L’elisir d’amore (Decca The Originals (black logo))

~ Release by Donizetti; Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Spiro Malas, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge (see all versions of this release, 4 available)

Tracklist

1CD
#TitleArtistLength
1L’elisir d’amore: Prelude
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Preludio (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:58
2L’elisir d’amore: Bel conforto al mietitore
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Coro d’Introduzione “Bel conforto al mietitore” (Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:09
3L’elisir d’amore: Quanto e bella, quanto e cara
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:21
4L’elisir d’amore: Benedette queste carte!
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e Cavatina “Benedette queste carte!” … “Della crudele Isotta” (Adina, Giannetta, Nemorino, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:04
5L’elisir d’amore: Come Paride vezzoso
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Cavatina “Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, Coro) (Cavatina) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti4:29
6L’elisir d’amore: Or se m'ami, come io t'amo
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Or se m’ami, com’io t’amo” (Belcore) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:38
7L’elisir d’amore: Una parola, o Adina
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Una parola, o Adina” (Nemorino, Adina) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti9:23
8L’elisir d’amore: Che vuol dire cotesta suonata?
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Coro “Che vuol dire cotesta suonata” (Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:53
9L’elisir d’amore: Udite, udite, o rustici
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Cavatina “Udite, udite, o rustici” … “Così chiaro è come il sole” (Dulcamara, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti8:00
10L’elisir d’amore: Ardir! Ha forse il cielo mandato
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Ardir! Ha forse il cielo mandato” (Nemorino, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti0:48
11L’elisir d’amore: Voglio dire, lo stupendo elisir
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
bass vocals [Dulcamara]:
Spiro Malas (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Duetto “Voglio dire, lo stupendo elisir” … “Obbligato, ah! Sì obbligato!” (Nemorino, Dulcamara) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti7:40
12L’elisir d’amore: Caro elisir! sei mio!
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Caro elisir! sei mio!” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti1:24
13L’elisir d’amore: Chi e mai quel matto?
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals:
Fernando Pavarotti (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:23
14L’elisir d’amore: Esulti pur la barbara
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti5:47
15L’elisir d’amore: Tran tran tran tran...In guerra ed in amor
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Terzetto “Tran, tran, tran...In guerra ed in amor” (Belcore, Adina, Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:36
16L’elisir d’amore: Signor sargente
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
baritone vocals [Belcore]:
Dominic Cossa (from 1970-01 until 1970-06)
choir vocals:
Ambrosian Opera Chorus (from 1970-01 until 1970-06)
choir vocals [Mietitori]:
Ambrosian Singers (from 1970-01 until 1970-06)
mezzo-soprano vocals [Giannetta]:
Maria Casula (from 1970-01 until 1970-06)
soprano vocals [Adina]:
Joan Sutherland (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Scena e quartetto “Signor sargente, di voi richiede la vostra gente” (Giannetta, Belcore, Nemorino, Adina, Coro) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:04
2CD