Here Come the Nice: The Immediate Years Box Set 1967–1969

~ Release by Small Faces (see all versions of this release, 1 available)

Tracklist

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1▼CD: Small Faces Singles: Worlwide As Bs & EPs
#TitleLength
1Here Come the Nice
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and lead vocals:
Steve Marriott (from 1967-05-08 until 1967-05-12)
bass guitar:
Ronnie Lane (from 1967-05-08 until 1967-05-12)
drums (drum set) and percussion:
Kenney Jones (from 1967-05-08 until 1967-05-12)
Hammond organ and piano:
Ian McLagan (from 1967-05-08 until 1967-05-12)
vocals:
Ronnie Lane (from 1967-05-08 until 1967-05-12) and Ian McLagan (from 1967-05-08 until 1967-05-12)
phonographic copyright (℗) by:
Immediate (in 1967) and Sanctuary Records Group Ltd. (in 1967)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1967-05-08 until 1967-05-12)
recording of:
Here Come the Nice (from 1967-05-08 until 1967-05-12)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
2:57
2Talk to You
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (from 1967-01-16 to present)
drums (drum set) and percussion:
Kenney Jones (from 1967-01-16 to present)
electric guitar and lead vocals:
Steve Marriott (from 1967-01-16 to present)
Hammond organ and piano:
Ian McLagan (from 1967-01-16 to present)
vocals:
Ronnie Lane (from 1967-01-16 to present) and Ian McLagan (from 1967-01-16 to present)
phonographic copyright (℗) by:
Immediate (in 1967) and Sanctuary Records Group Ltd. (in 1967)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-01-16)
recording of:
Talk to You (from 1967-01-16 to present)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
2:07
3(Tell Me) Have You Ever Seen Me
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and lead vocals:
Steve Marriott (from 1967-02 until 1967-04)
bass guitar:
Ronnie Lane (from 1967-02 until 1967-04)
drums (drum set) and percussion:
Kenney Jones (from 1967-02 until 1967-04)
Hammond organ and mellotron:
Ian McLagan (from 1967-02 until 1967-04)
vocals:
Ronnie Lane (from 1967-02 until 1967-04) and Ian McLagan (from 1967-02 until 1967-04)
phonographic copyright (℗) by:
Immediate (in 1967)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1967-02 until 1967-04)
recording of:
(Tell Me) Have You Ever Seen Me (from 1967-02 until 1967-04)
writer:
Ronnie Lane and Steve Marriott
publisher:
Carlin Music Corporation
2:17
4Something I Want to Tell You
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (until 1967-04)
drums (drum set) and percussion:
Kenney Jones (until 1967-04)
electric guitar:
Steve Marriott (until 1967-04)
Hammond organ and piano:
Ian McLagan (until 1967-04)
lead vocals:
Ronnie Lane (in 1967-04)
phonographic copyright (℗) by:
Immediate (in 1967) and Sanctuary Records Group Ltd. (in 1967)
recorded at and mixed at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (in 1967-04)
recording of:
Something I Want to Tell You (until 1967-04)
writer:
Ronnie Lane and Steve Marriott
publisher:
Carlin Music Corporation (ended)
2:08
5Get Yourself Together
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns and John Pantry
producer:
Ronnie Lane and Steve Marriott
12 string guitar and electric guitar:
Steve Marriott (until 1967-02-28)
bass guitar:
Ronnie Lane (until 1967-02-28)
drums (drum set) and percussion:
Kenney Jones (until 1967-02-28)
Hammond organ and piano:
Ian McLagan (until 1967-02-28)
lead vocals:
Steve Marriott
vocals:
Ronnie Lane (until 1967-02-28) and Ian McLagan (until 1967-02-28)
phonographic copyright (℗) by:
Immediate (in 1967) and Sanctuary Records Group Ltd. (in 1967)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1967-01 until 1967-02-28)
recording of:
Get Yourself Together (until 1967-02-28)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended) and And Son Music Ltd. (from 1980 to present)
2:19
6Become Like You
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Ronnie Lane (in 1967-04) and Steve Marriott (in 1967-04)
12 string guitar and lead vocals:
Steve Marriott
accordion:
Ronnie Lane
Hammond organ, harpsichord, mellotron and piano:
Ian McLagan
percussion:
Kenney Jones
vocals:
Ronnie Lane
phonographic copyright (℗) by:
Immediate (in 1967) and Sanctuary Records Group Ltd. (in 1967)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom
mixed at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (in 1967-04)
recording of:
Become Like You
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
1:57
7Green Circles
assistant engineer:
George Chkiantz
engineer:
Glyn Johns and John Pantry
producer:
Ronnie Lane and Steve Marriott
mixer:
Glyn Johns
acoustic guitar, electric guitar and tubular bells:
Steve Marriott (from 1966-12-13 until 1967-02-28)
bass guitar and lead vocals:
Ronnie Lane (from 1966-12-13 until 1967-02-28)
drums (drum set) and percussion:
Kenney Jones (from 1966-12-13 until 1967-02-28)
Hammond organ, harpsichord, mellotron and piano:
Ian McLagan (from 1966-12-13 until 1967-02-28)
vocals:
Steve Marriott (from 1966-12-13 until 1967-02-28) and Ian McLagan (from 1966-12-13 until 1967-02-28)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 1967)
recorded at:
IBC Studios in London, England, United Kingdom (on 1966-12-13) and Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-02-28)
recording of:
Green Circles (from 1966-12-13 until 1967-02-28)
writer:
Ronnie Lane, Steve Marriott and Michael O'Sullivan
publisher:
EMI United Partnership Ltd.
2:33
8Eddie’s Dreaming (B-side edit)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar and lead vocals:
Ronnie Lane (from 1967-02-08 until 1967-04-08)
congas:
Neemoi Acquaye (from 1967-02-08 until 1967-04-08)
drums (drum set) and percussion:
Kenney Jones (from 1967-02-08 until 1967-04-08)
electric guitar:
Steve Marriott (from 1967-02-08 until 1967-04-08)
flute:
Lyn Dobson (from 1967-02-08 until 1967-04-08)
piano:
Ian McLagan (from 1967-02-08 until 1967-04-08)
trombone:
Derek Wadsworth (from 1967-02-08 until 1967-04-08)
trumpet:
Harry Beckett (from 1967-02-08 until 1967-04-08) and Eddie Thornton (from 1967-02-08 until 1967-04-08)
vocals:
Kenney Jones (from 1967-02-08 until 1967-04-08), Steve Marriott (from 1967-02-08 until 1967-04-08) and Ian McLagan (from 1967-02-08 until 1967-04-08)
phonographic copyright (℗) by:
Immediate (in 1967)
recording of:
Eddie’s Dreaming (from 1967-02-08 until 1967-04-08)
writer:
Ronnie Lane, Steve Marriott and Ian McLagan
publisher:
EMI United Partnership Ltd.
2:44
9Itchykoo Park
assistant engineer:
George Chkiantz
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and lead vocals:
Steve Marriott (from 1967-07-03 until 1967-07-07)
bass guitar and background vocals:
Ronnie Lane (from 1967-07-03 until 1967-07-07)
drums (drum set) and percussion:
Kenney Jones (from 1967-07-03 until 1967-07-07)
Hammond organ and piano:
Ian McLagan (from 1967-07-03 until 1967-07-07)
vocals:
Ian McLagan (from 1967-07-03 until 1967-07-07)
phonographic copyright (℗) by:
Immediate (in 1967)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1967-07-03 until 1967-07-07)
recording of:
Itchycoo Park (from 1967-07-03 until 1967-07-07)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended) and EMI Catalogue Partnership
2:46
10I’m Only Dreaming
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (from 1967-07-03 until 1967-07-07)
drums (drum set) and percussion:
Kenney Jones (from 1967-07-03 until 1967-07-07)
electric guitar and lead vocals:
Steve Marriott (from 1967-07-03 until 1967-07-07)
Hammond organ, mellotron and piano:
Ian McLagan (from 1967-07-03 until 1967-07-07)
phonographic copyright (℗) by:
Immediate (in 1967) and Sanctuary Records Group Ltd. (in 1967)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1967-07-03 until 1967-07-07)
recording of:
I'm Only Dreaming (from 1967-07-03 until 1967-07-07)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
2:23
11Tin Soldier
assistant engineer:
George Chkiantz
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar, electric guitar and lead vocals:
Steve Marriott (from 1967-10-05 until 1967-10-13)
bass guitar:
Ronnie Lane (from 1967-10-05 until 1967-10-13)
drums (drum set) and percussion:
Kenney Jones (from 1967-10-05 until 1967-10-13)
grand piano, Hammond organ and Wurlitzer electric piano:
Ian McLagan (from 1967-10-05 until 1967-10-13)
background vocals:
P.P. Arnold (from 1967-10-05 until 1967-10-13)
vocals:
Ronnie Lane (from 1967-10-05 until 1967-10-13) and Ian McLagan (from 1967-10-05 until 1967-10-13)
phonographic copyright (℗) by:
Immediate (in 1967)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1967-10-05 until 1967-10-13)
recording of:
Tin Soldier (from 1967-10-05 until 1967-10-13)
writer:
Ronnie Lane and Steve Marriott
publisher:
United Artists and EMI United Partnership Ltd. (in 1967)
version of:
Anything
3:21
12I Feel Much Better
assistant engineer:
George Chkiantz
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (from 1967-10-05 until 1967-10-13)
drums (drum set) and percussion:
Kenney Jones (from 1967-10-05 until 1967-10-13)
electric guitar and lead vocals:
Steve Marriott (from 1967-10-05 until 1967-10-13)
Hammond organ and Wurlitzer electric piano:
Ian McLagan (from 1967-10-05 until 1967-10-13)
background vocals:
P.P. Arnold (from 1967-10-05 until 1967-10-13)
vocals:
Ronnie Lane (from 1967-10-05 until 1967-10-13) and Ian McLagan (from 1967-10-05 until 1967-10-13)
phonographic copyright (℗) by:
Immediate (in 1967) and Sanctuary Records Group Ltd. (in 1967)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1967-10-05 until 1967-10-13)
recording of:
I Feel Much Better (from 1967-10-05 until 1967-10-13)
writer:
Ronnie Lane, Steve Marriott and Ian McLagan
publisher:
EMI United Partnership Ltd. (ended)
3:57
13Lazy Sunday
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and lead vocals:
Steve Marriott (from 1968-02 until 1968-03)
bass guitar:
Ronnie Lane (from 1968-02 until 1968-03)
drums (drum set) and percussion:
Kenney Jones (from 1968-02 until 1968-03)
effects:
Glyn Johns
Hammond organ, tubular bells and Wurlitzer electric piano:
Ian McLagan (from 1968-02 until 1968-03)
vocals:
Ronnie Lane (from 1968-02 until 1968-03) and Ian McLagan (from 1968-02 until 1968-03)
phonographic copyright (℗) by:
Immediate (in 1968) and Sanctuary Records Group Ltd. (in 1968)
recording of:
Lazy Sunday (from 1968-02 until 1968-03)
writer:
Ronnie Lane and Steve Marriott
publisher:
United Partnership Music Ltd. (ended) and EMI United Partnership Ltd.
3:04
14Rollin’ Over (Part II: Of Happiness Stan)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
electric guitar, harmonica and lead vocals:
Steve Marriott
tenor saxophone:
Pete Coe
trombone:
Derek Wadsworth
trumpet:
Harry Beckett and Eddie Thornton
Wurlitzer electric piano:
Ian McLagan
vocals:
Ronnie Lane and Ian McLagan
phonographic copyright (℗) by:
Immediate (in 1968)
recording of:
Rollin' Over
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
2:15
15Mad John (single version)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
12 string guitar and lead vocals:
Steve Marriott (on 1968-04-03)
double bass:
Ronnie Lane (on 1968-04-03)
harpsichord and piano:
Ian McLagan (on 1968-04-03)
vocals:
Ronnie Lane
phonographic copyright (℗) by:
Immediate (in 1968)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1968-04-03)
recording of:
Mad John (on 1968-04-03)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
2:08
16The Journey (single version)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar and electric guitar and guitar:
Steve Marriott (in 1968-02)
drums (drum set) and percussion:
Kenney Jones (in 1968-02)
electric guitar and lead vocals:
Ronnie Lane (in 1968-02)
Hammond organ, marimba and mellotron:
Ian McLagan (in 1968-02)
vocals:
Ian McLagan (in 1968-02)
phonographic copyright (℗) by:
Immediate (in 1968)
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1968-02)
recording of:
The Journey (in 1968-02)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
publisher:
EMI United Partnership Ltd.
2:55
17The Universal
assistant engineer:
Phill Brown and Roger Mayer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar, electric guitar and lead vocals:
Steve Marriott (until 1968-06-18)
bass guitar:
Ronnie Lane (until 1968-06-18)
clarinet:
Don Fay (until 1968-06-18)
drums (drum set) and percussion:
Kenney Jones (until 1968-06-18)
trombone:
Derek Wadsworth (until 1968-06-18)
phonographic copyright (℗) by:
Immediate (in 1968)
recording of:
The Universal (until 1968-06-18)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
2:45
18Donkey Rides, a Penny a Glass
assistant engineer:
Phill Brown and Roger Mayer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and bass guitar:
Ronnie Lane (from 1968-06-18 to ????)
drums (drum set) and percussion:
Kenney Jones (from 1968-06-18 to ????)
electric guitar and lead vocals:
Steve Marriott (from 1968-06-18 to ????)
Hammond organ, marimba, organ and piano:
Ian McLagan (from 1968-06-18 to present)
vocals:
Kenney Jones (from 1968-06-18 to ????), Ronnie Lane (from 1968-06-18 to ????) and Ian McLagan (from 1968-06-18 to ????)
phonographic copyright (℗) by:
Immediate (in 1968)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1968-06-18)
recording of:
Donkey Rides, a Penny a Glass (from 1968-06-18 to ????)
writer:
Ronnie Lane, Steve Marriott and Ian McLagan
2:49
19Afterglow of Your Love (single version)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar, electric guitar and lead vocals:
Steve Marriott (in 1968-03)
bass guitar:
Ronnie Lane (in 1968-03)
drums (drum set) and percussion:
Kenney Jones (in 1968-03)
electric piano, Hammond organ and harpsichord:
Ian McLagan (in 1968-03)
vocals:
Ronnie Lane (in 1968-03) and Ian McLagan (in 1968-03)
phonographic copyright (℗) by:
Immediate (in 1969)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (in 1968-03)
recording of:
Afterglow (Of Your Love) (in 1968-03)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
3:23
20Wham Bam Thank You Man
assistant engineer:
Phill Brown
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (until 1968-09-11)
drums (drum set) and percussion:
Kenney Jones (until 1968-09-11)
electric guitar, harmonica, slide guitar and lead vocals:
Steve Marriott (until 1968-09-11)
Hammond organ, piano and Wurlitzer electric piano:
Ian McLagan (until 1968-09-11)
vocals:
Ronnie Lane (until 1968-09-11) and Ian McLagan (until 1968-09-11)
phonographic copyright (℗) by:
Immediate (in 1969)
recording of:
Wham Bam Thank You Mam (until 1968-09-11)
writer:
Ronnie Lane and Steve Marriott
3:18
2▼CD: Small Faces in the Studio: Olympic, IBC & Trident Sessions - Part 1
#TitleLength
1Shades of Green
engineer:
John Pantry
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (on 1966-12-05)
drums (drum set):
Kenney Jones (on 1966-12-05)
electric guitar and xylophone:
Steve Marriott (on 1966-12-05)
Hammond organ:
Ian McLagan (on 1966-12-05)
instrumental recording of:
Green Circles (on 1966-12-05)
writer:
Ronnie Lane, Steve Marriott and Michael O'Sullivan
publisher:
EMI United Partnership Ltd.
0:41
2Green Circles (take 1)
engineer:
John Pantry
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and electric guitar:
Steve Marriott (on 1966-12-13)
bass guitar and lead vocals:
Ronnie Lane (on 1966-12-13)
drums (drum set) and percussion:
Kenney Jones (on 1966-12-13)
harpsichord and piano:
Ian McLagan (on 1966-12-13)
vocals:
Steve Marriott (on 1966-12-13)
recorded at:
IBC Studios in London, England, United Kingdom (on 1966-12-13)
recording of:
Green Circles (on 1966-12-13)
writer:
Ronnie Lane, Steve Marriott and Michael O'Sullivan
publisher:
EMI United Partnership Ltd.
1:06
3Green Circles (take 1, alternate mix 1)
engineer:
John Pantry
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and electric guitar:
Steve Marriott (on 1966-12-13)
bass guitar:
Ronnie Lane (on 1966-12-13)
drums (drum set) and percussion:
Kenney Jones (on 1966-12-13)
harpsichord and piano:
Ian McLagan (on 1966-12-13)
lead vocals:
Steve Marriott (on 1967-01-10)
vocals:
Ronnie Lane (from 1966-12-13 until 1967-01-10)
recorded at:
IBC Studios in London, England, United Kingdom (on 1966-12-13)
recording of:
Green Circles (from 1966-12-13 until 1967-01-10)
writer:
Ronnie Lane, Steve Marriott and Michael O'Sullivan
publisher:
EMI United Partnership Ltd.
2:49
4Anything (tracking session)
assistant engineer:
George Chkiantz and Andy Johns
engineer:
Glyn Johns
12 string guitar:
Steve Marriott (on 1967-10-05)
bass guitar:
Ronnie Lane (on 1967-10-05)
drums (drum set):
Kenney Jones (on 1967-10-05)
Wurlitzer electric piano:
Ian McLagan (on 1967-10-05)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-10-05)
instrumental recording of:
Anything (on 1967-10-05)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
3:48
5Anything (backing track)
assistant engineer:
George Chkiantz and Andy Johns
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (on 1967-10-05)
drums (drum set):
Kenney Jones (on 1967-10-05)
Hammond organ and Wurlitzer electric piano:
Ian McLagan (on 1967-10-05)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-10-05)
instrumental recording of:
Anything (on 1967-10-05)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
3:09
6Show Me the Way (stripped down mix)
assistant engineer:
George Chkiantz and Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ian McLagan
piano:
Steve Marriott
lead vocals:
Ronnie Lane
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom
recording of:
Show Me the Way
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
2:13
7Wit Art Yer (tracking session)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (on 1967-01-08)
drums (drum set):
Kenney Jones (on 1967-01-08)
electric guitar:
Steve Marriott (on 1967-01-08)
Hammond organ:
Ian McLagan (on 1967-01-08)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-01-08)
instrumental recording of:
Wit Art Yer (on 1967-01-08)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
2:52
8Wit Art Yer (backing track)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
acoustic guitar and electric guitar:
Steve Marriott (on 1967-01-08)
bass guitar:
Ronnie Lane (on 1967-01-08)
drums (drum set):
Kenney Jones (on 1967-01-08)
Hammond organ and piano:
Ian McLagan (on 1967-01-08)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-01-08)
instrumental recording of:
Wit Art Yer (on 1967-01-08)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
2:30
9I Can’t Make It (alternate mix)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
acoustic guitar, electric guitar and lead vocals:
Steve Marriott
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
Hammond organ and piano:
Ian McLagan
vocals:
Kenney Jones, Ronnie Lane and Ian McLagan
recording of:
I Can't Make It
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
2:29
10Doolally (tracking session)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane (on 1967-01-11)
drums (drum set):
Kenney Jones (on 1967-01-11)
Hammond organ:
Ian McLagan (on 1967-01-11)
piano:
Steve Marriott (on 1967-01-11)
instrumental recording of:
Doolally (on 1967-01-11)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
4:11
11What’s It Called? (overdub sessiono)
12 string guitar and electric guitar:
Steve Marriott
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
Hammond organ:
Ian McLagan
lead vocals:
Ronnie Lane (on 1967-10-21)
0:36
12Call It Something Nice (take 9)
assistant engineer:
Andy Johns
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
12 string guitar, electric guitar and harmonica:
Steve Marriott
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
Hammond organ:
Ian McLagan
background vocals:
P.P. Arnold
vocals:
Ronnie Lane, Steve Marriott and Ian McLagan
recording of:
Call It Something Nice
writer:
Ronnie Lane and Steve Marriott
2:06
13Wide Eyed Girl (take 2)
assistant engineer:
Roger Mayer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
12 string guitar:
Steve Marriott (on 1968-06-05)
acoustic guitar:
Ian McLagan (on 1968-06-05)
bass guitar:
Ronnie Lane (on 1968-06-05)
drums (drum set):
Kenney Jones (on 1968-06-05)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1968-06-05)
instrumental recording of:
Wide Eyed Girl on the Wall (on 1968-06-05)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
1:45
14Wide Eyed Girl on the Wall (alternate mix)
assistant engineer:
Roger Mayer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
12 string guitar:
Steve Marriott
acoustic guitar, Hammond organ and piano:
Ian McLagan
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
handclaps:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
trombone:
Derek Wadsworth
trumpet:
Harry Beckett and Eddie Thornton
recording of:
Wide Eyed Girl on the Wall
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
3:30
15Donkey Rides, a Penny a Glass (stripped down mix)
assistant engineer:
Roger Mayer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
acoustic guitar:
Ronnie Lane
electric guitar, harmonica and lead vocals:
Steve Marriott
piano:
Ian McLagan
vocals:
Kenney Jones, Ronnie Lane and Ian McLagan
recording of:
Donkey Rides, a Penny a Glass
writer:
Ronnie Lane, Steve Marriott and Ian McLagan
3:26
16Red Balloon With a Blue Surprise (take 5)
engineer:
Barry Sheffield
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
acoustic guitar:
Steve Marriott (on 1968-05-23)
bass guitar:
Ronnie Lane (on 1968-05-23)
brushes and washboard:
Kenney Jones (on 1968-05-23)
piano:
Ian McLagan (on 1968-05-23)
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom (on 1968-05-23)
instrumental cover recording of:
Red Balloon (on 1968-05-23)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions and Faithful Virtue Music
0:49
17Red Balloon (alternate mix)
engineer:
Barry Sheffield
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
12 string guitar, electric guitar and lead vocals:
Steve Marriott (on 1968-05-23)
bass guitar:
Ronnie Lane (on 1968-05-23)
brushes and washboard:
Kenney Jones (on 1968-05-23)
piano:
Ian McLagan (on 1968-05-23)
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom (on 1968-05-23)
cover recording of:
Red Balloon (on 1968-05-23)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions and Faithful Virtue Music
4:31
18Saieide Mamoon (tracking session)
assistant engineer:
Phill Brown
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones
electric guitar:
Steve Marriott
Wurlitzer electric piano:
Ian McLagan
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1968-09-11)
recording of:
Saieide Mamoon
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
9:36
3▼CD: Small Faces in the Studio: Olympic, IBC & Trident Sessions - Part 2
#TitleLength
1Wham Bam Thank You Mam (alternate mix)
assistant engineer:
Phill Brown
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
electric guitar, harmonica, slide guitar and lead vocals:
Steve Marriott
Hammond organ, piano and Wurlitzer electric piano:
Ian McLagan
vocals:
Ronnie Lane and Ian McLagan
recording of:
Wham Bam Thank You Mam
writer:
Ronnie Lane and Steve Marriott
3:26
2I Can’t Make It (stripped down mix)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and lead vocals:
Steve Marriott
piano:
Ian McLagan
vocals:
Kenney Jones, Ronnie Lane and Ian McLagan
recording of:
I Can't Make It
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
2:36
3This Feeling of Spring (take 1)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar and lead vocals:
Ronnie Lane
celesta, harpsichord and piano:
Ian McLagan
electric guitar:
Steve Marriott
horn and percussion:
Kenney Jones
vocals:
Steve Marriott
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom
recording of:
Just Passing
writer:
Ronnie Lane, Steve Marriott and Michael O'Sullivan
publisher:
EMI United Partnership Ltd.
1:46
4All Our Yesterdays (backing track)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane (on 1967-01-11)
drums (drum set) and percussion:
Kenney Jones (on 1967-01-11)
electric guitar:
Steve Marriott (on 1967-01-11)
Hammond organ and piano:
Ian McLagan (on 1967-01-11)
trombone:
Derek Wadsworth (on 1967-01-11)
trumpet:
Harry Beckett (on 1967-01-11) and Eddie Thornton (on 1967-01-11)
instrumental recording of:
All Our Yesterdays (on 1967-01-11)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
2:12
5Talk to You (alternate mix)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane (on 1967-01-16)
drums (drum set) and percussion:
Kenney Jones (on 1967-01-16)
electric guitar and lead vocals:
Steve Marriott (on 1967-01-16)
Hammond organ and piano:
Ian McLagan (on 1967-01-16)
vocals:
Ronnie Lane (on 1967-01-16) and Ian McLagan (on 1967-01-16)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-01-16)
recording of:
Talk to You (on 1967-01-16)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
2:24
6Mind the Doors Please
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom
5:04
7Things Are Going to Get Better (stripped down mix)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
acoustic guitar and lead vocals:
Steve Marriott (on 1967-01-11)
bass guitar:
Ronnie Lane (on 1967-01-11)
harpsichord:
Ian McLagan (on 1967-01-11)
vocals:
Kenney Jones (on 1967-01-11), Ronnie Lane (on 1967-01-11) and Ian McLagan (on 1967-01-11)
recording of:
Things Are Going to Get Better (on 1967-01-11)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
version of:
Doolally
2:46
8Mad John (tracking session)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar:
Steve Marriott (on 1968-04-03)
double bass:
Ronnie Lane (on 1968-04-03)
instrumental recording of:
Mad John (on 1968-04-03)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
4:01
9A Collibosher (take 4)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones
guitar:
Steve Marriott
Hammond organ and Wurlitzer electric piano:
Ian McLagan
trombone:
Derek Wadsworth
trumpet:
Harry Beckett and Eddie Thornton
instrumental recording of:
Collibosher (on 1968-04-03)
writer:
Ronnie Lane and Steve Marriott
3:33
10Lazy Sunday Afternoon (early mix)
recording of:
Lazy Sunday
writer:
Ronnie Lane and Steve Marriott
publisher:
United Partnership Music Ltd. (ended) and EMI United Partnership Ltd.
3:02
11Jack (backing track)
engineer:
Barry Sheffield
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane (on 1968-05-23)
congas and drums (drum set):
Kenney Jones (on 1968-05-23)
electric guitar:
Steve Marriott (on 1968-05-23)
Hammond organ and piano:
Ian McLagan (on 1968-05-23)
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom (on 1968-05-23)
instrumental recording of:
Jack (on 1968-05-23)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
3:38
12Fred (backing track)
engineer:
Barry Sheffield
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
bass guitar:
Ronnie Lane (in 1968-05)
drums (drum set) and tambourine:
Kenney Jones (in 1968-05)
Hammond organ:
Ian McLagan (in 1968-05)
piano:
Steve Marriott (in 1968-05)
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1968-05)
recording of:
Fred (in 1968-05)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
3:09
13Red Balloon (stripped down mix)
engineer:
Barry Sheffield
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
12 string guitar and lead vocals:
Steve Marriott
recorded at:
Trident Studios in Soho, Westminster, London, England, United Kingdom
cover recording of:
Red Balloon
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions and Faithful Virtue Music
1:35
14Kolomodelomo (take 1)
assistant engineer:
Phill Brown and Roger Mayer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (on 1968-06-05)
drums (drum set):
Kenney Jones (on 1968-06-05)
electric guitar:
Steve Marriott (on 1968-06-05)
organ:
Ian McLagan (on 1968-06-05)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1968-06-05)
recording of:
Donkey Rides, a Penny a Glass (on 1968-06-05)
writer:
Ronnie Lane, Steve Marriott and Ian McLagan
2:47
15Donkey Rides, a Penny a Glass (alternate mix)
assistant engineer:
Phill Brown and Roger Mayer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
electric guitar and lead vocals:
Steve Marriott
Hammond organ, marimba, organ and piano:
Ian McLagan
vocals:
Kenney Jones, Ronnie Lane and Ian McLagan
recording of:
Donkey Rides, a Penny a Glass
writer:
Ronnie Lane, Steve Marriott and Ian McLagan
3:36
16Jenny’s Song (take 2)
assistant engineer:
Phill Brown
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
mixer:
Rob Keyloch
acoustic guitar, electric guitar, harmonica and lead vocals:
Steve Marriott (on 1968-09-11)
bass guitar:
Ronnie Lane (on 1968-09-11)
drums (drum set) and tabla:
Kenney Jones (on 1968-09-11)
flute:
Lyn Dobson (on 1968-09-11)
glass harp and Wurlitzer electric piano:
Ian McLagan (on 1968-09-11)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1968-09-11)
recording of:
Jenny’s Song (on 1968-09-11)
writer:
Kenney Jones, Ronnie Lane, Steve Marriott and Ian McLagan
4:04
4▼CD: Alternate Small Faces: Out-Takes & In-Concert
#TitleArtistLength
1Itchycoo Park (take 1, stereo mix)
engineer:
Eddie Kramer
mixed at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-07-22)
recording of:
Itchycoo Park
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended) and EMI Catalogue Partnership
Small Faces2:53
2Here Come the Nice (take 1, stereo mix)
engineer:
Eddie Kramer
mixed at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-07-22)
recording of:
Here Come the Nice
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
Small Faces3:03
3I’m Only Dreaming (take 1, stereo mix)
engineer:
Eddie Kramer
lead vocals:
Steve Marriott
mixed at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-07-22)
recording of:
I'm Only Dreaming
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
Small Faces2:27
4Don’t Burst My Bubble
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (on 1967-01-16)
congas, drums (drum set) and percussion:
Kenney Jones (on 1967-01-16)
electric guitar and lead vocals:
Steve Marriott (on 1967-01-16)
Hammond organ and piano:
Ian McLagan (on 1967-01-16)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (on 1967-01-16)
recording of:
Don’t Burst My Bubble (on 1967-01-16)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
Small Faces2:26
5I Feel Much Better
recording of:
I Feel Much Better (in 1967-11)
writer:
Ronnie Lane, Steve Marriott and Ian McLagan
publisher:
EMI United Partnership Ltd. (ended)
Small Faces3:58
6Green Circles (take 1 Italian version)
recording of:
Green Circles
writer:
Ronnie Lane, Steve Marriott and Michael O'Sullivan
publisher:
EMI United Partnership Ltd.
Small Faces2:45
7Yesterday, Today and Tomorrow (alternate mix)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns and John Pantry
producer:
Ronnie Lane and Steve Marriott
bass guitar and lead vocals:
Ronnie Lane (until 1967-02)
drums (drum set) and percussion:
Kenney Jones (until 1967-02)
electric guitar and slide guitar:
Steve Marriott (until 1967-02)
horn, organ and piano:
Ian McLagan (until 1967-02)
vocals:
Steve Marriott (until 1967-02) and Ian McLagan (until 1967-02)
recorded at:
IBC Studios in London, England, United Kingdom and Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (in 1967-02)
recording of:
Yesterday, Today and Tomorrow (until 1967-02)
writer:
Ronnie Lane and Steve Marriott
publisher:
Carlin Music Corporation
Small Faces1:54
8Piccanniny (alternate mix)
engineer:
John Pantry
bass guitar:
Ronnie Lane (from 1966-12-05 until 1966-12-07)
drums (drum set) and percussion:
Kenney Jones (from 1966-12-05 until 1966-12-07)
electric guitar and harmonica:
Steve Marriott (from 1966-12-05 until 1966-12-07)
piano:
Ian McLagan (from 1966-12-05 until 1966-12-07)
recorded at:
IBC Studios in London, England, United Kingdom (from 1967-12-05 until 1967-12-07)
instrumental recording of:
Picaninny (from 1966-12-05 until 1966-12-07)
writer:
Ronnie Lane and Steve Marriott
publisher:
Carlin Music Corporation
Small Faces3:04
9Get Yourself Together (alternate mix)
recording of:
Get Yourself Together
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended) and And Son Music Ltd. (from 1980 to present)
Small Faces2:21
10Eddie’s Dreaming (take 2, alternate mix)
recording of:
Eddie’s Dreaming
writer:
Ronnie Lane, Steve Marriott and Ian McLagan
publisher:
EMI United Partnership Ltd.
Small Faces2:46
11(Tell Me) Have You Ever Seen Me (take 2, alternate mix)
recording of:
(Tell Me) Have You Ever Seen Me
writer:
Ronnie Lane and Steve Marriott
publisher:
Carlin Music Corporation
Small Faces2:11
12Up the Wooden Hills to Bedfordshire (US alternate mix)
assistant engineer:
Eddie Kramer
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
acoustic guitar and electric guitar:
Steve Marriott
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
guitar, Hammond organ, mellotron, piano and lead vocals:
Ian McLagan
vocals:
Ronnie Lane and Steve Marriott
recording of:
Up the Wooden Hills to Bedfordshire
writer:
Ian McLagan
publisher:
EMI United Partnership Ltd.
Small Faces2:02
13Afterglow of Your Love (alternate single version)
recording of:
Afterglow (Of Your Love)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
Small Faces3:38
14(If You Think You’re) Groovy (The Lot )
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane
drums (drum set) and percussion:
Kenney Jones
flute:
Lyn Dobson
guitar:
Steve Marriott
piano and Wurlitzer electric piano:
Ian McLagan
trombone:
Derek Wadsworth
trumpet:
Harry Beckett and Eddie Thornton
background vocals and lead vocals:
P.P. Arnold
vocals:
Ronnie Lane, Steve Marriott and Ian McLagan
recording of:
(If You Think You’re) Groovy
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
P.P. Arnold & Small Faces2:57
15Me You and Us Too
assistant engineer:
Phill Brown
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
bass guitar:
Ronnie Lane (on 1968-06-18)
drums (drum set) and percussion:
Kenney Jones (on 1968-06-18)
electric guitar, Hammond organ, slide guitar and lead vocals:
Steve Marriott (on 1968-06-18)
piano:
Nicky Hopkins (on 1968-06-18)
vocals:
Ronnie Lane (on 1968-06-18)
recording of:
Me, You and Us Too (on 1968-06-18)
writer:
Ronnie Lane and Steve Marriott
Small Faces3:33
16The Universal (take 1, stereo mix)
recording of:
The Universal
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd. (ended)
Small Faces2:47
17Rollin’ Over (live)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
recorded at:
O₂ City Hall Newcastle in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (on 1968-11-18)
live recording of:
Rollin' Over (on 1968-11-18)
writer:
Ronnie Lane and Steve Marriott
publisher:
EMI United Partnership Ltd.
Small Faces2:29
18If I Were a Carpenter (live)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
recorded at:
O₂ City Hall Newcastle in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (on 1968-11-18)
live cover recording of:
If I Were a Carpenter (on 1968-11-18)
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control and Faithful Virtue Music
Small Faces2:29
19Every Little Bit Hurts (live)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
recorded at:
O₂ City Hall Newcastle in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (on 1968-11-18)
live cover recording of:
Every Little Bit Hurts (on 1968-11-18)
lyricist and composer:
Ed Cobb
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Small Faces6:12
20All or Nothing (live)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
recorded at:
O₂ City Hall Newcastle in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (on 1968-11-18)
live recording of:
All or Nothing (on 1968-11-18)
writer:
Ronnie Lane and Steve Marriott
publisher:
Aquarius Music Ltd.
Small Faces4:05
21Tin Soldier (live)
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott
recorded at:
O₂ City Hall Newcastle in Newcastle upon Tyne, Tyne and Wear, England, United Kingdom (on 1968-11-18)
live recording of:
Tin Soldier (on 1968-11-18)
writer:
Ronnie Lane and Steve Marriott
publisher:
United Artists and EMI United Partnership Ltd. (in 1967)
version of:
Anything
Small Faces3:20