| # | Title | Length |
|---|
| 1 | Such Sweet Thunder | 3:21 |
| 2 | Sonnet for Ceasar | 2:58 |
| 3 | Sonnet to Hank Cinq | 1:20 |
| 4 | Lady Mac | 3:38 |
| 5 | Sonnet in Search of a Moor | 2:20 |
| 6 | The Telecasters | 3:01 |
| 7 | Up and Down, Up and Down (I Will Lead Them Up and Down) | 3:05 |
| 8 | Sonnet for Sister Katie | 2:19 |
| 9 | The Star Crossed Lovers | 3:56 |
| 10 | Madness in Great Ones | 3:22 |
| 11 | Half the Fun | 4:19 |
| 12 | Circle of Fourth | 1:45 |
| 13 | Part 1- alto saxophone:
- Bill Graham (from 1958-02-04 until 1958-02-12)
- baritone saxophone:
- Harry Carney (from 1958-02-04 until 1958-02-12)
- bass:
- Jimmy Woode (from 1958-02-04 until 1958-02-12)
- drums (drum set):
- Sam Woodyard (from 1958-02-04 until 1958-02-12)
- piano:
- Duke Ellington (from 1958-02-04 until 1958-02-12)
- tenor saxophone:
- Paul Gonsalves (from 1958-02-04 until 1958-02-12)
- trombone:
- Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
- trumpet:
- William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (from 1958-02-04 until 1958-02-12)
- valve trombone:
- John Sanders (from 1958-02-04 until 1958-02-12)
- recording of:
- Black, Brown, and Beige, Part I (on 1958-02-04)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
- recording of:
- Black, Brown, and Beige, Part I (from 1958-02-04 until 1958-02-12)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
| 8:15 |
| 14 | Part 2- alto saxophone:
- Bill Graham (from 1958-02-04 until 1958-02-12)
- baritone saxophone:
- Harry Carney (from 1958-02-04 until 1958-02-12)
- bass:
- Jimmy Woode (from 1958-02-04 until 1958-02-12)
- drums (drum set):
- Sam Woodyard (from 1958-02-04 until 1958-02-12)
- piano:
- Duke Ellington (from 1958-02-04 until 1958-02-12)
- tenor saxophone:
- Paul Gonsalves (from 1958-02-04 until 1958-02-12)
- trombone:
- Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
- trumpet:
- William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (from 1958-02-04 until 1958-02-12)
- valve trombone:
- John Sanders (from 1958-02-04 until 1958-02-12)
- recording of:
- Black, Brown, and Beige, Part II (from 1958-02-04 until 1958-02-12)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
- recording of:
- Black, Brown, and Beige, Part II (in 1958-02)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
| 6:12 |
| 15 | Part 3 (a.k.a. Light)- alto saxophone:
- Bill Graham (on 1958-02-12)
- baritone saxophone:
- Harry Carney (on 1958-02-12)
- double bass:
- Jimmy Woode (on 1958-02-12)
- drums (drum set):
- Sam Woodyard (on 1958-02-12)
- piano:
- Duke Ellington (on 1958-02-12)
- tenor saxophone:
- Paul Gonsalves (on 1958-02-12)
- trombone:
- Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
- trumpet:
- William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (on 1958-02-12)
- valve trombone:
- John Sanders (on 1958-02-12)
- recording of:
- Black, Brown, and Beige, Part III (Light) (on 1958-02-04)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
- recording of:
- Black, Brown, and Beige, Part III (Light) (on 1958-02-12)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
| 6:17 |
| 16 | Part 4 (a.k.a. Come Sunday)- recorded in:
- New York, New York, United States (on 1958-02-11)
- producer:
- Irving Townsend
- alto saxophone:
- Russell Procope and Bill Graham (on 1958-02-11)
- baritone saxophone:
- Harry Carney (on 1958-02-11)
- bass:
- Jimmy Woode (on 1958-02-11)
- clarinet:
- Russell Procope and Jimmy Hamilton (on 1958-02-11)
- drums (drum set) [drums]:
- Sam Woodyard (on 1958-02-11)
- piano:
- Duke Ellington (on 1958-02-11)
- reeds:
- Russell Procope
- tenor saxophone:
- Paul Gonsalves (on 1958-02-11)
- trombone:
- Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
- trumpet:
- Cat Anderson (on 1958-02-11), Harold Baker (on 1958-02-11) and Clark Terry (on 1958-02-11)
- trumpet and violin:
- Ray Nance (on 1958-02-11)
- valve trombone:
- John Sanders (on 1958-02-11)
- vocals:
- Mahalia Jackson (on 1958-02-11)
- recording of:
- Come Sunday (on 1958-02-05)
- lyricist and composer:
- Duke Ellington
- version of:
- Black, Brown, and Beige: I. Black: Come Sunday
- part of:
- Black, Brown, and Beige
- recording of:
- Come Sunday (on 1958-02-11)
- lyricist and composer:
- Duke Ellington
- version of:
- Black, Brown, and Beige: I. Black: Come Sunday
- part of:
- Black, Brown, and Beige
- recording of:
- Come Sunday (in 1958-02)
- lyricist and composer:
- Duke Ellington
- version of:
- Black, Brown, and Beige: I. Black: Come Sunday
- part of:
- Black, Brown, and Beige
| 7:56 |
| 17 | Part 5 (a.k.a. Come Sunday)- alto saxophone:
- Bill Graham (on 1958-02-12)
- baritone saxophone:
- Harry Carney (on 1958-02-12)
- double bass:
- Jimmy Woode (on 1958-02-12)
- drums (drum set):
- Sam Woodyard (on 1958-02-12)
- piano:
- Duke Ellington (on 1958-02-12)
- solo violin:
- Ray Nance (on 1958-02-12)
- tenor saxophone:
- Paul Gonsalves (on 1958-02-12)
- trombone:
- Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
- trumpet:
- William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (on 1958-02-12)
- valve trombone:
- John Sanders (on 1958-02-12)
- recording of:
- Black, Brown, and Beige, Part V (Come Sunday Interlude) (on 1958-02-12)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
- recording of:
- Black, Brown, and Beige, Part V (Come Sunday Interlude) (in 1958-02)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige
| 3:40 |
| 18 | Part 6 (a.k.a. 23rd Psalm) | 3:00 |
