L’elisir d’amore (Decca The Originals (black logo))

~ Release by Donizetti; Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Spiro Malas, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge (see all versions of this release, 4 available)

Tracklist

1CD
2CD
#TitleArtistLength
1L’elisir d’amore: Adina credimi
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Quartetto “Adina credimi, te ne scongiuro” (Nemorino, Belcore, Adina, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti8:25
2L’elisir d’amore: Cantiamo, cantiam, cantiam
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Coro d’introduzione “Cantiamo, facciam brindisi” (Belcore, Dulcamara, Giannetta, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:34
3L’elisir d’amore: Barcaruola a due voci
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Barcaruola “Io son ricco e tu sei bella” (Dulcamara, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:27
4L’elisir d’amore: Silenzio! È qua il notaro
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Recitativo “Silenzio! È qua il notaro”… “Cantiamo, facciam brindisi (reprise)” (Belcore, Dulcamara, Adina, Gianetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:34
5L’elisir d’amore: La donna è un animale
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:44
6L’elisir d’amore: Ai perigli della guerra
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. “Ai perigli della guerra” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti7:16
7L’elisir d’amore: Saria possibile?
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Coro “Saria possibile?” (Coro, Giannetta) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
librettist:
Felice Romani
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:21
8L’elisir d’amore: Dell'elisir mirabile
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:28
9L’elisir d’amore: Io già m'immagino
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto II. Quartetto “Dell’elisir mirabile” … “Io già m’immagino” (Nemorino, Giannetta, Adina, Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti5:27
10L’elisir d’amore: Quanto amore! Ed io spietata!
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Duetto “Quanto amore! Ed io, spietata!” (Adina, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti7:53
11L’elisir d’amore: Una furtiva lagrima
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (in 1832)
librettist:
Felice Romani
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti6:42
12L’elisir d’amore: Prendi, per me sei libero
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti11:15
13L’elisir d’amore: Alto! Fronte!
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Recitativo “Alto! Fronte! Che vedo?” (Belcore, Adina, Dulcamara, Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti1:40
14L’elisir d’amore: Ei corregge ogni difetto
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto II. Aria finale “Ei corregge ogni difetto” (Dulcamara, Adina, Nemorino, Belcore, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti2:35