The Classic Albums Collection 1957-1962

~ Release by Benny Golson (see all versions of this release, 1 available)

Annotation

Eight Golson albums in this 4 CD set -

CD 1:
Benny Golson's New York Scene, tracks 1 - 7
The Modern Touch, tracks 8 - 13

CD 2:
The Other Side Of Benny Golson, tracks 1 - 6
Benny Golson and the Philadelphians, tracks 7 - 12

CD 3:
Gone With Golson, tracks 1 - 5
Winchester Special, tracks 6 - 11

CD 4:
Take A Number From 1 to 10, tracks 1 - 10
Pop + Jazz = Swing, tracks 11 - 20

Tracklist

1▶CD: Benny Golson's New York Scene / The Modern Touch
2▶CD: The Other Side of Benny Golson / Benny Golson and the Philadelphians
3▼CD: Gone With Golson / Winchester Special
#TitleLength
1Staccato Swing
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-06-20)
4:53
2Autumn Leaves
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-06-20)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1959-06-20)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc.
translated version of:
Les Feuilles mortes (Autumn Leaves)
6:50
3Soul Me
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-06-20)
6:41
4Blues After Dark
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-06-20)
recording of:
Blues After Dark (on 1959-06-20)
composer:
Benny Golson
8:38
5Jam for Bobbie
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-06-20)
9:26
6Down Fuzz
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
10:02
7If I Were a Bell
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
instrumental recording of:
If I Were a Bell (Guys and Dolls) (on 1959-09-25)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
4:01
8Will You Still Be Mine?
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
instrumental recording of:
Will You Still Be Mine? (on 1959-09-25)
lyricist:
Tom Adair
composer:
Matt Dennis
7:01
9Mysticism
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
7:31
10How Are Things in Glocca Morra?
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
instrumental recording of:
How Are Things in Glocca Morra? (from "Finian's Rainbow") (on 1959-09-25)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. and Glocca Morra Music Corp.
part of:
Finian’s Rainbow (1947 Broadway musical)
4:11
11The Dude
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
6:44
4▶CD: Take a Number From 1 to 10 / Pop + Jazz = Swing