10 CD Collection, 21 Original Albums: Milestones Of A Jazz Legend

~ Release by Miles Davis (see all versions of this release, 1 available)

Tracklist

1▶CD: Blue Period (1951) Young Man With a Horn (1952) Miles Davis Plays the Compositions of Al Cohn (1953)
2▶CD: Miles Davis Volume 2 (1953) Miles Davis Volume 2 (1953) Miles Davis Volume 3 (1954) Classics in Jazz (1954)
3▶CD: Blue Moods (1955) Workin' With the Miles Davis Quintet (1959) Recorded 1956
4▶CD: Cookin' With the Miles Davis Quintet (1957) Recorded 1956, Steamin' With the Miles Davis Quintet (1961) Recorded 1956
5▶CD: Relaxin' With the Miles Davis Quintet (1958) Recorded 1956, the New Miles Davis Quintet - Miles (1956) Recorded 1956
6▶CD: Collectors Items (1956) Blue Haze (1956)
7▼CD: Ascenseur Pour L'Échafaud (1958) Porgy and Bess (1958)
#TitleLength
1Générique
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Générique (Ascenseur pour l’échafaud) (from 1957-12-04 until 1957-12-05)
composer:
Miles Davis
publisher:
Edition Continentale
2:49
2L'assassinat de carala
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
L'assassinat de Carala (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:11
3Sur l'autoroute
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Sur l’autoroute (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:18
4Julien dans l'ascenseur
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Julien dans l'ascenseur (in 1957-12)
composer:
Miles Davis
publisher:
Edition Continentale
2:10
5Florence sur les champs-élysées
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Florence sur les Champs-Élysées (from 1957-12-04 until 1957-12-05)
composer:
Miles Davis
publisher:
Edition Continentale
2:52
6Dîner au motel
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Dîner au motel (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
3:58
7Évasion de julien
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Évasion de Julien (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
0:53
8Visite du vigile
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Visite du vigile (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:05
9Au bar du petit bac
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Au bar du petit bac (in 1957-12)
composer:
Miles Davis
publisher:
Edition Continentale
2:54
10Chez le photographe du motel
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Chez le photographe du motel (from 1957-12-04 until 1957-12-05)
composer:
Miles Davis
publisher:
Edition Continentale
3:55
11The Buzzard Song
remaster of:
The Buzzard Song by Miles Davis
instrumental cover recording of:
Porgy and Bess: Act II, Scene I. “Buzzard keep on flyin’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
4:09
12Bess, You Is My Woman Now
alto saxophone:
Cannonball Adderley (on 1958-07-29)
bass:
Paul Chambers (on 1958-07-29)
bass clarinet:
Danny Bank (on 1958-07-29)
bass trombone:
Dick Hixson (on 1958-07-29) and Dick Nixon (on 1958-07-29)
drums (drum set):
Jimmy Cobb (on 1958-07-29)
flugelhorn and trumpet:
Miles Davis (on 1958-07-29)
flute:
Phil Bodner (on 1958-07-29) and Romeo Penque (on 1958-07-29)
French horn:
Willie Ruff (on 1958-07-29), Gunther Schuller (on 1958-07-29) and Julius Watkins (on 1958-07-29)
trombone:
Joe Bennett (on 1958-07-29), Jimmy Cleveland (on 1958-07-29) and Frank Rehak (on 1958-07-29)
trumpet:
Johnny Coles (on 1958-07-29), Bernie Glow (on 1958-07-29), Louis Mucci (on 1958-07-29) and Ernie Royal (on 1958-07-29)
tuba:
Bill Barber (on 1958-07-29)
conductor:
Gil Evans (on 1958-07-29)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-29)
instrumental cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1958-07-29)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
5:13
13Gone
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Philly Joe Jones (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (from 1958-07-22 until 1958-08-18) and Frank Rehak (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (from 1958-07-22 until 1958-08-18), Miles Davis (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
recording of:
Gone (Gil Evans composition) (from 1958-07-22 until 1958-08-18)
composer:
Gil Evans
3:40
14Gone, Gone, Gone
alto saxophone:
Cannonball Adderley (on 1958-07-22)
bass:
Paul Chambers (on 1958-07-22)
bass clarinet:
Danny Bank (on 1958-07-22)
bass trombone:
Dick Hixson (on 1958-07-22) and Dick Nixon (on 1958-07-22)
drums (drum set):
Philly Joe Jones (on 1958-07-22)
flugelhorn:
Miles Davis (on 1958-07-22)
flute:
Phil Bodner (on 1958-07-22) and Romeo Penque (on 1958-07-22)
French horn:
Willie Ruff (on 1958-07-22), Gunther Schuller (on 1958-07-22) and Julius Watkins (on 1958-07-22)
trombone:
Joe Bennett (on 1958-07-22), Jimmy Cleveland (on 1958-07-22) and Frank Rehak (on 1958-07-22)
trumpet:
Johnny Coles (on 1958-07-22), Miles Davis (on 1958-07-22), Bernie Glow (on 1958-07-22), Louis Mucci (on 1958-07-22) and Ernie Royal (on 1958-07-22)
tuba:
Bill Barber (on 1958-07-22)
conductor:
Gil Evans (on 1958-07-22)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-22)
instrumental cover recording of:
Porgy and Bess: Act I, Scene II. “Gone, gone, gone (Where is brudder Robbins?)” (on 1958-07-22)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene II
2:05
15Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (on 1958-08-18)
bass clarinet:
Danny Bank (on 1958-08-18)
bass trombone:
Dick Hixson (on 1958-08-18)
drums (drum set):
Philly Joe Jones (on 1958-08-18)
flugelhorn:
Miles Davis (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (on 1958-08-18), Jimmy Cleveland (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (on 1958-08-18), Miles Davis (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:20
16Bess, Oh Where's My Bess
remaster of:
Bess, Oh Where’s My Bess by Miles Davis
instrumental cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
4:31
17Prayer (Oh Doctor Jesus)
alto saxophone:
Cannonball Adderley (on 1958-08-04)
bass:
Paul Chambers (on 1958-08-04)
bass clarinet:
Danny Bank (on 1958-08-04)
bass trombone:
Dick Hixson (on 1958-08-04) and Dick Nixon (on 1958-08-04)
drums (drum set):
Jimmy Cobb (on 1958-08-04) and Philly Joe Jones (on 1958-08-04)
flugelhorn:
Miles Davis (on 1958-08-04)
flute:
Romeo Penque (on 1958-08-04) and Jerome Richardson (on 1958-08-04)
French horn:
Willie Ruff (on 1958-08-04), Gunther Schuller (on 1958-08-04) and Julius Watkins (on 1958-08-04)
trombone:
Joe Bennett (on 1958-08-04), Jimmy Cleveland (on 1958-08-04) and Frank Rehak (on 1958-08-04)
trumpet:
Johnny Coles (on 1958-08-04), Miles Davis (on 1958-08-04), Bernie Glow (on 1958-08-04), Louis Mucci (on 1958-08-04) and Ernie Royal (on 1958-08-04)
tuba:
Bill Barber (on 1958-08-04)
conductor:
Gil Evans (on 1958-08-04)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-04)
instrumental cover recording of:
Porgy and Bess: Act II. “Oh, Doctor Jesus” (this title appears several times in Act II) (on 1958-08-04)
composer:
George Gershwin
part of:
Porgy and Bess: Act II
4:41
18Fishermen, Strawberry and Devil Crab
remaster of:
Fisherman, Strawberry and Devil Crab by Miles Davis
instrumental cover recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act I, Scene I
4:08
19My Man's Gone Now
remaster of:
My Man’s Gone Now by Miles Davis
instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
lyricist:
Ira Gershwin, Dorothy Heyward and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
lyricist:
Ira Gershwin, Dorothy Heyward and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
6:17
20It Ain't Necessarily So
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Jimmy Cobb (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (from 1958-07-22 until 1958-08-18) and Frank Rehak (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (from 1958-07-22 until 1958-08-18), Miles Davis (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
performer:
Miles Davis
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music, Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
4:25
21Here Come de Honey Man
remaster of:
Here Come de Honey Man by Miles Davis
instrumental cover recording of:
Porgy and Bess: Act I, Scene I. “Here Come de Honey Man”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act I, Scene I
1:18
22I Loves You, Porgy
alto flute and bass clarinet:
Danny Bank (on 1958-08-18)
alto saxophone:
Cannonball Adderley (on 1958-08-18)
clarinet and flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
double bass [bass]:
Paul Chambers (on 1958-08-18)
drums (drum set) [drums]:
Jimmy Cobb
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (on 1958-08-18), Jimmy Cleveland (on 1958-08-18), Dick Hixson (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (on 1958-08-18), Miles Davis (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1958-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:38
23There's a Boat That's Leaving Soon for New York
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (on 1958-08-18)
bass clarinet:
Danny Bank (on 1958-08-18)
bass trombone:
Dick Hixson (on 1958-08-18) and Dick Nixon (on 1958-08-18)
drums (drum set):
Jimmy Cobb (on 1958-08-18) and Philly Joe Jones (on 1958-08-18)
flugelhorn:
Miles Davis (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (on 1958-08-18), Jimmy Cleveland (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (on 1958-08-18), Miles Davis (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (on 1958-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act III, Scene II
3:23
8▶CD: Miles Ahead (1957) Sketches of Spain (1960)
9▶CD: Miles Davis in Person at the Blackhawk, San Francisco Vol. 1 (1961) Kind of Blue (1961) - Part One
10▶CD: Kind of Blue (1961) - Part Two, Miles Davis in Person at the Blackhawk, San Francisco Vol. 2 (1961)

Credits

Release group

part of:10 CD Collection (order: 14)