Carmen

~ Release by Bizet; RCA Victor Orchestra, Robert Shaw Chorale, Fritz Reiner (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistLength
1Carmen : Overture
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Prélude (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:44
2Carmen : Acte I. « Sur la place, chacun passe »
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:56
3Carmen : Acte I. « Regardez donc cette petite »
baritone vocals [Moralès]:
Hugh Thompson (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
soprano vocals [Micaëla]:
Licia Albanese (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. Dialogue « Regardez donc cette petite » (Moralès, les Soldats, Micaëla) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:59
4Carmen : Acte I. « Avec la garde montante »
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
choir vocals:
Lycée Francais Children's Chorus (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:30
5Carmen : Acte I. « Une jeune fille charmante »
baritone vocals [Moralès]:
Hugh Thompson (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 3 Dialogue « Il y a une jolie fille qui est venue te demander » (Moralès, Don José) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
part of:
Carmen : Acte I
Georges Bizet1:29
6Carmen : Acte I. « C'est bien là, n'est pas ? »
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 3b Récit « C’est bien là, n’est-ce pas » (Zuniga, Don José) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:17
7Carmen : Acte I. « La cloche a sonné » (Chorus of Cigarette Girls)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:47
8Carmen : Acte I. « La voilà, la voilà »
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 4 « La voilà, la voilà » (Les jeunes gens, les soldats, les cigarières) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:03
9Carmen : Acte I. « L'amour est un oiseau rebelle » (Habanera)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:04
10Carmen : Acte I. « Carmen ! sur tes pas »
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:29
11Carmen : Acte I. « Quels regards ! Quelle effronterie ! »
soprano vocals [Micaëla]:
Licia Albanese (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 6b Récit « Quels regards ! Quelle effronterie ! » (Don José, Micaëla) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet0:54
12Carmen : Acte I. « Parle-moi de ma mère ! »
soprano vocals [Micaëla]:
Licia Albanese (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet8:15
13Carmen : Acte I. « Reste là maintenant, pendant que je lirai »
soprano vocals [Micaëla]:
Licia Albanese (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 7b Récit « Reste là, maintenant, pendant que je lirai » (Don José, Micaëla) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:30
14Carmen : Acte I. « Que se passe-t-il donc là-bas ? »
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:04
15Carmen : Acte I. « Mon officier, c'était une querelle »
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 9 Chanson « Mon officier, c’était une querelle » (Don José, Zuniga) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet0:20
16Carmen : Acte I. « Tralalalala, coupe-moi, brûle-moi »
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 9 Chanson et mélodrame « Tralalalala, coupe-moi, brûle-moi » … « Fais-nous grâce de tes chansons » (Carmen, Don José, Zuniga, chœur de femmes) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:28
17Carmen : Acte I. « Près des remparts de Séville » (Seguidilla)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:56
18Carmen : Acte I. « Voici l'ordre; partez »
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. No. 11 Finale « Voici l'ordre, partez » (Zuniga, Carmen) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:07
2▼CD
#TitleArtistLength
1Carmen : Acte I. Entr'acte
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:47
2Carmen : Acte II. « Les tringles des sistres tintaient (Gypsy Song)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet3:59
3Carmen : Acte II. « Messieurs, Pastia me dit
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 12b Récit « Messieurs, Pastia me dit… » (Frasquita, Zuniga, Carmen, Mercédès) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet0:54
4Carmen : Acte II. « Vivat ! vivat le Torero !
baritone vocals [Moralès]:
Hugh Thompson (from 1951-05-16 until 1951-06-22)
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 13 Chœur « Vivat ! Vivat le toréro ! » (Frasquita, Mercédès, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:01
5Carmen : Acte II. « Votre toast, je peux vous le rendre (Toreador Song)
baritone vocals [Escamillo]:
Robert Merrill (from 1951-05-16 until 1951-06-22)
baritone vocals [Moralès]:
Hugh Thompson (from 1951-05-16 until 1951-06-22)
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:47
6Carmen : Acte II. « La belle, un mot
baritone vocals [Escamillo]:
Robert Merrill (from 1951-05-16 until 1951-06-22)
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
partial recording of:
Carmen : Acte II. Dialogue « Messieurs les officiers, je vous en prie » / « La belle, un mot » / « Le Dancaïre et le Remendado ont à vous parler » (Pastia, Zuniga, Escamillo, Carmen, chœur, Frasquita, Le Dancaïre) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. Dialogue « Messieurs les officiers, je vous en prie » / « La belle, un mot » / « Le Dancaïre et le Remendado ont à vous parler » (Pastia, Zuniga, Escamillo, Carmen, chœur, Frasquita, Le Dancaïre)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:01
7Carmen : Acte II. « Eh bien, vite, quelles nouvelles ?
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 15 Récit "Eh bien ! Vite, quelles nouvelles ? » (Frasquita, Le Dancaïre, Mercédès, Le Remendado, Carmen) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet0:59
8Carmen : Acte II. « Nous avons en tête une affaire (Quintet)
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:40
9Carmen : Acte II. « Mais qui donc attends-tu ?
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 15 Récit : « Mais qui donc attends-tu ? » (Le Dancaïre, Le Remendado, Carmen) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet0:30
10Carmen : Acte II. « Halte là ? Qui va là ?
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:20
11Carmen : Acte II. « Enfin c'est toi !
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 16b Récit « Enfin c’est toi ! » (Carmen, Don José) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:35
12Carmen : Acte II. « Lalalala » … « Attends un peu, Carmen
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 17 Duo : « Attends un peu, Carmen » (Carmen, Don José) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:13
13Carmen : Acte II. « La fleur que tu m'avais jetée (Flower Song)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet (in 1875)
librettist:
Ludovic Halévy (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:38
14Carmen : Acte II. « Non ! tu ne m'aimes pas
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet3:36
15Carmen : Acte II. « Holà ! Carmen! Holà ! Holà !
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:14
16Carmen : Acte II. « Bel officier, bel officier
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
baritone vocals [Zuniga]:
Osie Hawkins (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen: Acte II, No. 18. Finale : « Bel officier, bel officier » (Carmen, Le Dancaïre, Le Remendado, Zuniga) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet3:17
3▼CD
#TitleArtistLength
1Carmen : Acte II. Entr'acte
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet2:38
2Carmen : Acte III. « Écoute, écoute, compagnon, écoute »
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:08
3Carmen : Acte III. « Reposons-nous une heure ici »
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte III. Récitative « Reposons‐nous une heure ici » (Le Dancaïre, Carmen, Don José) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet2:32
4Carmen : Acte III. « Mêlons ! Coupons ! » (Card Scene)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet7:17
5Carmen : Acte III. « Eh bien ? … Eh bien »
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte III. Récitative « Eh bien ? … » (Carmen, Le Dancaïre, Frasquita) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:40
6Carmen : Acte III. « Quant au douanier, c'est notre affaire »
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:03
7Carmen : Acte III. « C'est des contrebandiers »
soprano vocals [Micaëla]:
Licia Albanese (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte III. Récitative « C’est des contrebandiers le refuge ordinaire » (Micaëla, le guide) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet1:04
8Carmen : Acte III. « Je dis que rien ne m'epouvante » (Micaela's Air)
soprano vocals [Micaëla]:
Licia Albanese (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:53
9Carmen : Acte III. « Je ne me trompe pas »
soprano vocals [Micaëla]:
Licia Albanese (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:43
10Carmen : Acte III. « Je suis Escamillo, toréro de Grenade ! »
baritone vocals [Escamillo]:
Robert Merrill (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:07
11Carmen : Acte III. Final « Halte ! Quelqu'un est là »
baritone vocals [Escamillo]:
Robert Merrill (from 1951-05-16 until 1951-06-22)
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
soprano vocals [Micaëla]:
Licia Albanese (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
partial recording of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:16
12Carmen : Acte III. « Moi, je viens te chercher ! »
baritone vocals [Escamillo]:
Robert Merrill (from 1951-05-16 until 1951-06-22)
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
soprano vocals [Micaëla]:
Licia Albanese (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
partial recording of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet2:57
13Carmen : Acte III. « Holà José ! »
baritone vocals [Escamillo]:
Robert Merrill (from 1951-05-16 until 1951-06-22)
baritone vocals [Le Dancaïre]:
George Cehanovsky (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
soprano vocals [Micaëla]:
Licia Albanese (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
tenor vocals [Le Remendado]:
Alessio de Paolis (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
partial recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
partial recording of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet1:57
14Carmen : Acte III. Entr'acte
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:13
15Carmen : Acte IV. « Dansez, dansez »
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
Georges Bizet1:55
16Carmen : Acte IV. Danse bohémienne (from La Jolie fille de Perth) / Farandole (from "L'Arlésienne")
orchestra:
RCA Victor Symphony Orchestra
conductor:
Fritz Reiner
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
recording of:
Scènes bohémiennes from « La Jolie Fille de Perth » : IV. Danse Bohémienne
composer:
Georges Bizet
part of:
Scènes bohémiennes from « La Jolie Fille de Perth »
Georges Bizet5:41
17Carmen : Acte IV. « Les voici ! Voici la quadrille ! »
baritone vocals [Escamillo]:
Robert Merrill (from 1951-05-16 until 1951-06-22)
choir vocals:
Lycée Francais Children's Chorus (from 1951-05-16 until 1951-06-22) and Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Mercédès]:
Margaret Roggero (from 1951-05-16 until 1951-06-22)
soprano vocals [Frasquita]:
Paula Lenchner (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:48
18Carmen : Acte IV. « Si tu m'aimes, Carmen »
baritone vocals [Escamillo]:
Robert Merrill (from 1951-05-16 until 1951-06-22)
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:04
19Carmen : Acte IV. « C'est toi ! » … « C'est moi ! »
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet5:16
20Carmen : Acte IV. « Où vas-tu ? Laisse-moi ! »
choir vocals:
Robert Shaw Chorale (from 1951-05-16 until 1951-06-22)
mezzo-soprano vocals [Carmen]:
Risë Stevens (from 1951-05-16 until 1951-06-22)
tenor vocals [Don José]:
Jan Peerce (from 1951-05-16 until 1951-06-22)
orchestra:
RCA Victor Orchestra (from 1951-05-16 until 1951-06-22)
conductor:
Fritz Reiner (from 1951-05-16 until 1951-06-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1951-05 until 1951-06)
recording of:
Carmen : Acte IV. « Où vas‐tu ? – Laisse‐moi ! » (Don José, Carmen, Chœur) (from 1951-05-16 until 1951-06-22)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:08