| # | Title | Artist | Length |
|---|
| 1 | A Pirate Looks at Forty | Jimmy Buffett | 3:54 |
| 2 | Key Largo (live at the Schooner Wharf Bar) | Bertie Higgins | 4:39 |
| 3 | Right Down the Line- recording engineer:
- Barry Hammond
- producer:
- Hugh Murphy and Gerry Rafferty
- mixer:
- Declan O’Doherty
- bass:
- Gary Taylor
- drums (drum set):
- Henry Spinetti
- guitar family:
- Hugh Burns
- organ and piano:
- Tommy Eyre
- percussion:
- Glen LeFleur
- steel guitar:
- Brian Cole
- lead vocals:
- Gerry Rafferty
- phonographic copyright (℗) by:
- Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 1)
- recording of:
- Right Down the Line
- lyricist and composer:
- Gerry Rafferty
- publisher:
- Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. and Music of Stage Three (in 1978)
| Gerry Rafferty | 4:28 |
| 4 | Luckenbach, Texas- engineer:
- Don Cobb and Neil Wilburn
- producer:
- Chips Moman
- bass:
- Sherman Hayes (from 1977-01-07 until 1977-01-08)
- drums (drum set):
- Richie Albright (from 1977-01-07 until 1977-01-08)
- guitar:
- Johnny Christopher (from 1977-01-07 until 1977-01-08), Waylon Jennings (from 1977-01-07 until 1977-01-08), Gordon Payne (from 1977-01-07 until 1977-01-08), Rance Wasson (from 1977-01-07 until 1977-01-08) and Reggie Young (from 1977-01-07 until 1977-01-08)
- keyboard:
- Clifford Barny Robertson (from 1977-01-07 until 1977-01-08)
- steel guitar:
- Ralph Mooney (from 1977-01-07 until 1977-01-08)
- background vocals:
- Carter Robertson (from 1977-01-07 until 1977-01-08)
- lead vocals:
- Waylon Jennings (from 1977-01-07 until 1977-01-08) and Willie Nelson (from 1977-01-07 until 1977-01-08)
- phonographic copyright (℗) by:
- BMG Entertainment (in 1977), BMG Music (in 1977), RCA Corporation (in 1977) and RCA Records (in 1977)
- recorded at:
- American Studios in Nashville, Tennessee, United States (from 1977-01-07 until 1977-01-08)
- mixed at:
- American Studios in Nashville, Tennessee, United States
- recording of:
- Luckenbach, Texas (Back to the Basics of Love) (from 1977-01-07 until 1977-01-08)
- composer:
- Bobby Emmons and Chips Moman
- publisher:
- Baby Chick Music, Baby Chick Music, Inc. and Essex
- cover recording of:
- Luckenbach, Texas (Back to the Basics of Love)
- composer:
- Bobby Emmons and Chips Moman
- publisher:
- Baby Chick Music, Baby Chick Music, Inc. and Essex
| Waylon Jennings | 3:19 |
| 5 | Two Tickets to Paradise | Eddie Money | 3:54 |
| 6 | Sundown | Gordon Lightfoot | 3:34 |
| 7 | On and On- sound engineer:
- Henry Lewy
- assistant engineer:
- Leslie Jones and Helen Silvani
- producer:
- Stephen Bishop and Henry Lewy
- acoustic guitar, background vocals and lead vocals:
- Stephen Bishop
- bass guitar:
- Mac Cridlin
- drums (drum set):
- Larry Brown
- electric guitar:
- Andrew Gold
- electric piano:
- Barlow Jarvis
- marimba, percussion and vibraphone:
- Victor Feldman
- steel guitar:
- Michael Staton
- phonographic copyright (℗) by:
- ABC Records, Inc (in 1976), Geffen Records (in 1976) and UMG Recordings, Inc. (in 1976)
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States and ABC Recording Studios in Los Angeles, California, United States
- recording of:
- On and On
- lyricist and composer:
- Stephen Bishop
- publisher:
- Downtown DLJ Songs, Downtown Music Publishing International Inc., Stephen Bishop Music Publishing and エイベックス・ミュージック・パブリッシング
| Stephen Bishop | 2:58 |
| 8 | Into the Mystic (1999 remaster) | Van Morrison | 3:29 |
| 9 | Moonfog | Jimmy Buffett | 3:15 |
| 10 | Poem for a White Cat | John Debney | 2:00 |
| 11 | Sucking Toes and Playing Tennis | John Debney | 3:45 |
| 12 | Moondog and Minnie | John Debney | 3:04 |
| 13 | Goodbye to Minnie | John Debney | 5:12 |
| 14 | Beautiful Moondog | John Debney | 4:00 |
