Jazz ’Round the Clock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Morning
#TitleArtistLength
1You Are My Sunshine
engineer:
Val Valentin
producer:
Jim Davis
bass:
Ray Brown (in 1963-02)
drums (drum set):
Ed Thigpen (in 1963-02)
piano:
Oscar Peterson (in 1963-02)
vocals:
Bill Henderson (in 1963-02)
recording of:
You Are My Sunshine (in 1963-02)
anthem of:
Louisiana, United States
writer:
Jimmie Davis and Charles Mitchell
publisher:
Peer International and Southern Music Publishing Co., Inc. (on 1940-01-30)
Bill Henderson4:39
2Good Morning Blues
recorded in:
New York, New York, United States (in 1955)
bass:
Bill Anthony (in 1955)
drums (drum set):
Jack Edie (in 1955)
piano:
John Williams (in 1955)
recording of:
Good Morning Blues (in 1955)
writer:
Count Basie, Eddie Durham and Jimmy Rushing
John Williams4:24
3I Can’t Get Started
recorded in:
New York, New York, United States (on 1952-03-25)
producer:
Norman Granz
alto saxophone:
Murray Williamson (on 1952-03-25), Charlie Parker (on 1952-03-25) and Harry Terrill (on 1952-03-25)
baritone saxophone and bass saxophone:
Danny Bank (on 1952-03-25)
double bass:
Ray Brown (on 1952-03-25)
drums (drum set):
Don Lamond (on 1952-03-25)
guitar:
Freddie Green (on 1952-03-25)
piano:
Oscar Peterson (on 1952-03-25)
tenor saxophone:
Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
trombone:
Bill Harris (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
trumpet:
Jimmy Maxwell (on 1952-03-25), Carl Pool (on 1952-03-25), Carl Poole (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
orchestra:
Joe Lipman & His Orchestra (on 1952-03-25)
conductor:
Don Lamond (on 1952-03-25) and Joe Lipman (on 1952-03-25)
arranger:
Don Lamond and Joe Lipman
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
instrumental recording of:
I Can’t Get Started (on 1952-03-25)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell’s • Sydney, Music Sales Corporation and Universal Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Charlie Parker3:10
4Good Morning Heartache
recorded in:
New York, New York, United States (on 1956-06-07)
clarinet:
Tony Scott (on 1956-06-07)
double bass:
Aaron Bell (on 1956-06-07)
drums (drum set):
Lenny McBrowne (on 1956-06-07)
guitar:
Kenny Burrell (on 1956-06-07)
piano:
Wynton Kelly (on 1956-06-07)
tenor saxophone:
Paul Quinichette (on 1956-06-07)
trombone:
Charlie Shavers (on 1956-06-07)
vocals:
Billie Holiday (on 1956-06-07)
recording of:
Good Morning Heartache (on 1956-06-07)
lyricist:
Ervin Drake
composer:
Dan Fisher and Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. and Universal/MCA Music
Billie Holiday3:32
5Volare (Nel blu dipinto di blu)
recorded in:
France (in 1993-02)
bass:
Furio Di Castri (in 1993-02)
drums (drum set):
Aldo Romano (in 1993-02)
piano:
Franco D'Andrea (in 1993-02)
trumpet:
Paolo Fresu (in 1993-02)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (in 1993-02)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
translator:
Mitchell Parish
publisher:
Copyright Control and Robbins Music Corp.
translated version of:
Nel blu dipinto di blu (Volare)
Aldo Romano2:37
6Mon homme
recorded in:
Paris, Île-de-France, France (in 1992-05)
engineer:
Claude Hermelin
producer:
Michel Legrand
bass:
Marc-Michel Le Bévillon (in 1992-05)
drums (drum set):
André Ceccarelli (in 1992-05)
piano:
Michel Legrand (in 1992-05)
violin:
Stéphane Grappelli (in 1992-05)
arranger:
Michel Legrand
recording of:
Mon homme (in 1992-05)
lyricist:
Jacques Charles and Albert Willemetz
composer:
Maurice Yvain
Stéphane Grappelli & Michel Legrand3:58
7First Song
assistant engineer:
Kevin Thomas
engineer:
Jon Rosenberg
producer:
Stefan F. Winter
double bass [bass]:
Charlie Haden (in 1989-03)
drums (drum set):
Paul Motian (in 1989-03)
piano:
Geri Allen (in 1989-03)
recorded at and mixed at:
Sound Ideas Studios in New York, New York, United States (in 1989-03)
recording of:
First Song (in 1989-03)
composer:
Charlie Haden
publisher:
Liberation Music Co.
Geri Allen5:41
8In the Wee Small Hours of the Morning
recorded in:
New York, New York, United States (in 1956-03)
guitar:
Al Caiola or Mundell Lowe (in 1956-03)
piano:
Hank Jones (in 1956-03)
trombone:
Chauncey Welsch (in 1956-03)
vocals:
Morgana King (in 1956-03)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc.
recording of:
In the Wee Small Hours of the Morning (in 1956-03)
lyricist:
Bob Hilliard
composer:
David Mann
publisher:
Better Half Music Company, Bourne Co., Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Morgana King2:30
9There Is No Greater Love
recorded in:
Chicago, Illinois, United States (on 1961-08-27)
bass:
Buster Williams (on 1961-08-27)
drums (drum set):
George Brown (on 1961-08-27)
piano:
John Houston (on 1961-08-27)
tenor saxophone:
Gene Ammons (on 1961-08-27) and Sonny Stitt (on 1961-08-27)
recording of:
There Is No Greater Love (on 1961-08-27)
lyricist:
Marty Symes
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation and World Music, Inc.
Gene Ammons & Sonny Stitt6:33
10Early in the Mornin’
recorded in:
New York, New York, United States (on 1956-10-29)
alto saxophone:
Louis Jordan (on 1956-10-29)
baritone saxophone and tenor saxophone:
Budd Johnson (on 1956-10-23)
bass:
Wendell Marshall (on 1956-10-29)
bass saxophone:
Budd Johnson (on 1956-10-29)
bongos:
Francisco Pozo (on 1956-10-29)
drums (drum set):
Charlie Persip (on 1956-10-29)
guitar:
Mickey Baker (on 1956-10-29)
piano:
Ernest Hayes (on 1956-10-29)
tenor saxophone:
Budd Johnson (on 1956-10-29) and Sam “The Man” Taylor (on 1956-10-29)
trombone:
Jimmy Cleveland (on 1956-10-29)
trumpet:
Ernie Royal (on 1956-10-29)
vocals:
Louis Jordan (on 1956-10-29)
conductor:
Quincy Jones (on 1956-10-29)
arranger:
Quincy Jones (on 1956-10-29)
recording of:
Early in the Morning (on 1956-10-29)
writer:
Dallas Bartley, Leo Hickman and Louis Jordan
publisher:
Cherio Corp.
Louis Jordan3:25
11Alone Together
bass:
Paul Chambers (on 1962-11-01)
drums (drum set):
Jimmy Cobb (on 1962-11-01)
piano:
Wynton Kelly (on 1962-11-01)
tenor saxophone:
Benny Golson (on 1962-11-01)
recording of:
Alone Together (on 1962-11-01)
lyricist:
Howard Dietz
writer:
Schwartz & Dietz
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Benny Golson7:35
12Softly as in a Morning Sunrise
recorded in:
Stockholm, Stockholms län, Sweden (on 1992-02-15)
bass:
Red Mitchell (on 1992-02-15)
guitar:
Joe Pass (on 1992-02-15)
recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1992-02-15)
lyricist:
Oscar Hammerstein II (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. and Warner Bros., Inc.
part of:
The New Moon: Act I
Joe Pass & Red Mitchell6:09
13Toll Bridge
recorded in:
New York, New York, United States (on 1954-09-08)
bass:
Jimmy Schenck (on 1954-09-08)
drums (drum set):
Art Blakey (on 1954-09-08)
piano:
Junior Mance (on 1954-09-08)
tenor saxophone:
Charlie Rouse (on 1954-09-08)
trumpet:
Joe Gordon (on 1954-09-08)
recording of:
Toll Bridge (on 1954-09-08)
composer:
Joe Gordon
Joe Gordon6:28
14Jam with Sam
alto saxophone:
Johnny Hodges (on 1959-07-04) and Russell Procope (on 1959-07-04)
bass:
Jimmy Woode (on 1959-07-04)
bass saxophone:
Harry Carney (on 1959-07-04)
drums (drum set):
Jimmy Johnson (on 1959-07-04) and Sam Woodyard (on 1959-07-04)
piano:
Duke Ellington (on 1959-07-04)
tenor saxophone:
Paul Gonsalves (on 1959-07-04) and Jimmy Hamilton (on 1959-07-04)
trombone:
Quentin Jackson (on 1959-07-04), John Sanders (on 1959-07-04) and Britt Woodman (on 1959-07-04)
trumpet:
Cat Anderson (on 1959-07-04), Fats Ford (on 1959-07-04), Harold Baker (on 1959-07-04), Ray Nance (on 1959-07-04) and Clark Terry (on 1959-07-04)
recorded at:
Newport Jazz Festival
recording of:
Jam With Sam (on 1959-07-04)
composer:
Duke Ellington
Duke Ellington & His Orchestra3:48
15Have a Nice Day
piano:
Count Basie (in 1972)
vocals:
Bing Crosby (from 1972-03-14 until 1972-03-16)
orchestra:
The Count Basie Orchestra (in 1972)
recording of:
Have a Nice Day
writer:
Johnny Mercer and Sammy Nestico
Bing Crosby & Count Basie & His Orchestra2:55
2▼CD: Noon
#TitleArtistLength
1Day in, Day Out
bass:
Bill Yancey (in 1964-07)
drums (drum set):
Gus Johnson (in 1964-07)
piano:
Tommy Flanagan (in 1964-07)
trumpet:
Roy Eldridge (in 1964-07)
vocals:
Ella Fitzgerald (in 1964-07)
cover recording of:
Day In, Day Out (in 1964-07)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Ella Fitzgerald2:54
2On a Clear Day You Can See Forever
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
bass:
Sam Jones
double bass [bass]:
Sam Jones (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (in 1967-11)
live instrumental recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever) (in 1967-11)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc., Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc., Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
Oscar Peterson4:21
3It Don’t Mean a Thing
recorded in:
New York, New York, United States (on 1954-02-06)
bass:
Porter Kilbert (on 1954-02-06)
drums (drum set):
Art Blakey (on 1954-02-06)
piano:
Horace Silver (on 1954-02-06)
tenor saxophone:
Paul Gonsalves (on 1954-02-06)
trumpet:
Clark Terry (on 1954-02-06)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1954-02-06)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Clark Terry3:17
4Jive at Five
recorded in:
New York, New York, United States (in 1959-05)
bass:
Tommy Bryant (in 1959-05)
drums (drum set):
Jo Jones (in 1959-05)
piano:
Ray Bryant (in 1959-05)
recording of:
Jive at Five (in 1959-05)
composer:
Count Basie and Harry “Sweets” Edison
Jo Jones3:49
5Everything Happens to Me
recorded in:
Chicago, Illinois, United States (on 1946-05-06)
bass:
Chubby Jackson (on 1946-05-06)
bass clarinet:
Mickey Folus (on 1946-05-06)
clarinet:
Salvatore Delegge (on 1946-05-06) and John LaPorta (on 1946-05-06)
drums (drum set):
Barrett Deems (on 1946-05-06)
flute:
Ted Wheeler (on 1946-05-06)
guitar:
George Barnes (on 1946-05-06)
piano:
Ralph Burns (on 1946-05-06)
valve trombone:
Bill Harris (on 1946-05-06)
arranger:
Ralph Burns
recording of:
Everything Happens to Me (on 1946-05-06)
lyricist:
Tom Adair
composer:
Matt Dennis
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation
sub-publisher:
ミュージック・セールス
Bill Harris3:12
6Lazy Afternoon
engineer:
Johnny Cue
vocals:
Ernestine Anderson (in 1960)
orchestra:
Ernie Wilkins Orchestra (in 1960)
recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960)
orchestrator and composer:
Jerome Moross
lyricist:
John Latouche
publisher:
Chappell & Co., Inc., Sony/ATV Tunes LLC and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
Ernestine Anderson2:49
7Day Danse
recorded in:
Burbank, California, United States (in 1976-10)
engineer:
Bernie Kirsh
producer:
Chick Corea
cello:
David Speltz (in 1976-10)
foot stomps [foot stomping, hand clapping] and piano:
Chick Corea (in 1976-10)
viola:
Carole Mukogawa (in 1976-10)
violin:
Connie Kupka (in 1976-10) and Barry Socher (in 1976-10)
arranger:
Chick Corea
recorded at:
Kendun Recorders in Burbank, California, United States (in 1976-10)
recording of:
Day Danse (in 1976-10)
composer:
Chick Corea
Chick Corea4:31
8Air Conditioned
recorded in:
New York, New York, United States (in 1960-10)
bass:
Ed Jones (in 1960-10)
drums (drum set):
Charlie Persip (in 1960-10)
piano:
Hank Jones (in 1960-10)
trombone:
Bob Brookmeyer (in 1960-06) and Curtis Fuller (in 1960-10)
trumpet:
Thad Jones (in 1960-10) and Joe Newman (in 1960-10)
recording of:
Air Conditioned (in 1960-10)
composer:
Bob Brookmeyer
Bob Brookmeyer4:57
9Nevertheless
recorded in:
Los Angeles, California, United States (on 1956-05-07)
vocals:
Patti Page (on 1956-05-07)
orchestra:
Pete Rugolo and His Orchestra (on 1956-05-07)
recording of:
Nevertheless (I’m in Love With You) (on 1956-05-07)
lyricist:
Bert Kalmar
composer:
Harry Ruby
publisher:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc., Warner/Chappell, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Patti Page1:47
10The Lady’s in Love with You
recorded in:
New York, New York, United States (on 1954-09-13)
bass:
Ray Brown (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
guitar:
Herb Ellis (on 1954-09-13)
piano:
Oscar Peterson (on 1954-09-13)
tenor saxophone:
Flip Phillips (on 1954-09-13)
recording of:
The Lady’s in Love With You (on 1954-09-13)
lyricist:
Frank Loesser
composer:
Burton Lane
Flip Phillips5:52
11Bottle It
recorded in:
New York, New York, United States (on 1958-02-26)
alto saxophone:
Ben Richardson (on 1958-02-26)
bass and double bass:
Joe Benjamin (on 1958-02-26)
drums (drum set):
Herbie Lovelle (on 1958-02-26)
guitar:
Everett Barksdale (on 1958-02-26)
piano:
Skip Hall (on 1958-02-26)
reeds and tenor saxophone:
Buddy Tate (on 1958-02-26)
trombone:
Eli Robinson (on 1958-02-26)
trumpet:
Pat Jenkins (on 1958-02-26)
recording of:
Bottle It (on 1956-02-26)
composer:
Skip Hall
Buddy Tate6:02
12Over the Rainbow
producer:
Maceo Parker
alto saxophone:
Maceo Parker
drums (drum set):
Bill Stuart
guitar:
Rodney Jones
organ:
Don Pullen
tenor saxophone:
Pee Wee Ellis
trombone:
Fred Wesley
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music, EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
香港商百代音樂股份有限公司台灣分公司, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Maceo Parker4:16
13On the Sunny Side of the Street
recorded in:
Paris, Île-de-France, France (on 1949-05-16)
cornet and trumpet:
Gérard Bayol (on 1949-05-16)
double bass:
Guy de Fatto (on 1949-05-16)
drums (drum set):
André Jourdan (on 1949-05-16)
guitar:
Jean-Pierre Sasson (on 1949-05-16)
piano:
Eddie Bernard (on 1949-05-16)
soprano saxophone:
Sidney Bechet (on 1949-05-16)
trombone:
Benny Vasseur (on 1949-05-16)
recorded at:
Studio Technisonor in Paris, Île-de-France, France (on 1949-05-16)
recording of:
On the Sunny Side of the Street (on 1949-05-16)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd., Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
Sidney Bechet2:43
14Perfidia
recorded in:
Los Angeles, California, United States (on 1959-04-02)
vocals:
Mel Tormé (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Perfidia (on 1959-04-02)
lyricist and composer:
Alberto Domínguez
Mel Tormé2:08
15You’n Me
engineer:
GP
bass:
Major Holley (in 1960-06, from 1960-06-01 until 1960-06-03)
drums (drum set):
Osie Johnson (in 1960-06, from 1960-06-01 until 1960-06-03)
piano:
Mose Allison (in 1960-06) and George Handy (from 1960-06-01 until 1960-06-03)
tenor saxophone:
Al Cohn (in 1960-06, from 1960-06-01 until 1960-06-03) and Zoot Sims (in 1960-06, from 1960-06-01 until 1960-06-03)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1960-06-01 until 1960-06-03)
recording of:
You’n Me (on 1960-06-06)
composer:
Al Cohn
Al Cohn & Zoot Sims4:44
16The Sheik of Araby
recording engineer and mixer:
Rudy van Gelder
assistant engineer:
Maureen Sickler
producer:
Jean-François Deiber
bass:
Ray Drummond (on 1991-03-04)
drums (drum set):
Billy Higgins (on 1991-03-04)
piano:
Harold Mabern (on 1991-03-04)
tenor saxophone:
George Coleman (on 1991-03-04)
phonographic copyright (℗) by:
J.F.D. Productions (in 1991)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1991-03-04)
mixed at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1991-03-04 until 1991-03-05)
instrumental recording of:
The Sheik of Araby (on 1991-03-04)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
George Coleman2:59
3▼CD: Night
#TitleArtistLength
1Moonlight Saving Time
recorded in:
New York, New York, United States (from 1958-09-12 until 1958-09-13)
engineer:
Tommy Nola
producer:
Norman Granz
bass and double bass:
Ray Brown (from 1958-09-12 until 1958-09-13)
drums (drum set):
Ed Thigpen (from 1958-09-12 until 1958-09-13)
guitar:
Mundell Lowe (from 1958-09-12 until 1958-09-13)
piano:
Blossom Dearie (from 1958-09-12 until 1958-09-13)
vocals:
Blossom Dearie (from 1958-09-12 until 1958-09-13)
recording of:
Moonlight Saving Time (from 1958-09-12 until 1958-09-13)
writer:
Irving Kahal and Harry Richman
Blossom Dearie2:02
2Summer Night
recorded in:
Pennsylvania, United States (in 1981-08)
alto saxophone:
Phil Woods (in 1981-08)
bass:
Steve Gilmore (in 1981-08)
drums (drum set):
Bill Goodwin (in 1981-08)
piano:
Hal Galper (in 1981-08)
recording of:
Summer Night (in 1981-08)
lyricist:
Al Dubin
composer:
Harry Warren
Phil Woods6:45
3Blues After Dark
alto saxophone:
Gigi Gryce (on 1957-12-17)
baritone saxophone:
Pee Wee Moore (on 1957-12-17)
bass:
Tommy Bryant (on 1957-12-17)
drums (drum set):
Charlie Persip (on 1957-12-17)
piano:
Ray Bryant (on 1957-12-17)
tenor saxophone:
Benny Golson (on 1957-12-17)
trombone:
Henry Coker (on 1957-12-17)
trumpet:
Dizzy Gillespie (on 1957-12-17)
arranger:
Benny Golson
recording of:
Blues After Dark (on 1957-12-17)
composer:
Benny Golson
Dizzy Gillespie6:30
4More Than You Know
recorded in:
New York, New York, United States (on 1955-11-10)
bass:
Joe Comfort (on 1955-11-10)
drums (drum set):
Sid Bulkin (on 1955-11-10)
guitar:
Barney Kessel (on 1955-11-10)
piano:
Lou Levy (on 1955-11-10)
tenor saxophone:
Georgie Auld (on 1955-11-10)
trombone:
Quen Anderson (on 1955-11-10)
vocals:
Thelma Grayson (on 1955-11-10)
recording of:
More Than You Know (on 1955-11-10)
lyricist:
Edward Eliscu and Billy Rose
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
Thelma Grayson3:52
5Stardust
bass:
Doug Watkins (on 1958-10-22)
drums (drum set):
Art Taylor (on 1958-10-22)
piano:
Walter Davis Jr. (on 1958-10-22)
tenor saxophone:
Bobby Jaspar (on 1958-10-22)
trumpet:
Donald Byrd (on 1958-10-22)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1958-10-22)
recording of:
Stardust (the jazz standard) (on 1958-10-22)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc., EMI Music Publishing Ltd., Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
part of:
American Splendor
Donald Byrd3:19
6Moon Song
bass:
Ray Brown (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (on 1957-10-14)
piano:
Oscar Peterson (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Moon Song (on 1957-10-14)
lyricist:
Sam Coslow (in 1932)
composer:
Arthur Johnston (in 1932)
publisher:
Famous Music Corporation
Louis Armstrong4:35
7No Moon at All
bass:
Ruud Jacobs
drums (drum set):
Wim Overgaauw
piano:
Pim Jacobs
vocals:
Rita Reys
recording of:
No Moon at All
lyricist:
Redd Evans
composer:
David Mann
publisher:
Mann David Music Company, Music Sales Corporation and Rytvoc, Inc.
Rita Reys3:15
8You and the Night and the Music
assistant recording engineer:
Jeff Lippay
recording engineer and mixer:
Joe Ferla (in 1989-09)
producer:
Stefan F. Winter
assistant mixer:
Michael Fossenkemper
double bass:
Charlie Haden (in 1989-09)
drums (drum set):
Paul Motian (in 1989-09)
electric guitar:
Bill Frisell (in 1989-09)
tenor saxophone:
Joe Lovano (in 1989-09)
recorded at:
RPM Sound Studios in New York, New York, United States (in 1989-09)
mixed at:
39th Street Music in New York, New York, United States (in 1989-09)
edited at:
Bauer Studios in Ludwigsburg, Baden-Württemberg, Germany
instrumental recording of:
You and the Night and the Music (in 1989-09)
lyricist:
Howard Dietz
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company, Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music
part of:
The Band Wagon (1953 film)
Paul Motian5:34
9Nuit sur ses Champs-Élysées
recorded in:
Paris, Île-de-France, France (in 1957-12)
bass:
Pierre Michelot (in 1957-12)
drums (drum set):
Kenny Clarke (in 1957-12)
piano:
René Urtreger (in 1957-12)
tenor saxophone:
Barney Wilen (in 1957-12)
trumpet:
Miles Davis (in 1957-12)
recording of:
Florence sur les Champs-Élysées (in 1957-12)
composer:
Miles Davis
publisher:
Edition Continentale
Miles Davis3:04
10Suppertime
recorded in:
Los Angeles, California, United States (in 1955-04)
alto saxophone:
Herb Geller (in 1955-04)
bass:
Red Mitchell (in 1955-04)
drums (drum set):
Mel Lewis (in 1955-04)
piano:
Lorraine Geller (in 1955-04)
recording of:
Suppertime (in 1955-04)
lyricist and composer:
Irving Berlin (in 1933)
publisher:
Irving Berlin Music Corp.
Herb Geller & Lorraine Geller5:11
11When the World Was Young (Ah, the Apple Trees)
vocals:
Buddy Rich (in 1959)
orchestra:
Hal Mooney & His Orchestra (in 1959)
recording of:
When the World Was Young (in 1959)
lyricist:
Johnny Mercer
composer:
Philippe-Gérard
publisher:
Macmelodies and Peter Maurice Music Co. Ltd.
version of:
Le Chevalier de Paris
Buddy Rich4:06
12Memories of You
recorded in:
Paris, Île-de-France, France (in 1993-07)
drums (drum set):
Steve Philips (in 1993-07)
organ:
Rhoda Scott (in 1993-07)
tenor saxophone:
Houston Person (in 1993-07)
recording of:
Memories of You (in 1993-07)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Rhoda Scott6:22
13You’re Mine, You
guitar:
Kenny Burrell (on 1965-01-20)
vocals:
Chet Baker (on 1965-01-20)
recording of:
You’re Mine, You (on 1957-10-29)
lyricist:
Edward Heyman
composer:
Johnny Green
Chet Baker3:13
14Good Bye
recorded in:
Los Angeles, California, United States (on 1957-10-29)
bass:
Leroy Vinnegar (on 1957-10-29)
clarinet:
Buddy DeFranco (on 1957-10-29)
drums (drum set):
Stan Levey (on 1957-10-29)
guitar:
Barney Kessel (on 1957-10-29)
piano:
Carl Perkins (on 1957-10-29)
tenor saxophone:
Georgie Auld (on 1957-10-29)
trumpet:
Don Fagerquist (on 1957-10-29)
vibraphone:
Victor Feldman (on 1957-10-29)
recording of:
Goodbye (on 1957-10-29)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music, Peermusic (UK) Limited, Southern Music Publishing Co., Inc., Universal Music Corp. and WB Music Corp.
Buddy DeFranco2:30
15Hit the Road to Dreamland
recorded in:
New York, New York, United States (on 1957-11-26)
vocals:
Sarah Vaughan (on 1957-11-26)
orchestra:
Hal Mooney & His Orchestra (on 1957-11-26)
recording of:
Hit the Road to Dreamland (on 1957-11-26)
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Famous Music Corporation
Sarah Vaughan2:54
16Tonight I Shall Sleep with a Smile on My Face
bass:
Gene Cherico (on 1964-10-09)
drums (drum set):
Joe Hunt (on 1964-10-09)
tenor saxophone:
Stan Getz (on 1964-10-09)
vibraphone:
Gary Burton (on 1964-10-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-10-09)
recording of:
Tonight I Shall Sleep (With a Smile on My Face)
composer:
Duke Ellington and Irving Gordon
Stan Getz2:44

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Verve Records, Inc. (in 1996)
Discogs:https://www.discogs.com/release/5521608 [info]
ASIN:US: B000PRTBVW [info]