The Classic Albums Collection 1957-1962

~ Release by Benny Golson (see all versions of this release, 1 available)

Annotation

Eight Golson albums in this 4 CD set -

CD 1:
Benny Golson's New York Scene, tracks 1 - 7
The Modern Touch, tracks 8 - 13

CD 2:
The Other Side Of Benny Golson, tracks 1 - 6
Benny Golson and the Philadelphians, tracks 7 - 12

CD 3:
Gone With Golson, tracks 1 - 5
Winchester Special, tracks 6 - 11

CD 4:
Take A Number From 1 to 10, tracks 1 - 10
Pop + Jazz = Swing, tracks 11 - 20

Tracklist

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1▼CD: Benny Golson's New York Scene / The Modern Touch
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1Something in B Flat
recorded in:
New York, New York, United States (on 1957-10-17)
producer:
Nat Hentoff
double bass [bass]:
Paul Chambers (on 1957-10-17)
drums (drum set):
Charlie Persip (on 1957-10-17)
piano:
Wynton Kelly (on 1957-10-17)
tenor saxophone:
Benny Golson (on 1957-10-17)
trumpet:
Art Farmer (on 1957-10-17)
6:06
2Whisper Not
recorded in:
New York, New York, United States (on 1957-10-14)
producer:
Nat Hentoff
alto saxophone:
Gigi Gryce (on 1957-10-14)
baritone saxophone:
Sahib Shihab (on 1957-10-14)
double bass [bass]:
Paul Chambers (on 1957-10-14)
drums (drum set):
Charlie Persip (on 1957-10-14)
French horn:
Julius Watkins (on 1957-10-14)
piano:
Wynton Kelly (on 1957-10-14)
tenor saxophone:
Benny Golson (on 1957-10-14)
trombone:
James Cleveland (on 1957-10-14)
trumpet:
Art Farmer (on 1957-10-14)
instrumental recording of:
Whisper Not (original instrumental composition) (on 1957-10-14)
composer:
Benny Golson (in 1956)
6:02
3Step Lightly
recorded in:
New York, New York, United States (on 1957-10-17)
producer:
Nat Hentoff
double bass [bass]:
Paul Chambers (on 1957-10-17)
drums (drum set):
Charlie Persip (on 1957-10-17)
piano:
Wynton Kelly (on 1957-10-17)
tenor saxophone:
Benny Golson (on 1957-10-17)
trumpet:
Art Farmer (on 1957-10-17)
6:55
4Just by Myself
recorded in:
New York, New York, United States (on 1957-10-14)
producer:
Nat Hentoff
alto saxophone:
Gigi Gryce (on 1957-10-14)
baritone saxophone:
Sahib Shihab (on 1957-10-14)
double bass [bass]:
Paul Chambers (on 1957-10-14)
drums (drum set):
Charlie Persip (on 1957-10-14)
French horn:
Julius Watkins (on 1957-10-14)
piano:
Wynton Kelly (on 1957-10-14)
tenor saxophone:
Benny Golson (on 1957-10-14)
trombone:
James Cleveland (on 1957-10-14)
trumpet:
Art Farmer (on 1957-10-14)
recording of:
Just by Myself (on 1957-10-14)
composer:
Benny Golson
4:12
5Blues It
recorded in:
New York, New York, United States (on 1957-10-17)
producer:
Nat Hentoff
double bass [bass]:
Paul Chambers (on 1957-10-17)
drums (drum set):
Charlie Persip (on 1957-10-17)
piano:
Wynton Kelly (on 1957-10-17)
tenor saxophone:
Benny Golson (on 1957-10-17)
trumpet:
Art Farmer (on 1957-10-17)
6:52
6You're Mine, You
recorded in:
New York, New York, United States (on 1957-10-17)
producer:
Nat Hentoff
double bass [bass]:
Paul Chambers (on 1957-10-17)
drums (drum set):
Charlie Persip (on 1957-10-17)
piano:
Wynton Kelly (on 1957-10-17)
tenor saxophone:
Benny Golson (on 1957-10-17)
trumpet:
Art Farmer (on 1957-10-17)
instrumental recording of:
You’re Mine, You (on 1957-10-17)
lyricist:
Edward Heyman
composer:
Johnny Green
4:22
7Capri
recorded in:
New York, New York, United States (on 1957-10-14)
producer:
Nat Hentoff
alto saxophone:
Gigi Gryce (on 1957-10-14)
baritone saxophone:
Sahib Shihab (on 1957-10-14)
double bass [bass]:
Paul Chambers (on 1957-10-14)
drums (drum set):
Charlie Persip (on 1957-10-14)
French horn:
Julius Watkins (on 1957-10-14)
piano:
Wynton Kelly (on 1957-10-14)
tenor saxophone:
Benny Golson (on 1957-10-14)
trombone:
James Cleveland (on 1957-10-14)
trumpet:
Art Farmer (on 1957-10-14)
4:03
8Out of the Past
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Paul Chambers (on 1957-12-23)
drums (drum set):
Max Roach (on 1957-12-23)
piano:
Wynton Kelly (on 1957-12-23)
tenor saxophone:
Benny Golson (on 1957-12-23)
trombone:
J.J. Johnson (on 1957-12-23)
trumpet:
Kenny Dorham (on 1957-12-23)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-12-23)
instrumental recording of:
Out of the Past (on 1957-12-23)
lyricist:
Jon Hendricks
composer:
Benny Golson
6:29
9Reunion
7:21
10Venetian Breeze
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Paul Chambers (on 1957-12-23)
drums (drum set):
Max Roach (on 1957-12-23)
piano:
Wynton Kelly (on 1957-12-23)
tenor saxophone:
Benny Golson (on 1957-12-23)
trombone:
J.J. Johnson (on 1957-12-23)
trumpet:
Kenny Dorham (on 1957-12-23)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-12-23)
5:42
11Hymn to the Orient
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Paul Chambers (on 1957-12-19)
drums (drum set):
Max Roach (on 1957-12-19)
piano:
Wynton Kelly (on 1957-12-19)
tenor saxophone:
Benny Golson (on 1957-12-19)
trombone:
J.J. Johnson (on 1957-12-19)
trumpet:
Kenny Dorham (on 1957-12-19)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-12-19)
recording of:
Hymn of the Orient (on 1957-12-19)
composer:
Gigi Gryce
4:15
12Namely You
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Paul Chambers (on 1957-12-19)
drums (drum set):
Max Roach (on 1957-12-19)
piano:
Wynton Kelly (on 1957-12-19)
tenor saxophone:
Benny Golson (on 1957-12-19)
trombone:
J.J. Johnson (on 1957-12-19)
trumpet:
Kenny Dorham (on 1957-12-19)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-12-19)
instrumental recording of:
Namely You (on 1957-12-19)
lyricist:
Johnny Mercer (in 1956)
composer:
Gene de Paul (in 1956)
4:48
13Blues on Down
engineer:
Jack Higgins
producer:
Orrin Keepnews
double bass [bass]:
Paul Chambers (on 1957-12-19)
drums (drum set):
Max Roach (on 1957-12-19)
piano:
Wynton Kelly (on 1957-12-19)
tenor saxophone:
Benny Golson (on 1957-12-19)
trombone:
J.J. Johnson (on 1957-12-19)
trumpet:
Kenny Dorham (on 1957-12-19)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-12-19)
recording of:
Blues On Down (on 1957-12-19)
composer:
Benny Golson
11:43
2▼CD: The Other Side of Benny Golson / Benny Golson and the Philadelphians
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1Strut Time
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (on 1958-11-12)
piano:
Barry Harris (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
6:10
2Jubilation
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (on 1958-11-12)
piano:
Barry Harris (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
6:27
3Symptoms
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (on 1958-11-12)
piano:
Barry Harris (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
6:06
4Are You Real?
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (on 1958-11-12)
piano:
Barry Harris (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
5:41
5Cry a Blue Tear
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (on 1958-11-12)
piano:
Barry Harris (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
5:24
6This Night
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (on 1958-11-12)
piano:
Barry Harris (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
7:53
7You're Not the Kind
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (on 1958-11-17)
piano:
Ray Bryant (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (on 1958-11-17)
recorded at:
Nola Studios in New York, New York, United States (on 1958-11-17)
recording of:
You’re Not the Kind (on 1958-11-17)
writer:
Will Hudson and Irving Mills
4:21
8Blues on My Mind
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (on 1958-11-17)
piano:
Ray Bryant (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (on 1958-11-17)
recorded at:
Nola Studios in New York, New York, United States (on 1958-11-17)
7:30
9Stablemates
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (on 1958-11-17)
piano:
Ray Bryant (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (on 1958-11-17)
recorded at:
Nola Studios in New York, New York, United States (on 1958-11-17)
recording of:
Stablemates (on 1958-11-17)
composer:
Benny Golson
5:48
10Thursday's Theme
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (on 1958-11-17)
piano:
Ray Bryant (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (on 1958-11-17)
recorded at:
Nola Studios in New York, New York, United States (on 1958-11-17)
7:38
11Afternoon in Paris
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (on 1958-11-17)
piano:
Ray Bryant (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (on 1958-11-17)
recorded at:
Nola Studios in New York, New York, United States (on 1958-11-17)
recording of:
Afternoon in Paris (on 1958-11-17)
composer:
John Lewis
6:54
12Calgary
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (on 1958-11-17)
piano:
Ray Bryant (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (on 1958-11-17)
recorded at:
Nola Studios in New York, New York, United States (on 1958-11-17)
3:41
3▼CD: Gone With Golson / Winchester Special
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1Staccato Swing
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-06-20)
4:53
2Autumn Leaves
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-06-20)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1959-06-20)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc.
translated version of:
Les Feuilles mortes (Autumn Leaves)
6:50
3Soul Me
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-06-20)
6:41
4Blues After Dark
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-06-20)
recording of:
Blues After Dark (on 1959-06-20)
composer:
Benny Golson
8:38
5Jam for Bobbie
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-06-20)
9:26
6Down Fuzz
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
10:02
7If I Were a Bell
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
instrumental recording of:
If I Were a Bell (Guys and Dolls) (on 1959-09-25)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
4:01
8Will You Still Be Mine?
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
instrumental recording of:
Will You Still Be Mine? (on 1959-09-25)
lyricist:
Tom Adair
composer:
Matt Dennis
7:01
9Mysticism
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
7:31
10How Are Things in Glocca Morra?
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
instrumental recording of:
How Are Things in Glocca Morra? (from "Finian's Rainbow") (on 1959-09-25)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. and Glocca Morra Music Corp.
part of:
Finian’s Rainbow (1947 Broadway musical)
4:11
11The Dude
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
6:44
4▼CD: Take a Number From 1 to 10 / Pop + Jazz = Swing
#TitleLength
1You're My Thrill
tenor saxophone:
Benny Golson (on 1960-12-13)
recording of:
You’re My Thrill (on 1960-12-13)
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co., Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
1:37
2My Heart Belongs to Daddy
double bass:
Tommy Williams (on 1960-12-13)
tenor saxophone:
Benny Golson (on 1960-12-13)
instrumental recording of:
My Heart Belongs to Daddy (on 1960-12-13)
lyricist and composer:
Cole Porter (in 1938)
publisher:
Chappell, Chappell & Co. and Chappell Music Ltd.
4:11
3The Best Thing for You Is Me
double bass:
Tommy Williams (on 1960-12-13)
drums (drum set):
Albert “Tootie” Heath (on 1960-12-13)
piano:
Cedar Walton (on 1960-12-13)
tenor saxophone:
Benny Golson (on 1960-12-13)
instrumental recording of:
The Best Thing for You (Would Be Me) (on 1960-12-13)
lyricist and composer:
Irving Berlin (in 1950)
2:49
4Impromptune
double bass:
Tommy Williams (on 1960-12-13)
drums (drum set):
Albert “Tootie” Heath (on 1960-12-13)
piano:
Cedar Walton (on 1960-12-13)
tenor saxophone:
Benny Golson (on 1960-12-13)
trumpet:
Freddie Hubbard (on 1960-12-13)
3:03
5Little Karin
double bass:
Tommy Williams (on 1960-12-14)
drums (drum set):
Albert “Tootie” Heath (on 1960-12-14)
piano:
Cedar Walton (on 1960-12-14)
tenor saxophone:
Benny Golson (on 1960-12-14)
trombone:
Curtis Fuller (on 1960-12-14)
trumpet:
Freddie Hubbard (on 1960-12-14)
recording of:
Little Karin (on 1960-12-14)
composer:
Benny Golson
3:37
6Swing It
baritone saxophone:
Sahib Shihab (on 1960-12-14)
double bass:
Tommy Williams (on 1960-12-14)
drums (drum set):
Albert “Tootie” Heath (on 1960-12-14)
piano:
Cedar Walton (on 1960-12-14)
tenor saxophone:
Benny Golson (on 1960-12-14)
trombone:
Curtis Fuller (on 1960-12-14)
trumpet:
Freddie Hubbard (on 1960-12-14)
4:27
7I Fall in Love Too Easily
alto saxophone:
Hal McKusick (on 1960-12-14)
baritone saxophone:
Sol Schlinger (on 1960-12-14)
double bass:
Tommy Williams (on 1960-12-14)
drums (drum set):
Albert “Tootie” Heath (on 1960-12-14)
French horn:
Willie Ruff (on 1960-12-14)
tenor saxophone:
Benny Golson (on 1960-12-14)
trombone:
Bill Elton (on 1960-12-14)
trumpet:
Nick Travis (on 1960-12-14)
instrumental recording of:
I Fall in Love Too Easily (on 1960-12-14)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The 18th Academy Award for Best Original Song (number: 2)
4:48
8Out of This World
alto saxophone:
Hal McKusick (on 1961-04-11)
baritone saxophone:
Sol Schlinger (on 1961-04-11)
double bass:
Tommy Williams (on 1961-04-11)
drums (drum set):
Albert “Tootie” Heath (on 1961-04-11)
French horn:
Willie Ruff (on 1961-04-11)
tenor saxophone:
Benny Golson (on 1961-04-11)
trombone:
Bill Elton (on 1961-04-11)
trumpet:
Nick Travis (on 1961-04-11)
instrumental recording of:
Out of This World (on 1961-04-11)
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc.
3:51
9The Touch
alto saxophone:
Hal McKusick (on 1961-04-11)
baritone saxophone:
Sol Schlinger (on 1961-04-11)
double bass:
Tommy Williams (on 1961-04-11)
drums (drum set):
Albert “Tootie” Heath (on 1961-04-11)
French horn:
Willie Ruff (on 1961-04-11)
tenor saxophone:
Benny Golson (on 1961-04-11)
trombone:
Bill Elton (on 1961-04-11)
trumpet:
Bernie Glow (on 1961-04-11) and Nick Travis (on 1961-04-11)
5:17
10Time
alto saxophone:
Hal McKusick (on 1961-04-11)
baritone saxophone:
Sol Schlinger (on 1961-04-11)
double bass:
Tommy Williams (on 1961-04-11)
drums (drum set):
Albert “Tootie” Heath (on 1961-04-11)
French horn:
Willie Ruff (on 1961-04-11)
tenor saxophone:
Benny Golson (on 1961-04-11)
trombone:
Bill Elton (on 1961-04-11)
trumpet:
Art Farmer (on 1961-04-11), Bernie Glow (on 1961-04-11) and Nick Travis (on 1961-04-11)
recording of:
Time (on 1961-04-11)
composer:
Benny Golson
3:35
11You're Driving Me Crazy / Moten Swing
4:14
12Out of Nowhere
4:17
13Whispering / Groovin' High
3:14
14Autumn Leaves
4:39
15Indiana / Donna Lee
2:45
16Lover Come Back to Me / Quicksilver
3:53
17Stella by Starlight
4:20
18How High the Moon / Ornithology
3:43
19If I Should Lose You
3:01
20St. Louis Blues / Walkin'
3:41