Jazz ’Round the Clock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Morning
2▼CD: Noon
#TitleArtistLength
1Day in, Day Out
bass:
Bill Yancey (in 1964-07)
drums (drum set):
Gus Johnson (in 1964-07)
piano:
Tommy Flanagan (in 1964-07)
trumpet:
Roy Eldridge (in 1964-07)
vocals:
Ella Fitzgerald (in 1964-07)
cover recording of:
Day In, Day Out (in 1964-07)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Ella Fitzgerald2:54
2On a Clear Day You Can See Forever
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
bass:
Sam Jones
double bass [bass]:
Sam Jones (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (in 1967-11)
live instrumental recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (in 1967-11)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc., Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc., Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
Oscar Peterson4:21
3It Don’t Mean a Thing
recorded in:
New York, New York, United States (on 1954-02-06)
bass:
Porter Kilbert (on 1954-02-06)
drums (drum set):
Art Blakey (on 1954-02-06)
piano:
Horace Silver (on 1954-02-06)
tenor saxophone:
Paul Gonsalves (on 1954-02-06)
trumpet:
Clark Terry (on 1954-02-06)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1954-02-06)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Clark Terry3:17
4Jive at Five
recorded in:
New York, New York, United States (in 1959-05)
bass:
Tommy Bryant (in 1959-05)
drums (drum set):
Jo Jones (in 1959-05)
piano:
Ray Bryant (in 1959-05)
recording of:
Jive at Five (in 1959-05)
composer:
Count Basie and Harry “Sweets” Edison
Jo Jones3:49
5Everything Happens to Me
recorded in:
Chicago, Illinois, United States (on 1946-05-06)
bass:
Chubby Jackson (on 1946-05-06)
bass clarinet:
Mickey Folus (on 1946-05-06)
clarinet:
Salvatore Delegge (on 1946-05-06) and John LaPorta (on 1946-05-06)
drums (drum set):
Barrett Deems (on 1946-05-06)
flute:
Ted Wheeler (on 1946-05-06)
guitar:
George Barnes (on 1946-05-06)
piano:
Ralph Burns (on 1946-05-06)
valve trombone:
Bill Harris (on 1946-05-06)
arranger:
Ralph Burns
recording of:
Everything Happens to Me (on 1946-05-06)
lyricist:
Tom Adair
composer:
Matt Dennis
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation
sub-publisher:
ミュージック・セールス
Bill Harris3:12
6Lazy Afternoon
engineer:
Johnny Cue
vocals:
Ernestine Anderson (in 1960)
orchestra:
Ernie Wilkins Orchestra (in 1960)
recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960)
orchestrator and composer:
Jerome Moross
lyricist:
John Latouche
publisher:
Chappell & Co., Inc., Sony/ATV Tunes LLC and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
Ernestine Anderson2:49
7Day Danse
recorded in:
Burbank, California, United States (in 1976-10)
engineer:
Bernie Kirsh
producer:
Chick Corea
cello:
David Speltz (in 1976-10)
foot stomps [foot stomping, hand clapping] and piano:
Chick Corea (in 1976-10)
viola:
Carole Mukogawa (in 1976-10)
violin:
Connie Kupka (in 1976-10) and Barry Socher (in 1976-10)
arranger:
Chick Corea
recorded at:
Kendun Recorders in Burbank, California, United States (in 1976-10)
recording of:
Day Danse (in 1976-10)
composer:
Chick Corea
Chick Corea4:31
8Air Conditioned
recorded in:
New York, New York, United States (in 1960-10)
bass:
Ed Jones (in 1960-10)
drums (drum set):
Charlie Persip (in 1960-10)
piano:
Hank Jones (in 1960-10)
trombone:
Bob Brookmeyer (in 1960-06) and Curtis Fuller (in 1960-10)
trumpet:
Thad Jones (in 1960-10) and Joe Newman (in 1960-10)
recording of:
Air Conditioned (in 1960-10)
composer:
Bob Brookmeyer
Bob Brookmeyer4:57
9Nevertheless
recorded in:
Los Angeles, California, United States (on 1956-05-07)
vocals:
Patti Page (on 1956-05-07)
orchestra:
Pete Rugolo and His Orchestra (on 1956-05-07)
recording of:
Nevertheless (I’m in Love With You) (on 1956-05-07)
lyricist:
Bert Kalmar
composer:
Harry Ruby
publisher:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc., Warner/Chappell, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Patti Page1:47
10The Lady’s in Love with You
recorded in:
New York, New York, United States (on 1954-09-13)
bass:
Ray Brown (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
guitar:
Herb Ellis (on 1954-09-13)
piano:
Oscar Peterson (on 1954-09-13)
tenor saxophone:
Flip Phillips (on 1954-09-13)
recording of:
The Lady’s in Love With You (on 1954-09-13)
lyricist:
Frank Loesser
composer:
Burton Lane
Flip Phillips5:52
11Bottle It
recorded in:
New York, New York, United States (on 1958-02-26)
alto saxophone:
Ben Richardson (on 1958-02-26)
bass and double bass:
Joe Benjamin (on 1958-02-26)
drums (drum set):
Herbie Lovelle (on 1958-02-26)
guitar:
Everett Barksdale (on 1958-02-26)
piano:
Skip Hall (on 1958-02-26)
reeds and tenor saxophone:
Buddy Tate (on 1958-02-26)
trombone:
Eli Robinson (on 1958-02-26)
trumpet:
Pat Jenkins (on 1958-02-26)
recording of:
Bottle It (on 1956-02-26)
composer:
Skip Hall
Buddy Tate6:02
12Over the Rainbow
producer:
Maceo Parker
alto saxophone:
Maceo Parker
drums (drum set):
Bill Stuart
guitar:
Rodney Jones
organ:
Don Pullen
tenor saxophone:
Pee Wee Ellis
trombone:
Fred Wesley
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music, EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
香港商百代音樂股份有限公司台灣分公司, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Maceo Parker4:16
13On the Sunny Side of the Street
recorded in:
Paris, Île-de-France, France (on 1949-05-16)
cornet and trumpet:
Gérard Bayol (on 1949-05-16)
double bass:
Guy de Fatto (on 1949-05-16)
drums (drum set):
André Jourdan (on 1949-05-16)
guitar:
Jean-Pierre Sasson (on 1949-05-16)
piano:
Eddie Bernard (on 1949-05-16)
soprano saxophone:
Sidney Bechet (on 1949-05-16)
trombone:
Benny Vasseur (on 1949-05-16)
recorded at:
Studio Technisonor in Paris, Île-de-France, France (on 1949-05-16)
recording of:
On the Sunny Side of the Street (on 1949-05-16)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd., Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
Sidney Bechet2:43
14Perfidia
recorded in:
Los Angeles, California, United States (on 1959-04-02)
vocals:
Mel Tormé (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Perfidia (on 1959-04-02)
lyricist and composer:
Alberto Domínguez
Mel Tormé2:08
15You’n Me
engineer:
GP
bass:
Major Holley (in 1960-06, from 1960-06-01 until 1960-06-03)
drums (drum set):
Osie Johnson (in 1960-06, from 1960-06-01 until 1960-06-03)
piano:
Mose Allison (in 1960-06) and George Handy (from 1960-06-01 until 1960-06-03)
tenor saxophone:
Al Cohn (in 1960-06, from 1960-06-01 until 1960-06-03) and Zoot Sims (in 1960-06, from 1960-06-01 until 1960-06-03)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1960-06-01 until 1960-06-03)
recording of:
You’n Me (on 1960-06-06)
composer:
Al Cohn
Al Cohn & Zoot Sims4:44
16The Sheik of Araby
recording engineer and mixer:
Rudy van Gelder
assistant engineer:
Maureen Sickler
producer:
Jean-François Deiber
bass:
Ray Drummond (on 1991-03-04)
drums (drum set):
Billy Higgins (on 1991-03-04)
piano:
Harold Mabern (on 1991-03-04)
tenor saxophone:
George Coleman (on 1991-03-04)
phonographic copyright (℗) by:
J.F.D. Productions (in 1991)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1991-03-04)
mixed at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1991-03-04 until 1991-03-05)
instrumental recording of:
The Sheik of Araby (on 1991-03-04)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
George Coleman2:59
3▶CD: Night

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Verve Records, Inc. (in 1996)
Discogs:https://www.discogs.com/release/5521608 [info]
ASIN:US: B000PRTBVW [info]