Eight Classic Albums

~ Release by Duke Ellington (see all versions of this release, 1 available)

Tracklist

1▶CD: Such Sweet Thunder / Black Brown and Beige
2▼CD: Duke Ellington at the Bal Masque / The Cosmic Scene
#TitleLength
1Alice Blue Gown
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (on 1958-03-31)
valve trombone:
John Sanders (on 1958-03-31)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
Alice Blue Gown (on 1958-03-31)
lyricist:
Joseph McCarthy
composer:
Harry Tierney
part of:
Irene (the musical)
3:01
2Who's Afraid of the Big Bad Wolf
engineer and producer:
Bill Putnam
alto saxophone:
Johnny Hodges (on 1958-04-01)
alto saxophone and clarinet:
Russell Procope (on 1958-04-01)
baritone saxophone:
Harry Carney (on 1958-04-01)
bass and double bass:
Jimmy Woode (on 1958-04-01)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-04-01)
drums (drum set):
Sam Woodyard (on 1958-04-01)
piano:
Duke Ellington (on 1958-04-01)
reeds:
Harry Carney (on 1958-04-01), Jimmy Hamilton (on 1958-04-01) and Russell Procope (on 1958-04-01)
tenor saxophone:
Paul Gonsalves (on 1958-04-01)
trombone:
Quentin Jackson (on 1958-04-01), John Sanders (on 1958-04-01) and Britt Woodman (on 1958-04-01)
trumpet:
William “Cat” Anderson (on 1958-04-01), Harold “Shorty” Baker (on 1958-04-01), Willie Cook (on 1958-04-01), Ray Nance (on 1958-04-01) and Clark Terry (on 1958-04-01)
valve trombone:
John Sanders (on 1958-04-01)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-01)
recording of:
Who’s Afraid of the Big Bad Wolf? (from “Three Little Pigs”) (on 1958-04-01)
additional lyricist:
Ann Ronell
lyricist and composer:
Frank Churchill
publisher:
Bourne Co.
2:53
3Got a Date With an Angel
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-20)
baritone saxophone:
Harry Carney (on 1958-03-20)
bass:
Jimmy Woode (on 1958-03-20)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-03-20)
drums (drum set):
Sam Woodyard (on 1958-03-20)
piano:
Duke Ellington (on 1958-03-20)
tenor saxophone:
Paul Gonsalves (on 1958-03-20)
trombone:
Quentin Jackson (on 1958-03-20) and Britt Woodman (on 1958-03-20)
trumpet:
William “Cat” Anderson (on 1958-03-20), Harold “Shorty” Baker (on 1958-03-20), Willie Cook (on 1958-03-20), Ray Nance (on 1958-03-20) and Clark Terry (on 1958-03-20)
valve trombone:
John Sanders (on 1958-03-20)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-20)
recording of:
Got a Date with an Angel (on 1958-03-20)
lyricist:
Clifford Grey and Sonny Miller
composer:
Joseph Tunbridge and Jack Waller
2:26
4Poor Butterfly
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-24)
baritone saxophone:
Harry Carney (on 1958-03-24)
bass:
Jimmy Woode (on 1958-03-24)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-03-24)
drums (drum set):
Sam Woodyard (on 1958-03-24)
piano:
Duke Ellington (on 1958-03-24)
tenor saxophone:
Paul Gonsalves (on 1958-03-24)
trombone:
Quentin Jackson (on 1958-03-24) and Britt Woodman (on 1958-03-24)
trumpet:
William “Cat” Anderson (on 1958-03-24), Harold “Shorty” Baker (on 1958-03-24), Willie Cook (on 1958-03-24), Ray Nance (on 1958-03-24) and Clark Terry (on 1958-03-24)
valve trombone:
John Sanders (on 1958-03-24)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-24)
recording of:
Poor Butterfly (on 1958-03-24)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (in 1916)
publisher:
Harms, Inc.
3:41
5Satan Takes a Holiday
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-20)
baritone saxophone:
Harry Carney (on 1958-03-20)
bass:
Jimmy Woode (on 1958-03-20)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-03-20)
drums (drum set):
Sam Woodyard (on 1958-03-20)
piano:
Duke Ellington (on 1958-03-20)
tenor saxophone:
Paul Gonsalves (on 1958-03-20)
trombone:
Quentin Jackson (on 1958-03-20) and Britt Woodman (on 1958-03-20)
trumpet:
William “Cat” Anderson (on 1958-03-20), Harold “Shorty” Baker (on 1958-03-20), Willie Cook (on 1958-03-20), Ray Nance (on 1958-03-20) and Clark Terry (on 1958-03-20)
valve trombone:
John Sanders (on 1958-03-20)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-20)
recording of:
Satan Takes a Holiday (on 1958-03-20)
lyricist and composer:
Larry Clinton
3:15
6The Peanut Vender
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-24)
baritone saxophone:
Harry Carney (on 1958-03-24)
bass:
Jimmy Woode (on 1958-03-24)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-03-24)
drums (drum set):
Sam Woodyard (on 1958-03-24)
piano:
Duke Ellington (on 1958-03-24)
tenor saxophone:
Paul Gonsalves (on 1958-03-24)
trombone:
Quentin Jackson (on 1958-03-24) and Britt Woodman (on 1958-03-24)
trumpet:
William “Cat” Anderson (on 1958-03-24), Harold “Shorty” Baker (on 1958-03-24), Willie Cook (on 1958-03-24), Ray Nance (on 1958-03-24) and Clark Terry (on 1958-03-24)
valve trombone:
John Sanders (on 1958-03-24)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-24)
recording of:
The Peanut Vendor (on 1958-03-24)
lyricist:
L. Wolfe Gilbert and Marion Sunshine
composer:
Moisés Simons
translated version of:
El manisero
3:30
7Satin Doll
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (on 1958-03-31)
valve trombone:
John Sanders (on 1958-03-31)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
Satin Doll (on 1958-03-31)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.
3:49
8Lady in Red
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (on 1958-03-31)
valve trombone:
John Sanders (on 1958-03-31)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
The Lady in Red (on 1958-03-26)
lyricist:
Mort Dixon
composer:
Allie Wrubel
2:49
9Indian Love Call
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-26)
baritone saxophone:
Harry Carney (on 1958-03-26)
bass:
Jimmy Woode (on 1958-03-26)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-03-26)
drums (drum set):
Sam Woodyard (on 1958-03-26)
piano:
Duke Ellington (on 1958-03-26)
tenor saxophone:
Paul Gonsalves (on 1958-03-26)
trombone:
Quentin Jackson (on 1958-03-26) and Britt Woodman (on 1958-03-26)
trumpet:
William “Cat” Anderson (on 1958-03-26), Harold “Shorty” Baker (on 1958-03-26), Willie Cook (on 1958-03-26), Ray Nance (on 1958-03-26) and Clark Terry (on 1958-03-26)
valve trombone:
John Sanders (on 1958-03-26)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-26)
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”) (on 1958-03-26)
lyricist:
Oscar Hammerstein II and Otto Harbach
composer:
Rudolf Friml and Herbert Stothart
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
part of:
Rose-Marie (1924 operetta-style musical)
part of:
Rose-Marie (1936 musical film)
3:37
10The Donkey Serenade
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (on 1958-03-31)
valve trombone:
John Sanders (on 1958-03-31)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
The Donkey Serenade (on 1958-03-31)
writer:
George Forrest and Robert Wright
composer:
Rudolf Friml and Herbert Stothart
part of:
The Firefly (Rudolf Friml operetta)
2:14
11Gypsy Love Song
engineer and producer:
Bill Putnam
alto saxophone:
Johnny Hodges (on 1958-04-01)
alto saxophone and clarinet:
Russell Procope (on 1958-04-01)
baritone saxophone:
Harry Carney (on 1958-04-01)
bass and double bass:
Jimmy Woode (on 1958-04-01)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-04-01)
drums (drum set):
Sam Woodyard (on 1958-04-01)
piano:
Duke Ellington (on 1958-04-01)
reeds:
Harry Carney (on 1958-04-01), Jimmy Hamilton (on 1958-04-01) and Russell Procope (on 1958-04-01)
tenor saxophone:
Paul Gonsalves (on 1958-04-01)
trombone:
Quentin Jackson (on 1958-04-01), John Sanders (on 1958-04-01) and Britt Woodman (on 1958-04-01)
trumpet:
William “Cat” Anderson (on 1958-04-01), Harold “Shorty” Baker (on 1958-04-01), Willie Cook (on 1958-04-01), Ray Nance (on 1958-04-01) and Clark Terry (on 1958-04-01)
valve trombone:
John Sanders (on 1958-04-01)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-01)
3:55
12Laugh, Clown Laugh
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-20)
baritone saxophone:
Harry Carney (on 1958-03-20)
bass:
Jimmy Woode (on 1958-03-20)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1958-03-20)
drums (drum set):
Sam Woodyard (on 1958-03-20)
piano:
Duke Ellington (on 1958-03-20)
tenor saxophone:
Paul Gonsalves (on 1958-03-20)
trombone:
Quentin Jackson (on 1958-03-20) and Britt Woodman (on 1958-03-20)
trumpet:
William “Cat” Anderson (on 1958-03-20), Harold “Shorty” Baker (on 1958-03-20), Willie Cook (on 1958-03-20), Ray Nance (on 1958-03-20) and Clark Terry (on 1958-03-20)
valve trombone:
John Sanders (on 1958-03-20)
remixer:
Ken Robertson
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-20)
recording of:
Laugh! Clown! Laugh! (on 1958-03-20)
lyricist:
Sam M. Lewis and Joe Young
composer:
Ted Fio Rito
3:02
13Avalon
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton
drums (drum set):
Sam Woodyard
piano:
Duke Ellington
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry
valve trombone:
John Sanders
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-02)
instrumental recording of:
Avalon
writer:
B. G. DeSylva, Al Jolson and Vincent Rose
publisher:
Chappell & Co., Inc., Stephen Ballentine Music, Warner Bros. Music and Jerome H. Remick & Co. (on 1920-09-04)
3:20
14Body and Soul
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton
drums (drum set):
Sam Woodyard
piano:
Duke Ellington
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry
valve trombone:
John Sanders
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-02)
instrumental recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
4:54
15Bass-Ment
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton
drums (drum set):
Sam Woodyard
piano:
Duke Ellington
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry
valve trombone:
John Sanders
recording of:
Bass-Ment
composer:
Duke Ellington
3:01
16Early Autumn
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton
drums (drum set):
Sam Woodyard
piano:
Duke Ellington
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry
valve trombone:
John Sanders
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-03)
instrumental recording of:
Early Autumn
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
3:08
17Jones
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton
drums (drum set):
Sam Woodyard
piano:
Duke Ellington
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry
valve trombone:
John Sanders
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-03)
recording of:
Jones
composer:
Duke Ellington and Pauline Reddon
2:53
18Perdido
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton
drums (drum set):
Sam Woodyard
piano:
Duke Ellington
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry
valve trombone:
John Sanders
recording of:
Perdido (original instrumental version)
composer:
Juan Tizol
2:47
19St Louis Blues
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton
drums (drum set):
Sam Woodyard
piano:
Duke Ellington
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry
valve trombone:
John Sanders
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-03)
instrumental recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
5:04
20Spacemen
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton
drums (drum set):
Sam Woodyard
piano:
Duke Ellington
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry
valve trombone:
John Sanders
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-03)
recording of:
Spacemen
composer:
Duke Ellington
2:31
21Midnight Sun
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton
drums (drum set):
Sam Woodyard
piano:
Duke Ellington
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry
valve trombone:
John Sanders
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-02)
recording of:
Midnight Sun
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (in 1947) and Lionel Hampton (in 1947)
3:35
22Take the 'A' Train
bass:
Jimmy Woode
clarinet:
Jimmy Hamilton
drums (drum set):
Sam Woodyard
piano:
Duke Ellington
tenor saxophone:
Paul Gonsalves
trombone:
Quentin Jackson and Britt Woodman
trumpet:
Clark Terry
valve trombone:
John Sanders
recorded at:
McElroy's Ballroom in Portland, Oregon, United States and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-02)
live instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation
version of:
Take the “A” Train (original instrumental version)
4:57
3▶CD: Anatomy of a Murder / Nutcracker Suite
4▶CD: Piano in the Foreground / Together Again