An Introduction To The Complete Works Of Johann Sebastian Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Length
1	BWV 1047 Brandenburg Concerto No. 2 Movement 1 orchestra: Oregon Bach Festival Chamber Orchestra and Oregon Bach Festival Orchestra conductor: Helmuth Rilling recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. composer: Johann Sebastian Bach part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	5:07
2	BWV 201 Cantata choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09) recording of: Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": I. Coro "Geschwinde, ihr wirbelnden Winde" (in 1996-09) premiered in: Leipzig, Sachsen, Germany (in 1729) composer: Johann Sebastian Bach (in 1729) librettist: Christian Friedrich Henrici part of: Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"	4:39
3	BWV 1033 Sonata in C-Major - version for flute solo flute: Jean‐Claude Gérard (from 1998-05 until 1998-11) recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1998-05 until 1998-11) compilation of: Sonate C-Dur, BWV 1033: Allegro by Jean‐Claude Gérard and Sonate C-Dur, BWV 1033: Andante - Presto by Jean‐Claude Gérard recording of: Flute Sonata in C major, BWV 1033: I. Andante - Presto (from 1998-05 until 1998-11) composer: Johann Sebastian Bach (in 1736) part of: Flute Sonata in C major, BWV 1033 recording of: Flute Sonata in C major, BWV 1033: II. Allegro (from 1998-05 until 1998-11) composer: Johann Sebastian Bach (in 1736) part of: Flute Sonata in C major, BWV 1033	4:03
4	BWV 78 Cantata, Duet no. 2 alto vocals: Carolyn Watkinson soprano vocals: Arleen Augér orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10) recording of: Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (from 1979-02 until 1979-10) lyricist: Johann von Rist composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 78 "Jesu, der du meine Seele"	4:41
5	BWV 1012 Suite for violincello no 6 D Major, Gavotte cello: Boris Pergamenschikow phonographic copyright (℗) by: Hänssler-Verlag (in 1998) recorded at: Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany recording of: Suite für Violoncello solo no. 6 D-Dur, BWV 1012: V. Gavottes I & II (Cello Suite No. 6 in D major, BWV 1012: V. Gavotte I & II) (from 1998-04-15 until 1998-06-30) composer: Johann Sebastian Bach part of: Suite für Violoncello solo no. 6 D-Dur, BWV 1012 (Cello Suite No. 6 in D major, BWV 1012)	4:01
6	BWV 211 Coffee Cantata bass vocals: Thomas Quasthoff (in 1996-05) soprano vocals: Christine Schäfer (in 1996-05) tenor vocals: James Taylor (in 1996-05) orchestra: Bach‐Collegium Stuttgart (in 1996-05) conductor: Helmuth Rilling (in 1996-05) recorded at: Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05) compilation of: Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" by James Taylor, Bach‐Collegium Stuttgart, Helmuth Rilling, Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" by Thomas Quasthoff, Bach‐Collegium Stuttgart, Helmuth Rilling, Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" by Thomas Quasthoff, Christine Schäfer, Bach‐Collegium Stuttgart, Helmuth Rilling and Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" by Christine Schäfer, Bach‐Collegium Stuttgart, Helmuth Rilling recording of: Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1996-05) premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach (from 1734 until 1735) librettist: Christian Friedrich Henrici premiered at: Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany part of: Kantate, BWV 211 "Schweigt stille, plaudert nicht" recording of: Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (in 1996-05) premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach (from 1734 until 1735) librettist: Christian Friedrich Henrici premiered at: Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany part of: Kantate, BWV 211 "Schweigt stille, plaudert nicht" recording of: Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1996-05) premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach (from 1734 until 1735) librettist: Christian Friedrich Henrici premiered at: Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany part of: Kantate, BWV 211 "Schweigt stille, plaudert nicht" recording of: Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1996-05) premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach (from 1734 until 1735) librettist: Christian Friedrich Henrici premiered at: Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany part of: Kantate, BWV 211 "Schweigt stille, plaudert nicht"	8:42
7	BWV 1004 Partita II D Major - Gigue violin: Dimitri Sitkovetsky recorded at: Reitstadel in Neumarkt in der Oberpfalz, Bayern, Germany recording of: Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (in 1997-09) composer: Johann Sebastian Bach (from 1717 until 1723) part of: Violin Partita no. 2 in D minor, BWV 1004	4:19
8	BWV 245 St John Passion Opening Chorus recording engineer: Teije van Geest (in 1996-03) producer: Richard Hauck choir vocals: Gächinger Kantorei Stuttgart (in 1996-03) orchestra: Bach‐Collegium Stuttgart (in 1996-03) conductor: Helmuth Rilling (in 1996-03) phonographic copyright (℗) by: Hänssler Verlag GmbH (in 1996) recorded at: Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03) recording of: Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (in 1996-03) composer: Johann Sebastian Bach part of: Johannes-Passion, BWV 245 (St. John Passion, BWV 245)	8:35
9	BWV 108 Art of the Fugue Contrapunctus 1 to 4 harpsichord: Robert Hill recorded at: Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06) recording of: Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1998-06) composer: Johann Sebastian Bach part of: Bach-Werke-Verzeichnis (number: BWV 1080/1) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	3:06
10	BWV 244 St. Mathew Passion opening chorus choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04) recording of: Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1994) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	6:56
11	BWV 525 Trio Sonata No. 1 organ: Kay Johannsen recorded at: Stadtkirche in Stein am Rhein, Schaffhausen, Switzerland recording of: Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: III. Allegro (from 1997-03-03 until 1997-03-05) composer: Johann Sebastian Bach part of: Triosonate für Orgel Nr. 1 Es-Dur, BWV 525	4:06
12	BWV 26 Cantata Opening chorus choir vocals: Gächinger Kantorei Stuttgart orchestra and performer: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04) recording of: Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (from 1979-10 until 1980-04) composer: Johann Sebastian Bach (in 1724) librettist: Michael Franck part of: Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"	2:26
13	BWV 177 Cantata, Aria tenor vocals: Peter Schreier orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02) recording of: Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": IV. Aria (Tenor) "Laß mich kein Lust noch Furcht von dir" (in 1981-02) premiered in: Leipzig, Sachsen, Germany (on 1732-07-06) composer: Johann Sebastian Bach (in 1732) librettist: Johann Friedrich Agricola part of: Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"	4:49
14	BWV 371 Chorale - Kyrie choir vocals: Gächinger Kantorei Stuttgart (in 1998-09) orchestra: Bach‐Collegium Stuttgart (in 1998-09) conductor: Helmuth Rilling (in 1998-09) recording of: Choralsatz, BWV 371 "Kyrie! Gott Vater in Ewigkeit" (in 1998-09) composer: Johann Sebastian Bach part of: Breitkopf 389 Choralgesänge (number: 225) and Bach-Werke-Verzeichnis (number: BWV 371)	3:02
15	BWV 1068 Overture no. 3. orchestra: Oregon Bach Festival Chamber Orchestra conductor: Helmuth Rilling recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	4:57