La flûte enchantée (French release)

~ Release by Mozart; Evelyn Lear, Roberta Peters, Lisa Otto, Franz Crass, Fritz Wunderlich, Dietrich Fischer‐Dieskau, Hans Hotter, Orchestre philarmonique de Berlin, Karl Böhm (see all versions of this release, 6 available)

Annotation

Livre-disque de la collection "Grandes Œuvres Deutsche Grammophone"

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Acte II: Nº 9 : Marche des prêtres
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:26
2Acte II: « Ihr eingeweihten Diener der Götter Osiris und Isis ! » (Sarastro, premier prêtre, deuxième prêtre, troisième prêtre)
producer:
Wolfgang Lohse
spoken vocals [Dritter Priester]:
Manfred Röhrl (in 1964-06)
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
spoken vocals [Sarastro]:
Franz Crass (in 1964-06)
spoken vocals [Zweiter Priester]:
Martin Vantin (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:19
3Acte II: Nº 10 Aria avec chœur : « O Isis und Osiris » (Sarastro, chœur)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (in 1964-06)
choir vocals:
RIAS Kammerchor (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
chorus master:
Günther Arndt (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:55
4Acte II: « Eine schreckliche Nacht » (Tamino, Papageno, premier prêtre, deuxième prêtre)
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
spoken vocals [Zweiter Priester]:
Martin Vantin (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:57
5Acte II: Nº 11 Duo : « Bewahret euch vor Weibertücken » (Deuxième prêtre, troisième prêtre)
producer:
Wolfgang Lohse
bass vocals [Dritter Priester]:
Manfred Röhrl (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:55
6Acte II: « "He, Lichter her ! » (Papageno, Tamino)
producer:
Wolfgang Lohse
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:13
7Acte II: Nº 12 Quintette : « Wie ? Wie ? Wie ? Ihr an diesem Schreckensort » (Les trois dames, Papageno, Tamino, premier prêtre)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
mezzo-soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:37
8Acte II: « Tamino ! Dein standhaft männliches Betragen hat gesiegt » (Premier prêtre, deuxième prêtre, Papageno)
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Zweiter Priester]:
Martin Vantin (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:27
9Acte II: Nº 13 Aria : « Alles fühlt der Liebe Freuden » (Monostatos)
producer:
Wolfgang Lohse
tenor vocals [Monostatos]:
Friedrich Lenz (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:18
10Acte II: « Mutter ! » (Pamina, Monostatos, Reine de la Nuit)
producer:
Wolfgang Lohse
spoken vocals [Königin der Nacht]:
Roberta Peters (in 1964-06)
spoken vocals [Monostatos]:
Friedrich Lenz (in 1964-06)
spoken vocals [Pamina]:
Evelyn Lear (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:22
11Acte II: Nº 14 Aria : « Der Hölle Rache kocht in meinem Herzen » (Reine de la Nuit)
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:56
12Acte II: « Morden soll ich ? » (Pamina, Monostatos, Sarastro)
producer:
Wolfgang Lohse
spoken vocals [Monostatos]:
Friedrich Lenz (in 1964-06)
spoken vocals [Pamina]:
Evelyn Lear (in 1964-06)
spoken vocals [Sarastro]:
Franz Crass (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:48
13Acte II: Nº 15 Aria : « In diesen heil'gen Hallen » (Sarastro)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:04
14Acte II: « Hier seid ihr euch beide allein überlassen » (Premier prêtre, Papageno, Tamino, Anciana)
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:47
15Acte II: Nº 16 Trio : « Seid uns zum zweitenmal willkommen » (Les trois garçons)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:48
16Acte II: « Tamino, wollen wir nicht speisen ? » (Papageno, Tamino, Pamina)
producer:
Wolfgang Lohse
spoken vocals [Pamina]:
Evelyn Lear (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:08
17Acte II: Nº 17 Aria : « Ach, ich fühl's, es ist verschwunden » (Pamina)
producer:
Otto Gerdes and Wolfgang Lohse
soprano vocals [Pamina]:
Evelyn Lear (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:30
18Acte II: Nº 18 Chœur des prêtres : « O Isis und Osiris » (Chœur)
producer:
Wolfgang Lohse
choir vocals:
RIAS Kammerchor (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:07
19Acte II: « Tamino, dein Betragen war bisher männlich » (Sarastro, Pamina, Tamino)
producer:
Wolfgang Lohse
spoken vocals [Pamina]:
Evelyn Lear (in 1964-06)
spoken vocals [Sarastro]:
Franz Crass (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:32
20Acte II: Nº 19 Trio : « Soll ich dich, Teurer, nicht mehr sehn ? » (Pamina, Sarastro, Tamino)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:02
21Acte II: « Tamino ! Tamino ! » (Papageno, voix, premier prêtre)
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:09
22Acte II: Nº 20 Aria : « Ein Mädchen oder Weibchen wünscht Papageno sich » (Papageno)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:54
23Acte II: « Da bin ich schon, mein Engel » (La vieille femme, Papageno, premier prêtre)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:00
24Acte II: Nº 21 Final : « Bald prangt, den Morgen zu verkünden » (Les trois garçons, Pamina)
producer:
Otto Gerdes and Wolfgang Lohse
contralto vocals [Dritter Knabe]:
Raili Kostia (in 1964-06)
mezzo-soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (in 1964-06)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (in 1964-06)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:22
25Acte II: « Der, welcher wandert diese Straße voll Beschwerden » (Hommes en armure, Tamino, Pamina)
producer:
Otto Gerdes and Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Martti Talvela (from 1965-10-31 until 1965-11-03)
soprano vocals [Pamina]:
Evelyn Lear (from 1965-10-31 until 1965-11-03)
tenor vocals [Erster geharnischter Mann]:
James King (from 1965-10-31 until 1965-11-03)
tenor vocals [Tamino]:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06), Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:25
26Acte II: « Tamino mein! O welch ein Glück ! » (Pamina, Tamino, hommes en armure, chœur)
producer:
Otto Gerdes and Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Martti Talvela (from 1964-06-18 until 1964-06-25)
choir vocals:
RIAS Kammerchor (in 1964-06, from 1964-06-18 until 1964-06-25)
soprano vocals [Pamina]:
Evelyn Lear (in 1964-06, from 1964-06-18 until 1964-06-25)
tenor vocals [Erster geharnischter Mann]:
James King (from 1964-06-18 until 1964-06-25)
tenor vocals [Tamino]:
Fritz Wunderlich (in 1964-06, from 1964-06-18 until 1964-06-25)
orchestra:
Berliner Philharmoniker (in 1964-06, from 1964-06-18 until 1964-06-25)
conductor:
Karl Böhm (in 1964-06, from 1964-06-18 until 1964-06-25)
chorus master:
Günther Arndt (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06), Jesus‐Christus‐Kirche in Berlin, Germany (from 1964-06-18 until 1964-06-25) and Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:03
27Acte II: « Papagena, Papagena, Papagena ! Weibchen, Täubchen » (Papageno, les trois dames, Papagena)
producer:
Otto Gerdes and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
contralto vocals [Dritter Knabe]:
Raili Kostia (in 1964-06)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (in 1964-06)
soprano vocals [Papagena]:
Lisa Otto (in 1964-06)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart8:09
28Acte II: « Nur stille, stille, stille, stille ! » (Monostatos, Reine de la Nuit, les trois dames)
producer:
Otto Gerdes and Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin] and soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (in 1964-06)
soprano vocals [Königin der Nacht]:
Roberta Peters (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:16
29Acte II: « Die Strahlen der Sonne vertreiben die Nacht » (Sarastro, Chœur)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (in 1964-06)
choir vocals:
RIAS Kammerchor (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
chorus master:
Günther Arndt (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:11