Mozart 225: Theatre Supplementary Performances

~ Release by Mozart (see all versions of this release, 27 available)

Tracklist

147▼Digital Media: Theatre
#	Title	Artist	Length
1	Nehmt meinen Dank, ihr holden Gönner, K. 383 soprano vocals: Emma Kirkby orchestra: Academy of Ancient Music conductor: Christopher Hogwood recording of: Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" lyricist: [unknown] composer: Wolfgang Amadeus Mozart (in 1782) part of: Köchelverzeichnis (number: 383) and Köchelverzeichnis (number: 383)	Wolfgang Amadeus Mozart	3:42
2	Vorrei spigarvi, oh Dio, K. 418 soprano vocals: Patricia Petibon orchestra: Concerto Köln conductor: Daniel Harding recording of: Aria for Soprano and Orchestra in A major, K. 418: “Vorrei spiegarvi, oh Dio” composer: Wolfgang Amadeus Mozart librettist: [unknown] publisher: Breitkopf & Härtel (in 1881) part of: Köchelverzeichnis (number: K. 418), Köchelverzeichnis (number: 418) and Köchelverzeichnis (number: 418)	Wolfgang Amadeus Mozart	6:41
3	Ch'io mi scordi di te... Non temer, amato bene, K. 505 recording engineer: Wolf‐Dieter Karwatky (in 2005-12) assistant engineer: Chris Barrett (in 2005-12) producer: Marita Prohmann fortepiano: Jos van Immerseel (in 2005-12) soprano vocals: Magdalena Kožená (in 2005-12) orchestra: Orchestra of the Age of Enlightenment (in 2005-12) conductor: Simon Rattle (in 2005-12) balance engineer: Ulrich Vette (in 2005-12) recorded at: AIR Studios in Hampstead, Camden, London, England, United Kingdom (in 2005-12) recording of: Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" (in 2005-12) composer: Wolfgang Amadeus Mozart (in 1786-12) dedicated to: Nancy Storace premiered at: [farewell concert of Nancy Storage] part of: Köchelverzeichnis (number: K. 505), Köchelverzeichnis (number: 505) and Köchelverzeichnis (number: 505)	Wolfgang Amadeus Mozart	10:30
4	Vado, ma dove? oh Dei!, K. 583 recording engineer: Wolf‐Dieter Karwatky (in 2005-12) assistant engineer: Chris Barrett (in 2005-12) producer: Marita Prohmann fortepiano: Jos van Immerseel (in 2005-12) soprano vocals: Magdalena Kožená (in 2005-12) orchestra: Orchestra of the Age of Enlightenment (in 2005-12) conductor: Simon Rattle (in 2005-12) balance engineer: Ulrich Vette (in 2005-12) recorded at: AIR Studios in Hampstead, Camden, London, England, United Kingdom (in 2005-12) recording of: Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” (in 2005-12) lyricist: Lorenzo Da Ponte composer: Wolfgang Amadeus Mozart part of: Köchelverzeichnis (number: 583) and Köchelverzeichnis (number: 583)	Wolfgang Amadeus Mozart	4:22
5	Il re pastore, K. 208: "Aer tranquillo" soprano vocals: Emma Kirkby orchestra: Academy of Ancient Music conductor: Christopher Hogwood recording of: Il rè pastore, K. 208: Act I, Scene II. No. 3 Aria "Aer tranquillo e dì sereni" (Aminta) composer: Wolfgang Amadeus Mozart librettist: Pietro Metastasio part of: Il rè pastore, K. 208: Act I	Wolfgang Amadeus Mozart	6:15
6	Zaide, K. 344: "Tiger! Wetze nur die Klauen" soprano vocals: Mojca Erdmann orchestra: La Cetra Barockorchester Basel conductor: Andrea Marcon recording of: Zaide, K. 336b/344 (fragment): Akt II. No. 13 Arie "Tiger! wetze nur die Klauen" (Zaide) composer: Wolfgang Amadeus Mozart librettist: Johann Andreas Schachtner part of: Zaide, K. 336b/344: Akt II	Wolfgang Amadeus Mozart	4:43
7	Così fan tutte, K. 588: "Come scoglio" soprano vocals: Rachel Yakar orchestra: Drottningholm Court Theatre Orchestra conductor: Arnold Östman recording of: Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto I	Wolfgang Amadeus Mozart	4:33
8	Don Giovanni, K. 527: Overture producer: Markus Heiland orchestra: La Cetra Barockorchester Basel (in 2010-10) conductor: Andrea Marcon (in 2010-10) balance engineer: Andreas Neubronner (in 2010-10) recorded at: Landgasthof Riehen in Riehen, Basel-Stadt, Switzerland (in 2010-10) recording of: Don Giovanni: Ouvertura (in 2010-10) composer: Wolfgang Amadeus Mozart (in 1787) part of: Il dissoluto punito, ossia il Don Giovanni, K. 527	Wolfgang Amadeus Mozart	6:22
9	Don Giovanni, K. 527: "Vedrai, carino" executive producer: Dr. Peter Czornyj producer: Karl-August Naegler mezzo-soprano vocals [Zerlina]: Anne Sofie von Otter (in 1995-01) orchestra: The English Concert (in 1995-01) conductor: Trevor Pinnock (in 1995-01) balance engineer: Hans‐Peter Schweigmann recorded at: Henry Wood Hall in London, England, United Kingdom (in 1995-01) recording of: Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1995-01) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte (in 1787) part of: Don Giovanni: Atto II	Wolfgang Amadeus Mozart	3:11
10	Don Giovanni, K. 527: "Don Giovanni, a cenar teco m'invitasti!" recording engineer: Ulrich Vette executive producer: Dr. Peter Czornyj producer: Karl-August Naegler cello [violoncello]: Timothy Mason (in 1994-07) fortepiano: Marco Zambelli (in 1994-07) mandolin: Steven Smith (in 1994-07) solo cello [violoncello]: David Watkin (in 1994-07) baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]: Rodney Gilfry (in 1994-07) bass vocals [Il commendatore]: Andrea Silvestrelli (in 1994-07) bass vocals [Leporello, servo di Don Giovanni]: Ildebrando d’Arcangelo (in 1994-07) orchestra: English Baroque Soloists (in 1994-07) conductor: Sir John Eliot Gardiner (in 1994-07) concertmaster: Alison Bury (in 1994-07) recorded at: Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07) live recording of: Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1994-07) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto II	Wolfgang Amadeus Mozart	5:30
11	Die Zauberflöte, K. 620: "Der Vogelfänger bin ich ja" recording engineer: Gernot von Schultzendorff (in 1995-07) executive producer: Dr. Peter Czornyj producer: Karl-August Naegler fortepiano [hammerklavier] and glockenspiel: Marco Zambelli (in 1995-07) baritone vocals [Papageno]: Gerald Finley (in 1995-07) orchestra: English Baroque Soloists (in 1995-07) conductor: Sir John Eliot Gardiner (in 1995-07) concertmaster: Alison Bury (in 1995-07) recorded at: Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07) recording of: Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1995-07) composer: Wolfgang Amadeus Mozart (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt I	Wolfgang Amadeus Mozart	2:29
12	Die Zauberflöte, K. 620: "O Isis und Osiris" bass vocals: Kristinn Sigmundsson orchestra: Drottningholm Court Theatre Orchestra conductor: Arnold Östman recording of: Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) composer: Wolfgang Amadeus Mozart (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart	2:43
13	Die Zauberflöte, K. 620: "Ach, ich fühl's" soprano vocals: Barbara Bonney orchestra: Drottningholm Court Theatre Orchestra conductor: Arnold Östman recording of: Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) composer: Wolfgang Amadeus Mozart (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart	3:30
14	La clemenza di Tito, K. 621: "Non più di fiori" mezzo-soprano vocals: Della Jones orchestra: Academy of Ancient Music conductor: Christopher Hogwood recording of: La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia) composer: Wolfgang Amadeus Mozart (in 1791) additional librettist: Caterino Mazzolà librettist: Pietro Metastasio part of: La clemenza di Tito, K. 621: Act II	Wolfgang Amadeus Mozart	6:45
15	La clemenza di Tito, K. 621: "Parto, ma tu ben mio" mezzo-soprano vocals: Cecilia Bartoli soprano vocals [Sesto]: Cecilia Bartoli (from 1991 until 1992) orchestra: Academy of Ancient Music (from 1991 until 1992) conductor: Christopher Hogwood (from 1991 until 1992) recording of: La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (from 1991 until 1992) composer: Wolfgang Amadeus Mozart (in 1791) additional librettist: Caterino Mazzolà librettist: Pietro Metastasio part of: La clemenza di Tito, K. 621: Act I	Wolfgang Amadeus Mozart	6:16
16	La clemenza di Tito, K. 621: "Se all'impero" tenor vocals: Anthony Rolfe Johnson orchestra: English Baroque Soloists conductor: Sir John Eliot Gardiner recording of: La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito) composer: Wolfgang Amadeus Mozart (in 1791) additional librettist: Caterino Mazzolà librettist: Pietro Metastasio part of: La clemenza di Tito, K. 621: Act II	Wolfgang Amadeus Mozart	4:53

148▶Digital Media: Theatre

Credits

Release group

part of:	Mozart 225: Complete Edition (order: 2)

Discogs:	https://www.discogs.com/master/1096293 [info]
other databases:	https://rateyourmusic.com/release/comp/w_a-mozart/mozart-225-the-new-complete-edition/ [info]
Wikidata:	Q113958618 [info]