Here Come the Nice: The Immediate Years Box Set 1967–1969

~ Release by Small Faces (see all versions of this release, 1 available)

Tracklist

1▶CD: Small Faces Singles: Worlwide As Bs & EPs
2▶CD: Small Faces in the Studio: Olympic, IBC & Trident Sessions - Part 1
3▼CD: Small Faces in the Studio: Olympic, IBC & Trident Sessions - Part 2
#TitleLength
1Wham Bam Thank You Mam (alternate mix)
assistant engineer:
Phill Brown
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
electric guitar, harmonica, slide guitar and lead vocals:
Steve Marriott
Hammond organ, piano and Wurlitzer electric piano:
Ian McLagan
vocals:
Ronnie Lane and Ian McLagan
recording of:
Wham Bam Thank You Mam
writer:
Ronnie Lane and Steve Marriott
3:26
2I Can’t Make It (stripped down mix)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and lead vocals:
Steve Marriott
piano:
Ian McLagan
vocals:
Kenney Jones, Ronnie Lane and Ian McLagan
recording of:
I Can't Make It
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
2:36
3This Feeling of Spring (take 1)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar and lead vocals:
Ronnie Lane
celesta, harpsichord and piano:
Ian McLagan
electric guitar:
Steve Marriott
horn and percussion:
Kenney Jones
vocals:
Steve Marriott
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom
recording of:
Just Passing
writer:
Ronnie Lane, Steve Marriott and Michael O'Sullivan
publisher:
EMI United Partnership Ltd.
1:46
4All Our Yesterdays (backing track)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane (on 1967-01-11)
drums (drum set) and percussion:
Kenney Jones (on 1967-01-11)
electric guitar:
Steve Marriott (on 1967-01-11)
Hammond organ and piano:
Ian McLagan (on 1967-01-11)
trombone:
Derek Wadsworth (on 1967-01-11)
trumpet:
Harry Beckett (on 1967-01-11) and Eddie Thornton (on 1967-01-11)
instrumental recording of:
All Our Yesterdays (on 1967-01-11)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
2:12
5Talk to You (alternate mix)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane (on 1967-01-16)
drums (drum set) and percussion:
Kenney Jones (on 1967-01-16)
electric guitar and lead vocals:
Steve Marriott (on 1967-01-16)
Hammond organ and piano:
Ian McLagan (on 1967-01-16)
vocals:
Ronnie Lane (on 1967-01-16) and Ian McLagan (on 1967-01-16)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-01-16)
recording of:
Talk to You (on 1967-01-16)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
2:24
6Mind the Doors Please
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom
5:04
7Things Are Going to Get Better (stripped down mix)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
acoustic guitar and lead vocals:
Steve Marriott (on 1967-01-11)
bass guitar:
Ronnie Lane (on 1967-01-11)
harpsichord:
Ian McLagan (on 1967-01-11)
vocals:
Kenney Jones (on 1967-01-11), Ronnie Lane (on 1967-01-11) and Ian McLagan (on 1967-01-11)
recording of:
Things Are Going to Get Better (on 1967-01-11)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
version of:
Doolally
2:46
8Mad John (tracking session)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar:
Steve Marriott (on 1968-04-03)
double bass:
Ronnie Lane (on 1968-04-03)
instrumental recording of:
Mad John (on 1968-04-03)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
4:01
9A Collibosher (take 4)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones
guitar:
Steve Marriott
Hammond organ and Wurlitzer electric piano:
Ian McLagan
trombone:
Derek Wadsworth
trumpet:
Harry Beckett and Eddie Thornton
instrumental recording of:
Collibosher (on 1968-04-03)
writer:
Ronnie Lane and Steve Marriott
3:33
10Lazy Sunday Afternoon (early mix)
recording of:
Lazy Sunday
writer:
Ronnie Lane and Steve Marriott
publisher:
United Partnership Music Ltd. (ended) and EMI United Partnership Ltd.
3:02
11Jack (backing track)
engineer:
Barry Sheffield
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane (on 1968-05-23)
congas and drums (drum set):
Kenney Jones (on 1968-05-23)
electric guitar:
Steve Marriott (on 1968-05-23)
Hammond organ and piano:
Ian McLagan (on 1968-05-23)
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom (on 1968-05-23)
instrumental recording of:
Jack (on 1968-05-23)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
3:38
12Fred (backing track)
engineer:
Barry Sheffield
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane (in 1968-05)
drums (drum set) and tambourine:
Kenney Jones (in 1968-05)
Hammond organ:
Ian McLagan (in 1968-05)
piano:
Steve Marriott (in 1968-05)
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1968-05)
recording of:
Fred (in 1968-05)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
3:09
13Red Balloon (stripped down mix)
engineer:
Barry Sheffield
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
12 string guitar and lead vocals:
Steve Marriott
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom
cover recording of:
Red Balloon
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions and Faithful Virtue Music
1:35
14Kolomodelomo (take 1)
assistant engineer:
Phill Brown and Roger Mayer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (on 1968-06-05)
drums (drum set):
Kenney Jones (on 1968-06-05)
electric guitar:
Steve Marriott (on 1968-06-05)
organ:
Ian McLagan (on 1968-06-05)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1968-06-05)
recording of:
Donkey Rides, a Penny a Glass (on 1968-06-05)
writer:
Ronnie Lane, Steve Marriott and Ian McLagan
2:47
15Donkey Rides, a Penny a Glass (alternate mix)
assistant engineer:
Phill Brown and Roger Mayer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
electric guitar and lead vocals:
Steve Marriott
Hammond organ, marimba, organ and piano:
Ian McLagan
vocals:
Kenney Jones, Ronnie Lane and Ian McLagan
recording of:
Donkey Rides, a Penny a Glass
writer:
Ronnie Lane, Steve Marriott and Ian McLagan
3:36
16Jenny’s Song (take 2)
assistant engineer:
Phill Brown
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
acoustic guitar, electric guitar, harmonica and lead vocals:
Steve Marriott (on 1968-09-11)
bass guitar:
Ronnie Lane (on 1968-09-11)
drums (drum set) and tabla:
Kenney Jones (on 1968-09-11)
flute:
Lyn Dobson (on 1968-09-11)
glass harp and Wurlitzer electric piano:
Ian McLagan (on 1968-09-11)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1968-09-11)
recording of:
Jenny’s Song (on 1968-09-11)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
4:04
4▶CD: Alternate Small Faces: Out-Takes & In-Concert