-27) and Al Klink (on 1950-12-27)
baritone saxophone:
Artie Baker (on 1950-12-27)
bass:
Bob Carter (on 1950-12-27)
drums (drum set):
Johnny Blowers (on 1950-12-27)
guitar:
Al Valiente (on 1950-12-27)
piano:
Jack Pleis (on 1950-12-27)
tenor saxophone:
Art Drellinger (on 1950-12-27)
trombone:
Will Bradley (on 1950-12-27) and Cutty Cutshall (on 1950-12-27)
trumpet:
Jack Hanson (on 1950-12-27), Carl Poole (on 1950-12-27) and Al Stewart (on 1950-12-27)
vocals:
Anita O’Day (on 1950-12-27)
orchestra:
Ben Homer and His Orchestra (on 1950-12-27)
2:46
16Side by Side
recorded in:
New York, United States (on 1942-01-23)
alto saxophone:
Benny Feeman (on 1942-01-23), Rex Kittig (on 1942-01-23) and Jimmy Migliore (on 1942-01-23)
bass and double bass:
Ed Mihelich (on 1942-01-23)
drums (drum set):
Gene Krupa (on 1942-01-23)
guitar:
Ray Biondi (on 1942-01-23)
piano:
Milt Raskin (on 1942-01-23)
reeds:
Sam Musiker (on 1942-01-23)
tenor saxophone:
Don Brassfield (on 1942-01-23)
trombone:
John Grassi (on 1942-01-23), Jay Kelliher (on 1942-01-23) and Babe Wagner (on 1942-01-23)
trumpet:
Al Beck (on 1942-01-23), Roy Eldridge (on 1942-01-23), Mickey Mangano (on 1942-01-23) and Norman Murphy (on 1942-01-23)
vocals:
Anita O’Day (on 1942-01-23)
orchestra:
Gene Krupa and His Orchestra (on 1942-01-23)
recording of:
Side by Side (on 1942-01-23)
lyricist and composer:
Harry M. Woods (in 1927)
publisher:
Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
2:52
17Harlem on Parade
recorded in:
New York, United States (on 1942-01-23)
alto saxophone:
Benny Feeman (on 1942-01-23), Rex Kittig (on 1942-01-23) and Jimmy Migliore (on 1942-01-23)
bass and double bass:
Ed Mihelich (on 1942-01-23)
drums (drum set):
Gene Krupa (on 1942-01-23)
guitar:
Ray Biondi (on 1942-01-23)
piano:
Milt Raskin (on 1942-01-23)
reeds:
Sam Musiker (on 1942-01-23)
tenor saxophone:
Don Brassfield (on 1942-01-23)
trombone:
John Grassi (on 1942-01-23), Jay Kelliher (on 1942-01-23) and Babe Wagner (on 1942-01-23)
trumpet:
Al Beck (on 1942-01-23), Roy Eldridge (on 1942-01-23), Mickey Mangano (on 1942-01-23) and Norman Murphy (on 1942-01-23)
vocals:
Anita O’Day (on 1942-01-23)
orchestra:
Gene Krupa and His Orchestra (on 1942-01-23)
2:48
18Fightin' Doug Mac Arthur
recorded in:
New York, United States (on 1942-02-26)
alto saxophone:
Benny Feeman (on 1942-02-26), Rex Kittig (on 1942-02-26) and Jimmy Migliore (on 1942-02-26)
double bass:
Ed Mihelich (on 1942-02-26)
drums (drum set):
Gene Krupa (on 1942-02-26)
guitar:
Ray Biondi (on 1942-02-26)
piano:
Joe Springer (on 1942-02-26)
reeds:
Sam Musiker (on 1942-02-26)
tenor saxophone:
Don Brassfield (on 1942-02-26)
trombone:
John Grassi (on 1942-02-26), Jay Kelliher (on 1942-02-26) and Babe Wagner (on 1942-02-26)
trumpet:
Al Beck (on 1942-02-26), Roy Eldridge (on 1942-02-26), Mickey Mangano (on 1942-02-26) and Norman Murphy (on 1942-02-26)
vocals:
Anita O’Day (on 1942-02-26)
orchestra:
Gene Krupa and His Orchestra (on 1942-02-26)
2:59
19That's What You Think
recorded in:
New York, United States (on 1942-02-26)
alto saxophone:
Benny Feeman (on 1942-02-26) and Rex Kittig (on 1942-02-26)
double bass:
Ed Mihelich (on 1942-02-26)
drums (drum set):
Gene Krupa (on 1942-02-26)
guitar:
Ray Biondi (on 1942-02-26)
piano:
Joe Springer (on 1942-02-26)
reeds:
Sam Musiker (on 1942-02-26)
tenor saxophone:
Don Brassfield (on 1942-02-26) and Jimmy Migliore (on 1942-02-26)
trombone:
John Grassi (on 1942-02-26), Jay Kelliher (on 1942-02-26) and Babe Wagner (on 1942-02-26)
trumpet:
Al Beck (on 1942-02-26), Roy Eldridge (on 1942-02-26), Mickey Mangano (on 1942-02-26) and Norman Murphy (on 1942-02-26)
vocals:
Anita O’Day (on 1942-02-26)
phonographic copyright (℗) by:
Proper Records Ltd.
3:14
20Barrelhouse Bessie From Basin Street
recorded in:
New York, New York, United States (on 1942-04-02)
alto saxophone:
Benny Feeman (on 1942-04-02), Rex Kittig (on 1942-04-02) and Jimmy Migliore (on 1942-04-02)
bass and double bass:
Ed Mihelich (on 1942-04-02)
drums (drum set):
Gene Krupa (on 1942-04-02)
guitar:
Ray Biondi (on 1942-04-02)
piano:
Joe Springer (on 1942-04-02)
reeds:
Sam Musiker (on 1942-04-02)
tenor saxophone:
Don Brassfield (on 1942-04-02)
trombone:
Joe Conigliaro (on 1942-04-02), John Grassi (on 1942-04-02) and Babe Wagner (on 1942-04-02)
trumpet:
Al Beck (on 1942-04-02), Roy Eldridge (on 1942-04-02), Mickey Mangano (on 1942-04-02) and Norman Murphy (on 1942-04-02)
vocals:
Roy Eldridge (on 1942-04-02) and Anita O’Day (on 1942-04-02)
orchestra:
Gene Krupa and His Orchestra (on 1942-04-02)
recording of:
Barrelhouse Bessie From Basin Street (on 1942-04-02)
lyricist:
Herb Magidson
composer:
Jule Styne
3:08
21Deliver Me to Tennessee
recorded in:
New York, New York, United States (on 1942-04-02)
alto saxophone:
Benny Feeman (on 1942-04-02), Rex Kittig (on 1942-04-02) and Jimmy Migliore (on 1942-04-02)
bass and double bass:
Ed Mihelich (on 1942-04-02)
drums (drum set):
Gene Krupa (on 1942-04-02)
guitar:
Ray Biondi (on 1942-04-02)
piano:
Joe Springer (on 1942-04-02)
reeds:
Sam Musiker (on 1942-04-02)
tenor saxophone:
Don Brassfield (on 1942-04-02)
trombone:
Joe Conigliaro (on 1942-04-02), John Grassi (on 1942-04-02) and Babe Wagner (on 1942-04-02)
trumpet:
Al Beck (on 1942-04-02), Roy Eldridge (on 1942-04-02), Mickey Mangano (on 1942-04-02) and Norman Murphy (on 1942-04-02)
vocals:
Anita O’Day (on 1942-04-02)
orchestra:
Gene Krupa and His Orchestra (on 1942-04-02)
recording of:
Deliver Me to Tennessee (on 1942-04-02)
writer:
Owen Bradley, Marvin Hughes and Beasley Smith
3:18
22Massachusetts
recorded in:
New York, New York, United States (on 1942-07-13)
alto saxophone:
Benny Feeman (on 1942-07-13), Rex Kittig (on 1942-07-13) and Jimmy Migliore (on 1942-07-13)
double bass:
Ed Mihelich (on 1942-07-13)
drums (drum set):
Gene Krupa (on 1941-07-13, on 1942-07-13)
guitar:
Ray Biondi (on 1942-07-13) and Teddy Walters (on 1942-07-13)
piano:
Milt Raskin (on 1942-07-13) and Joe Springer (on 1942-07-13)
reeds:
Sam Musiker (on 1942-07-13)
tenor saxophone:
Don Brassfield (on 1942-07-13)
trombone:
John Grassi (on 1942-07-13), Jay Kelliher (on 1942-07-13), Greg Phillips (on 1942-07-13), Tommy Pederson (on 1942-07-13) and Babe Wagner (on 1942-07-13)
trumpet:
Al Beck (on 1942-07-13), Roy Eldridge (on 1942-07-13), Mickey Mangano (on 1942-07-13) and Norman Murphy (on 1942-07-13)
vocals:
Anita O’Day (on 1942-07-13)
orchestra:
Gene Krupa and His Orchestra (on 1942-07-13)
phonographic copyright (℗) by:
Proper Records Ltd.
recording of:
Massachusetts (on 1942-07-13)
lyricist:
Andy Razaf
composer:
Luckey Roberts
3:17
23"Murder" He Says
recorded in:
New York, New York, United States (on 1942-07-13)
alto saxophone:
Benny Feeman (on 1942-07-13), Rex Kittig (on 1942-07-13) and Jimmy Migliore (on 1942-07-13)
double bass:
Ed Mihelich (on 1942-07-13)
drums (drum set):
Gene Krupa (on 1941-07-13, on 1942-07-13)
guitar:
Ray Biondi (on 1942-07-13) and Teddy Walters (on 1942-07-13)
piano:
Milt Raskin (on 1942-07-13) and Joe Springer (on 1942-07-13)
reeds:
Sam Musiker (on 1942-07-13)
tenor saxophone:
Don Brassfield (on 1942-07-13) and Jimmy Migliore (on 1942-07-13)
trombone:
John Grassi (on 1942-07-13), Jay Kelliher (on 1942-07-13), Greg Phillips (on 1942-07-13), Tommy Pederson (on 1942-07-13) and Babe Wagner (on 1942-07-13)
trumpet:
Al Beck (on 1942-07-13), Roy Eldridge (on 1942-07-13), Mickey Mangano (on 1942-07-13) and Norman Murphy (on 1942-07-13)
vocals:
Anita O’Day (on 1942-07-13)
orchestra:
Gene Krupa and His Orchestra (on 1942-07-13)
phonographic copyright (℗) by:
Proper Records Ltd.
recording of:
Murder, He Says (on 1942-07-13)
writer:
Frank Loesser and Jimmy McHugh
3:19