| # | Title | Artist | Length |
|---|
| 1 | Carmen : Acte II. Nº 16 Duo : « Je vais danser en votre honneur » (Carmen, Don José) | Georges Bizet | 5:42 |
| 2 | Carmen : Acte II. Air de la fleur : « La fleur que tu m’avais jetée » (Don José) | Georges Bizet | 4:16 |
| 3 | Carmen : Acte II. Air de la fleur : « Non, tu ne m’aimes pas ! » (Carmen, Don José) | Georges Bizet | 4:01 |
| 4 | Carmen : Acte II. Nº 17 Finale : « Holà ! Carmen ! Holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, les Bohémiens)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- baritone vocals [Dancaïre]:
- Gordon Sandison (from 1977-08 until 1977-09)
- bass vocals [Zuniga, un lieutenant]:
- Robert Lloyd (from 1977-08 until 1977-09)
- choir vocals:
- Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Carmen, une bohémienne]:
- Teresa Berganza (from 1977-08 until 1977-09)
- tenor vocals [Don José, un brigadier]:
- Plácido Domingo (from 1977-08 until 1977-09)
- tenor vocals [Remendado]:
- Geoffrey Pogson (from 1977-08 until 1977-09)
- orchestra:
- London Symphony Orchestra (from 1977-08 until 1977-09)
- conductor:
- Claudio Abbado (from 1977-08 until 1977-09)
- chorus master:
- Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- recording of:
- Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
| Georges Bizet | 3:32 |
| 5 | Carmen : Acte II. Nº 17 Finale : « Suis-nous à travers la campagne » (Frasquita, Mercédès, Dancaïre, Remendado, les Bohémiens, les Bohémiennes) | Georges Bizet | 1:48 |
| 6 | Carmen : Acte II. Entr’acte | Georges Bizet | 3:01 |
| 7 | Carmen : Acte III. Nº 18 Introduction : « Écoute, compagnon, écoute ! » (les Contrebandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- baritone vocals [Dancaïre]:
- Gordon Sandison (from 1977-08 until 1977-09)
- choir vocals:
- Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Carmen, une bohémienne]:
- Teresa Berganza (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Mercédès]:
- Alicia Nafé (from 1977-08 until 1977-09)
- soprano vocals [Frasquita]:
- Yvonne Kenny (from 1977-08 until 1977-09)
- tenor vocals [Don José, un brigadier]:
- Plácido Domingo (from 1977-08 until 1977-09)
- tenor vocals [Remendado]:
- Geoffrey Pogson (from 1977-08 until 1977-09)
- orchestra:
- London Symphony Orchestra (from 1977-08 until 1977-09)
- conductor:
- Claudio Abbado (from 1977-08 until 1977-09)
- chorus master:
- Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- recording of:
- Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte III
| Georges Bizet | 4:41 |
| 8 | Carmen : Acte III. Nº 18 Introduction : « Halte ! nous allons nous arrêter ici… » (Dancaïre, Remendado, Don José, Carmen)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- baritone vocals [Dancaïre]:
- Gordon Sandison (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Carmen, une bohémienne]:
- Teresa Berganza (from 1977-08 until 1977-09)
- tenor vocals [Don José, un brigadier]:
- Plácido Domingo (from 1977-08 until 1977-09)
- tenor vocals [Remendado]:
- Geoffrey Pogson (from 1977-08 until 1977-09)
- orchestra:
- London Symphony Orchestra (from 1977-08 until 1977-09)
- conductor:
- Claudio Abbado (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- recording of:
- Carmen : Acte III. Introduction : « Halte ! Nous allons nous arrêter ici ! » (Dancaïre, Remendado, Don José, Carmen) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- part of:
- Carmen : Acte III
| Georges Bizet | 1:29 |
| 9 | Carmen : Acte III. Nº 19 Trio : « Mêlons ! »/« Mêlons ! »/« Coupons ! » (Frasquita, Mercédès) | Georges Bizet | 3:21 |
| 10 | Carmen : Acte III. Air des cartes : « Carreau, pique… la mort ! » (Carmen) | Georges Bizet | 3:20 |
| 11 | Carmen : Acte III. Air des cartes : « Parlez encore, parlez, mes belles » (Frasquita, Mercédès, Carmen) | Georges Bizet | 0:50 |
| 12 | Carmen : Acte III. Air des cartes : « Eh bien, j’avais raison » (Dancaïre, Carmen, Remendado, Frasquita, Mercédès, Don José) | Georges Bizet | 0:30 |
| 13 | Carmen : Acte III. Nº 20 Morceau d’Ensemble : « Quant au douanier, c’est notre affaire ! » (Carmen, Mercédès, Frasquita, les Bohémiennes, les Bohémiens, Dancaïre, Remendado)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- baritone vocals [Dancaïre]:
- Gordon Sandison (from 1977-08 until 1977-09)
- choir vocals:
- Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Carmen, une bohémienne]:
- Teresa Berganza (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Mercédès]:
- Alicia Nafé (from 1977-08 until 1977-09)
- soprano vocals [Frasquita]:
- Yvonne Kenny (from 1977-08 until 1977-09)
- orchestra:
- London Symphony Orchestra (from 1977-08 until 1977-09)
- conductor:
- Claudio Abbado (from 1977-08 until 1977-09)
- chorus master:
- Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- recording of:
- Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte III
| Georges Bizet | 3:08 |
| 14 | Carmen : Acte III. Nº 20 Morceau d’Ensemble : « Nous y sommes » (le Guide, Micaëla)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- spoken vocals [le guide]:
- Jean Lainé (from 1977-08 until 1977-09)
- spoken vocals [Micaëla, jeune paysanne]:
- Ileana Cotrubaș (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- partial recording of:
- Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte III
| Georges Bizet | 0:44 |
| 15 | Carmen : Acte III. Nº 21 Air : « Je dis que rien ne m’épouvante » (Micaëla) | Georges Bizet | 4:50 |
| 16 | Carmen : Acte III. Nº 21 Air : « Mais… je ne me trompe pas… » (Micaëla, Escamillo, Don José) / Nº 22 Duo : « Je suis Escamillo, toréro de Grenade » (Escamillo, Don José)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- baritone vocals [Escamillo, un toréro]:
- Sherrill Milnes (from 1977-08 until 1977-09)
- soprano vocals [Micaëla, jeune paysanne]:
- Ileana Cotrubaș (from 1977-08 until 1977-09)
- tenor vocals [Don José, un brigadier]:
- Plácido Domingo (from 1977-08 until 1977-09)
- orchestra:
- London Symphony Orchestra (from 1977-08 until 1977-09)
- conductor:
- Claudio Abbado (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- recording of:
- Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte III
- recording of:
- Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte III
| Georges Bizet | 3:42 |
| 17 | Carmen : Acte III. Nº 23 Finale : « Holà, José ! » (Carmen, Escamillo, Dancaïre, Don José, les Contrebandiers, les Contrebandières)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- baritone vocals [Dancaïre]:
- Gordon Sandison (from 1977-08 until 1977-09)
- baritone vocals [Escamillo, un toréro]:
- Sherrill Milnes (from 1977-08 until 1977-09)
- choir vocals:
- Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Carmen, une bohémienne]:
- Teresa Berganza (from 1977-08 until 1977-09)
- tenor vocals [Don José, un brigadier]:
- Plácido Domingo (from 1977-08 until 1977-09)
- orchestra:
- London Symphony Orchestra (from 1977-08 until 1977-09)
- conductor:
- Claudio Abbado (from 1977-08 until 1977-09)
- chorus master:
- Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- recording of:
- Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte III
| Georges Bizet | 3:00 |
| 18 | Carmen : Acte III. Nº 23 Finale : « Halte!… Quelqu’un est là qui cherche à se cacher » (Remendado, Carmen, Dancaïre, Don José, Micaëla, chœur, Escamillo)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- baritone vocals [Dancaïre]:
- Gordon Sandison (from 1977-08 until 1977-09)
- baritone vocals [Escamillo, un toréro]:
- Sherrill Milnes (from 1977-08 until 1977-09)
- choir vocals:
- Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Carmen, une bohémienne]:
- Teresa Berganza (from 1977-08 until 1977-09)
- soprano vocals [Micaëla, jeune paysanne]:
- Ileana Cotrubaș (from 1977-08 until 1977-09)
- tenor vocals [Don José, un brigadier]:
- Plácido Domingo (from 1977-08 until 1977-09)
- tenor vocals [Remendado]:
- Geoffrey Pogson (from 1977-08 until 1977-09)
- orchestra:
- London Symphony Orchestra (from 1977-08 until 1977-09)
- conductor:
- Claudio Abbado (from 1977-08 until 1977-09)
- chorus master:
- Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- recording of:
- Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte III
| Georges Bizet | 5:08 |
| 19 | Carmen : Acte III. Entr’acte | Georges Bizet | 2:10 |
| 20 | Carmen : Acte III. Nº 24 Chœur : « A deux cuartos » (Marchandes, Marchands, un Soldat, Andrès, un Bohémien)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- baritone vocals [Moralès]:
- Stuart Harling
- baritone vocals [Un bohémien]:
- Leslie Fyson (from 1977-08 until 1977-09)
- baritone vocals [Un soldat]:
- Richard Amner (from 1977-08 until 1977-09)
- bass vocals [Zuniga]:
- Robert Lloyd
- choir vocals:
- Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
- contralto vocals [Une marchande]:
- Shirley Minty (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Mercédès]:
- Alicia Nafé
- soprano vocals [Frasquita]:
- Yvonne Kenny
- tenor vocals [Andrès, un lieutenant]:
- Jean Lainé (from 1977-08 until 1977-09)
- orchestra:
- London Symphony Orchestra (from 1977-08 until 1977-09)
- conductor:
- Claudio Abbado (from 1977-08 until 1977-09)
- chorus master:
- Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- recording of:
- Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte IV
| Georges Bizet | 2:23 |
| 21 | Carmen : Acte III. Nº 25 Chœur et Scène : « Les voici ! Voici le quadrille » (chœur)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- choir vocals:
- Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
- orchestra:
- London Symphony Orchestra (from 1977-08 until 1977-09)
- conductor:
- Patrick Criswell, John McCarthy and Claudio Abbado (from 1977-08 until 1977-09)
- chorus master:
- Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- recording of:
- Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte IV
| Georges Bizet | 3:52 |
| 22 | Carmen : Acte III. Nº 25 Chœur et Scène : « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès)- producer:
- Rainer Brock
- editor:
- Joachim Niss
- baritone vocals [Escamillo, un toréro]:
- Sherrill Milnes (from 1977-08 until 1977-09)
- choir vocals:
- Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Carmen, une bohémienne]:
- Teresa Berganza (from 1977-08 until 1977-09)
- mezzo-soprano vocals [Mercédès]:
- Alicia Nafé (from 1977-08 until 1977-09)
- soprano vocals [Frasquita]:
- Yvonne Kenny (from 1977-08 until 1977-09)
- orchestra:
- London Symphony Orchestra (from 1977-08 until 1977-09)
- conductor:
- Claudio Abbado (from 1977-08 until 1977-09)
- chorus master:
- Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
- balance engineer:
- Karl‐August Naegler
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
- recorded at:
- George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
- recording of:
- Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur) (from 1977-08 until 1977-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte IV
| Georges Bizet | 3:20 |
| 23 | Carmen : Acte III. Nº 26 Duo final : « C’est toi ? »/« C’est moi ! » (Carmen, Don José, chœur) | Georges Bizet | 9:24 |
