Mozart 111

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

1▶CD: Symphonies 25, 26 & 29 - Pinnock
2▶CD: Symphonies 28, 31, 33 & 34 - Levine
3▶CD: Symphonies 32, 35 & 36 - Karajan
4▶CD: Symphonies 38 & 39 - Pinnock
5▶CD: Symphonies 40 & 41 - Minkowski
6▶CD: Piano Concertos 6, 17 & 21 - Anda
7▶CD: Piano Concerto 27 - Concerto for 2 Pianos - Gilels
8▶CD: Piano Concertos 19 & 23 - Pollini
9▶CD: Piano Concertos 20 & 24 - Bilson
10▶CD: Piano Concertos 14 & 26 - Pires
11▶CD: Violin Concertos 3-5 - Perlman
12▶CD: Sinfonia concertante - Perlman - Zukerman
13▶CD: Clarinet & Horn Concertos - Neidich - Jolley
14▶CD: Wind Concertos - Purvis - Wolfgang - Morelli
15▶CD: Flute & Harp Concertos - Palma - Allen
16▶CD: Serenade K 361 "Gran Partita" - Orpheus
17▶CD: Wind Serenades K 375 & K 388 - Orpheus
18▶CD: Divertimento K 334 - Serenata K 239 - Karajan
19▶CD: "Haffner" Serenade - Böhm
20▶CD: "Posthorn" Serenade - Eine kleine Nachtmusik - Levine
21▶CD: "Haydn" Quartets - Hagen (1)
22▶CD: "Haydn" Quartets - Hagen (2)
23▶CD: "Haydn" Quartets - Hagen (3)
24▶CD: String Quintet K 515 - Divertimento K 563 - Amadeus
25▶CD: String Quintets K 516 & K 593 - Amadeus
26▶CD: Quartets & Quintets with Winds - Amadeus
27▶CD: Piano & wind Chamber Music - .Levine - Wien-Berlin
28▶CD: Piano Quartets - Fauré Quartett
29▶CD: Violin Sonatas K 301, 304, 378, 379 - Dumay - Pires
30▶CD: Violin Sonatas K 454, 481, 526 - Perlman - Barenboim
31▶CD: Piano Sonatas K 310, 332, 545 - Pires
32▶CD: Piano Sonatas K 281, 330, 333 - Horowitz
33▶CD: Piano Sonatas K 331, 457 - Gulda
34▶CD: Piano Duets - Eschenbach - Frantz
35▶CD: "Coronation" Mass - Pinnock
36▶CD: C minor Mass - Bernstein
37▶CD: Requiem - Abbado
38▶CD: Concerto Arias - Janowitz
39▶CD: Idomeneo - Gardiner (1)
40▶CD: Idomeneo - Gardiner (2)
41▶CD: Idomeneo - Gardiner (3)
42▶CD: Die Entführung aus dem Serail - Böhm (1)
43▶CD: Die Entführung aus dem Serail - Böhm (2)
44▶CD: Le nozze di Figaro - Harnoncourt (1)
45▶CD: Le nozze di Figaro - Harnoncourt (2)
46▶CD: Le nozze di Figaro - Harnoncourt (3)
47▶CD: Don Giovanni - Abbado (1)
48▶CD: Don Giovanni - Abbado (2)
49▶CD: Don Giovanni - Abbado (3)
50▶CD: Così fan tutte - Levine (1)
51▶CD: Così fan tutte - Levine (2)
52▶CD: Così fan tutte - Levine (3)
53▶CD: Die Zauberflöte - Böhm (1)
54▼CD: Die Zauberflöte - Böhm (2)
#TitleLength
1Die Zauberflöte, K 620: Act II: (a) Marsch der Priester
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
1:26
2Die Zauberflöte, K 620: Act II: (b) "Ihr eingeweihten Diener" ...
producer:
Wolfgang Lohse
spoken vocals [Dritter Priester]:
Manfred Röhrl (in 1964-06)
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
spoken vocals [Sarastro]:
Franz Crass (in 1964-06)
spoken vocals [Zweiter Priester]:
Martin Vantin (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:19
3Die Zauberflöte, K 620: Act II: (c) "O Isis und Osiris" ...
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (in 1964-06)
choir vocals:
RIAS Kammerchor (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
chorus master:
Günther Arndt (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:55
4Die Zauberflöte, K 620: Act II: (d) "Eine schreckliche Nacht" ...
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
spoken vocals [Zweiter Priester]:
Martin Vantin (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
1:57
5Die Zauberflöte, K 620: Act II: (e) "Bewahret euch vor Weibertücken" ...
producer:
Wolfgang Lohse
bass vocals [Dritter Priester]:
Manfred Röhrl (in 1964-06)
tenor vocals [Zweiter Priester]:
Martin Vantin (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
0:55
6Die Zauberflöte, K 620: Act II: (f) "He, Lichter her!" ...
producer:
Wolfgang Lohse
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
0:13
7Die Zauberflöte, K 620: Act II: (g) "Wie? Wie? Wie?" ...
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
mezzo-soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:37
8Die Zauberflöte, K 620: Act II: (h) "Tamino! Dein standhaft männliches Betragen" ...
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Zweiter Priester]:
Martin Vantin (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
0:27
9Die Zauberflöte, K 620: Act II: (i) "Alles fühlt der Liebe Freuden" ...
producer:
Wolfgang Lohse
tenor vocals [Monostatos]:
Friedrich Lenz (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:18
10Die Zauberflöte, K 620: Act II: (j) "Mutter!" ...
producer:
Wolfgang Lohse
spoken vocals [Königin der Nacht]:
Roberta Peters (in 1964-06)
spoken vocals [Monostatos]:
Friedrich Lenz (in 1964-06)
spoken vocals [Pamina]:
Evelyn Lear (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
0:22
11Die Zauberflöte, K 620: Act II: (k) "Der Hölle Rache" ...
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:56
12Die Zauberflöte, K 620: Act II: (l) "Morden soll ich?" ...
producer:
Wolfgang Lohse
spoken vocals [Monostatos]:
Friedrich Lenz (in 1964-06)
spoken vocals [Pamina]:
Evelyn Lear (in 1964-06)
spoken vocals [Sarastro]:
Franz Crass (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
0:48
13Die Zauberflöte, K 620: Act II: (m) "In diesen heil'gen Hallen" ...
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:04
14Die Zauberflöte, K 620: Act II: (n) "Hier seid ihr beide euch allein überlassen" ...
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:47
15Die Zauberflöte, K 620: Act II: (o) "Seid uns zum zweitenmal willkommen" ...
producer:
Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:48
16Die Zauberflöte, K 620: Act II: (p) "Tamino, wollen wir nicht speisen?" ...
producer:
Wolfgang Lohse
spoken vocals [Pamina]:
Evelyn Lear (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:08
17Die Zauberflöte, K 620: Act II: (q) "Ach, ich fühl's, es ist verschwunden" ...
producer:
Otto Gerdes and Wolfgang Lohse
soprano vocals [Pamina]:
Evelyn Lear (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:30
18Die Zauberflöte, K 620: Act II: (r) "O Isis und Osiris" ...
producer:
Wolfgang Lohse
choir vocals:
RIAS Kammerchor (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:07
19Die Zauberflöte, K 620: Act II: (s) "Tamino, deine Haltung war bisher sehr männlich" ...
producer:
Wolfgang Lohse
spoken vocals [Pamina]:
Evelyn Lear (in 1964-06)
spoken vocals [Sarastro]:
Franz Crass (in 1964-06)
spoken vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
0:32
20Die Zauberflöte, K 620: Act II: (t) "Soll ich dich, Teurer, nicht mehr sehn?" ...
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (in 1964-06)
tenor vocals [Tamino]:
Fritz Wunderlich (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:02
21Die Zauberflöte, K 620: Act II: (u) "Tamino! Tamino!" ...
producer:
Wolfgang Lohse
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
spoken vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:09
22Die Zauberflöte, K 620: Act II: (v) "Ein Mädchen oder Weibchen" ...
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:54
23Die Zauberflöte, K 620: Act II: (w) "Da bin ich schon, mein Engel" ...
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
spoken vocals [Erster Priester]:
Hubert Hilten (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:00
24Die Zauberflöte, K 620: Act II: (x) "Bald prangt, den Morgen zu verkünden" ...
producer:
Otto Gerdes and Wolfgang Lohse
contralto vocals [Dritter Knabe]:
Raili Kostia (in 1964-06)
mezzo-soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (in 1964-06)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (in 1964-06)
soprano vocals [Pamina]:
Evelyn Lear (in 1964-06)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
6:22
25Die Zauberflöte, K 620: Act II: (y) "Der, welcher wandert diese Straße" ...
producer:
Otto Gerdes and Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Martti Talvela (from 1965-10-31 until 1965-11-03)
soprano vocals [Pamina]:
Evelyn Lear (from 1965-10-31 until 1965-11-03)
tenor vocals [Erster geharnischter Mann]:
James King (from 1965-10-31 until 1965-11-03)
tenor vocals [Tamino]:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06), Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:25
26Die Zauberflöte, K 620: Act II: (z) "Tamino mein! O welch ein Glück!" ...
producer:
Otto Gerdes and Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Martti Talvela (from 1964-06-18 until 1964-06-25)
choir vocals:
RIAS Kammerchor (in 1964-06, from 1964-06-18 until 1964-06-25)
soprano vocals [Pamina]:
Evelyn Lear (in 1964-06, from 1964-06-18 until 1964-06-25)
tenor vocals [Erster geharnischter Mann]:
James King (from 1964-06-18 until 1964-06-25)
tenor vocals [Tamino]:
Fritz Wunderlich (in 1964-06, from 1964-06-18 until 1964-06-25)
orchestra:
Berliner Philharmoniker (in 1964-06, from 1964-06-18 until 1964-06-25)
conductor:
Karl Böhm (in 1964-06, from 1964-06-18 until 1964-06-25)
chorus master:
Günther Arndt (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06), Jesus‐Christus‐Kirche in Berlin, Germany (from 1964-06-18 until 1964-06-25) and Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
7:03
27Die Zauberflöte, K 620: Act II: (aa) "Papagena! Weibchen! Täubchen!" ..
producer:
Otto Gerdes and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (in 1964-06)
contralto vocals [Dritter Knabe]:
Raili Kostia (in 1964-06)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (in 1964-06)
soprano vocals [Papagena]:
Lisa Otto (in 1964-06)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
8:09
28Die Zauberflöte, K 620: Act II: (ab) "Nur stille, stille, stille, stille!" ..
producer:
Otto Gerdes and Wolfgang Lohse
mezzo-soprano vocals [Dritte Dame der Königin] and soprano vocals [Dritte Dame der Königin]:
Sieglinde Wagner (in 1964-06)
mezzo-soprano vocals [Zweite Dame der Königin]:
Cvetka Ahlin (in 1964-06)
soprano vocals [Erste Dame der Königin]:
Hildegard Hillebrecht (in 1964-06)
soprano vocals [Königin der Nacht]:
Roberta Peters (in 1964-06)
tenor vocals [Monostatos]:
Friedrich Lenz (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:16
29Die Zauberflöte, K 620: Act II: (ac) "Die Strahlen der Sonne" ...
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (in 1964-06)
choir vocals:
RIAS Kammerchor (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (in 1964-06)
chorus master:
Günther Arndt (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
3:11
55▶CD: A Little Light Music - Orpheus