Bar Classics 5

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD: Jazz
#TitleArtistLength
1They All Laughed
executive producer:
Danny Bennett
producer:
David Kahne
mixer:
David Leonard
double bass:
Doug Richeson
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett
cover recording of:
They All Laughed (from “Shall We Dance”) (on 1968-11-25)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
Tony Bennett2:14
2Cause & Effect
alto saxophone:
Jan von Klewitz
bass:
Orlando Le Fleming
flute:
Tilmann Dehnhard
membranophone:
Gene Calderazzo
piano:
Lars Duppler
Nils Wülker8:15
3Unforgettable
recording engineer:
Les Stephenson (from 1998-06-02 until 1998-06-03)
assistant engineer:
Fred Chester
producer:
Marcus Roberts
mixer and editor:
Marcus Roberts and Les Stephenson
bass:
Roland Guerin (from 1998-06-02 until 1998-06-03)
drums (drum set):
Jason Marsalis (from 1998-06-02 until 1998-06-03)
piano:
Marcus Roberts (from 1998-06-02 until 1998-06-03)
arranger:
Marcus Roberts
recorded at:
Monticello Opera House in Monticello, Florida, United States (from 1998-06-02 until 1998-06-03)
mixed at and edited at:
Main Street Music in Tallahassee, Florida, United States
instrumental recording of:
Unforgettable (from 1998-06-02 until 1998-06-03)
lyricist and composer:
Irving Gordon
publisher:
Bourne Co. and Bourne Music Ltd.
Marcus Roberts Trio3:04
4A Foggy Day
vocals:
George Benson
recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
George Benson2:34
5Nature Boy
sound engineer:
Thomas Schmidt (in 1996-12)
co-producer:
Eliza Mustafa Zadeh
producer:
Aziza Mustafa Zadeh
mixer:
Thomas Schmidt (from 1997-01 until 1997-02) and Aziza Mustafa Zadeh (from 1997-01 until 1997-02)
arranger:
Aziza Mustafa Zadeh
recorded at:
Bauer Studios in Ludwigsburg, Baden-Württemberg, Germany (in 1996-12)
cover recording of:
Nature Boy
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World, Edwin H. Morris & Company and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Aziza Mustafa Zadeh5:58
6Aguas de marco
recording of:
Águas de março
lyricist and composer:
Antônio Carlos Jobim
Stan Getz4:46
7In a Sentimental Mood
instrumental recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation, J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Klazz Brothers & Cuba Percussion4:27
8Angel Kiss
recording of:
Angel Kiss
writer:
Malia
composer:
André Manoukian
publisher:
EMI Music Publishing France, Rêve Orange and Universal Music Publishing France
Malia3:50
9Besame mucho
instrumental recording of:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez)
lyricist and composer:
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation
The Dave Pike Quartet6:59
10Cheek to Cheek
vocals:
Jane Monheit
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Jane Monheit4:51
11Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (on 1958-08-18)
bass clarinet:
Danny Bank (on 1958-08-18)
bass trombone:
Dick Hixson (on 1958-08-18)
drums (drum set):
Philly Joe Jones (on 1958-08-18)
flugelhorn:
Miles Davis (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (on 1958-08-18), Jimmy Cleveland (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (on 1958-08-18), Miles Davis (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Miles Davis3:22
12Do You Know What It Means to Miss New Orleans
cover recording of:
Do You Know What It Means to Miss New Orleans
lyricist:
Eddie DeLange and Cathrine Legardh
writer:
Louis Alter and Eddie DeLange
composer:
Louis Alter
Keiko Lee3:40
13It Ain’t Necessarily So
producer:
John Hammond
bass:
Bill Lee (on 1960-12-19)
drums (drum set):
Belton Evans (on 1960-12-19)
guitar:
Lord Westbrook (on 1960-12-19)
piano:
Ray Bryant (on 1960-12-19)
tenor saxophone:
Warren Luckey (on 1960-12-19)
vocals:
Aretha Franklin (on 1960-12-19)
arranger:
J. Leslie McFarland
phonographic copyright (℗) by:
CBS, Inc. (in 1961)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1960-12-19)
lyricist:
Ira Gershwin, Dorothy Heyward and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music, Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Aretha Franklin2:57
14Play, Piano, Play
recorded in:
New York, New York, United States (on 1951-01-11)
double bass:
John Simmons (on 1951-01-11)
drums (drum set):
Shadow Wilson (on 1951-01-11)
piano:
Erroll Garner (on 1951-01-11)
Erroll Garner2:28
15Ain’t Misbehavin’
cover recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd., EMI Music, Redwood Music and Redwood Music Ltd.
Sarah Vaughan3:05
16My Funny Valentine
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chris Botti3:10
2▶CD: Klassik