Fritz Wunderlich: Musical Pearls

~ Release by Fritz Wunderlich (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleLength
13. Duetto (& Chorus) "Kommt, eilet und laufet"
tenor vocals:
Fritz Wunderlich
5:28
27. Aria "Sanfte soll mein Todeskummer"
tenor vocals:
Fritz Wunderlich (in 1956-07)
orchestra:
Stuttgarter Bach-Orchester (in 1956-07)
conductor:
Marcel Couraud (in 1956-07)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956-07)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1956-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
6:51
3No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
producer:
Ray Minshull
choir vocals:
Stuttgarter Hymnus-Chorknaben (from 1964-07-27 until 1964-07-28)
tenor vocals:
Fritz Wunderlich (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1964-07-27 until 1964-07-28)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:59
4No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
choir vocals:
Stuttgarter Hymnus-Chorknaben (from 1964-07-27 until 1964-07-28)
tenor vocals:
Fritz Wunderlich (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
5:47
5No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
tenor vocals:
Fritz Wunderlich (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
1:04
6No.35 Aria (Tenor): "Geduld! Wenn mich falsche Zungen stechen"
producer:
Ray Minshull
tenor vocals:
Fritz Wunderlich (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1964-07-27 until 1964-07-28)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:02
7Aria (Duet): "Et misericordia"
contralto vocals:
Margarethe Bence (in 1956)
tenor vocals:
Fritz Wunderlich (in 1956)
orchestra:
Das Sinfonie-Ensemble Stuttgart (in 1956)
conductor:
Marcel Couraud (in 1956)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956)
3:07
8Aria: "Deposuit potentes"
tenor vocals:
Fritz Wunderlich (in 1956)
orchestra:
Stuttgarter Bach-Orchester and Das Sinfonie-Ensemble Stuttgart (in 1956)
conductor:
Marcel Couraud (in 1956)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1956-07)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
2:17
95. Recitativo "So stehe denn, du gottergeb'ne Seele"
tenor vocals:
Fritz Wunderlich (in 1956)
orchestra:
Das Sinfonie-Ensemble Stuttgart (in 1956)
conductor:
Marcel Couraud (in 1956)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956)
1:11
106. Aria "Adam muss in uns verwesen"
tenor vocals:
Fritz Wunderlich (in 1956)
orchestra:
Das Sinfonie-Ensemble Stuttgart (in 1956)
conductor:
Marcel Couraud (in 1956)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956)
2:28
11No.1 Chorus: "Jauchzet, frohlocket"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
choir vocals:
Münchener Bach‐Chor (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
phonographic copyright (℗) by:
Polydor International GmbH (in 1965)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
8:17
12No.2 Evangelist: "Es begab sich aber zu der Zeit"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
tenor vocals [Evangelist]:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:51
13No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:03
14No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:01
15No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
tenor vocals [Evangelist]:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:37
16No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
alto vocals:
Christa Ludwig (from 1965-02 until 1965-06)
soprano vocals:
Gundula Janowitz (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:25
17No.60/61 "Und Gott befahl ihnen im Traum" - "Genug, mein Schatz geht nicht von hier"
tenor vocals:
Fritz Wunderlich
2:25
18No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:17
2▼CD
#TitleLength
1Ouvertüre
orchestra:
Bavarian State Opera Orchestra (in 1965-12)
conductor:
Eugen Jochum (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
4:23
2"Hier soll ich dich denn sehen"
tenor vocals [Belmonte]:
Fritz Wunderlich (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (in 1965-12)
conductor:
Eugen Jochum (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
2:45
3"Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig"
tenor vocals:
Fritz Wunderlich (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (in 1965-12)
conductor:
Eugen Jochum (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:18
4"Wenn der Freude Tränen fließen"
tenor vocals:
Fritz Wunderlich (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (in 1965-12)
conductor:
Eugen Jochum (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
4:15
5"Ach Belmonte! Ach, mein Leben!"
tenor vocals:
Fritz Wunderlich (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (in 1965-12)
conductor:
Eugen Jochum (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) (in 1965-12)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
10:48
6"Ich baue ganz auf deine Stärke"
tenor vocals:
Fritz Wunderlich (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (in 1965-12)
conductor:
Eugen Jochum (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
6:16
7"Welch ein Geschick!"
tenor vocals:
Fritz Wunderlich (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (in 1965-12)
conductor:
Eugen Jochum (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze) (in 1965-12)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze) (in 1965-12)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
8:59
8Dies Bildnis ist bezaubernd schön (Tamino)
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker
balance engineer:
Günter Hermanns
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:42
9"Zum Ziele führt dich diese Bahn"
producer:
Otto Gerdes and Wolfgang Lohse
bass vocals [Dritter Priester]:
Manfred Röhrl (from 1965-10-31 until 1965-11-03)
choir vocals:
RIAS Kammerchor (from 1965-10-31 until 1965-11-03)
contralto vocals [Dritter Knabe]:
Raili Kostia (from 1965-10-31 until 1965-11-03)
soprano vocals [Erster Knabe]:
Rosl Schwaiger (from 1965-10-31 until 1965-11-03)
soprano vocals [Zweiter Knabe]:
Antonia Fahberg (from 1965-10-31 until 1965-11-03)
spoken vocals [Sprecher]:
Hans Hotter (from 1965-10-31 until 1965-11-03)
tenor vocals [Erster Priester]:
Hubert Hilten (from 1965-10-31 until 1965-11-03)
tenor vocals [Tamino]:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
tenor vocals [Zweiter Priester]:
Martin Vantin (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (from 1965-10-31 until 1965-11-03)
chorus master:
Günther Arndt (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06), Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
10:24
10"Wie stark ist nicht dein Zauberton"
producer:
Otto Gerdes and Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (from 1965-10-31 until 1965-11-03)
tenor vocals [Tamino]:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
vocals:
Fritz Wunderlich
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06), Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:22
11"Der, welcher wandelt diese Straße voll Beschwerden"
producer:
Otto Gerdes and Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Martti Talvela (from 1965-10-31 until 1965-11-03)
soprano vocals [Pamina]:
Evelyn Lear (from 1965-10-31 until 1965-11-03)
tenor vocals [Erster geharnischter Mann]:
James King (from 1965-10-31 until 1965-11-03)
tenor vocals [Tamino]:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06), Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
5:25
12Tamino mein, o welch ein Glück (Tamino, Pamina, die Geharnischten)
producer:
Otto Gerdes and Wolfgang Lohse
bass vocals [Zweiter geharnischter Mann]:
Martti Talvela (from 1964-06-18 until 1964-06-25)
choir vocals:
RIAS Kammerchor (in 1964-06, from 1964-06-18 until 1964-06-25)
soprano vocals [Pamina]:
Evelyn Lear (in 1964-06, from 1964-06-18 until 1964-06-25)
tenor vocals [Erster geharnischter Mann]:
James King (from 1964-06-18 until 1964-06-25)
tenor vocals [Tamino]:
Fritz Wunderlich (in 1964-06, from 1964-06-18 until 1964-06-25)
orchestra:
Berliner Philharmoniker (in 1964-06, from 1964-06-18 until 1964-06-25)
conductor:
Karl Böhm (in 1964-06, from 1964-06-18 until 1964-06-25)
chorus master:
Günther Arndt (in 1964-06)
balance engineer:
Günter Hermanns (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1964-06), Jesus‐Christus‐Kirche in Berlin, Germany (from 1964-06-18 until 1964-06-25) and Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
7:11
3▼CD
#TitleLength
1Strahlt auf mich der Blitz des Goldes
baritone vocals [Bariton] and baritone vocals [Figaro]:
Hermann Prey
tenor vocals and tenor vocals [Almaviva]:
Fritz Wunderlich
vocals:
Hermann Prey and Fritz Wunderlich
orchestra:
Münchner Rundfunkorchester
conductor:
Kurt Eichhorn
recording of:
Der Barbier von Sevilla: Akt I. „Strahlt auf mich der Blitz des Goldes”
composer:
Gioachino Rossini
translated version of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte)
part of:
Der Barbier von Sevilla (german lyrics)
7:32
2Hier nimm den Ring der Treue
tenor vocals:
Fritz Wunderlich
4:29
3"Ich denk ihn lieber mir von meinen Stande" - "Liebe ist Seligkeit, ist Licht und Leben"
soprano vocals:
Erika Köth
tenor vocals:
Fritz Wunderlich
orchestra:
Münchner Rundfunkorchester
conductor:
Kurt Eichhorn
recording of:
Rigoletto: 1. Akt. „Giovanna, mir ist so bange“ (Gilda, Giovanna) / „Ich denk ihn lieber mir“ / Duett „Ich liebe dich!“ (Herzog, Gilda)
composer:
Giuseppe Verdi
translated version of:
Rigoletto: Atto I, scena 2. N°5 “Giovanna, ho dei rimorsi …” (Gilda, Giovanna) / Duetto “T'amo! T'amo” (Duca, Gilda)
part of:
Rigoletto: 1. Akt
part of:
Rigoletto: 1. Akt
6:16
4O Freunde, so leeret in vollen Zügen
baritone vocals [Baron]:
Günter Missenhardt (in 1966-09)
bass vocals [Doktor]:
Karl Christian Kohn (in 1966-09)
bass vocals [Marquis]:
Hans Bruno Ernst (in 1966-09)
choir vocals:
Chor des Bayerischen Rundfunks (in 1966-09)
contralto vocals [Flora]:
Claudia Hellmann (in 1966-09)
soprano vocals [Violetta]:
Hilde Güden (in 1966-09)
tenor vocals [Alfredo]:
Fritz Wunderlich (in 1966-09)
tenor vocals [Gaston]:
Friedrich Lenz (in 1966-09)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1966-09)
conductor:
Bruno Bartoletti (in 1966-09)
recording of:
La Traviata: Akt I. „O Freunde, so leeret in vollen Zügen“ (Alfredo, Chor, Violetta) (in 1966-09)
composer:
Giuseppe Verdi
librettist:
Antonio Ghislanzoni
translated version of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
part of:
La Traviata: Akt I.
part of:
Violetta (La traviata) (german lyrics)
2:23
5Ich sah Euch lieblich und engelsschön
soprano vocals [Violetta]:
Hilde Güden (in 1966-09)
tenor vocals [Alfredo]:
Fritz Wunderlich (in 1966-09)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1966-09)
conductor:
Bruno Bartoletti (in 1966-09)
recording of:
La Traviata: Akt I. „Ich sah euch lieblich und engelsschön“ (Alfredo, Violetta) (in 1966-09)
composer:
Giuseppe Verdi
librettist:
Antonio Ghislanzoni
translated version of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta)
part of:
La Traviata: Akt I.
part of:
Violetta (La traviata) (german lyrics)
3:19
6O, laß uns fliehen aus diesen Mauern
soprano vocals [Violetta]:
Hilde Güden (in 1966-09)
tenor vocals [Alfredo]:
Fritz Wunderlich (in 1966-09)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1966-09)
conductor:
Bruno Bartoletti (in 1966-09)
recording of:
La Traviata: Akt III. „O, laß uns fliehen aus diesen Mauern“ (Alfred, Violetta) (in 1966-09)
composer:
Giuseppe Verdi
translated version of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)
part of:
La Traviata: Akt III.
3:51
7"Er ist's! Carlos! Mein Prinz!" - "Gott, der entflammte der Liebe heisse Glut"
baritone vocals [Posa]:
Hermann Prey (in 1963-01)
tenor vocals [Don Carlos]:
Fritz Wunderlich (in 1963-01)
orchestra:
Münchner Rundfunkorchester (in 1963-01)
conductor:
Horst Stein (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (in 1971)
recording of:
Don Carlos: Aufzug II. "Sie ist verloren" / "Er ist's! Carlos!" (in 1963-01)
composer:
Giuseppe Verdi
part of:
Don Carlos: Akt I (German translation)
5:58
8"Infame Feder! Welch scheusslicher Pinsel!" - "Ach, Geliebte, nie kehrst du mir wieder!"
baritone vocals [Marcello]:
Hermann Prey (in 1961-12)
tenor vocals [Rodolfo]:
Fritz Wunderlich (in 1961-12)
orchestra:
Münchner Rundfunkorchester (in 1961-12)
conductor:
Kurt Eichhorn (in 1961-12)
phonographic copyright (℗) by:
Polydor International GmbH (in 1971)
recording of:
La Bohème: Akt IV. "Infame Feder" / "Welch scheußlicher Pinsel" / "Ach, Geliebte! Nie kehrst du mir wieder!" (in 1961-12)
composer:
Giacomo Puccini
part of:
La bohème: Akt IV (German translation)
3:33
9Und es blitzten die Sterne
tenor vocals [Cavaradossi]:
Fritz Wunderlich (in 1965-12)
orchestra:
Südwestfunk-Orchester Baden-Baden (in 1965-12)
conductor:
Emmerich Smola (in 1965-12)
recorded at:
SWR Studio in Kaiserslautern, Rheinland-Pfalz, Germany (in 1965-12)
recording of:
Tosca: 3. Akt. „Und es blitzen die Sterne” (Cavaradossi) (“E lucevan le stelle”) (in 1965-12)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
part of:
Tosca: 3. Akt
2:50
10Nicht an mich, Geliebter, denke
tenor vocals:
Fritz Wunderlich
4:38
11Du süssester Engel - Excerpt
tenor vocals:
Fritz Wunderlich
3:46
12Leukippos, du? - with fade-out
tenor vocals:
Fritz Wunderlich
6:14
13Ja, ich lieb' Sie, Olga
tenor vocals:
Fritz Wunderlich
3:27
14Wohin seid ihr entschwunden
tenor vocals:
Fritz Wunderlich (in 1966-07)
orchestra:
Orchester Der Staatsoper Munchen (in 1966-07)
conductor:
Otto Gerdes (in 1966-07)
balance engineer:
Heinz Wildhagen (in 1966-07)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-07)
recording of:
Eugen Onegin: Aufzug II. "Wohin seid ihr entschwunden" (Lensky) (in 1966-07)
composer:
Tschaikowsky
part of:
Eugen Onegin, op. 24 (German translation)
6:56
4▼CD
#TitleLength
1Holdes Laubgezweig, schattige Ruh'
producer:
Elsa Schiller
tenor vocals:
Fritz Wunderlich (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1962-10)
conductor:
Rafael Kubelík (in 1962-10)
balance engineer:
Harald Baudis (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
3:26
2Der Gedanke an die Flammen der Liebe
producer:
Elsa Schiller
tenor vocals:
Fritz Wunderlich (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1962-10)
conductor:
Rafael Kubelík (in 1962-10)
balance engineer:
Harald Baudis (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
2:58
3Bleibt ihr treu dem, der euch so verachtet?
producer:
Elsa Schiller
tenor vocals:
Fritz Wunderlich (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1962-10)
conductor:
Rafael Kubelík (in 1962-10)
balance engineer:
Harald Baudis (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
2:48
4Finstre Furien, ihr Geister der Hölle
producer:
Elsa Schiller
tenor vocals:
Fritz Wunderlich (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1962-10)
conductor:
Rafael Kubelík (in 1962-10)
balance engineer:
Harald Baudis (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
3:58
5Nur einen Wunsch, nur ein Verlangen
tenor vocals and tenor vocals [Pylades]:
Fritz Wunderlich
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Rafael Kubelík
partial recording of:
Iphigenie auf Tauris
translated version of:
Iphigénie en Tauride, Wq. 46
3:38
6"O unverhofftes Glück" - "Das höre ich von dir"
baritone vocals [Orestes]:
Hermann Prey
tenor vocals [Pylades]:
Fritz Wunderlich
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Rafael Kubelík
phonographic copyright (℗) by:
Polydor International GmbH (in 1971)
partial recording of:
Iphigenie auf Tauris
translated version of:
Iphigénie en Tauride, Wq. 46
4:07
7Ma se il nostro gioir
baritone vocals [Dritter Hirte]:
Clemens Kaiser-Breme
tenor vocals [Zweiter Hirte]:
Fritz Wunderlich
orchestra:
Orchester der "Sommerlichen Musiktage Hitzacker 1955" (in 1955)
conductor:
August Wenzinger
recording of:
L'Orfeo: Atto primo. Alcun non sia che disperato in preda (Due pastori)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Ma se il nostro gioir dal ciel deriva (Pastore)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio
part of:
L’Orfeo: Atto primo
2:37
8Perché a lo sdegno
tenor vocals [Apollo]:
Fritz Wunderlich
tenor vocals [Orfeo]:
Helmut Krebs
orchestra:
Orchester der "Sommerlichen Musiktage Hitzacker 1955" (in 1955)
conductor:
August Wenzinger
recording of:
L'Orfeo: Atto quinto. Perché a lo sdegno e al dolor in preda (Apollo)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Si non vedrò più mai (Orfeo, Apollo)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
4:59
9Erwacht in meinem Herzen
producer:
Elsa Schiller
tenor vocals [Sesto]:
Fritz Wunderlich (in 1966-03)
orchestra:
Münchner Philharmoniker (in 1966-03)
conductor:
Ferdinand Leitner (in 1966-03)
balance engineer:
Harald Baudis (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17: Akt I (in 1966-03)
composer:
George Frideric Handel
librettist:
Nicola Francesco Haym
part of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation)
4:22
10Nur weinen lernte ich
producer:
Elsa Schiller
mezzo-soprano vocals [Cornelia]:
Christa Ludwig
tenor vocals [Sesto]:
Fritz Wunderlich (in 1966-03)
orchestra:
Münchner Philharmoniker (in 1966-03)
conductor:
Ferdinand Leitner (in 1966-03)
balance engineer:
Harald Baudis (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation) (in 1966-03)
composer:
George Frideric Handel (in 1723)
librettist:
Nicola Francesco Haym
translated version of:
Giulio Cesare in Egitto, HWV 17
5:58
11Keine Schlange läßt sich töten
producer:
Elsa Schiller
tenor vocals [Sesto]:
Fritz Wunderlich (in 1966-03)
orchestra:
Münchner Philharmoniker (in 1966-03)
conductor:
Ferdinand Leitner (in 1966-03)
balance engineer:
Harald Baudis (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation) (in 1966-03)
composer:
George Frideric Handel (in 1723)
librettist:
Nicola Francesco Haym
translated version of:
Giulio Cesare in Egitto, HWV 17
5:33
12O schweige still, o lasse dich erbitten
tenor vocals [Sylvain]:
Fritz Wunderlich
orchestra:
Münchner Rundfunkorchester
conductor:
Hans Moltkau
recording of:
Das Glöckchen des Eremiten: „O schweige still, o lasse dich erbitten“ (Romanze des Sylvain)
composer:
Aimé Maillart
2:58
13"Doch nun zu dir" - "Trenne nicht das Band der Liebe"
baritone vocals [Jäger]:
Hermann Prey
soprano vocals [Gabriele]:
Erika Köth
tenor vocals and tenor vocals [Gomez]:
Fritz Wunderlich
orchestra:
Münchner Rundfunkorchester
conductor:
Kurt Eichhorn
partial recording of:
Das Nachtlager in Granada
composer:
Conradin Kreutzer
librettist:
Karl Johann Braun von Brauntha
5:49
14Man wird ja einmal nur geboren
tenor vocals and tenor vocals [Georg]:
Fritz Wunderlich
vocals:
Fritz Wunderlich
orchestra:
Münchner Rundfunkorchester
conductor:
Hans Moltkau
recording of:
Der Waffenschmied: Akt I. „Man wird ja einmal nur geboren” (Georg)
composer and librettist:
Albert Lortzing
part of:
Der Waffenschmied: Akt I
3:35
15Nr.9 Lied mit Chor:"Lebe wohl, mein flandrisch Mädchen
recording engineer:
Heinz Wildhagen
producer:
Hans Ritter
choir vocals:
Chor des Bayerischen Rundfunks (in 1966-09)
soprano vocals [Marie]:
Ingeborg Hallstein (in 1966-09)
tenor vocals [Marquis]:
Fritz Wunderlich (in 1966-09)
orchestra:
Bamberger Symphoniker (in 1966-09)
conductor:
Hans Gierster (in 1966-09)
chorus master:
Wolfgang Schubert (in 1966-09)
balance engineer:
Heinz Wildhagen (in 1966-09)
recorded at:
Kulturraum in Bamberg, Bayern, Germany (in 1966-09)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor) (in 1966-09)
composer and librettist:
Albert Lortzing (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
5:07
16Nadir, du stehst wirklich vor mir - Und in des Tempels Grund
baritone vocals [Zurga]:
Hermann Prey
tenor vocals [Nadir]:
Fritz Wunderlich
orchestra:
Münchner Rundfunkorchester
conductor:
Horst Stein
partial recording of:
Die Perlenfischer
composer:
Georges Bizet
translated version of:
Les Pêcheurs de perles
8:48
5▼CD
#TitleLength
1Im wunderschönen Monat Mai
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
vocals:
Fritz Wunderlich
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: I. Im wunderschönen Monat Mai (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
1:33
2Aus meinen Tränen sprießen
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
vocals:
Fritz Wunderlich
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: II. Aus meinen Tränen sprießen (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
version of:
Aus meinen Thränen sprießen
part of:
Dichterliebe, op. 48
0:52
3Die Rose, die Lilie, die Taube, die Sonne
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: III. Die Rose, die Lilie, die Taube, die Sonne (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
0:33
4Wenn ich in deine Augen seh'
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
vocals:
Fritz Wunderlich
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh’ (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
1:23
5Ich will meine Seele tauchen
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: V. Ich will meine Seele tauchen (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
0:56
6Im Rhein, im heiligen Strome
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
1:45
7Ich grolle nicht
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: VII. Ich grolle nicht (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
1:19
8Und wüßten's die Blumen, die kleinen
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: VIII. Und wüßten's die Blumen, die kleinen (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
1:17
9Das ist ein Flöten und Geigen
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
1:31
10Hör' ich das Liedchen klingen
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
1:55
11Ein Jüngling liebt ein Mädchen
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
is based on:
Ein Jüngling liebt ein Mädchen
part of:
Dichterliebe, op. 48
1:03
12Am leuchtenden Sommermorgen
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: XII. Am leuchtenden Sommermorgen (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
2:37
13Ich hab' im Traum geweinet
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: XIII. Ich hab' im Traum geweinet (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
2:32
14Allnächtlich im Traume seh' ich dich
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: XIV. Allnächtlich im Traume (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
1:28
15Aus alten Märchen winkt es
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: XV. Aus alten Märchen winkt es (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
2:32
16Die alten, bösen Lieder
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Dichterliebe, op. 48: XVI. Die alten, bösen Lieder (from 1965-10-31 until 1965-11-03)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
is based on:
Die alten, bösen Lieder
part of:
Dichterliebe, op. 48
4:18
17Zärtliche Liebe, WoO 123 "Ich liebe dich"
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich" (from 1965-10-31 until 1965-11-03)
lyricist:
Karl Friedrich Wilhelm Herrosee
composer:
Ludwig van Beethoven (in 1795)
part of:
Biamonti Catalogue (number: Bia 287) and Kinsky catalogue (number: WoO 123)
2:12
18Adelaïde, Op.46
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Adelaide, op. 46 (from 1965-10-31 until 1965-11-03)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (from 1794 until 1796)
dedicated to:
Friedrich von Matthisson
part of:
Works of Ludwig van Beethoven by opus number (number: op. 46)
5:56
19Resignation, WoO149
producer:
Hans Weber
piano:
Hubert Giesen (in 1965-11)
tenor vocals:
Fritz Wunderlich (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Song for Voice and Piano, WoO 149 "Resignation" (in 1965-11)
lyricist:
Paul von Haugwitz
composer:
Ludwig van Beethoven
part of:
Kinsky catalogue (number: WoO 149)
2:26
20Der Kuss, Op.128
producer:
Hans Weber
piano:
Hubert Giesen (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Der Kuß, op. 128 (from 1965-10-31 until 1965-11-03)
lyricist:
Christian Felix Weiße
composer:
Ludwig van Beethoven (from 1798 until 1822)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 128)
2:04
21An Sylvia, D.891 (Op.106/4)
piano:
Hubert Giesen (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recording of:
An Sylvia, D. 891 (for voice and piano) (from 1966-07-02 until 1966-07-05)
lyricist:
William Shakespeare
composer:
Franz Schubert (in 1826)
translator:
Eduard von Bauernfeld
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
3:00
22Lied eines Schiffers an die Dioskuren, D360
producer:
Hans Weber
piano:
Hubert Giesen (in 1965-11)
tenor vocals:
Fritz Wunderlich (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1965-11)
recording of:
Lied eines Schiffers an die Dioskuren, D. 360 (in 1965-11)
lyricist:
Johann Mayrhofer
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 360)
2:47
23Liebhaber in allen Gestalten, D.558
producer:
Hans Ritter
piano:
Hubert Giesen (in 1966-07)
tenor vocals:
Fritz Wunderlich (in 1966-07)
balance engineer:
Heinz Wildhagen (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1966-07)
recording of:
Liebhaber in allen Gestalten, D. 558 (in 1966-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (in 1817)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 558)
1:17
24Der Einsame, D.800
producer:
Hans Ritter
piano:
Hubert Giesen (in 1966-07)
tenor vocals:
Fritz Wunderlich (in 1966-07)
balance engineer:
Heinz Wildhagen (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1966-07)
recording of:
Der Einsame, D. 800 (in 1966-07)
lyricist:
Karl Lappe
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 800)
4:23
25Im Abendrot, D.799
producer:
Hans Weber
piano:
Hubert Giesen (in 1965-11)
tenor vocals:
Fritz Wunderlich (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1965-11)
recording of:
Im Abendrot, D. 799 (in 1965-11)
lyricist:
Karl Lappe
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 799)
3:26
26Ständchen "Leise flehen meine Lieder"
producer:
Hans Ritter
piano:
Hubert Giesen (in 1966-07)
tenor vocals:
Fritz Wunderlich (in 1966-07)
vocals:
Fritz Wunderlich
balance engineer:
Heinz Wildhagen (in 1966-07)
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1966-07)
recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano) (in 1966-07)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (in 1828)
part of:
Schwanengesang, D. 957
3:47
27An die Laute, D. 905 (Op.81/2)
producer:
Hans Weber
piano:
Hubert Giesen (in 1965-11)
tenor vocals:
Fritz Wunderlich (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1965-11)
recording of:
An die Laute, D. 905 (in 1965-11)
lyricist:
Johann Friedrich Rochlitz
composer:
Franz Schubert (in 1827-01)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 905)
1:56
28Der Musensohn, D.764 (Op.92/1)
producer:
Hans Weber
piano:
Hubert Giesen (in 1965-11)
tenor vocals:
Fritz Wunderlich (in 1965-11)
balance engineer:
Hans‐Peter Schweigmann (in 1965-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1965-11)
recording of:
Der Musensohn, D. 764 (in 1965-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 764)
2:16
29An die Musik, D.547 (Op.88/4)
producer:
Hans Ritter
piano:
Hubert Giesen (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (from 1966-07-02 until 1966-07-05)
balance engineer:
Heinz Wildhagen (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (from 1966-07-02 until 1966-07-05)
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (in 1966-07)
lyricist:
Franz von Schober
composer:
Franz Schubert (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
2:24
6▶CD
7▶CD

Credits

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includes:Wiener Lieder