| # | Title | Artist | Length |
|---|
| 1 | The Boys Are Back in Town | Thin Lizzy | 4:24 |
| 2 | Feels Like the First Time | Foreigner | 3:12 |
| 3 | Hold the Line | Toto | 3:31 |
| 4 | Baby Hold On | Eddie Money | 3:30 |
| 5 | Any Way You Want It | Journey | 3:22 |
| 6 | Come Sail Away | Styx | 3:06 |
| 7 | Locomotive Breath- engineer:
- John Burns
- executive producer:
- Terry Ellis
- producer:
- Ian Anderson and Terry Ellis
- acoustic guitar and flute and lead vocals:
- Ian Anderson (on 1971-02-12)
- bass guitar and treble recorder / alto recorder:
- Jeffrey Hammond Hammond (on 1971-02-12)
- drums (drum set) and percussion:
- Clive Bunker (on 1971-02-12)
- electric guitar and soprano recorder:
- Martin Barre (on 1971-02-12)
- Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano:
- John Evan (on 1971-02-12)
- conductor:
- Dee Palmer (on 1971-02-12)
- remixer:
- Robin Black
- orchestrator:
- Dee Palmer
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. (in 1971)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom (on 1971-02-12)
- remixed at:
- Morgan Studios in Willesden, Brent, London, England, United Kingdom
- recording of:
- Locomotive Breath (on 1971-02-12)
- lyricist and composer:
- Ian Anderson
| Jethro Tull | 4:23 |
| 8 | Crazy on You | Heart | 4:17 |
| 9 | Feel Like Makin’ Love- recording engineer:
- Ron Nevison (in 1974-09)
- producer:
- Bad Company
- mixer:
- Ron Nevison
- drums (drum set):
- Simon Kirke (in 1974-09)
- electric bass guitar:
- Boz Burrell (in 1974-09)
- guitar:
- Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
- keyboard:
- Mick Ralphs (in 1974-09)
- piano and lead vocals:
- Paul Rodgers (in 1974-09)
- phonographic copyright (℗) by:
- Swan Song Inc. (in 1975)
- recorded at:
- Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
- mixed at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 78)
- recording of:
- Feel Like Makin’ Love (in 1974-09)
- writer:
- Mick Ralphs and Paul Rodgers
- publisher:
- MCA Music, MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
| Bad Company | 5:11 |
| 10 | Lola | The Kinks | 4:00 |
| 11 | 25 or 6 to 4 | Chicago | 2:51 |
| 12 | Take the Money and Run | Steve Miller Band | 2:50 |
| 13 | Blinded by the Light | Manfred Mann’s Earth Band | 3:48 |
| 14 | Paradise by the Dashboard Light (medley) | Meat Loaf | 8:30 |
| 15 | I Want You to Want Me (live)- recording engineer:
- 鈴木智雄 (from 1978-04-28 until 1978-04-30)
- assistant engineer:
- Mike Beriger
- engineer:
- Gary Ladinsky
- producer:
- Cheap Trick and Jack Douglas
- mixer:
- Cheap Trick, Gary Ladinsky and Jay Messina (in 1978)
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1977), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), EPC (in 1978), Epic/Sony Inc. (in 1978, in 1979), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
- recorded at:
- Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1978)
- live recording of:
- I Want You to Want Me (from 1978-04-28 until 1978-04-30)
- lyricist and composer:
- Rick Nielsen
- publisher:
- Copyright Control, EMI Music Publishing, Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (in 1977)
- part of:
- 10 Things I Hate About You
| Cheap Trick | 3:36 |
| 16 | Do You Feel Like We Do (live) | Peter Frampton | 7:17 |
| 17 | Free Bird | Lynyrd Skynyrd | 9:06 |
| 18 | Ramblin’ Man- engineer:
- Johnny Sandlin, Ovie Sparks and Buddy Thornton
- producer:
- The Allman Brothers Band and Johnny Sandlin
- bass:
- Berry Oakley (in 1972-10)
- congas:
- Jai Johanny Johanson (in 1972-10)
- drums (drum set):
- Jai Johanny Johanson (in 1972-10) and Butch Trucks (in 1972-10)
- guitar:
- Les Dudek (in 1972-10)
- guitar [lead guitar] and lead vocals:
- Dickey Betts (in 1972-10)
- organ:
- Gregg Allman (in 1972-10)
- piano and background vocals:
- Gregg Allman (in 1972-10) and Chuck Leavell (in 1972-10)
- vocals:
- Gregg Allman (in 1972-10)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1973) and The Island Def Jam Music Group (in 2013)
- recorded at:
- Capricorn Sound Studio in Macon, Georgia, United States (in 1972-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Ramblin’ Man (in 1972-10)
- lyricist and composer:
- Dickey Betts
- publisher:
- F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Australia Pty. Ltd.
| The Allman Brothers Band | 4:48 |
| 19 | Feelin’ Alright | Joe Cocker | 4:09 |
| 20 | Maggie May- producer:
- Rod Stewart
- 12 string guitar, bass guitar and electric guitar:
- Ronnie Wood (in 1971)
- acoustic guitar:
- Martin Quittenton (in 1971)
- celesta:
- Pete Sears (in 1971)
- cymbal and membranophone:
- Micky Waller (in 1971)
- Hammond organ:
- Ian McLagan (in 1971)
- mandolin:
- Ray Jackson (in 1971) and David Lindley (in 1971)
- lead vocals:
- Rod Stewart (in 1971)
- phonographic copyright (℗) by:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) and UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control, EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing, EMI Music Publishing Ltd., H. G. Music Inc, Mushroom Music, Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 5:14 |
| 21 | American Pie- engineer:
- Tom Flye
- producer:
- Ed Freeman
- electric guitar:
- David Spinozza (from 1971-05 until 1971-06)
- piano:
- Paul Griffin (from 1971-05 until 1971-06)
- vocals:
- Don McLean (from 1971-05 until 1971-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1971, in 2000)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 131)
- recording of:
- American Pie (from 1971-05 until 1971-06)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc., Illegal Songs Inc., Mayday Music, MCA Music, MCA Music Publishing, MCA Publishing Ltd., Songs of Universal, Inc., Universal, Universal Music Publishing Ltd., Universal Records, Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 8:32 |
| 22 | The Weight | The Band | 4:34 |
| 23 | Fooled Around and Fell in Love | Elvin Bishop | 4:35 |
| 24 | Get Ready | Rare Earth | 2:52 |
| 25 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | 3:56 |
| 26 | Stuck in the Middle With You | Stealers Wheel | 3:24 |
| 27 | Signs | Five Man Electrical Band | 3:03 |
| 28 | Free Ride | The Edgar Winter Group | 3:08 |
| 29 | Rock and Roll, Hoochie Koo | Rick Derringer | 3:43 |
| 30 | Black Magic Woman- recorded in:
- San Francisco, California, United States (in 1970-06)
- engineer:
- David Brown and John Fiore
- producer:
- Fred Catero and Santana
- bass guitar:
- David Brown (from 1970-06-04 until 1970-06-05)
- congas:
- José “Chepito” Áreas (in 1970-06) and Michael Carabello (in 1970-06)
- congas and percussion:
- Michael Carabello (from 1970-06-04 until 1970-06-05)
- congas, percussion and timbales and timbales:
- José “Chepito” Áreas (from 1970-06-04 until 1970-06-05)
- drums (drum set):
- Michael Shrieve (from 1970-06-04 until 1970-06-05)
- guitar:
- Carlos Santana (from 1970-06-04 until 1970-06-05)
- keyboard and lead vocals:
- Gregg Rolie (from 1970-06-04 until 1970-06-05)
- percussion:
- Rico Reyes (from 1970-06-04 until 1970-06-05)
- tabla:
- Steven Saphore (from 1970-06-04 until 1970-06-05)
- background vocals:
- Rico Reyes (from 1970-06-04 until 1970-06-05) and Carlos Santana (from 1970-06-04 until 1970-06-05)
- vocals:
- Gregg Rolie (in 1970-06)
- arranger:
- Santana
- phonographic copyright (℗) by:
- CBS, Inc. (in 1970) and Sony Music Entertainment Inc. (in 1970)
- recorded at:
- Wally Heider Studios in San Francisco, California, United States (from 1970-06-04 until 1970-06-05)
- cover recording of:
- Black Magic Woman (in 1970-06)
- lyricist and composer:
- Peter Green
- publisher:
- Bourne Music Ltd., Copyright Control, King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
- cover recording of:
- Gypsy Queen (in 1970-06)
- composer:
- Gábor Szabó (in 1966)
- publisher:
- Gabor & Cardigan Music, PAB Music Corp. and Wixen Music Publishing, Inc.
| Santana | 5:19 |
| 31 | American Woman- producer:
- Nimbus 9 and Jack Richardson
- phonographic copyright (℗) by:
- RCA (in 1970) and Sony Music Entertainment (in 1972)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 3) and Huffington Post: 100 Best Canadian Songs Ever (number: 4)
- recording of:
- American Woman (from 1969-08 until 1969-11)
- writer:
- Randy Bachman, Burton Cummings, Jim Kale and Garry Peterson
- publisher:
- BMG Rights Management (UK) Ltd., Bug Music, Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control, Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
| The Guess Who | 5:06 |
| 32 | Evil Woman- engineer:
- Jimmy Iovine and Reinhold Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (from 1975-05 until 1975-06)
- cello:
- Melvyn Gale (from 1975-05 until 1975-06) and Hugh McDowell (from 1975-05 until 1975-06)
- clavinet, Moog and piano:
- Richard Tandy (from 1975-05 until 1975-06)
- drums (drum set) and percussion:
- Bev Bevan (from 1975-05 until 1975-06)
- guitar:
- Jeff Lynne (from 1975-05 until 1975-06) and Richard Tandy (from 1975-05 until 1975-06)
- violin:
- Mik Kaminski (from 1975-05 until 1975-06)
- background vocals:
- Susan Collins (from 1975-05 until 1975-06), Ellie Greenwich (from 1975-05 until 1975-06), Nancy O'Neill (from 1975-05 until 1975-06) and Margaret Raymond (from 1975-05 until 1975-06)
- lead vocals:
- Jeff Lynne (from 1975-05 until 1975-06)
- conductor:
- Louis Clark
- arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1975, in 2005) and Sony Music Entertainment Inc. (in 1975)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London, England, United Kingdom (from 1975-05 until 1975-06), Musicland Studios in München, Bayern, Germany (from 1975-05 until 1975-06) and The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975-05 until 1975-06: background vocals)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- Evil Woman (from 1975-05 until 1975-06)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd. and Polygon Publishing Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 4:18 |
| 33 | Changes | David Bowie | 3:33 |
| 34 | I’ve Seen All Good People: Your Move / All Good People- engineer:
- Eddy Offord
- producer:
- Eddy Offord and Yes
- bass pedals and electric bass guitar:
- Chris Squire (from 1970-10 until 1970-11)
- drums (drum set):
- Bill Bruford (from 1970-10 until 1970-11)
- electric guitar and Portuguese guitar [vachalia]:
- Steve Howe (from 1970-10 until 1970-11)
- guest recorder:
- Colin Goldring (from 1970-10 until 1970-11)
- Hammond organ and piano:
- Tony Kaye (from 1970-10 until 1970-11)
- percussion:
- Jon Anderson (from 1970-10 until 1970-11) and Bill Bruford (from 1970-10 until 1970-11)
- background vocals:
- Jon Anderson (from 1970-10 until 1970-11), Steve Howe (from 1970-10 until 1970-11) and Chris Squire (from 1970-10 until 1970-11)
- lead vocals:
- Jon Anderson (from 1970-10 until 1970-11)
- phonographic copyright (℗) by:
- WEA International Inc. (in 1971)
- recorded at:
- Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (from 1970-10 until 1970-11)
- recording of:
- I’ve Seen All Good People (from 1970-10 until 1970-11)
- writer:
- Jon Anderson and Chris Squire
- publisher:
- Cotillion Music Inc., Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. and Yessongs Ltd.
- quotes lyrics from:
- Give Peace a Chance
| Yes | 6:54 |
| 35 | Walk on the Wild Side- producer:
- David Bowie, Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie, Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4:12 |
| 36 | Hold Your Head Up | Argent | 6:10 |
| 37 | Long Cool Woman (In a Black Dress) | The Hollies | 3:16 |
| 38 | Gimme Some Lovin’- recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd., Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc., Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd., Warner Chappell Music Ltd., Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| The Spencer Davis Group | 2:59 |
| 39 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (on 1967-03-28)
- producer:
- Bert Russell Berns
- bass guitar:
- Eric Gale (on 1967-03-28)
- drums (drum set):
- Gary Chester (on 1967-03-28)
- guitar:
- Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
- organ:
- Garry Sherman (on 1967-03-28)
- background vocals:
- The Sweet Inspirations (on 1967-03-28)
- lead vocals:
- Van Morrison (on 1967-03-28)
- performer:
- Van Morrison (on 1967-03-28)
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (in 1973)
- recorded at:
- A&R Recording Studio A in New York, New York, United States (on 1967-03-28) and A&R Recording Studio in New York, New York, United States (on 1967-04-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (number: 109)
- recording of:
- Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
- lyricist and composer:
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing, Universal Music Publishing Ltd., Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
| Van Morrison | 3:05 |
| 40 | Bang a Gong (Get It on)- engineer:
- Roy Thomas Baker, Malcolm Cecil, Rik Pekkonen and Martin Rushent
- producer:
- Tony Visconti
- drums (drum set):
- Bill Legend (from 1971-03 until 1971-06)
- electric bass guitar:
- Steve Currie (from 1971-03 until 1971-06)
- electric guitar and lead vocals:
- Marc Bolan (from 1971-03 until 1971-06)
- keyboard:
- Rick Wakeman (from 1971-03 until 1971-06)
- percussion:
- Mickey Finn (from 1971-03 until 1971-06)
- background vocals:
- Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
- phonographic copyright (℗) by:
- Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (number: 41)
- recording of:
- Get It On (from 1971-03 until 1971-06)
- lyricist and composer:
- Marc Bolan
- publisher:
- Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
| T. Rex | 4:22 |
| 41 | Ballroom Blitz | The Sweet | 4:01 |
| 42 | All Right Now- engineer:
- Roy Thomas Baker
- additional producer:
- John Kelly
- producer:
- Free
- bass:
- Andy Fraser (in 1970)
- drums (drum set):
- Simon Kirke (in 1970)
- electric bass guitar and piano:
- Andy Fraser
- guitar:
- Paul Kossoff (in 1970)
- lead vocals:
- Paul Rodgers (in 1970)
- vocals:
- Paul Rodgers
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records (in 1970) and Island Records Ltd. (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom (in 1970) and Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1970)
- music videos:
- All Right Now by Free
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 27)
- recording of:
- All Right Now (in 1970)
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control, Irving Music, Inc., Kobalt Music Publishing Ltd., Polygram Music and Universal Music Publishing
| Free | 5:30 |
| 43 | In‐A‐Gadda‐Da‐Vida | Iron Butterfly | 2:53 |
| 44 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation, Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 3:28 |
| 45 | Detroit Rock City | KISS | 5:15 |
| 46 | Hair of the Dog | Nazareth | 4:10 |
| 47 | (Don’t Fear) The Reaper- recording engineer:
- Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
- engineer:
- Andy Abrams and Shelly Yakus
- producer:
- Murray Krugman, David Lucas and Sandy Pearlman
- mixer:
- Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976-03)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 55)
- recording of:
- (Don’t Fear) The Reaper (in 1976-03)
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 5:09 |
| 48 | Radar Love- recording engineer:
- Pieter Nieboer
- executive producer:
- Fred Haayen
- producer:
- Golden Earring
- mixer:
- Damon Lyon-Shaw
- acoustic guitar and electric guitar:
- George Kooymans
- drums (drum set) and percussion:
- Cesar Zuiderwijk
- electric bass guitar and keyboard:
- Rinus Gerritsen
- slide guitar:
- Eelco Gelling
- vocals:
- Barry Hay and George Kooymans
- arranger:
- Golden Earring
- phonographic copyright (℗) by:
- Dutch Record Company (in 1973), Polydor B.V. (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
- produced for:
- Red Bullet Productions
- recorded at:
- Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
- mixed at:
- IBC Studios in London, England, United Kingdom
- recording of:
- Radar Love
- lyricist:
- Barry Hay
- composer:
- George Kooymans
- publisher:
- Dayglow Music, Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music and Sony/ATV Music Publishing
| Golden Earring | 6:24 |
| 49 | Don’t Look Back | Boston | 5:57 |
| 50 | Flirtin’ With Disaster | Molly Hatchet | 4:59 |
| 51 | Werewolves of London | Warren Zevon | 3:25 |
| 52 | The House Is Rockin’- additional engineer:
- Richard McKernen
- assistant engineer:
- Bob Lacivita, Jim Champagne, Ryan Dorn, Danny Jones and Evan Rush
- engineer:
- Jim Gaines and Richard Mullen
- producer:
- Jim Gaines and Stevie Ray Vaughan and Double Trouble
- mixer:
- Jim Gaines and Dave McNair
- bass guitar:
- Tommy Shannon (on 1989-02-10)
- drums (drum set) and percussion:
- Chris Layton (on 1989-02-10)
- guitar:
- Stevie Ray Vaughan (on 1989-02-10)
- keyboard:
- Reese Wynans (on 1989-02-10)
- vocals:
- Stevie Ray Vaughan (on 1989-02-10)
- mixed at:
- Kiva Studios in Memphis, Tennessee, United States, Sound Castle Recording Studios in Silver Lake, Los Angeles, California, United States and Summa Studios in Los Angeles, California, United States
- recording of:
- The House Is Rockin’ (on 1989-02-10)
- writer:
- Doyle Bramhall and Stevie Ray Vaughan
- publisher:
- Hello Mr. Wilson, Stevie Ray Songs and Two Thirty Music
| Stevie Ray Vaughan and Double Trouble | 2:24 |
| 53 | One Bourbon, One Scotch, One Beer (live) | George Thorogood & the Destroyers | 5:48 |
| 54 | Hold On Loosely- engineer:
- “Lightnin’ Rod” Mills and Gregory M. Quesnel
- associate producer:
- Don Barnes and Jeff Carlisi
- producer:
- Rodney Mills
- bass guitar:
- Larry Junstrom
- drums (drum set):
- Jack Grondin and Steve Brookins
- guitar:
- Don Barnes and Jeff Carlisi
- background vocals:
- Don Barnes and Carol Veto
- lead vocals:
- Don Barnes and Donnie Van Zant
- phonographic copyright (℗) by:
- A&M Records (in 1980), A&M Records, Inc. (in 1980), UMG Recordings, Inc. (in 1981, in 1987), Universal Music Enterprises (in 2001) and Interscope Geffen (A&M) Records (in 2003)
- recorded at and mixed at:
- Studio One in Doraville, Georgia, United States
- recording of:
- Hold On Loosely
- writer:
- Jeff Carlisi, James Peterik and Richard Donald Barnes
- publisher:
- Easy Action Music, Rocknocker Music Co., Universal Music–MGB Songs and WB Music Corp.
| .38 Special | 4:38 |
| 55 | The Stroke | Billy Squier | 3:37 |
| 56 | Centerfold- engineer:
- Dave Thoener
- producer:
- Seth Justman
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1981), Capitol Records, LLC (in 1981), EMI Records USA (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (number: 314)
- recording of:
- Centerfold
- lyricist and composer:
- Seth Justman
- publisher:
- Center City Music, Copyright Control, Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. and Warner/Chappell Music Ltd.
| The J. Geils Band | 3:37 |
| 57 | Rebel Yell- engineer:
- Michael Frondelli
- producer:
- Keith Forsey
- mixer:
- Dave Wittman
- bass guitar:
- Steve Webster (in 1983)
- bass, guitar and keyboard:
- Steve Stevens (in 1983)
- drums (drum set):
- Thommy Price (in 1983)
- keyboard:
- Judi Dozier (in 1983)
- lead vocals:
- Billy Idol (in 1983)
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1983), Capitol Records, LLC (in 1983), Chrysalis Records, Inc. (in 1983, in 1999) and Chrysalis Records Ltd. (in 1986)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Rebel Yell by Billy Idol
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 79)
- recording of:
- Rebel Yell (in 1983)
- lyricist and composer:
- Billy Idol and Steve Stevens
- publisher:
- BMG Monarch, Boneidol Music, Chrysalis Music, Chrysalis Music Holdings GmbH, Chrysalis Music Ltd., Chrysalis Music Publishing Ltd., Chrysalis Records Ltd., Neue Welt Musikverlag GmbH & Co. KG, Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. and WC Music Corp.
| Billy Idol | 4:47 |
| 58 | Roxanne | The Police | 3:11 |
| 59 | Lunatic Fringe | Red Rider | 4:21 |
| 60 | Heartbreaker | Pat Benatar | 3:27 |
