| # | Title | Length |
|---|
| 1 | Moose the Mooche | 3:03 |
| 2 | Yardbird Suite | 2:55 |
| 3 | Ornithology | 3:00 |
| 4 | Night in Tunisia | 3:02 |
| 5 | Milestones | 2:35 |
| 6 | Move | 2:33 |
| 7 | Budo | 2:34 |
| 8 | Deception | 2:47 |
| 9 | Odjenar | 2:52 |
| 10 | Hibeck | 3:05 |
| 11 | Conception | 4:02 |
| 12 | My Old Flame | 6:34 |
| 13 | Blue Room | 3:00 |
| 14 | It's Only a Papermoon- recording engineer:
- Rudy van Gelder (on 1951-10-05)
- producer:
- Bob Weinstock
- double bass:
- Tommy Potter (on 1951-10-05)
- drums (drum set):
- Art Blakey (on 1951-10-05)
- piano:
- Walter Bishop, Jr. (on 1951-10-05)
- tenor saxophone:
- Sonny Rollins (on 1951-10-05)
- trumpet:
- Miles Davis (on 1951-10-05)
- phonographic copyright (℗) by:
- Fantasy, Inc. and Prestige
- recorded at:
- Apex Studios in New York, New York, United States (on 1951-10-05)
- instrumental recording of:
- It’s Only a Paper Moon (on 1951-10-05)
- lyricist:
- E.Y. Harburg (in 1933) and Billy Rose (in 1933)
- composer:
- Harold Arlen (in 1933)
- publisher:
- Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music
| 5:24 |
| 15 | Denial | 5:40 |
| 16 | How Deep Is the Ocean | 4:38 |
| 17 | Yesterdays | 3:44 |
| 18 | Chance It | 3:02 |