The Complete Famous 1938 Carnegie Hall Jazz Concert Plus 1950s Material

~ Release by Benny Goodman (see all versions of this release, 1 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleLength
1China Boy
live recording of:
China Boy (on 1938-01-16)
composer:
Phil Boutelje (in 1922) and Richard A. Winfree (in 1922)
publisher:
Leo Feist Inc.
4:50
2Stompin' at the Savoy
clarinet:
Benny Goodman (on 1938-01-16)
drums (drum set):
Gene Krupa (on 1938-01-16)
piano:
Teddy Wilson (on 1938-01-16)
vibraphone [vibes]:
Lionel Hampton (on 1938-01-16)
performer:
The Benny Goodman Quartet
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1938-01-16)
recording of:
Stompin’ at the Savoy (on 1938-01-16)
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
5:46
3Dizzy Spells
live recording of:
Dizzy Spells (on 1938-01-16)
writer:
Benny Goodman, Lionel Hampton and Teddy Wilson
5:42
4Sing, Sing, Sing, Pt. 1
3:47
5Sing, Sing, Sing, Pt. 2
5:35
6Sing, Sing, Sing, Pt. 3
3:21
7If Dreams Come True
alto saxophone:
Hymie Shertzer (on 1938-01-16)
bass:
Harry Goodman (on 1938-01-16)
clarinet:
Benny Goodman (on 1938-01-16)
drums (drum set):
Gene Krupa (on 1938-01-16)
guitar:
Allan Reuss (on 1938-01-16)
piano:
Jess Stacy (on 1938-01-16)
reeds:
Babe Russin (on 1938-01-16), George Koenig (on 1938-01-16) and Art Rollini (on 1938-01-16)
solo tenor saxophone:
Babe Russin
solo trombone:
Vernon Brown
trombone:
Red Ballard (on 1938-01-16) and Vernon Brown (on 1938-01-16)
trumpet:
Ziggy Elman (on 1938-01-16), Chris Griffin (on 1938-01-16) and Harry James (on 1938-01-16)
arranger:
Edgar Sampson
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1938-01-16)
live instrumental recording of:
If Dreams Come True (on 1938-01-16)
lyricist:
Irving Mills
composer:
Edgar M. Sampson and Benny Goodman
2:38
8Big John's Special
alto saxophone:
Hymie Shertzer (on 1938-01-16)
bass:
Harry Goodman (on 1938-01-16)
clarinet:
Benny Goodman (on 1938-01-16)
drums (drum set):
Gene Krupa (on 1938-01-16)
guitar:
Allan Reuss (on 1938-01-16)
piano:
Jess Stacy (on 1938-01-16)
reeds:
Babe Russin (on 1938-01-16), George Koenig (on 1938-01-16) and Art Rollini (on 1938-01-16)
solo piano:
Jess Stacy
solo trumpet:
Ziggy Elman and Harry James
trombone:
Red Ballard (on 1938-01-16) and Vernon Brown (on 1938-01-16)
trumpet:
Ziggy Elman (on 1938-01-16), Chris Griffin (on 1938-01-16) and Harry James (on 1938-01-16)
arranger:
Horace Henderson
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1938-01-16)
live recording of:
Big John’s Special (on 1938-01-16)
writer:
Horace Henderson
3:33
9Air Mail Special
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Jo Jones (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
trumpet:
Charlie Shavers (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Quartet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Good Enough to Keep (Air Mail Special) (in 1954-11)
composer:
Charlie Christian, Benny Goodman and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc.
3:36
10Get Happy
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Jo Jones (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
trumpet:
Charlie Shavers (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Sextet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Get Happy (in 1954-11)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc., Francis, Day & Hunter Ltd., Redwood Music Ltd., Remick Music Corp., S.A. Music Co. and Warner Bros. Music
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
3:02
11Jersey Bounce
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Jersey Bounce (in 1954-11)
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson and Bobby Plater
3:05
12When I Grow Too Old to Dream
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
When I Grow Too Old to Dream (in 1954-11)
lyricist:
Oscar Hammerstein II (in 1934)
composer:
Sigmund Romberg (in 1934)
publisher:
EMI United Partnership Ltd. and Robbins Music
translated version of:
Altijd zal het zomer zijn
3:22
13You Brought a New Kind of Love to Me
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
You Brought a New Kind of Love to Me (in 1954-11)
lyricist:
Irving Kahal (in 1930)
composer:
Pierre Norman Connor (in 1930) and Sammy Fain (in 1930)
publisher:
Famous Music Corporation, Warner Chappell Music Ltd. and Sony/ATV Harmony (in 1930)
part of:
New York, New York (1977 musical film soundtrack)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:49
14Blue Lou
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Blue Lou (in 1954-11)
composer:
Irving Mills and Edgar Sampson
2:48
15Jumpin' at the Woodside
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Jumpin’ at the Woodside (original instrumental) (in 1954-11)
composer:
Count Basie
publisher:
PW Arrangements, Universal Music Corp., シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:27
16Stompin' at the Savoy
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Stompin’ at the Savoy (in 1954-11)
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
3:12
17Sent for You Yesterday and Here You Come Today
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Sent for You Yesterday (in 1954-11)
lyricist:
Jimmy Rushing
composer:
Count Basie and Eddie Durham
3:02
18What Can I Say After I Say I'm Sorry
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Trio (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
What Can I Say After I Say I’m Sorry? (in 1954-11)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
3:08
19Rock Rimmon
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Quartet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Rock Rimmon (in 1954-11)
writer:
Benny Goodman and Mel Powell
3:26
20You're a Sweetheart
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Quartet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
You’re a Sweetheart (in 1954-11)
lyricist:
Harold Adamson
composer:
Jimmy McHugh
2:58
21Somebody Stole My Gal
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Somebody Stole My Gal (in 1954-11)
lyricist and composer:
Leo Wood (in 1918)
publisher:
Francis, Day & Hunter
sub-publisher:
Carl Gehrmans Musikförlag
3:23
3▶Digital Media
4▶Digital Media