Messe in h-Moll

~ Release by Johann Sebastian Bach; Janowitz, Ludwig, Schreier, Kerns, Ridderbusch, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan (see all versions of this release, 5 available)

Annotation

Box with booklet included.

Tracklist

1▶12" Vinyl

2▼12" Vinyl
#	Title	Artist	Length
C1	Mass in B minor: Gloria: VIII. Duet (soprano, tenor): Domine Deus producer: Hans Weber soprano vocals [Soprano I]: Gundula Janowitz (from 1973-09-23 until 1974-01-05) tenor vocals: Peter Schreier (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	6:09
C2	Mass in B minor: Gloria: IX. Chorus: Qui tollis peccata mundi producer: Hans Weber choir vocals: Wiener Singverein (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:49
C3	Mass in B minor: Gloria: X. Aria (contralto): Qui sedes ad dexteram Patris producer: Hans Weber alto vocals: Christa Ludwig (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:47
C4	Mass in B minor: Gloria: XI. Aria (bass): Quoniam tu solus Sanctus producer: Hans Weber bass vocals: Karl Ridderbusch (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:55
C5	Mass in B minor: Gloria: XII. Chorus: Cum Sancto Spiritu producer: Hans Weber choir vocals: Wiener Singverein (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:11
D1	Mass in B minor: Credo: XIII. Chorus: Credo in unum Deum producer: Hans Weber choir vocals: Wiener Singverein (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:48
D2	Mass in B minor: Credo: XIV. Chorus: Credo in unum Deum, Patrem omnipotentem producer: Hans Weber choir vocals: Wiener Singverein (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:15
D3	Mass in B minor: Credo: XV. Duet (soprano, contralto): Et in unum Dominum producer: Hans Weber alto vocals: Christa Ludwig (from 1973-09-23 until 1974-01-05) soprano vocals [Soprano I]: Gundula Janowitz (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:36
D4	Mass in B minor: Credo: XVI. Chorus: Et incarnatus est producer: Hans Weber choir vocals: Wiener Singverein (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:02
D5	Mass in B minor: Credo: XVII. Chorus: Crucifixus producer: Hans Weber choir vocals: Wiener Singverein (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:41
D6	Mass in B minor: Credo: XVIII. Et resurrexit producer: Hans Weber choir vocals: Wiener Singverein (from 1973-09-23 until 1974-01-05) orchestra: Berliner Philharmoniker (from 1973-09-23 until 1974-01-05) conductor: Herbert von Karajan (from 1973-09-23 until 1974-01-05) balance engineer: Günter Hermanns (from 1973-09-23 until 1974-01-05) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1973-09-23 until 1974-01-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:17

3▶12" Vinyl

Credits

Release

Discogs:	https://www.discogs.com/release/3795189 [info]

Release group

Discogs:	https://www.discogs.com/master/380228 [info]

Discogs

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