Messe in h-Moll

~ Release by Johann Sebastian Bach; Janowitz, Ludwig, Schreier, Kerns, Ridderbusch, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan (see all versions of this release, 5 available)

Annotation

Box with booklet included.

Tracklist

1▶12" Vinyl
2▶12" Vinyl
3▼12" Vinyl
#TitleArtistLength
E1Mass in B minor: Credo: XIX. Aria (bass): Et in Spiritum Sanctum
producer:
Hans Weber
bass vocals:
Robert Kerns (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:30
E2Mass in B minor: Credo: XX. Chorus: Confiteor unum baptisma / XXI. Chorus: Et expecto resurrectionem
producer:
Hans Weber
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
compilation of:
Mass in B minor: Credo: XX. Chorus: Confiteor unum baptisma by Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan and Mass in B minor: Credo: XXI. Chorus: Et expecto resurrectionem by Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:51
E3Mass in B minor: Sanctus: XXII. Chorus: Sanctus
producer:
Hans Weber
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:14
E4Mass in B minor: Sanctus: XXIII. Chorus: Osanna in excelsis
producer:
Hans Weber
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:43
F1Mass in B minor: Sanctus: XXIV. Aria (tenor): Benedictus, qui venit
producer:
Hans Weber
tenor vocals:
Peter Schreier (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:30
F2Mass in B minor: Sanctus: XXV. Chorus: Osanna in excelsis (da capo)
producer:
Hans Weber
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:46
F3Mass in B minor: Agnus Dei: XXVI. Aria (contralto): Agnus Dei
producer:
Hans Weber
alto vocals:
Christa Ludwig (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:33
F4Mass in B minor: Agnus Dei: XXVII. Chorus: Dona nobis pacem
producer:
Hans Weber
choir vocals:
Wiener Singverein (from 1973-09-23 until 1974-01-05)
orchestra:
Berliner Philharmoniker (from 1973-09-23 until 1974-01-05)
conductor:
Herbert von Karajan (from 1973-09-23 until 1974-01-05)
balance engineer:
Günter Hermanns (from 1973-09-23 until 1974-01-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1973-09-23 until 1974-01-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1973-09-23 until 1974-01-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:02