Mozart 225: Theatre Supplementary Performances

~ Release by Mozart (see all versions of this release, 27 available)

Tracklist

147▼Digital Media: Theatre
#TitleArtistLength
1Nehmt meinen Dank, ihr holden Gönner, K. 383
soprano vocals:
Emma Kirkby
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood
recording of:
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner"
lyricist:
[unknown]
composer:
Wolfgang Amadeus Mozart (in 1782)
part of:
Köchelverzeichnis (number: 383) and Köchelverzeichnis (number: 383)
Wolfgang Amadeus Mozart3:42
2Vorrei spigarvi, oh Dio, K. 418
soprano vocals:
Patricia Petibon
orchestra:
Concerto Köln
conductor:
Daniel Harding
recording of:
Aria for Soprano and Orchestra in A major, K. 418: “Vorrei spiegarvi, oh Dio”
composer:
Wolfgang Amadeus Mozart
librettist:
[unknown]
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (number: K. 418), Köchelverzeichnis (number: 418) and Köchelverzeichnis (number: 418)
Wolfgang Amadeus Mozart6:41
3Ch'io mi scordi di te... Non temer, amato bene, K. 505
recording engineer:
Wolf‐Dieter Karwatky (in 2005-12)
assistant engineer:
Chris Barrett (in 2005-12)
producer:
Marita Prohmann
fortepiano:
Jos van Immerseel (in 2005-12)
soprano vocals:
Magdalena Kožená (in 2005-12)
orchestra:
Orchestra of the Age of Enlightenment (in 2005-12)
conductor:
Simon Rattle (in 2005-12)
balance engineer:
Ulrich Vette (in 2005-12)
recorded at:
AIR Studios in Hampstead, Camden, London, England, United Kingdom (in 2005-12)
recording of:
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" (in 2005-12)
composer:
Wolfgang Amadeus Mozart (in 1786-12)
dedicated to:
Nancy Storace
premiered at:
[farewell concert of Nancy Storage]
part of:
Köchelverzeichnis (number: K. 505), Köchelverzeichnis (number: 505) and Köchelverzeichnis (number: 505)
Wolfgang Amadeus Mozart10:30
4Vado, ma dove? oh Dei!, K. 583
recording engineer:
Wolf‐Dieter Karwatky (in 2005-12)
assistant engineer:
Chris Barrett (in 2005-12)
producer:
Marita Prohmann
fortepiano:
Jos van Immerseel (in 2005-12)
soprano vocals:
Magdalena Kožená (in 2005-12)
orchestra:
Orchestra of the Age of Enlightenment (in 2005-12)
conductor:
Simon Rattle (in 2005-12)
balance engineer:
Ulrich Vette (in 2005-12)
recorded at:
AIR Studios in Hampstead, Camden, London, England, United Kingdom (in 2005-12)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” (in 2005-12)
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 583) and Köchelverzeichnis (number: 583)
Wolfgang Amadeus Mozart4:22
5Il re pastore, K. 208: "Aer tranquillo"
soprano vocals:
Emma Kirkby
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood
recording of:
Il rè pastore, K. 208: Act I, Scene II. No. 3 Aria "Aer tranquillo e dì sereni" (Aminta)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
Il rè pastore, K. 208: Act I
Wolfgang Amadeus Mozart6:15
6Zaide, K. 344: "Tiger! Wetze nur die Klauen"
soprano vocals:
Mojca Erdmann
orchestra:
La Cetra Barockorchester Basel
conductor:
Andrea Marcon
recording of:
Zaide, K. 336b/344 (fragment): Akt II. No. 13 Arie "Tiger! wetze nur die Klauen" (Zaide)
composer:
Wolfgang Amadeus Mozart
librettist:
Johann Andreas Schachtner
part of:
Zaide, K. 336b/344: Akt II
Wolfgang Amadeus Mozart4:43
7Così fan tutte, K. 588: "Come scoglio"
soprano vocals:
Rachel Yakar
orchestra:
Drottningholm Court Theatre Orchestra
conductor:
Arnold Östman
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:33
8Don Giovanni, K. 527: Overture
producer:
Markus Heiland
orchestra:
La Cetra Barockorchester Basel (in 2010-10)
conductor:
Andrea Marcon (in 2010-10)
balance engineer:
Andreas Neubronner (in 2010-10)
recorded at:
Landgasthof Riehen in Riehen, Basel-Stadt, Switzerland (in 2010-10)
recording of:
Don Giovanni: Ouvertura (in 2010-10)
composer:
Wolfgang Amadeus Mozart (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart6:22
9Don Giovanni, K. 527: "Vedrai, carino"
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler
mezzo-soprano vocals [Zerlina]:
Anne Sofie von Otter (in 1995-01)
orchestra:
The English Concert (in 1995-01)
conductor:
Trevor Pinnock (in 1995-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1995-01)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1995-01)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:11
10Don Giovanni, K. 527: "Don Giovanni, a cenar teco m'invitasti!"
recording engineer:
Ulrich Vette
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler
cello [violoncello]:
Timothy Mason (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (in 1994-07)
solo cello [violoncello]:
David Watkin (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (in 1994-07)
bass vocals [Il commendatore]:
Andrea Silvestrelli (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:30
11Die Zauberflöte, K. 620: "Der Vogelfänger bin ich ja"
recording engineer:
Gernot von Schultzendorff (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (in 1995-07)
orchestra:
English Baroque Soloists (in 1995-07)
conductor:
Sir John Eliot Gardiner (in 1995-07)
concertmaster:
Alison Bury (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:29
12Die Zauberflöte, K. 620: "O Isis und Osiris"
bass vocals:
Kristinn Sigmundsson
orchestra:
Drottningholm Court Theatre Orchestra
conductor:
Arnold Östman
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:43
13Die Zauberflöte, K. 620: "Ach, ich fühl's"
soprano vocals:
Barbara Bonney
orchestra:
Drottningholm Court Theatre Orchestra
conductor:
Arnold Östman
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:30
14La clemenza di Tito, K. 621: "Non più di fiori"
mezzo-soprano vocals:
Della Jones
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood
recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart6:45
15La clemenza di Tito, K. 621: "Parto, ma tu ben mio"
mezzo-soprano vocals:
Cecilia Bartoli
soprano vocals [Sesto]:
Cecilia Bartoli (from 1991 until 1992)
orchestra:
Academy of Ancient Music (from 1991 until 1992)
conductor:
Christopher Hogwood (from 1991 until 1992)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (from 1991 until 1992)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:16
16La clemenza di Tito, K. 621: "Se all'impero"
tenor vocals:
Anthony Rolfe Johnson
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recording of:
La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:53
148▶Digital Media: Theatre