Fritz Wunderlich: Musical Pearls

~ Release by Fritz Wunderlich (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleLength
13. Duetto (& Chorus) "Kommt, eilet und laufet"
tenor vocals:
Fritz Wunderlich
5:28
27. Aria "Sanfte soll mein Todeskummer"
tenor vocals:
Fritz Wunderlich (in 1956-07)
orchestra:
Stuttgarter Bach-Orchester (in 1956-07)
conductor:
Marcel Couraud (in 1956-07)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956-07)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1956-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
6:51
3No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
producer:
Ray Minshull
choir vocals:
Stuttgarter Hymnus-Chorknaben (from 1964-07-27 until 1964-07-28)
tenor vocals:
Fritz Wunderlich (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1964-07-27 until 1964-07-28)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:59
4No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
choir vocals:
Stuttgarter Hymnus-Chorknaben (from 1964-07-27 until 1964-07-28)
tenor vocals:
Fritz Wunderlich (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
5:47
5No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
tenor vocals:
Fritz Wunderlich (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
1:04
6No.35 Aria (Tenor): "Geduld! Wenn mich falsche Zungen stechen"
producer:
Ray Minshull
tenor vocals:
Fritz Wunderlich (from 1964-07-27 until 1964-07-28)
orchestra:
Stuttgarter Kammerorchester (from 1964-07-27 until 1964-07-28)
conductor:
Karl Münchinger (from 1964-07-27 until 1964-07-28)
recorded at:
Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (from 1964-07-27 until 1964-07-28)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1964-07-27 until 1964-07-28)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:02
7Aria (Duet): "Et misericordia"
contralto vocals:
Margarethe Bence (in 1956)
tenor vocals:
Fritz Wunderlich (in 1956)
orchestra:
Das Sinfonie-Ensemble Stuttgart (in 1956)
conductor:
Marcel Couraud (in 1956)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956)
3:07
8Aria: "Deposuit potentes"
tenor vocals:
Fritz Wunderlich (in 1956)
orchestra:
Stuttgarter Bach-Orchester and Das Sinfonie-Ensemble Stuttgart (in 1956)
conductor:
Marcel Couraud (in 1956)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1956-07)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
2:17
95. Recitativo "So stehe denn, du gottergeb'ne Seele"
tenor vocals:
Fritz Wunderlich (in 1956)
orchestra:
Das Sinfonie-Ensemble Stuttgart (in 1956)
conductor:
Marcel Couraud (in 1956)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956)
1:11
106. Aria "Adam muss in uns verwesen"
tenor vocals:
Fritz Wunderlich (in 1956)
orchestra:
Das Sinfonie-Ensemble Stuttgart (in 1956)
conductor:
Marcel Couraud (in 1956)
recorded at:
Studio des Süddeutschen Rundfunks in Stuttgart, Baden-Württemberg, Germany (in 1956)
2:28
11No.1 Chorus: "Jauchzet, frohlocket"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
choir vocals:
Münchener Bach‐Chor (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
phonographic copyright (℗) by:
Polydor International GmbH (in 1965)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
8:17
12No.2 Evangelist: "Es begab sich aber zu der Zeit"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
tenor vocals [Evangelist]:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:51
13No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:03
14No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:01
15No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
tenor vocals [Evangelist]:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:37
16No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
alto vocals:
Christa Ludwig (from 1965-02 until 1965-06)
soprano vocals:
Gundula Janowitz (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:25
17No.60/61 "Und Gott befahl ihnen im Traum" - "Genug, mein Schatz geht nicht von hier"
tenor vocals:
Fritz Wunderlich
2:25
18No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
tenor vocals:
Fritz Wunderlich (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:17
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includes:Wiener Lieder