| # | Title | Artist | Length |
|---|
| 1 | Tutti Frutti | Little Richard | 2:24 |
| 2 | Blue Suede Shoes- double bass:
- Clayton Perkins (in 1955-12)
- drums (drum set):
- W.S. Holland (in 1955-12)
- guitar:
- Carl Perkins (in 1955-12) and Jay Perkins (in 1955-12)
- vocals:
- Carl Perkins (in 1955-12)
- phonographic copyright (℗) by:
- Sun (in 1955, from 1956 to present)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 5) and Rolling Stone: 500 Greatest Songs of All Time (number: 95)
- recording of:
- Blue Suede Shoes (in 1955-12)
- lyricist and composer:
- Carl Perkins (in 1955)
- publisher:
- Aberbach (London), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing, Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
- part of:
- Million Dollar Quartet
| Carl Perkins | 2:14 |
| 3 | Whatever Will Be, Will Be (Que será, será) | Doris Day | 2:05 |
| 4 | At the Hop | Danny & the Juniors | 2:31 |
| 5 | Love Letters in the Sand | Pat Boone | 2:15 |
| 6 | The Black and White Rag | Winifred Atwell | 2:25 |
| 7 | Tammy | Debbie Reynolds | 3:04 |
| 8 | Peggy Sue- producer:
- Norman Petty
- bass:
- Joe B. Mauldin (on 1957-07-01)
- drums (drum set):
- Jerry Allison (on 1957-07-01)
- guitar:
- Buddy Holly (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
- vocals:
- Buddy Holly (on 1957-07-01)
- phonographic copyright (℗) by:
- Geffen Records (in 1957) and MCA Records, Inc. (in 1957)
- recorded at:
- Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
- recording of:
- Peggy Sue (from 1957-06-29 until 1957-07-01)
- writer:
- Jerry Allison, Buddy Holly and Norman Petty
- publisher:
- Copyright Control, McCartney Music, Melody Lane Publications Inc., MPL Communications Inc., Peermusic (UK) Limited, Southern Music and Wren Music Co.
| Buddy Holly | 2:30 |
| 9 | Dynamite | Brenda Lee | 2:04 |
| 10 | Great Balls of Fire | Jerry Lee Lewis | 1:51 |
| 11 | Banana Boat (Day‐O)- producer:
- Herman Diaz, Jr.
- congas:
- Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
- double bass:
- Milt Hinton (on 1955-10-20)
- drums (drum set):
- Osie Johnson (on 1955-10-20)
- flute:
- Herbert Levy (on 1955-10-20)
- guitar:
- Millard Thomas (on 1955-10-20)
- choir vocals:
- Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
- lead vocals:
- Harry Belafonte (on 1955-10-20)
- vocals:
- Harry Belafonte
- orchestra:
- Tony Scott's Orchestra & Chorus (on 1955-10-20)
- conductor:
- Tony Scott (on 1955-10-20)
- recorded at:
- Webster Hall in East Village, New York, New York, United States (on 1955-10-20)
- recording of:
- Day‐O (The Banana Boat Song) (on 1955-10-20)
- additional lyricist:
- William Attaway (in 1955) and Irving Burgie (in 1955)
- composer:
- [traditional]
- publisher:
- Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp and Reservoir Media Music
- version of:
- Day‐O (The Banana Boat Song)
| Harry Belafonte | 3:04 |
| 12 | Diana | Paul Anka | 2:23 |
| 13 | Catch a Falling Star | Perry Como | 2:31 |
| 14 | Maria Dolores | Los Paraguayos | 4:39 |
| 15 | Tulpen uit Amsterdam | Herman Emmink | 2:27 |
| 16 | Twee motten | Dorus | 3:07 |
| 17 | Messenwerper | Corry Brokken | 3:59 |
| 18 | De postkoets | De Selvera’s | 2:43 |
| 19 | Ik sta op wacht | Joop de Knegt | 3:15 |
| 20 | That’ll Be the Day- producer:
- Norman Petty
- double bass:
- Larry Welborn (on 1957-02-25)
- drums (drum set):
- Jerry Allison (on 1957-02-25)
- guitar [lead guitar] and lead vocals:
- Buddy Holly (on 1957-02-25)
- guitar [rhythm guitar]:
- Buddy Holly (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
- background vocals:
- June Clark (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
- spoken vocals [dialogue]:
- Wolfman Jack
- phonographic copyright (℗) by:
- Geffen Records (in 1957) and MCA Records, Inc. (in 1957)
- recorded at:
- Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
- recording of:
- That’ll Be the Day (on 1957-02-25)
- writer:
- Jerry Allison, Buddy Holly and Norman Petty
- publisher:
- MPL Communications Inc., Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music, Wren Music Co. and MPL Communications (in 1976)
| The Crickets | 2:16 |
| 21 | Bernadine | Pat Boone | 2:10 |
| 22 | Sail Along Silv’ry Moon | Billy Vaughn | 2:07 |
| 23 | Spiel noch einmal für mich, Habanero | Caterina Valente | 3:10 |
| 24 | Schneewalzer | Schriebl & Hupperts | 3:02 |
