The Complete Famous 1938 Carnegie Hall Jazz Concert Plus 1950s Material

~ Release by Benny Goodman (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media
#TitleLength
1Don't Be That Way
live recording of:
Don’t Be That Way (on 1938-01-16)
lyricist:
Mitchell Parish
composer:
Benny Goodman and Edgar Sampson
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
4:17
2Sometimes I'm Happy
live recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
4:04
3One O'clock Jump
live recording of:
One O’Clock Jump (on 1938-01-16)
composer:
Count Basie (in 1937)
publisher:
EMI Feist Catalog Inc.
6:39
4Sensation Rag
live recording of:
Sensation Rag
composer:
Nick LaRocca
1:17
5I'm Coming Virginia
live recording of:
I’m Coming Virginia (on 1938-01-16)
lyricist:
Will Marion Cook
composer:
Donald Heywood
2:08
6When My Baby Smiles at Me
live recording of:
When My Baby Smiles at Me (on 1938-01-16)
lyricist:
Ted Lewis and Andrew B. Sterling
composer:
Bill Munro
0:49
7Shine
live recording of:
Shine (on 1938-01-16)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
0:53
8Blue Reverie
recording of:
Blues Reverie
writer:
Harry Carney, Duke Ellington and Irving Mills
3:18
9Life Goes to a Party
live recording of:
Life Goes to a Party (on 1938-01-16)
writer:
Benny Goodman and Harry James
4:10
10Jam Session - Honeysuckle Rose, Pt. 1: Ensemble
1:12
11Jam Session, Pt .2: Lester Young Solo
1:09
12Jam Session, Pt. 3: Count Basie Solo
1:40
13Jam Session, Pt. 4: Buck Clayton Solo
1:38
14Jam Session, Pt. 5: Johnny Hodges Solo
1:40
15Jam Session, Pt. 6: Rhythm Section
1:04
16Jam Session, Pt. 7: Harry Carney Solo
1:05
17Jam Session, Pt. 8: Benny Goodman Solo
2:10
18Jam Session, Pt. 9: Freddie Green Solo
1:03
19Jam Session, Pt. 10: Harry James Solo into Jam
4:28
20Body and Soul
live recording of:
Body and Soul (on 1938-01-16)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:15
21Avalon
live recording of:
Avalon (on 1938-01-16)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose
publisher:
Chappell & Co., Inc., Stephen Ballentine Music, Warner Bros. Music and Jerome H. Remick & Co. (on 1920-09-04)
4:10
22The Man I Love
live recording of:
The Man I Love (on 1938-01-16)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:22
23I Got Rhythm
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:35
24Blue Skies
live recording of:
Blue Skies (on 1938-01-16)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:19
25Loch Lomond
live recording of:
Loch Lomond (Scottish folk song) (on 1938-01-16)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 9598)
2:59
26The Blue Room
live recording of:
Blue Room (on 1938-01-16)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (in 1926)
2:41
27Swingtime in the Rockies
live recording of:
Swingtime in the Rockies (on 1938-01-16)
composer:
Benny Goodman and Jimmy Mundy
2:30
28Bei Mir Bist du Schoen
recording of:
Bei mir bist du schön (English version)
lyricist:
Sammy Cahn
additional composer:
Saul Chaplin
composer:
Sholom Secunda
translated version of:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
4:00
2▼Digital Media
#TitleLength
1China Boy
live recording of:
China Boy (on 1938-01-16)
composer:
Phil Boutelje (in 1922) and Richard A. Winfree (in 1922)
publisher:
Leo Feist Inc.
4:50
2Stompin' at the Savoy
clarinet:
Benny Goodman (on 1938-01-16)
drums (drum set):
Gene Krupa (on 1938-01-16)
piano:
Teddy Wilson (on 1938-01-16)
vibraphone [vibes]:
Lionel Hampton (on 1938-01-16)
performer:
The Benny Goodman Quartet
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1938-01-16)
recording of:
Stompin’ at the Savoy (on 1938-01-16)
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
5:46
3Dizzy Spells
live recording of:
Dizzy Spells (on 1938-01-16)
writer:
Benny Goodman, Lionel Hampton and Teddy Wilson
5:42
4Sing, Sing, Sing, Pt. 1
3:47
5Sing, Sing, Sing, Pt. 2
5:35
6Sing, Sing, Sing, Pt. 3
3:21
7If Dreams Come True
alto saxophone:
Hymie Shertzer (on 1938-01-16)
bass:
Harry Goodman (on 1938-01-16)
clarinet:
Benny Goodman (on 1938-01-16)
drums (drum set):
Gene Krupa (on 1938-01-16)
guitar:
Allan Reuss (on 1938-01-16)
piano:
Jess Stacy (on 1938-01-16)
reeds:
Babe Russin (on 1938-01-16), George Koenig (on 1938-01-16) and Art Rollini (on 1938-01-16)
solo tenor saxophone:
Babe Russin
solo trombone:
Vernon Brown
trombone:
Red Ballard (on 1938-01-16) and Vernon Brown (on 1938-01-16)
trumpet:
Ziggy Elman (on 1938-01-16), Chris Griffin (on 1938-01-16) and Harry James (on 1938-01-16)
arranger:
Edgar Sampson
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1938-01-16)
live instrumental recording of:
If Dreams Come True (on 1938-01-16)
lyricist:
Irving Mills
composer:
Edgar M. Sampson and Benny Goodman
2:38
8Big John's Special
alto saxophone:
Hymie Shertzer (on 1938-01-16)
bass:
Harry Goodman (on 1938-01-16)
clarinet:
Benny Goodman (on 1938-01-16)
drums (drum set):
Gene Krupa (on 1938-01-16)
guitar:
Allan Reuss (on 1938-01-16)
piano:
Jess Stacy (on 1938-01-16)
reeds:
Babe Russin (on 1938-01-16), George Koenig (on 1938-01-16) and Art Rollini (on 1938-01-16)
solo piano:
Jess Stacy
solo trumpet:
Ziggy Elman and Harry James
trombone:
Red Ballard (on 1938-01-16) and Vernon Brown (on 1938-01-16)
trumpet:
Ziggy Elman (on 1938-01-16), Chris Griffin (on 1938-01-16) and Harry James (on 1938-01-16)
arranger:
Horace Henderson
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1938-01-16)
live recording of:
Big John’s Special (on 1938-01-16)
writer:
Horace Henderson
3:33
9Air Mail Special
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Jo Jones (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
trumpet:
Charlie Shavers (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Quartet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Good Enough to Keep (Air Mail Special) (in 1954-11)
composer:
Charlie Christian, Benny Goodman and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc.
3:36
10Get Happy
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Jo Jones (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
trumpet:
Charlie Shavers (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Sextet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Get Happy (in 1954-11)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc., Francis, Day & Hunter Ltd., Redwood Music Ltd., Remick Music Corp., S.A. Music Co. and Warner Bros. Music
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
3:02
11Jersey Bounce
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Jersey Bounce (in 1954-11)
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson and Bobby Plater
3:05
12When I Grow Too Old to Dream
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
When I Grow Too Old to Dream (in 1954-11)
lyricist:
Oscar Hammerstein II (in 1934)
composer:
Sigmund Romberg (in 1934)
publisher:
EMI United Partnership Ltd. and Robbins Music
translated version of:
Altijd zal het zomer zijn
3:22
13You Brought a New Kind of Love to Me
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
You Brought a New Kind of Love to Me (in 1954-11)
lyricist:
Irving Kahal (in 1930)
composer:
Pierre Norman Connor (in 1930) and Sammy Fain (in 1930)
publisher:
Famous Music Corporation, Warner Chappell Music Ltd. and Sony/ATV Harmony (in 1930)
part of:
New York, New York (1977 musical film soundtrack)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:49
14Blue Lou
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Blue Lou (in 1954-11)
composer:
Irving Mills and Edgar Sampson
2:48
15Jumpin' at the Woodside
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Jumpin’ at the Woodside (original instrumental) (in 1954-11)
composer:
Count Basie
publisher:
PW Arrangements, Universal Music Corp., シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:27
16Stompin' at the Savoy
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Stompin’ at the Savoy (in 1954-11)
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
3:12
17Sent for You Yesterday and Here You Come Today
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Sent for You Yesterday (in 1954-11)
lyricist:
Jimmy Rushing
composer:
Count Basie and Eddie Durham
3:02
18What Can I Say After I Say I'm Sorry
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Trio (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
What Can I Say After I Say I’m Sorry? (in 1954-11)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
3:08
19Rock Rimmon
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Quartet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Rock Rimmon (in 1954-11)
writer:
Benny Goodman and Mel Powell
3:26
20You're a Sweetheart
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Quartet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
You’re a Sweetheart (in 1954-11)
lyricist:
Harold Adamson
composer:
Jimmy McHugh
2:58
21Somebody Stole My Gal
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (from 1954-11-08 until 1954-11-17), Chris Griffin (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Somebody Stole My Gal (in 1954-11)
lyricist and composer:
Leo Wood (in 1918)
publisher:
Francis, Day & Hunter
sub-publisher:
Carl Gehrmans Musikförlag
3:23
3▼Digital Media
#TitleLength
1Let's Dance
orchestra:
Benny Goodman and His Orchestra
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States
recording of:
Let’s Dance (Benny Goodman’s theme song) (in 1954-11)
lyricist:
Fanny May Baldridge
composer:
Joseph Bonime, Gregory Stone and Carl Maria von Weber
2:54
2Big John's Special
orchestra:
Benny Goodman and His Orchestra
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States
recording of:
Big John’s Special (in 1954-11)
writer:
Horace Henderson
3:05
3Down South Camp Meetin'
recording of:
Down South Camp Meetin’
composer:
Fletcher Henderson and Irving Mills
publisher:
EMI Mills Music Inc., ヤマハミュージックエンタテインメントホールディングス, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
3:09
4And the Angels Sing
recording of:
And the Angels Sing
lyricist:
Johnny Mercer
composer:
Ziggy Elman
publisher:
Francis, Day & Hunter Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:11
5Goodbye
recording of:
Goodbye
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music, Peermusic (UK) Limited, Southern Music Publishing Co., Inc., Universal Music Corp. and WB Music Corp.
3:13
6Sing, Sing, Sing
recording of:
Sing, Sing, Sing (With a Swing)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (ended) and EMI Robbins Catalog Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
7:22
7Bugle Call Rag
recording of:
Bugle Call Rag
composer:
Billy Meyers, Jack Pettis and Elmer Schoebel
2:46
8Shine
recording of:
Shine
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
1:05
9One O'clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (in 1937)
publisher:
EMI Feist Catalog Inc.
3:52
10Don't Be That Way
recording of:
Don’t Be That Way
lyricist:
Mitchell Parish
composer:
Benny Goodman and Edgar Sampson
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
3:02
11It's Been So Long
recording of:
It’s Been So Long
lyricist:
Harold Adamson
composer:
Walter Donaldson
publisher:
CBS Feist Catalog, Inc.
2:55
12Sometimes I'm Happy
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
2:48
13Goody Goody
recording of:
Goody Goody
lyricist:
Johnny Mercer
composer:
Matty Malneck
publisher:
Chappell & Co., Inc., Malneck Music, The Johnny Mercer Foundation, WB Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
2:32
14Avalon
recording of:
Avalon
writer:
B. G. DeSylva, Al Jolson and Vincent Rose
publisher:
Chappell & Co., Inc., Stephen Ballentine Music, Warner Bros. Music and Jerome H. Remick & Co. (on 1920-09-04)
3:13
15Moonglow
recording of:
Moonglow
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
3:24
16Memories of You
recording of:
Memories of You
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:18
17China Boy
recording of:
China Boy
composer:
Phil Boutelje (in 1922) and Richard A. Winfree (in 1922)
publisher:
Leo Feist Inc.
3:33
18It's Bad for Me
2:56
19Goodbye
recording of:
Goodbye
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music, Peermusic (UK) Limited, Southern Music Publishing Co., Inc., Universal Music Corp. and WB Music Corp.
3:10
20That's a Plenty
recording of:
That’s a Plenty
lyricist:
Ray Gilbert
composer:
Lew Pollack
publisher:
Janeiro Music Co. and Lew Pollack Music
4:00
21Memories of You
recording of:
Memories of You
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:34
22Can't We Talk It Over
recording of:
Can't We Talk It Over
writer:
Ned Washington and Victor Young
3:15
23A Fine Romance
recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:03
4▼Digital Media
#TitleLength
1Let's Dance
recording of:
Let’s Dance (Benny Goodman’s theme song)
lyricist:
Fanny May Baldridge
composer:
Joseph Bonime, Gregory Stone and Carl Maria von Weber
2:21
2Down South Camp Meetin'
recording of:
Down South Camp Meetin’
composer:
Fletcher Henderson and Irving Mills
publisher:
EMI Mills Music Inc., ヤマハミュージックエンタテインメントホールディングス, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
3:05
3King Porter Stomp
alto saxophone:
Blake Reynolds (in 1955-08) and Hymie Shertzer (in 1955-08)
bass:
George Duvivier (in 1955-08)
clarinet:
Benny Goodman (in 1955-08)
drums (drum set):
Gene Krupa (in 1955-08)
guitar:
Allan Reuss (in 1955-08)
piano:
Teddy Wilson (in 1955-08)
tenor saxophone:
Stan Getz (in 1955-08)
trombone:
Urbie Green (in 1955-08), Murray McEachern (in 1955-08) and Jimmy Priddy (in 1955-08)
trumpet:
Johnny Best (in 1955-08), Irving Goodman (in 1955-08), Conrad Gozzo (in 1955-08) and Chris Griffin (in 1955-08)
recording of:
King Porter Stomp (in 1955-08)
composer:
Jelly Roll Morton
2:43
4It's Been So Long
recording of:
It’s Been So Long
lyricist:
Harold Adamson
composer:
Walter Donaldson
publisher:
CBS Feist Catalog, Inc.
3:20
5Roll 'Em
alto saxophone:
Blake Reynolds (in 1955-08) and Hymie Shertzer (in 1955-08)
bass:
George Duvivier (in 1955-08)
clarinet:
Benny Goodman (in 1955-08)
drums (drum set):
Gene Krupa (in 1955-08)
guitar:
Allan Reuss (in 1955-08)
piano:
Teddy Wilson (in 1955-08)
tenor saxophone:
Stan Getz (in 1955-08)
trombone:
Urbie Green (in 1955-08), Murray McEachern (in 1955-08) and Jimmy Priddy (in 1955-08)
trumpet:
Johnny Best (in 1955-08), Irving Goodman (in 1955-08), Conrad Gozzo (in 1955-08) and Chris Griffin (in 1955-08)
instrumental recording of:
Roll ’em (in 1955-08)
composer:
Mary Lou Williams
publisher:
EMI United Partnership Ltd. (in 2016)
3:16
6Bugle Call Rag
recording of:
Bugle Call Rag
composer:
Billy Meyers, Jack Pettis and Elmer Schoebel
3:00
7Don't Be That Way
alto saxophone:
Blake Reynolds (in 1955-08) and Hymie Shertzer (in 1955-08)
bass:
George Duvivier (in 1955-08)
clarinet:
Benny Goodman (in 1955-08)
drums (drum set):
Gene Krupa (in 1955-08)
guitar:
Allan Reuss (in 1955-08)
piano:
Teddy Wilson (in 1955-08)
tenor saxophone:
Stan Getz (in 1955-08)
trombone:
Urbie Green (in 1955-08), Murray McEachern (in 1955-08) and Jimmy Priddy (in 1955-08)
trumpet:
Johnny Best (in 1955-08), Irving Goodman (in 1955-08), Conrad Gozzo (in 1955-08) and Chris Griffin (in 1955-08)
instrumental recording of:
Don’t Be That Way (in 1955-08)
lyricist:
Mitchell Parish
composer:
Benny Goodman and Edgar Sampson
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
3:55
8You Turned the Tables on Me
alto saxophone:
Blake Reynolds (in 1955-08) and Hymie Shertzer (in 1955-08)
bass:
George Duvivier (in 1955-08)
clarinet:
Benny Goodman (in 1955-08)
drums (drum set):
Gene Krupa (in 1955-08)
guitar:
Allan Reuss (in 1955-08)
piano:
Teddy Wilson (in 1955-08)
tenor saxophone:
Stan Getz (in 1955-08)
trombone:
Urbie Green (in 1955-08), Murray McEachern (in 1955-08) and Jimmy Priddy (in 1955-08)
trumpet:
Johnny Best (in 1955-08), Irving Goodman (in 1955-08), Conrad Gozzo (in 1955-08) and Chris Griffin (in 1955-08)
instrumental recording of:
You Turned the Tables on Me (in 1955-08)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (in 1936)
2:56
9Goody Goody
alto saxophone:
Blake Reynolds (in 1955-08) and Hymie Shertzer (in 1955-08)
bass:
George Duvivier (in 1955-08)
clarinet:
Benny Goodman (in 1955-08)
drums (drum set):
Gene Krupa (in 1955-08)
guitar:
Allan Reuss (in 1955-08)
piano:
Teddy Wilson (in 1955-08)
tenor saxophone:
Stan Getz (in 1955-08)
trombone:
Urbie Green (in 1955-08), Murray McEachern (in 1955-08) and Jimmy Priddy (in 1955-08)
trumpet:
Johnny Best (in 1955-08), Irving Goodman (in 1955-08), Conrad Gozzo (in 1955-08) and Chris Griffin (in 1955-08)
instrumental recording of:
Goody Goody (in 1955-08)
lyricist:
Johnny Mercer
composer:
Matty Malneck
publisher:
Chappell & Co., Inc., Malneck Music, The Johnny Mercer Foundation, WB Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
2:18
10Slipped Disc
alto saxophone:
Blake Reynolds (in 1955-08) and Hymie Shertzer (in 1955-08)
clarinet:
Benny Goodman (in 1955-08)
drums (drum set):
Gene Krupa (in 1955-08)
guitar:
Allan Reuss (in 1955-08)
piano:
Teddy Wilson (in 1955-08)
tenor saxophone:
Stan Getz (in 1955-08)
trombone:
Urbie Green (in 1955-08) and Murray McEachern (in 1955-08)
trumpet:
Conrad Gozzo (in 1955-08)
recording of:
Slipped Disc (in 1955-08)
composer:
Benny Goodman
4:16
11Stompin' at the Savoy
alto saxophone:
Blake Reynolds (in 1955-08) and Hymie Shertzer (in 1955-08)
bass:
George Duvivier (in 1955-08)
clarinet:
Benny Goodman (in 1955-08)
drums (drum set):
Gene Krupa (in 1955-08)
guitar:
Allan Reuss (in 1955-08)
piano:
Teddy Wilson (in 1955-08)
tenor saxophone:
Stan Getz (in 1955-08)
trombone:
Urbie Green (in 1955-08), Murray McEachern (in 1955-08) and Jimmy Priddy (in 1955-08)
trumpet:
Johnny Best (in 1955-08), Irving Goodman (in 1955-08), Conrad Gozzo (in 1955-08) and Chris Griffin (in 1955-08)
instrumental recording of:
Stompin’ at the Savoy (in 1955-08)
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
2:32
12One O'clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (in 1937)
publisher:
EMI Feist Catalog Inc.
3:10
13Memories of You
recording of:
Memories of You
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
2:51
14China Boy
recording of:
China Boy
composer:
Phil Boutelje (in 1922) and Richard A. Winfree (in 1922)
publisher:
Leo Feist Inc.
3:35
15Moonglow
recording of:
Moonglow
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
6:54
16Avalon
recording of:
Avalon
writer:
B. G. DeSylva, Al Jolson and Vincent Rose
publisher:
Chappell & Co., Inc., Stephen Ballentine Music, Warner Bros. Music and Jerome H. Remick & Co. (on 1920-09-04)
6:11
17And the Angels Sing
recording of:
And the Angels Sing
lyricist:
Johnny Mercer
composer:
Ziggy Elman
publisher:
Francis, Day & Hunter Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:02
18Jersey Bounce
recording of:
Jersey Bounce
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson and Bobby Plater
3:02
19Sometimes I'm Happy
recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
4:12
20Shine
recording of:
Shine
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
0:59
21Sing, Sing, Sing
recording of:
Sing, Sing, Sing (With a Swing)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (ended) and EMI Robbins Catalog Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
8:06