Your Hundred Best Tunes, Volume 8

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Rosamunde: Overture producer: James Mallinson orchestra: Vienna Philharmonic Orchestra (from 1974-11-19 until 1974-11-21) conductor: Karl Münchinger (from 1974-11-19 until 1974-11-21) balance engineer: Colin Moorfoot (from 1974-11-19 until 1974-11-21) and Philip Wade (from 1974-11-19 until 1974-11-21) recorded at: Sofiensaal in Landstraße, Wien, Austria (from 1974-11-19 until 1974-11-21) recording of: Rosamunde, D. 797 / Die Zauberharfe, D. 644: Ouvertüre (from 1974-11-19 until 1974-11-21) composer: Franz Schubert (from 1819 until 1820) part of: Die Zauberharfe, D. 644 part of: Rosamunde, D. 797	Franz Schubert	10:38
2	Softly Awakes My Heart choir vocals: Vienna Opera Chorus soprano vocals: Marilyn Horne conductor: Henry Lewis recording of: Samson and Delilah : Act II, Scene 3. “Softly Awakes My Heart” composer: Camille Saint‐Saëns translated version of: Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)	Camille Saint‐Saëns	6:38
3	Moonlight Sonata: I. piano: Vladimir Ashkenazy recording of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (in 1801) part of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven	6:14
4	O for the Wings of a Dove organ: Peter White choir vocals: Choir of St John’s College, Cambridge treble vocals: Alastair Roberts conductor: George Guest recording of: Hear My Prayer: II. “O For the Wings of a Dove!” Con un poco più di moto composer: Felix Mendelssohn (in 1844) translated version of: O könnt’ ich fliegen (from “Hör mein Bitten” aka “O for the Wings of a Dove”) part of: Hear My Prayer	Felix Mendelssohn	6:17
5	Adagio for Strings & Organ organ: Alastair Ross violin: Simon Standage orchestra: Richard Hickox Orchestra conductor: Richard Hickox recording of: Adagio for Strings and Organ in G minor composer: Remo Giazotto previously attributed to: Tomaso Giovanni Albinoni publisher: Ricordi London and Zomba Music Publishers Ltd.	Tomaso Giovanni Albinoni	9:02
6	Panis Angelicus recording engineer: John Dunkerley and James Lock producer: Ray Minshull choir vocals: Wandsworth School Boys’ Choir (in 1976-01) tenor vocals: Luciano Pavarotti (in 1976-01) vocals: Luciano Pavarotti orchestra: National Philharmonic Orchestra (in 1976-01) conductor: Kurt Herbert Adler (in 1976-01) chorus master: Russell Burgess (in 1976-01) arranger: Douglas Gamley phonographic copyright (℗) by: The Decca Record Company Limited (in 1976) recorded at: All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01) recording of: Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (in 1976-01) lyricist: St. Thomas Aquinas composer: César Franck (in 1860) part of: Messe solennelle en la majeur, op. 12 recording of: Panis Angelicus (catch-all for arrangements) composer: César Franck arrangement of: Messe solennelle en la majeur, op. 12 : V. Panis Angelicus	César Franck	4:08
7	Symphony no. 6 "Pastoral" : V. Shepherds Thanksgiving orchestra: Chicago Symphony Orchestra (in 1974-09) conductor: Sir Georg Solti (in 1974-09) recording of: Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (in 1974-09) composer: Ludwig van Beethoven (in 1808) part of: Symphony no. 6 in F major, op. 68 “Pastorale”	Ludwig van Beethoven	9:54
8	Romeo and Juliet: Love theme producer: John Culshaw (in 1960-06) and Erik Smith (in 1960-06) orchestra: Vienna Philharmonic Orchestra (in 1960-06) conductor: Herbert von Karajan (in 1960-06) recorded at: Sofiensaal in Landstraße, Wien, Austria (in 1960-06) partial recording of: Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (in 1960-06) composer: Пётр Ильич Чайковский (in 1869) revised by: Пётр Ильич Чайковский (in 1870, in 1880) dedicated to: Милий Алексеевич Балакирев part of: The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39) revision of: Romeo and Juliet (1870, rarely performed)	Pyotr Ilyich Tchaikovsky	3:18
9	Violin Concerto no. 1: II recording engineer: James Lock (from 1972-05-15 until 1972-05-20) producer: Ray Minshull violin: Kyung Wha-Chung (from 1972-05-15 until 1972-05-20) orchestra: Royal Philharmonic Orchestra (from 1972-05-15 until 1972-05-20) conductor: Rudolf Kempe (from 1972-05-15 until 1972-05-20) recorded at: Kingsway Hall in London, England, United Kingdom (from 1972-05-15 until 1972-05-20) recording of: Violin Concerto no. 1 in G minor, op. 26: II. Adagio (from 1972-05-15 until 1972-05-20) composer: Max Bruch (from 1866 until 1867) part of: Violin Concerto no. 1 in G minor, op. 26	Max Bruch	8:52
10	Battle Hymn of the Republic baritone vocals: Robert Merrill choir vocals: London Festival Chorus orchestra: London Festival Orchestra conductor: Stanley Black recording of: Battle Hymn of the Republic (Glory, Glory, Hallelujah) lyricist: Julia Ward Howe composer: William Steffe (in 1856) part of: Hymns of The Church of Jesus Christ of Latter-day Saints (number: 60) and Roud Folk Song Index (number: V17636) is based on: John Brown’s Body (Glory, Glory, Hallelujah)	[traditional]	4:34

Credits

Release

ASIN:	US: B000027BCO [info]

US: B000027BCO