Remastered: The Complete Studio Recordings (1949-1969)

~ Release by Maria Callas (see all versions of this release, 3 available)

Tracklist

1▶CD: The First Recordings (1949)
2▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (1952)
3▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (1952)
4▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (1952)
5▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (1953)
6▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (1953)
7▶CD: Vincenzo Bellini: I puritani (Act 1) (1953)
8▶CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (1953)
9▶CD: Pietro Mascagni: Cavalleria rusticana (1953)
10▶CD: Giacomo Puccini: Tosca (Act 1) (1953)
11▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (1953)
12▶CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (1953)
13▶CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (1953)
14▶CD: Norma: Act 1, Scene 1 (1954)
15▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (1954)
16▶CD: Vincenzo Bellini: Norma (Act 2) (1954)
17▶CD: Ruggero Leoncavallo: I pagliacci (1954)
18▶CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (1954)
19▶CD: Giuseppe Verdi: La forza del destino (Act 3) (1954)
20▶CD: Giuseppe Verdi: La forza del destino (Act 4) (1954)
21▶CD: Gioachino Rossini: Il turco in Italia (Act 1) (1954)
22▶CD: Gioachino Rossini: Il turco in Italia (Act 2) (1954)
23▶CD: Puccini Arias (1954)
24▶CD: Lyric and Coloratura Arias (1954)
25▶CD: Callas at La Scala (1955)
26▶CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (1955)
27▶CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (1955)
28▶CD: Giuseppe Verdi: Aida (Acts 1 & 2) (1955)
29▶CD: Giuseppe Verdi: Aida (Acts 3 & 4) (1955)
30▶CD: Giuseppe Verdi: Rigoletto (Act 1) (1955)
31▶CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (1955)
32▶CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (1956)
33▼CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (1956)
#TitleArtistLength
1Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (Coro, Ferrando)
producer:
Walter Legge
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:29
2Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte, Ferrando, Coro, Azucena)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:12
3Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Conte, Ferrando, Coro, Azucena)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:08
4Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Conte, Ferrando, Coro, Azucena)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Azucena, Ferrando, Conte Luna, soldati) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:07
5Il trovatore: Atto III, scena 2. “Quale d'armi fragor” (Leonora, Manrico)
producer:
Walter Legge
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:02
6Il trovatore: Atto III, scena 2. “Ah sì, ben mio, coll'essere io tuo” (Manrico)
producer:
Walter Legge
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:53
7Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!” (Manrico, Leonora, Ruiz, Coro)
producer:
Walter Legge
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:29
8Il trovatore: Atto III, scena 2. “Di quella pira, l'orrendo foco” (Manrico, Leonora, Ruiz, Coro)
producer:
Walter Legge
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:21
9Il trovatore: Atto IV, scena 1. “Siam giunti, ecco la torre” (Ruiz, Leonora)
producer:
Walter Legge
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:06
10Il trovatore: Atto IV, scena 1. “D'amor sull'ali rosscena” (Leonora)
producer:
Walter Legge
editor:
Jennifer Howells
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
phonographic copyright (℗) by:
EMI Italiana S.p.A.
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:02
11Il trovatore: Atto IV, scena 1. “Miserere…Quel suon quelle preci” (Coro, Leonora, Manrico)
producer:
Walter Legge
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:54
12Il trovatore: Atto IV, scena 1. “Di te, di te scordarmi! Tu vedrai che amore in terra” (Leonora)
producer:
Walter Legge
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Di te! Di te! scordami di te” (Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:33
13Il trovatore: Atto IV, scena 1. “Udiste?” (Conte, Leonora)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:47
14Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime” (Conte, Leonora)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:19
15Il trovatore: Atto IV, scena 1. “Conte!…Né basti!” (Conte, Leonora)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Conte” … “Nè basti” (Leonora, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Conte” … “Nè basti” (Leonora, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:14
16Il trovatore: Atto IV, scena 1. “Colui vivrà…Vivrà! Contende il giubilo” (Conte, Leonora)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:25
17Il trovatore: Atto IV, scena 2. “Madre, non dormi?” (Azucena, Manrico)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:29
18Il trovatore: Atto IV, scena 2. “Sì, la stanchezza m'opprime” (Azucena, Manrico)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:19
19Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:04
20Il trovatore: Atto IV, scena 2. “Che! Non m'inganna” (Manrico, Leonora, Azucena)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:08
21Il trovatore: Atto IV, scena 2. “Parlar non vuoi?…Ha quest'infame l'amor venuto” (Manrico, Leonora, Azucena)
producer:
Walter Legge
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:01
22Il trovatore: Atto IV, scena 2. “Ti scosta!” (Manrico, Leonora)
producer:
Walter Legge
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:06
23Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Leonora, Manrico, Conte, Azucena)
producer:
Walter Legge
baritone vocals [Il conte di Luna]:
Rolando Panerai (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi
librettist:
Salvadore Cammarano
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:34
34▶CD: Giacomo Puccini: La bohème (Acts 1 & 2) (1956)
35▶CD: Giacomo Puccini: La bohème (Acts 3 & 4) (1956)
36▶CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (1956)
37▶CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (1956)
38▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (1957)
39▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (1957)
40▶CD: Vincenzo Bellini: La sonnambula (Act 1) (1957)
41▶CD: Vincenzo Bellini: La sonnambula (Act 2) (1957)
42▶CD: Giacomo Puccini: Turandot (Acts 1 & 2) (1957)
43▶CD: Giacomo Puccini: Turandot (Acts 3) (1957)
44▶CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (1957)
45▶CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (1957)
46▶CD: Luigi Cherubini: Medea (Act 1) (1957)
47▶CD: Luigi Cherubini: Medea (Acts 2 & 3) (1957)
48▶CD: Callas Portrays Verdi Heroines (Verdi Arias I) (1958)
49▶CD: Mad Scenes (1958)
50▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (1959)
51▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (1959)
52▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (1959)
53▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (1959)
54▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (1959)
55▶CD: Vincenzo Bellini: Norma (Act 1 beginning) (1960)
56▶CD: Vincenzo Bellini: Norma (Act 1 conclusion) (1960)
57▶CD: Vincenzo Bellini: Norma (Act 2) (1960)
58▶CD: Great Arias from French Opera (Callas à Paris I) (1961)
59▶CD: More Arias from French Opera (Callas à Paris II) (1963)
60▶CD: Mozart, Beethoven, Weber Recital (1963 & 1964)
61▶CD: Verdi Arias II (1963 & 1964)
62▶CD: Rossini & Donizetti Arias (1963 & 1964)
63▶CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (1964)
64▶CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (1964)
65▶CD: Giacomo Puccini: Tosca (Act 1) (1964 & 1965)
66▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (1964 & 1965)
67▶CD: Verdi Arias III (1965 & 1969)
68▶CD: The Callas Rarities (1953-1969) (1953, 1958, 1960 & 1961)
69▶CD: The Callas Rarities (1953-1969) (1962, 1964, 1965 & 1969)
70▶Data CD: Libretti

Credits

Release group

includes:Aida by Giuseppe Verdi; Maria Callas, Orchestra e Coro del Teatro alla Scala di Milano, Tullio Serafin
Callas à Paris (Album II) by Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Callas à Paris I by Maria Callas, Orchestre National de la Radiodiffusion Française, Georges Prêtre
Callas at La Scala by Maria Callas, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Callas sings Rossini and Donizetti Arias by Rossini, Donizetti; Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno
Callas Sings Verdi Arias by Giuseppe Verdi; Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno
Carmen by Georges Bizet; Maria Callas, Nicolai Gedda, Andréa Guiot, Robert Massard, Nadine Sautereau, Jane Berbié, Claude Calès, Chœurs René Duclos, Chœurs d’enfants Jean Pesneaud, Orchestre du Théâtre national de l’Opéra de Paris, Georges Prêtre
Cavalleria rusticana by Pietro Mascagni; Maria Callas - Orchestra del Teatro alla Scala di Milano, Tullio Serafin
I puritani by Vincenzo Bellini; Maria Callas, Giuseppe Di Stefano, Nicola Rossi‐Lemeni, Rolando Panerai, Coro & Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Il barbiere di Siviglia by Rossini; Maria Callas, Tito Gobbi, Alva, Carturan, Ollendorff, Zaccaria, Philharmonia Orchestra & Chorus, Alceo Galliera
Il trovatore by Giuseppe Verdi; Maria Callas, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Il turco in Italia by Gioachino Rossini; Maria Callas, Nicola Rossi‐Lemeni, Nicolai Gedda, Mariano Stabile, Orchestra e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni
La bohème by Giacomo Puccini; Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Moffo, Orchestra e Coro del Teatro alla Scala di Milano, Antonino Votto
La forza del destino by Giuseppe Verdi; Maria Callas, Richard Tucker, Carlo Tagliabue, Coro e Orchestra del Teatro alla Scala di Milano, Tullio Serafin
La Gioconda by Ponchielli; Callas, Cossotto, Companeez, Vinco, Ferraro, Cappuccilli, Coro e Orchestra del Teatro alla Scala di Milano, Antonino Votto
La Gioconda by Amilcare Ponchielli; Maria Callas, Fedora Barbieri, Giulio Neroni, Maria Amadini, Gianni Poggi, Paolo Silveri, Piero Poldi, Armando Benzi, Orchestra Sinfonica di Torino della RAI, Antonino Votto
La sonnambula by Vincenzo Bellini; Nicola Zaccaria, Fiorenza Cossotto, Maria Meneghini Callas, Eugenia Ratti, Nicola Monti, Giuseppe Morresi, Franco Ricciardi, Coro e Orchestra del Teatro alla Scala, Antonino Votto
La traviata by Giuseppe Verdi; Maria Callas, Francesco Albanese, Ugo Savarese, Coro Cetra, Orchestra Sinfonica Nazionale della RAI, Gabriele Santini
Lucia di Lammermoor by Donizetti; Maria Callas, Ferruccio Tagliavini, Piero Cappuccilli, Bernard Ładysz, Philharmonia Orchestra and Chorus, Tullio Serafin
Lucia di Lammermoor by Gaetano Donizetti; Maria Callas, Tullio Serafin
Lyric and Coloratura Arias by Maria Callas, Philharmonia Orchestra, Tullio Serafin
Manon Lescaut by Giacomo Puccini; Maria Callas, Giuseppe Di Stefano, Coro e Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Maria Meneghini Callas Sings Arias From Tristano e Isotta, Norma, I puritani by Wagner, Bellini; Maria Meneghini Callas, Orchestra Sinfonica di Torino della RAI, Arturo Basile
Medea by Luigi Cherubini; Maria Callas, Renata Scotto, Miriam Pirazzini, Mirto Picchi, Orchestra e Coro del Teatro alla Scala di Milano, Tullio Serafin
Mozart, Beethoven & Weber Arias by Mozart, Beethoven, Weber; Maria Callas, Paris Conservatoire Orchestra, Nicola Rescigno
Norma by Bellini; Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Piero de Palma, Edda Vincenzi, Coro e Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Norma by Bellini; Maria Callas, Mario Filippeschi, Ebe Stignani, Orchestra e Coro del Teatro alla Scala di Milano, Tullio Serafin
Pagliacci by Leoncavallo; Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Rolando Panerai, Nicola Monti, Orchestra and Chorus of La Scala, Milan, Tullio Serafin
Puccini Arias by Puccini; Maria Callas, Philharmonia Orchestra, Tullio Serafin
Rigoletto by Giuseppe Verdi; Giuseppe di Stefano, Tito Gobbi, Maria Meneghini Callas, Nicola Zaccaria, Adriana Lazzarini, Giuse Gerbino, Plinio Clabassi, William Dickie, Renato Ercolani, Carlo Forti, Elvira Galassi, Tullio Serafin, Norberto Mola, L'Ente Autonomo del Teatro alla Scala
The Callas Rarities
Tosca by Giacomo Puccini; Maria Callas, Carlo Bergonzi, Tito Gobbi, Chœurs du Théâtre National de l'Opéra de Paris, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Turandot by Giacomo Puccini; Maria Callas, Eugenio Fernandi, Elisabeth Schwarzkopf, Nicola Zaccaria, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Un ballo in maschera by Verdi; Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Fedora Barbieri, Eugenia Ratti, Orchestra e Coro del Teatro alla Scala di Milano, Antonino Votto
Verdi Arias I by Giuseppe Verdi; Maria Callas, Philharmonia Orchestra, Nicola Rescigno
Verdi Arias III by Giuseppe Verdi; Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Orchestre de l'Opéra National de Paris, Nicola Rescigno