Die ganze Welt der Musik

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Oboenkonzert Nr. 6 in D-dur, op. 7: Allegro
recording engineer:
Gerd Ploebsch (from 1978-09 until 1978-12)
executive producer:
Dr. Andreas Holschneider (ended)
producer:
Gerd Ploebsch
oboe:
Heinz Holliger (from 1978-09 until 1978-12)
orchestra:
Camerata Bern (from 1978-09 until 1978-12)
conductor and concertmaster:
Alexander Van Wijnkoop (from 1978-09 until 1978-12)
balance engineer:
Hans‐Peter Schweigmann (from 1978-09 until 1978-12)
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Studio Radio DRS in Bern, Bern, Switzerland (from 1978-09 until 1978-12)
recording of:
Concerto for Oboe in D major, op. 7 no. 6: I. Allegro (from 1978-09 until 1978-12)
composer:
Tomaso Giovanni Albinoni
part of:
Concerto for Oboe in D major, op. 7 no. 6
Tomaso Giovanni Albinoni3:04
2Die vier Jahreszeiten: "Der Winter": Largo
recorded in:
Italy (in 1969-09) and La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1969-09)
engineer:
Cees Heijkoop and Ko Witteveen
producer:
Vittorio Negri
solo violin:
Roberto Michelucci (in 1969-09)
violin:
Roberto Michelucci
orchestra:
I Musici (in 1969-09)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1969-09)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:47
3Orchestersuite Nr. 2 in h-moll, BWV 1067 "Badinerie"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (in 1960-06)
orchestra:
Munich Bach Orchestra (in 1960-06)
conductor:
Karl Richter (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (in 1961)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1960-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1960-06)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler) (in 1960-06)
orchestrator:
Gustav Mahler
composer:
Johann Sebastian Bach
orchestration of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Johann Sebastian Bach1:30
4Trompetenkonzert in D-dur: Allegro
producer:
Rudolf Werner
organ:
Hedwig Bilgram
trumpet:
Maurice André (in 1976-09)
orchestra:
English Chamber Orchestra (in 1976-09)
conductor:
Charles Mackerras (in 1976-09)
balance engineer:
Heinz Wildhagen (in 1976-09)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1976-09)
recording of:
Trumpet Concerto in D major "Estienne Roger 188": I. Allegro (in 1976-09)
composer:
Giuseppe Torelli
part of:
Trumpet Concerto in D major "Estienne Roger 188"
Giuseppe Torelli2:35
5Feuerwerksmusik: "La Réjouissance"
engineer:
Stanley Goodall (in 1981-05)
producer:
Michael Haas (in 1981-05)
orchestra:
Stuttgart Chamber Orchestra (in 1981-05)
conductor:
Karl Münchinger (in 1981-05)
recorded at:
Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (in 1981-05)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1981-05)
composer:
George Frideric Handel (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel1:24
6Die Schöpfung: "Die Himmel erzählen"
choir vocals:
Chor des Bayerischen Rundfunks
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Eugen Jochum
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes
composer:
Joseph Haydn
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:42
7Eine kleine Nachtmusik, Serenade G-dur, KV 525: Rondo
producer:
Werner Mayer
orchestra:
Wiener Philharmoniker (in 1974-10)
conductor:
Karl Böhm (in 1974-10)
balance engineer:
Günter Hermanns (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (in 1974-10)
composer:
Wolfgang Amadeus Mozart (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart4:55
8Symphonie Nr. 8 F-dur, op. 93: II. Allegretto scherzando
orchestra:
Chicago Symphony Orchestra (in 1973-11)
conductor:
Sir Georg Solti (in 1973-11)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (in 1973-11)
composer:
Ludwig van Beethoven (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven4:13
9Peer Gynt-Suite Nr. 1, op. 46 "Morgenstimmung"
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (in 1987-06)
performer:
Göteborgs Symfoniker and Neeme Järvi
recorded at:
Göteborgs konserthus in Gothenburg, Västra Götaland, Sweden (in 1987-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1987-06)
composer:
Edvard Grieg (in 1875)
revised by:
Edvard Grieg (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:14
10Prélude Nr. 4 in e-moll, op. 28
executive producer:
Rainer Brock
producer:
Rainer Brock
piano:
Martha Argerich (in 1975-10)
balance engineer:
Heinz Wildhagen
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (in 1977)
recorded at:
Alter Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:56
11Ungarischer Tanz Nr. 5 in g-moll
producer:
Werner Wolf
orchestra:
Berliner Philharmoniker (on 1959-09-04)
conductor:
Herbert von Karajan (on 1959-09-04)
balance engineer:
Günter Hermanns (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (in 1960)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 5 in G minor: Allegro - Vivace (orch. Parlow) (on 1959-09-04)
orchestrator:
Albert Parlow
composer:
Johannes Brahms
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms2:36
12Symphonie Nr. 4 A-Dur, op. 90 "Italienische": IV. Saltarello. Presto
orchestra:
London Philharmonic Orchestra (in 1978-03)
conductor:
Bernard Haitink (in 1978-03)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (in 1978-03)
composer:
Felix Mendelssohn (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:43
13Concierto de Aranjuez: Allegro con spirito
producer:
Sándor Ferenczy and Heinz Wildhagen
guitar:
Narciso Yepes (from 1969-05-08 until 1969-05-10)
orchestra:
Orquesta Sinfónica R.T.V. Española (from 1969-05-08 until 1969-05-10)
conductor:
Odón Alonso (from 1969-05-08 until 1969-05-10)
recorded at:
Phonogram Studio in Madrid, Comunidad de Madrid, Spain (from 1969-05-08 until 1969-05-10)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (from 1969-05-08 until 1969-05-10)
composer:
Joaquín Rodrigo (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:12
14Carmina Burana: "O Fortuna"
engineer:
Arthur Lilley and Kenneth Wilkinson
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti
chorus master:
László Heltay
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:26
15La Traviata: "Libiamo ne lieti callici (Brindisi)"
soprano vocals [Violetta]:
Mirella Freni
tenor vocals [Alfredo]:
Luciano Pavarotti
orchestra:
Orchestra dell' Ater
conductor:
Leone Magiera
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:10
16Carmen: "La fleur que tu m'avais jetée"
producer:
Christopher Alder and Rainer Brock
editor:
Joachim Niss
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler and Ulrich Vette
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1977-08 until 1977-09)
composer:
Georges Bizet (in 1875)
librettist:
Ludovic Halévy (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:16
17Tosca: "Vissi d'arte, vissi d'amore"
producer:
Eric Smith
soprano vocals [Tosca]:
Montserrat Caballé (in 1976, in 1976-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1976, in 1976-07)
conductor:
Sir Colin Davis (in 1976, in 1976-07)
balance engineer:
Hans Lauterslager
phonographic copyright (℗) by:
Philips Classics Productions (in 1976)
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1976-07)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1976-07)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1976)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:38
18West Side Story: "Tonight"
tenor vocals:
José Carreras
orchestra:
Robert Farnon & His Orchestra
conductor:
Robert Farnon
arranger:
Robert Farnon
recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Leonard Bernstein2:36
19Marienvesper: "Deus in adiutorium - Domine ad adiuvandum"
choir vocals:
Regensburger Domspatzen
orchestra:
Hamburger Bläserkreis für Alte Musik
conductor:
Hanns‐Martin Schneidt
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:13
20Romeo und Julia: "Tanz der Ritter"
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti
Сергей Сергеевич Прокофьев1:57
21Tritsch-Tratsch-Polka, op. 214
orchestra:
Wiener Philharmoniker
conductor:
Lorin Maazel
recording of:
Tritsch–Tratsch Polka, op. 214
composer:
Johann Strauss
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss II2:28
22Pomp and Circumstance "Marsch Nr. 1"
orchestra:
Concertgebouw Orchestra (from 1977-06-22 until 1977-06-24)
conductor:
Sir Neville Marriner (from 1977-06-22 until 1977-06-24)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (from 1977-06-22 until 1977-06-24)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d)
composer:
Edward Elgar (in 1901)
publisher:
Boosey & Co. Ltd.
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:25