5 Album Set (discs manufactured by optimal media GmbH)

~ Release by Gary Moore (see all versions of this release, 2 available)

Tracklist

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1▼CD: Run for Cover
#	Title	Length
1	Run for Cover producer: Andy Johns assistant mixer: Stuart Breed mixer: Mike Stone guest bass guitar [bass]: Glenn Hughes guest drums (drum set) [drums]: Gary Ferguson guest keyboard [keyboards]: Andy Richards guitar [guitars] and lead vocals: Gary Moore guest background vocals [backing vocals]: Neil Carter phonographic copyright (℗) by: 10 Records Ltd. (in 1985) mixed at: Air London in Hampstead, Camden, London, England, United Kingdom produced at: Marcus Music in Bayswater, Westminster, London, England, United Kingdom recording of: Run for Cover lyricist and composer: Gary Moore	4:13
2	Reach for the Sky producer: Andy Johns assistant mixer: Stuart Breed mixer: Mike Stone guest bass guitar [bass] and guest lead vocals: Glenn Hughes guest electronic drum set [Simmons drums]: Charlie Morgan guest keyboard [keyboards]: Andy Richards guitar [guitars] and background vocals [backing vocals]: Gary Moore phonographic copyright (℗) by: 10 Records Ltd. (in 1985) mixed at: Air London in Hampstead, Camden, London, England, United Kingdom produced at: Marcus Music in Bayswater, Westminster, London, England, United Kingdom recording of: Reach for the Sky lyricist and composer: Gary Moore	4:45
3	Military Man engineer: Stephen BenBen producer: Gary Moore mixer: Stephen Benben guest bass guitar [bass] and guest lead vocals: Philip Lynott guest drums (drum set) [drums] and guest electronic drum set [Simmons drums]: Charlie Morgan guest keyboard [keyboards]: Don Airey and Andy Richards guitar [guitars] and background vocals [backing vocals]: Gary Moore phonographic copyright (℗) by: 10 Records Ltd. (in 1985) produced at: Eel Pie in London, England, United Kingdom recording of: Military Man lyricist and composer: Phil Lynott	5:40
4	Empty Rooms engineer: James “Jimbo” Barton assistant producer: James (Jimbo) Barton producer: Peter Collins assistant mixer: James “Jimbo” Barton guest keyboard [keyboards]: Andy Richards guest sampler [sampled drums]: James (Jimbo) Barton guitar [guitars] and lead vocals: Gary Moore guest background vocals [backing vocals]: Neil Carter remixer: James (Jimbo) Barton phonographic copyright (℗) by: 10 Records Ltd. (in 1985) produced for: Peter Collins Productions produced at: Sarm East in Aldgate, Tower Hamlets, London, England, United Kingdom recording of: Empty Rooms lyricist: Gary Moore composer: Neil Carter and Gary Moore publisher: 10 Music Ltd.	4:19
5	Out of My System engineer: Stephen BenBen producer: Beau Hill mixer: Stephen Benben guest bass guitar [bass] and guest lead vocals: Glenn Hughes guest drums (drum set) [drums]: Paul Thompson guest keyboard [keyboards]: Neil Carter and Andy Richards guitar [guitars] and background vocals [backing vocals]: Gary Moore phonographic copyright (℗) by: 10 Records Ltd. (in 1985) recording of: Out of My System lyricist and composer: Gary Moore	4:08
6	Out in the Fields engineer: James (Jimbo) Barton producer: Peter Collins assistant mixer: James “Jimbo” Barton guest bass guitar [bass] and guest vocals: Philip Lynott guest drums (drum set) [drums]: Charlie Morgan guest keyboard [keyboards]: Don Airey and Andy Richards guitar [guitars] and lead vocals: Gary Moore phonographic copyright (℗) by: 10 Records Ltd. (in 1985) and Virgin Records Ltd. (in 2002) produced at: Sarm East in Aldgate, Tower Hamlets, London, England, United Kingdom recording of: Out in the Fields lyricist and composer: Gary Moore	4:18
7	Nothing to Lose engineer: Stephen BenBen producer: Beau Hill assistant mixer: Stuart Breed mixer: Stephen Benben and Mike Stone guest bass guitar [bass] and guest lead vocals: Glenn Hughes guest drums (drum set) [drums]: Paul Thompson guest keyboard [keyboards]: Neil Carter guitar [guitars] and background vocals [backing vocals]: Gary Moore guest background vocals [backing vocals]: Neil Carter and Philip Lynott phonographic copyright (℗) by: 10 Records Ltd. (in 1985) mixed at: Air London in Hampstead, Camden, London, England, United Kingdom recording of: Nothing to Lose lyricist and composer: Gary Moore	4:42
8	Once in a Lifetime assistant producer: Stuart Breed and Mark Saunders producer: Mike Stone guest bass guitar [bass]: Bob Daisley guest drums (drum set) [drums]: Gary Ferguson guest keyboard [keyboards]: Neil Carter and Andy Richards guitar [guitars] and lead vocals: Gary Moore guest background vocals [backing vocals]: Neil Carter phonographic copyright (℗) by: 10 Records Ltd. (in 1985) produced at: Air London in Hampstead, Camden, London, England, United Kingdom and West Side in London, England, United Kingdom recording of: Once in a Lifetime lyricist and composer: Gary Moore	4:19
9	All Messed Up producer: Andy Johns assistant mixer: Stuart Breed mixer: Mike Stone guest bass guitar [bass] and guest lead vocals: Glenn Hughes guest drums (drum set) [drums]: Gary Ferguson guitar [guitars] and background vocals [backing vocals]: Gary Moore phonographic copyright (℗) by: 10 Records Ltd. (in 1985) mixed at: Air London in Hampstead, Camden, London, England, United Kingdom produced at: Marcus Music in Bayswater, Westminster, London, England, United Kingdom recording of: All Messed Up lyricist: Gary Moore composer: Neil Carter and Gary Moore	4:52
10	Listen to Your Heartbeat assistant producer: Stuart Breed and Mark Saunders producer: Mike Stone guest drums (drum set) [drums]: Gary Ferguson guest keyboard [keyboards]: Neil Carter and Andy Richards guitar [guitars] and lead vocals: Gary Moore guest background vocals [backing vocals]: Neil Carter phonographic copyright (℗) by: 10 Records Ltd. (in 1985) produced at: Air London in Hampstead, Camden, London, England, United Kingdom and West Side in London, England, United Kingdom recording of: Listen to Your Heartbeat lyricist and composer: Gary Moore	4:38
11	Still in Love With You engineer and mixer: Tony Platt producer: Gary Moore bass guitar and lead vocals: Phil Lynott drums (drum set): Paul Thompson guitar: Gary Moore keyboard and background vocals: Neil Carter recording of: Still in Love With You lyricist and composer: Phil Lynott publisher: PolyGram Music Publishing Ltd.	5:59
12	Stop Messin’ Around (live) engineer and mixer: Tony Platt producer: Gary Moore bass guitar: Phil Lynott drums (drum set): Paul Thompson guitar: Gary Moore keyboard and background vocals: Neil Carter lead vocals: Phil Lynott and Gary Moore recorded at: Ulster Hall in Belfast, Belfast, County Antrim, County Down, Northern Ireland, United Kingdom (on 1984-12-17) live cover recording of: Stop Messin’ Round writer: C.G. Adams and Peter Green publisher: Fleetwood Music Ltd., Mute Song USA and WB Music Corp.	4:09
13	Murder in the Skies (live) engineer and mixer: Tony Platt producer: Gary Moore bass guitar: Phil Lynott drums (drum set): Paul Thompson guitar: Gary Moore keyboard and background vocals: Neil Carter lead vocals: Neil Carter and Gary Moore recorded at: Ulster Hall in Belfast, Belfast, County Antrim, County Down, Northern Ireland, United Kingdom (on 1984-12-17) live recording of: Murder in the Skies writer: Neil Carter and Gary Moore	5:23

2▼CD: After the War
#	Title	Length
1	Dunluce (Part 1) producer: Peter Collins recording of: Dunluce, Part 1 composer: Gary Moore	1:23
2	After the War producer: Peter Collins recording of: After the War lyricist and composer: Gary Moore publisher: 10 Music Ltd.	4:17
3	Speak for Yourself producer: Peter Collins background vocals: Ozzy Osbourne recording of: Speak for Yourself writer: Neil Carter and Gary Moore	3:43
4	Livin’ on Dreams producer: Peter Collins recording of: Livin’ on Dreams lyricist and composer: Gary Moore	4:15
5	Led Clones producer: Peter Collins lead vocals: Ozzy Osbourne recording of: Led Clones writer: Neil Carter and Gary Moore	6:09
6	The Messiah Will Come Again producer: Peter Collins cover recording of: The Messiah Will Come Again writer: Roy Buchanan	7:29
7	Running From the Storm producer: Peter Collins recording of: Running From the Storm lyricist and composer: Gary Moore	4:46
8	This Thing Called Love engineer and mixer: Ian Taylor producer: Peter Collins produced for: Jill Music Ltd. recording of: This Thing Called Love lyricist and composer: Gary Moore publisher: 10 Music Ltd.	3:23
9	Ready for Love producer: Peter Collins recording of: Ready for Love lyricist and composer: Gary Moore	5:41
10	Blood of Emeralds producer: Peter Collins recording of: Blood of Emeralds writer: Neil Carter and Gary Moore	8:22
11	Dunluce (Part 2) producer: Peter Collins recording of: Dunluce, Part 2 composer: Gary Moore	3:55
12	Emerald producer: Gary Moore and Nigel Walker cover recording of: Emerald writer: Brian Downey, Scott Gorham, Phil Lynott and Brian Robertson publisher: Chappell Music Ltd	4:07
13	Over the Hills and Far Away (live) recording engineer and mixer: Nigel Walker live recording of: Over the Hills and Far Away lyricist and composer: Gary Moore publisher: 10 Music Ltd.	10:17
14	Military Man (live) recording engineer and mixer: Nigel Walker live recording of: Military Man lyricist and composer: Phil Lynott	6:26
15	Wild Frontier (live) recording engineer and mixer: Nigel Walker bass guitar: Bob Daisley (on 1987-04-25) drums (drum set): Eric Singer (on 1987-04-25) guitar: Neil Carter (on 1987-04-25) and Gary Moore (on 1987-04-25) keyboard and background vocals: Neil Carter (on 1987-04-25) lead vocals: Gary Moore (on 1987-04-25) recorded at: Hovet in Johanneshov, Stockholm, Stockholms län, Sweden (on 1987-04-25) live recording of: Wild Frontier (on 1987-04-25) lyricist and composer: Gary Moore	5:02

3▼CD: Still Got the Blues
#	Title	Length
1	Moving On assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor bass guitar: Andy Pyle drums (drum set): Graham Walker guitar: Gary Moore piano: Mick Weaver vocals: Gary Moore recording of: Moving On lyricist and composer: Gary Moore publisher: Bonuswise Ltd. and EMI Blackwood Music Inc.	2:39
2	Oh Pretty Woman assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor alto saxophone and tenor saxophone: Frank Mead baritone saxophone: Nick Payn bass guitar: Andy Pyle drums (drum set): Graham Walker guest guitar: Albert King guest Hammond organ: Don Airey guest trumpet: Raoul D'Olivera guitar: Albert King and Gary Moore tenor saxophone: Nick Pentelow vocals: Gary Moore horn arranger: Don Airey and Gary Moore cover recording of: Oh, Pretty Woman lyricist and composer: A.C. "Moohah" Williams publisher: Almo Music Corp. and Irving Music, Inc.	4:25
3	Walking by Myself assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor bass guitar: Andy Pyle drums (drum set): Graham Walker guitar: Gary Moore harmonica: Frank Mead piano: Mick Weaver vocals: Gary Moore phonographic copyright (℗) by: Virgin Records Ltd. (in 1990) cover recording of: Walking by Myself lyricist and composer: Jimmy Rogers publisher: Arc Music Corp., BMG Platinum Songs US and Copyright Control	2:56
4	Still Got the Blues assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor bass guitar: Andy Pyle drums (drum set): Graham Walker guest keyboard: Don Airey guest piano: Nicky Hopkins guest strings: Gavyn Wright guitar: Gary Moore vocals: Gary Moore conductor: Don Airey strings arranger: Don Airey and Gary Moore recording of: Still Got the Blues (for You) lyricist and composer: Gary Moore publisher: BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd., EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs and Mushroom Music Pty. Ltd. sub-publisher: フジパシフィックミュージック	6:12
5	Texas Strut assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor bass guitar: Bob Daisley drums (drum set) and guest drums (drum set): Brian Downey guest Hammond organ: Don Airey guitar: Gary Moore vocals: Gary Moore recording of: Texas Strut lyricist and composer: Gary Moore	4:51
6	Too Tired assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor alto saxophone: Frank Mead baritone saxophone: Nick Payn bass guitar: Andy Pyle drums (drum set): Graham Walker guest guitar: Albert Collins guest piano: Don Airey guest trumpet: Stuart Brooks guitar: Gary Moore tenor saxophone: Andy Hamilton vocals: Gary Moore horn arranger: Don Airey and Gary Moore cover recording of: Too Tired writer: Saul Bihari, Maxwell Davis and Johnny “Guitar” Watson publisher: Booty Ooty Music, Songs of Universal, Universal Music‐Careers and Vrijon Music	2:51
7	King of the Blues assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor alto saxophone and tenor saxophone: Frank Mead baritone saxophone: Nick Payn bass guitar: Andy Pyle guest drums (drum set): Brian Downey guest Hammond organ: Don Airey guest trumpet: Raoul D'Olivera guitar: Gary Moore tenor saxophone: Nick Pentelow vocals: Gary Moore horn arranger: Don Airey and Gary Moore recording of: King of the Blues lyricist and composer: Gary Moore	4:36
8	As the Years Go Passing By assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor baritone saxophone: Nick Payn bass guitar: Bob Daisley guest drums (drum set): Brian Downey guest Hammond organ: Don Airey guest piano: Nicky Hopkins guitar: Gary Moore tenor saxophone: Frank Mead vocals: Gary Moore cover recording of: As the Years Go Passing By lyricist and composer: Dan Malone	7:46
9	Midnight Blues assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor bass guitar: Andy Pyle drums (drum set): Graham Walker electric piano: Mick Weaver guest strings: Gavyn Wright guitar and lead vocals: Gary Moore conductor: Don Airey strings arranger: Don Airey and Gary Moore recording of: Midnight Blues lyricist and composer: Gary Moore publisher: EMI Blackwood Music Inc.	4:58
10	That Kind of Woman assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor alto saxophone: Frank Mead baritone saxophone: Nick Payn bass guitar: Bob Daisley drums (drum set): Graham Walker guest guitar and slide guitar and guest background vocals: George Harrison guest piano: Nicky Hopkins guest trumpet: Martin Drover guitar: Gary Moore tenor saxophone: Nick Pentelow vocals: Gary Moore horn arranger: Don Airey and Gary Moore recording of: That Kind of Woman lyricist and composer: George Harrison	4:32
11	All Your Love assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor bass guitar: Andy Pyle drums (drum set): Graham Walker guitar: Gary Moore Hammond organ: Mick Weaver vocals: Gary Moore cover recording of: All Your Love (I Miss Loving) lyricist and composer: Otis Rush publisher: BMG Platinum Songs US and Conrad Music	3:42
12	Stop Messin’ Around assistant engineer and assistant mixer: Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor bass guitar: Andy Pyle drums (drum set): Graham Walker guitar and lead vocals: Gary Moore piano: Mick Weaver saxophone: Frank Mead cover recording of: Stop Messin’ Round writer: C.G. Adams and Peter Green publisher: Fleetwood Music Ltd., Mute Song USA and WB Music Corp.	4:00
13	The Stumble engineer and mixer: Ian Taylor producer: Gary Moore and Ian Taylor cover recording of: The Stumble writer: Freddie King publisher: Lark Music part of: Twins (1988)	3:01
14	Left Me With the Blues engineer: Andy Rose and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor recording of: Left Me With the Blues lyricist and composer: Gary Moore	3:05
15	Further On up the Road engineer: Andy Rose and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor cover recording of: Farther Up the Road writer: Deadric Malone and Joe Veasey publisher: Duchess Music Corp. and Universal Duchess Music Corp.	4:08
16	Mean Cruel Woman engineer: Andy Rose and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor recording of: Mean Cruel Woman lyricist and composer: Gary Moore	2:48
17	The Sky Is Crying engineer: Andy Rose and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor cover recording of: The Sky Is Crying lyricist and composer: Elmore James publisher: Longitude Music Co.	4:54

4▼CD: After Hours
#	Title	Length
1	Cold Day in Hell engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor recording of: Cold Day in Hell lyricist and composer: Gary Moore	4:28
2	Don’t You Lie to Me (I Get Evil) engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor cover recording of: Don’t You Lie to Me lyricist and composer: Hudson Whittaker	2:30
3	Story of the Blues assistant engineer: Andy Baker, Robin Barclay, Alex Firla, Ellen Fitton, Steve Fitzmaurice, Ed Goldberg and Matt Lane engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Gregg Jackman bass: Bob Daisley, Johnny B. Gaydon and Will Lee drums (drum set): Anton Fig and Graham Walker horn: Martin Drover, Wayne Jackson, Andrew Love, Frank Mead, The Memphis Horns and Nick Payn keyboard: Tommy Eyre oboe: Richard Morgan strings: Gavyn Wright background vocals: Carol Kenyon and Linda Taylor brass arranger and strings arranger: Tommy Eyre and Gary Moore recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, BearTracks Studios in New York, United States, Carriage House Studios in Stamford, Connecticut, United States, Outside Studios in Oxfordshire, England, United Kingdom, Sountec Studios in Connecticut, United States and Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France mixed at: Sarm West Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom recording of: Story of the Blues lyricist and composer: Gary Moore	6:42
4	Since I Met You Baby engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor guest guitar and guest lead vocals: B.B. King guitar and lead vocals: Gary Moore phonographic copyright (℗) by: Virgin Records Ltd. (in 1992) cover recording of: Since I Met You Baby lyricist and composer: Ivory Joe Hunter publisher: BMG Platinum Songs, Bonuswise Ltd. and Unichappell Music, Inc.	2:52
5	Separate Ways assistant engineer: Andy Baker, Robin Barclay, Alex Firla, Ellen Fitton, Steve Fitzmaurice, Ed Goldberg and Matt Lane engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor bass: Bob Daisley, Johnny B. Gaydon and Will Lee drums (drum set): Anton Fig and Graham Walker horn: Martin Drover, Wayne Jackson, Andrew Love, Frank Mead, The Memphis Horns and Nick Payn keyboard: Tommy Eyre oboe: Richard Morgan strings: Gavyn Wright background vocals: Carol Kenyon and Linda Taylor brass arranger and strings arranger: Tommy Eyre and Gary Moore recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, BearTracks Studios in New York, United States, Carriage House Studios in Stamford, Connecticut, United States, Outside Studios in Oxfordshire, England, United Kingdom, Sountec Studios in Connecticut, United States and Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France mixed at: Sarm West Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom recording of: Separate Ways lyricist and composer: Gary Moore	4:54
6	Only Fool in Town engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor recording of: Only Fool in Town lyricist and composer: Gary Moore	3:52
7	Key to Love engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor cover recording of: Key to Love lyricist and composer: John Mayall	1:59
8	Jumpin’ at Shadows assistant engineer: Andy Baker, Robin Barclay, Alex Firla, Ellen Fitton, Steve Fitzmaurice, Ed Goldberg and Matt Lane engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor bass: Bob Daisley, Johnny B. Gaydon and Will Lee drums (drum set): Anton Fig and Graham Walker horn: Martin Drover, Wayne Jackson, Andrew Love, Frank Mead, The Memphis Horns and Nick Payn keyboard: Tommy Eyre oboe: Richard Morgan strings: Gavyn Wright background vocals: Carol Kenyon and Linda Taylor brass arranger and strings arranger: Tommy Eyre and Gary Moore recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom, BearTracks Studios in New York, United States, Carriage House Studios in Stamford, Connecticut, United States, Outside Studios in Oxfordshire, England, United Kingdom, Sountec Studios in Connecticut, United States and Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France mixed at: Sarm West Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom cover recording of: Jumping at Shadows lyricist and composer: Duster Bennett	4:20
9	The Blues Is Alright engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor guest guitar: Albert Collins cover recording of: The Blues Is Alright lyricist and composer: Milton Campbell publisher: Copyright Control	5:44
10	The Hurt Inside engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor recording of: The Hurt Inside lyricist and composer: Gary Moore	5:53
11	Nothing’s the Same engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor recording of: Nothing’s the Same lyricist and composer: Gary Moore	5:07
12	All Time Low (extended version) engineer: Haydn Bendall, Peter Hodgson and Ian Taylor producer: Gary Moore and Ian Taylor mixer: Ian Taylor recording of: All Time Low lyricist and composer: Gary Moore	8:40
13	Woke Up This Morning producer: Gary Moore and Ian Taylor mixer: Ian Taylor cover recording of: Woke Up This Mornin’ lyricist and composer: B.B. King publisher: Copyright Control, Powerforce Music and Sounds Of Lucille, Inc.	3:52
14	Movin’ On Down the Road producer: Gary Moore mixer: Peter Hodgson recording of: Movin’ on Down the Road lyricist and composer: Gary Moore	3:35
15	Don’t Start Me Talkin’ producer: Gary Moore and Ian Taylor mixer: Ian Taylor cover recording of: Don’t Start Me Talkin’ lyricist and composer: Sonny Boy Williamson publisher: Arc Music	3:04
16	Once in a Blue Mood producer: Gary Moore and Ian Taylor mixer: Ian Taylor bass guitar: Will Lee drums (drum set): Anton Fig guitar: Gary Moore keyboard: Tommy Eyre recording of: Once in a Blue Mood composer: Tommy Eyre, Anton Fig, Will Lee and Gary Moore	7:34

5▼CD: Blues for Greeny
#	Title	Length
1	If You Be My Baby assistant engineer: Niall Flynn and Richard Lowe engineer: Haydn Bendall and Ian Taylor producer: Gary Moore and Ian Taylor guitar and lead vocals: Gary Moore cover recording of: If You Be My Baby writer: C.G. Adams and Peter Green publisher: Fleetwood Music Ltd.	6:40
2	Long Grey Mare assistant engineer: Niall Flynn and Richard Lowe engineer: Haydn Bendall and Ian Taylor producer: Gary Moore and Ian Taylor guitar and lead vocals: Gary Moore cover recording of: Long Grey Mare lyricist and composer: Peter Green	2:05
3	Merry Go Round cover recording of: Merry Go Round composer: Peter Green	4:15
4	I Loved Another Woman assistant engineer: Niall Flynn and Richard Lowe engineer: Haydn Bendall and Ian Taylor producer: Gary Moore and Ian Taylor guitar and lead vocals: Gary Moore cover recording of: I Loved Another Woman lyricist and composer: Peter Green publisher: EMI United Partnership Ltd.	3:09
5	Need Your Love So Bad cover recording of: Need Your Love So Bad lyricist and composer: Little Willie John and Mertis John Jr. publisher: Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. and Trio Music Co., Inc.	7:55
6	The Same Way cover recording of: The Same Way lyricist and composer: Peter Green	2:38
7	The Supernatural cover recording of: The Supernatural composer: Peter Green publisher: Getaway Music Ltd.	3:03
8	Driftin’ assistant engineer: Niall Flynn and Richard Lowe engineer: Haydn Bendall and Ian Taylor producer: Gary Moore and Ian Taylor guitar and lead vocals: Gary Moore cover recording of: Driftin' lyricist and composer: Peter Green	8:33
9	Showbiz Blues cover recording of: Show-Biz Blues lyricist and composer: Peter Green publisher: Fleetwood Music	4:10
10	Love That Burns assistant engineer: Niall Flynn and Richard Lowe engineer: Haydn Bendall and Ian Taylor producer: Gary Moore and Ian Taylor guitar and lead vocals: Gary Moore cover recording of: Love That Burns writer: C.G. Adams and Peter Green publisher: Fleetwood Music Ltd.	6:32
11	Looking for Somebody cover recording of: Looking for Somebody lyricist and composer: Peter Green	7:26
12	The World Keeps On Turnin’ (acoustic version) cover recording of: The World Keep On Turning lyricist and composer: Peter Green	3:13
13	The Same Way (acoustic version) cover recording of: The Same Way lyricist and composer: Peter Green	2:17
14	Stop Messin’ Around (acoustic version) cover recording of: Stop Messin’ Round writer: C.G. Adams and Peter Green publisher: Fleetwood Music Ltd., Mute Song USA and WB Music Corp.	3:03

Credits

Release

Discogs:	https://www.discogs.com/release/7602150 [info]
ASIN:	UK: B0092YHG1G [info] DE: B0092YHG1G [info]
other databases:	https://www.musik-sammler.de/media/806848/ [info]

Release group

includes:	After Hours After the War Blues for Greeny Run for Cover Still Got the Blues

part of:	5 Album Set (order: 2)