| # | Title | Length |
|---|
| 1 | Cold Day in Hell | 4:28 |
| 2 | Don’t You Lie to Me (I Get Evil) | 2:30 |
| 3 | Story of the Blues- assistant engineer:
- Andy Baker, Robin Barclay, Alex Firla, Ellen Fitton, Steve Fitzmaurice, Ed Goldberg and Matt Lane
- engineer:
- Haydn Bendall, Peter Hodgson and Ian Taylor
- producer:
- Gary Moore and Ian Taylor
- mixer:
- Gregg Jackman
- bass:
- Bob Daisley, Johnny B. Gaydon and Will Lee
- drums (drum set):
- Anton Fig and Graham Walker
- horn:
- Martin Drover, Wayne Jackson, Andrew Love, Frank Mead, The Memphis Horns and Nick Payn
- keyboard:
- Tommy Eyre
- oboe:
- Richard Morgan
- strings:
- Gavyn Wright
- background vocals:
- Carol Kenyon and Linda Taylor
- brass arranger and strings arranger:
- Tommy Eyre and Gary Moore
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, BearTracks Studios in New York, United States, Carriage House Studios in Stamford, Connecticut, United States, Outside Studios in Oxfordshire, England, United Kingdom, Sountec Studios in Connecticut, United States and Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France
- mixed at:
- Sarm West Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom
- recording of:
- Story of the Blues
- lyricist and composer:
- Gary Moore
| 6:42 |
| 4 | Since I Met You Baby | 2:52 |
| 5 | Separate Ways- assistant engineer:
- Andy Baker, Robin Barclay, Alex Firla, Ellen Fitton, Steve Fitzmaurice, Ed Goldberg and Matt Lane
- engineer:
- Haydn Bendall, Peter Hodgson and Ian Taylor
- producer:
- Gary Moore and Ian Taylor
- mixer:
- Ian Taylor
- bass:
- Bob Daisley, Johnny B. Gaydon and Will Lee
- drums (drum set):
- Anton Fig and Graham Walker
- horn:
- Martin Drover, Wayne Jackson, Andrew Love, Frank Mead, The Memphis Horns and Nick Payn
- keyboard:
- Tommy Eyre
- oboe:
- Richard Morgan
- strings:
- Gavyn Wright
- background vocals:
- Carol Kenyon and Linda Taylor
- brass arranger and strings arranger:
- Tommy Eyre and Gary Moore
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, BearTracks Studios in New York, United States, Carriage House Studios in Stamford, Connecticut, United States, Outside Studios in Oxfordshire, England, United Kingdom, Sountec Studios in Connecticut, United States and Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France
- mixed at:
- Sarm West Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom
- recording of:
- Separate Ways
- lyricist and composer:
- Gary Moore
| 4:54 |
| 6 | Only Fool in Town | 3:52 |
| 7 | Key to Love | 1:59 |
| 8 | Jumpin’ at Shadows- assistant engineer:
- Andy Baker, Robin Barclay, Alex Firla, Ellen Fitton, Steve Fitzmaurice, Ed Goldberg and Matt Lane
- engineer:
- Haydn Bendall, Peter Hodgson and Ian Taylor
- producer:
- Gary Moore and Ian Taylor
- mixer:
- Ian Taylor
- bass:
- Bob Daisley, Johnny B. Gaydon and Will Lee
- drums (drum set):
- Anton Fig and Graham Walker
- horn:
- Martin Drover, Wayne Jackson, Andrew Love, Frank Mead, The Memphis Horns and Nick Payn
- keyboard:
- Tommy Eyre
- oboe:
- Richard Morgan
- strings:
- Gavyn Wright
- background vocals:
- Carol Kenyon and Linda Taylor
- brass arranger and strings arranger:
- Tommy Eyre and Gary Moore
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, BearTracks Studios in New York, United States, Carriage House Studios in Stamford, Connecticut, United States, Outside Studios in Oxfordshire, England, United Kingdom, Sountec Studios in Connecticut, United States and Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France
- mixed at:
- Sarm West Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom
- cover recording of:
- Jumping at Shadows
- lyricist and composer:
- Duster Bennett
| 4:20 |
| 9 | The Blues Is Alright | 5:44 |
| 10 | The Hurt Inside | 5:53 |
| 11 | Nothing’s the Same | 5:07 |
| 12 | All Time Low (extended version) | 8:40 |
| 13 | Woke Up This Morning | 3:52 |
| 14 | Movin’ On Down the Road | 3:35 |
| 15 | Don’t Start Me Talkin’ | 3:04 |
| 16 | Once in a Blue Mood | 7:34 |
