The Smithsonian Collection of Classic Jazz

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleArtistLength
C1Weather Bird
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
piano:
Earl Hines (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
recording of:
Weather Bird (on 1928-12-05)
composer:
Louis Armstrong
Louis Armstrong and Earl Hines2:46
C2Sweethearts on Parade
recorded in:
Los Angeles, California, United States (on 1930-12-23)
alto saxophone:
Les Hite (on 1930-12-23) and Marvin Johnson (on 1930-12-23)
clarinet and tenor saxophone:
Charlie Jones (on 1930-12-23)
double bass:
Joe Bailey (on 1930-12-23)
drums (drum set):
Lionel Hampton (on 1930-12-23)
guitar:
Bill Perkins (on 1930-12-23)
piano:
Henry Prince (on 1930-12-23)
trombone:
Luther Craven (on 1930-12-23)
trumpet:
Louis Armstrong (on 1930-12-23), McClure Morris (on 1930-12-23) and Harold Scott (on 1930-12-23)
vocals:
Louis Armstrong (on 1930-12-23)
conductor:
Les Hite (on 1930-12-23)
recording of:
Sweethearts on Parade (on 1930-12-23)
lyricist:
Charles Newman (in 1928)
composer:
Carmen Lombardo (in 1928)
Louis Armstrong and His Sebastian New Cotton Club Orchestra3:15
C3I Gotta Right to Sing the Blues
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass and double bass [bass]:
Bill Oldham (on 1933-01-26)
drums (drum set):
Yank Porter (on 1933-01-26)
guitar:
Big Mike McKendrick (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
I Gotta Right to Sing the Blues (on 1933-01-26)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc.
Louis Armstrong and His Orchestra2:59
C4Riverboat Shuffle
recorded in:
New York, New York, United States (on 1927-05-09)
alto saxophone:
Red Ingle (on 1927-05-09) and Doc Ryker (on 1927-05-09)
banjo:
Eddie Lang (on 1927-05-09) and Howdy Quicksell (on 1927-05-09)
baritone saxophone, clarinet, reeds and tenor saxophone:
Don Murray (on 1927-05-09)
cornet:
Bix Beiderbecke (on 1927-05-09)
drums (drum set):
Chauncey Morehouse (on 1927-05-09)
guitar:
Eddie Lang (on 1927-05-09)
piano:
Irving "Itzy" Riskin (on 1927-05-09)
saxophone [C-melody saxophone]:
Frankie Trumbauer (on 1927-05-09)
trombone:
Bill Rank (on 1927-05-09)
arranger:
Bill Challis
recording of:
Boneyard Shuffle (on 1927-05-09)
writer:
Hoagy Carmichael and Irving Mills
recording of:
Riverboat Shuffle (on 1927-05-09)
composer:
Hoagy Carmichael, Irving Mills, Parish and Dick Voynow
Frankie Trumbauer and His Orchestra3:15
C5Singin’ the Blues
recording of:
Singin’ the Blues (on 1927-02-04)
lyricist:
Sam M. Lewis and Joe Young
composer:
Con Conrad and J. Russel Robinson
Frankie Trumbauer and His Orchestra3:03
C6The Stampede
recorded in:
New York, New York, United States (on 1926-05-14)
alto saxophone and oboe:
Don Redman (on 1926-05-14)
alto saxophone and clarinet:
Buster Bailey (on 1926-05-14) and Don Redman (on 1926-05-14)
banjo:
Charlie Dixon (on 1926-05-14)
clarinet:
Buster Bailey (on 1926-05-14), Coleman Hawkins (on 1926-05-14) and Don Redman (on 1926-05-14)
clarinet and tenor saxophone and tenor saxophone:
Coleman Hawkins (on 1926-05-14)
cornet:
Rex Stewart (on 1926-05-14)
drums (drum set):
Kaiser Marshall (on 1926-05-14)
piano:
Fletcher Henderson (on 1926-05-14)
trombone:
Benny Morton (on 1926-05-14)
trumpet:
Joe Smith (on 1926-05-14) and Russell Smith (on 1926-05-14)
tuba:
Ralph Escudero (on 1926-05-14)
arranger:
Don Redman (on 1926-05-14)
recording of:
The Stampede (on 1926-05-14)
composer:
Fletcher Henderson
Fletcher Henderson and His Orchestra3:18
C7Wrappin’ It Up
alto saxophone and clarinet:
Buster Bailey (on 1934-09-12), Hilton Jefferson (on 1934-09-12) and Russell Procope (on 1934-09-12)
double bass:
Elmer James (on 1934-09-12)
drums (drum set):
Walter Johnson (on 1934-09-12)
guitar:
Lawrence Lucie (on 1934-09-12)
piano:
Horace Henderson (on 1934-09-12)
tenor saxophone:
Ben Webster (on 1934-12-09)
trombone:
Keg Johnson (on 1934-09-12) and Claude Jones (on 1934-09-12)
trumpet:
Henry “Red” Allen (on 1934-09-12), Irving Randolph (on 1934-09-12) and Russell Smith (on 1934-09-12)
recording of:
Wrappin' It Up (on 1934-09-12)
composer:
Fletcher Henderson
Fletcher Henderson and His Orchestra2:48
C8Moten Swing
acoustic guitar and guitar:
Leroy "Buster" Berry (on 1932-12-13)
alto saxophone and baritone saxophone:
Jack Washington (on 1932-12-13)
alto saxophone and clarinet:
Eddie Barefield (on 1932-12-13)
double bass:
Walter Page (on 1932-12-13)
drums (drum set):
Willie McWashington (on 1932-12-13)
guitar and trombone:
Eddie Durham (on 1932-12-13)
piano:
Count Basie (on 1932-12-13) and Ira E. "Buster" Moten (on 1932-12-13)
saxophone:
Eddie Barefield (on 1932-12-13), Harlan Leonard (on 1932-12-13), Buster Smith (on 1932-12-13) and Ben Webster (on 1932-12-13)
tenor saxophone:
Ben Webster (on 1932-12-13)
trombone:
Dan Minor (on 1932-12-13)
trumpet:
Joe Keyes (on 1932-12-13), Hot Lips Page (on 1932-12-13) and Prince "Dee" Stewart (on 1932-12-13)
conductor:
Bennie Moten (on 1932-12-13)
recording of:
Moten Swing (on 1932-12-13)
writer:
Bennie Moten
composer:
Bennie Moten, Ira E. "Buster" Moten, Count Basie (in 1930) and Eddie Durham (in 1930)
Benny Moten’s Kansas City Orchestra3:26
D1I Ain’t Got Nobody
solo piano:
Fats Waller (on 1937-06-11)
recording of:
I Ain’t Got Nobody (on 1937-06-11)
lyricist:
Roger Graham
composer:
Spencer Williams
Fats Waller3:09
D2Honky Tonk Train
recorded in:
Chicago, Illinois, United States (on 1937-03-07)
solo piano:
Meade Lux Lewis (on 1937-03-07)
recording of:
Honky Tonk Train Blues (on 1937-03-07)
composer:
Meade Lux Lewis
sub-publisher:
Multitone AB (in 1982)
Meade “Lux” Lewis3:01
D3Body and Soul
clarinet:
Benny Goodman (on 1935-07-13)
drums (drum set):
Gene Krupa (on 1935-07-13)
piano:
Teddy Wilson (on 1935-07-13)
instrumental recording of:
Body and Soul (on 1935-07-13)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Benny Goodman Trio3:30
D4Body and Soul
alto saxophone:
Jackie Fields (on 1939-10-11) and Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Coleman Hawkins (on 1939-10-11)
trombone:
Earl Hardy (on 1939-10-11)
trumpet:
Joe Guy (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
recorded at:
RCA Studios in New York, New York, United States (on 1939-10-11)
instrumental recording of:
Body and Soul (on 1939-10-11)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Coleman Hawkins and His Orchestra3:03
D5The Man I Love
double bass:
Oscar Pettiford (on 1943-12-23)
drums (drum set):
Shelly Manne (on 1943-12-23)
piano:
Eddie Heywood (on 1943-12-23)
tenor saxophone:
Coleman Hawkins (on 1943-12-23)
recording of:
The Man I Love (for piano solo, arr Gershwin)
composer:
George Gershwin (in 1924)
arranger:
George Gershwin
arrangement of:
The Man I Love
part of:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
Coleman Hawkins Quartet5:10
D6He’s Funny That Way
Billie Holiday and Her Orchestra2:41
D7All of Me
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co., Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
Billie Holiday and Eddie Heywood and His Orchestra2:59
D8You’d Be So Nice to Come Home To
double bass:
Bill Yancey (on 1964-07-28)
drums (drum set):
Gus Johnson (on 1964-07-28)
piano:
Tommy Flanagan (on 1964-07-28)
trumpet:
Roy Eldridge (on 1964-07-28)
vocals:
Ella Fitzgerald (on 1964-07-28)
recording of:
You’d Be So Nice to Come Home To (on 1964-07-28)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
live recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
Ella Fitzgerald2:56
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5▶12" Vinyl
6▶12" Vinyl